影子对位法
Canonical Chinese title
Explore the reviewed public archive record for “影子对位法” (P4C-001), including its verified project description and source materials currently cleared for publication.
P4 THEATER / PUBLIC PROJECT INDEX
This index gives every P4 project currently cleared for public access its own searchable route, canonical identity and direct path back to the original-language source dossier. Each card now reports its live public-video coverage and opens the matching YouTube archive records directly.
p4theater.top defines P4’s central entities and publishes complete bilingual writing.
This archive keeps dated Chinese source records, images, event relations and provenance together.
one stable route per public record
22 access-copy dossiers still in progress
independent records and registered segments
linked from the live public catalogue
The edited project selection currently links 183 source texts and 1,118 image relations. Video totals are read from the live public-only catalogue; private masters and review material are never counted here.
COMPLETE PUBLIC INDEX
A translated title appears only where an English profile has been reviewed. Every other entry keeps its canonical Chinese name rather than turning a URL slug into an invented translation. Records still under scope or publication review do not appear here.
Canonical Chinese title
Explore the reviewed public archive record for “影子对位法” (P4C-001), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “Pixel Echo XIII” (P4C-003), including its verified project description and source materials currently cleared for publication.
实像
P4’s early methodological source places the person holding the camera inside the encounter. Portraiture is treated not as extraction, but as a reciprocal performance witnessed by the image.
Canonical Chinese title
Explore the reviewed public archive record for “致幻” (P4C-005), including its verified project description and source materials currently cleared for publication.
茧房
P4’s fifth public theatre work moved from an open call for performers and dancers to a performance on 31 October 2020. Bodily practice and participants’ own experience became shared compositional material.
天台上的嚎叫者
The work began with a script and became a one-time performance on 2 January 2021. Rehearsal redistributed authorship across performers, the room and events nobody could fully anticipate.
Canonical Chinese title
Explore the reviewed public archive record for “控诉爱情失败后的中间派自救指南” (P4C-008), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “杀死那朵玫瑰花” (P4C-009), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “决斗俱乐部” (P4C-012), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “旋转楼梯” (P4C-017), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “波菲利娅” (P4C-020), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “绞肉机” (P4C-024), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “恋爱戏剧” (P4C-025), including its verified project description and source materials currently cleared for publication.
Canonical title
Explore the reviewed public archive record for “Kiss You, Kill Me” (P4C-026), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “成风破浪” (P4C-027), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “四目” (P4C-028), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “走出日常” (P4C-029), including its verified project description and source materials currently cleared for publication.
最后的排练
Performed on 26 August 2023, The Last Rehearsal is also a play within the film. Rehearsal, filming and spectatorship occupy one room while the right to judge what is real remains unsettled.
孽生繁殖
Shi Jiating’s 2024 exhibition and writing project works through an abandoned Tangshan youth, self-description and the instability of making another person into an image or object of knowledge.
p4U 计划
Announced in November 2020, p4U invited people to bring a proposal, form a temporary group and make work on the P4 stage. Each edition changed with its participants rather than repeating a fixed repertory model.
Canonical Chinese title
Explore the reviewed public archive record for “p4X 挑战” (P4C-039), including its verified project description and source materials currently cleared for publication.
紫色行动
Across a series of actions beginning in 2021, players and spectators negotiated changing rules in real time. Theatre became a temporary political arrangement rather than a finished object presented to an audience.
Canonical Chinese title
Explore the reviewed public archive record for “个人志” (P4C-049), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “幸福王国” (P4C-050), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “捕鼠器” (P4C-055), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “辩证戏剧” (P4C-056), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “3P 小组” (P4C-060), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “北风剧社” (P4C-061), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “玻璃剧团” (P4C-064), including its verified project description and source materials currently cleared for publication.
Canonical Chinese title
Explore the reviewed public archive record for “行动者生成拓扑学” (P4C-071), including its verified project description and source materials currently cleared for publication.
冰山
Developed through the Northwind Theater branch, Iceberg connects meetings, rehearsals, field filming, interviews, performance and critical response. It is one of the archive’s clearest demonstrations of a project as a network.
人类投降派
Recruitment, rehearsal, testimony, performance and filming form a single long relational process. The work carries P4’s experiments with cameras and participation into a film without resolving them into one stable genre.
HOW TO READ
These dossiers document P4 projects; they are not a general history of the field. Use the main-site Chinese experimental theater guide to locate the work in a wider context, then consult the P4 Theater profile for the organization’s own practice and vocabulary.
Use the main-site link for edited English framing and authoritative entity identity.
Use dates, calls, performance notices and after-the-event writing inside the dossier.
Follow people, events, images and adjacent projects rather than stopping at one title.
NINE EDITED LINEAGES

Photography becomes a theatre for two people
实像
P4’s early methodological source places the person holding the camera inside the encounter. Portraiture is treated not as extraction, but as a reciprocal performance witnessed by the image.
Archive lens
Read the evolving method through invitations, participant accounts, image sequences and later retrospectives.

An open protocol for non-professional makers
p4U 计划
Announced in November 2020, p4U invited people to bring a proposal, form a temporary group and make work on the P4 stage. Each edition changed with its participants rather than repeating a fixed repertory model.
Archive lens
Follow the programme through recruitment calls, workshops, one-time performances and the projects that grew from it.

Bodies and lived material inside one compressed cycle
茧房
P4’s fifth public theatre work moved from an open call for performers and dancers to a performance on 31 October 2020. Bodily practice and participants’ own experience became shared compositional material.
Archive lens
The dossier keeps the call, performance notice, process review, interviews and image record in sequence.

A script altered by bodies, space and contingency
天台上的嚎叫者
The work began with a script and became a one-time performance on 2 January 2021. Rehearsal redistributed authorship across performers, the room and events nobody could fully anticipate.
Archive lens
Use the interviews after the performance to compare how different participants remember the same event.

Players, votes and provisional rules generate the event
紫色行动
Across a series of actions beginning in 2021, players and spectators negotiated changing rules in real time. Theatre became a temporary political arrangement rather than a finished object presented to an audience.
Archive lens
Recruitment posts, player texts and adjacent Duel Club records reveal how each rule entered the situation.

A work becomes a branch, then a deep dossier
冰山
Developed through the Northwind Theater branch, Iceberg connects meetings, rehearsals, field filming, interviews, performance and critical response. It is one of the archive’s clearest demonstrations of a project as a network.
Archive lens
Begin with the project dossier, then continue into the dedicated production archive and its event-level records.

Theatre, documentary and fiction enter the same film process
人类投降派
Recruitment, rehearsal, testimony, performance and filming form a single long relational process. The work carries P4’s experiments with cameras and participation into a film without resolving them into one stable genre.
Archive lens
The archive preserves production traces and public responses; the main site establishes the film’s authoritative English identity.

A performance inside the making of Human Surrender
最后的排练
Performed on 26 August 2023, The Last Rehearsal is also a play within the film. Rehearsal, filming and spectatorship occupy one room while the right to judge what is real remains unsettled.
Archive lens
Move from advance texts to the dated performance record, then compare the first reviews and participants’ after-echoes.

An exhibition tests copying, self-material and address
孽生繁殖
Shi Jiating’s 2024 exhibition and writing project works through an abandoned Tangshan youth, self-description and the instability of making another person into an image or object of knowledge.
Archive lens
The dossier joins the exhibition record to personal moving images and the semantic essay published after it.
The cards above are editorial routes through public material, not final definitions. Continue into event records for dated situations, or return to the main site for P4’s complete English writing.