41:30P4 影像合集 2020—2021
37 条片段连接 2020—2021 年的排练、放映与项目现场。
YOUTUBE · P5QpPJZcAnU
MOVING IMAGE · REHEARSAL · PHOTOGRAPHY
Films, rehearsal footage and photographs are not detached illustrations. Each record remains connected to a project, a date, a source and the people who made the situation possible.
To interpret what these records document, begin with the main-site P4 Theater profile. Its place within the wider field is addressed separately in the guide to Chinese experimental theater; this page preserves P4’s moving-image evidence.

FEATURED LINEAGE
Film, theatre, recruitment, rehearsal and testimony held inside one long relational process.
PUBLIC YOUTUBE CATALOGUE
This catalogue reads the production public database directly. Registered time ranges inside compilations remain separate archive records, each linked to its project page, archive detail and exact YouTube playback position.
1 archive records across 1 YouTube videos · Independent / cross-project records
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41:3037 条片段连接 2020—2021 年的排练、放映与项目现场。
YOUTUBE · P5QpPJZcAnU
FEATURE FILM
The public screening edition is presented beside an English-subtitled trailer. The wider film dossier connects the finished work to The Last Rehearsal, production footage, interviews and later responses.
REHEARSAL AS A PUBLIC RECORD
Repetition, waiting and interruption matter here as much as a finished scene. These records retain the duration of collective work.

REHEARSAL · 1920×1080 / 15:48
A sustained view of the rehearsal room, its temporary set, performers and shared working process.

REHEARSAL · 02:29:26
The first long section of a rehearsal day, retaining pauses, repetition and changes in relation.

REHEARSAL · 01:29:57
A long-form record of action, interruption and collective work in the later rehearsal period.
P4 MOVING-IMAGE COMPILATION / 2020–2021
This 41:30 compilation reconnects rehearsals, Sunday screenings and project situations around Cocoon, Howlers on the Rooftop and Middle Road Against Love.
It is an access copy, not a replacement for the individual source records retained by the archive.
Open on YouTubePHOTOGRAPHY AS SEQUENCE
Eighty-five photographs are kept in shooting order so that bodies, distance and changes in the room remain legible as a sequence.
Browse the complete source set




