MOVING IMAGE · REHEARSAL · PHOTOGRAPHY

Watch the work.
Keep its conditions visible.

Films, rehearsal footage and photographs are not detached illustrations. Each record remains connected to a project, a date, a source and the people who made the situation possible.

To interpret what these records document, begin with the main-site P4 Theater profile. Its place within the wider field is addressed separately in the guide to Chinese experimental theater; this page preserves P4’s moving-image evidence.

Human Surrender film and theatre archive

FEATURED LINEAGE

Human Surrender / Shoot Self with You

Film, theatre, recruitment, rehearsal and testimony held inside one long relational process.

176
public archive records and registered segments
128
unique YouTube access copies
11
projects connected to public video
1
independent or cross-project records

PUBLIC YOUTUBE CATALOGUE

Every public moving-image record, searchable by project

This catalogue reads the production public database directly. Registered time ranges inside compilations remain separate archive records, each linked to its project page, archive detail and exact YouTube playback position.

12 archive records across 12 YouTube videos · P4C-008 Middle Road Against Love

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FEATURE FILM

Human Surrender in full

The public screening edition is presented beside an English-subtitled trailer. The wider film dossier connects the finished work to The Last Rehearsal, production footage, interviews and later responses.

1920×1080 / 24fps / 02:36:22. Public access copy on the P4 Theater YouTube channel.

P4 MOVING-IMAGE COMPILATION / 2020–2021

Thirty-seven fragments, one continuous route

This 41:30 compilation reconnects rehearsals, Sunday screenings and project situations around Cocoon, Howlers on the Rooftop and Middle Road Against Love.

It is an access copy, not a replacement for the individual source records retained by the archive.

Open on YouTube
37 clips · 41:30

PHOTOGRAPHY AS SEQUENCE

Middle Road Against Love rehearsal photographs

Eighty-five photographs are kept in shooting order so that bodies, distance and changes in the room remain legible as a sequence.

Browse the complete source set
Middle Road Against Love rehearsal photograph 01
Middle Road Against Love rehearsal photograph 02
Middle Road Against Love rehearsal photograph 03
Middle Road Against Love rehearsal photograph 04
Middle Road Against Love rehearsal photograph 05
Middle Road Against Love rehearsal photograph 06