- 0:00
Even if it's just a half-hour or forty-minute film
- 0:00
Just take this film alone
- 0:02
Go go go to go to other movies
- 0:05
Oh that long one is a complete thing
- 0:08
Go watch it
- 0:11
Actually I still have a point here
- 0:14
Why is it called Humanity Stealing Hometown
- 0:17
I I feel that
- 0:20
Including we say
- 0:21
Mentioned regions like that too
- 0:23
Mentioned many people
- 0:24
I feel that feeling
- 0:26
That generation of young people's
- 0:30
Just lying flat
- 0:32
Actually the posture of telling you to lie flat
- 0:33
A lot of that comes from real-world pressures
- 0:38
If there's no distance
- 0:41
It's even more boring
- 0:42
There's some distance like
- 0:44
Fuck, am I using this to make some money
- 0:46
I can feel some things
- 0:50
Or just AIGC
- 0:53
So I I use this system to get out
- 0:57
A future for myself
- 0:59
Like it gives me some hope
- 1:02
As long as it's really desperate
- 1:04
That sort of hierarchy stuff
- 1:08
And and
- 1:09
Anyway, just take something and drag it home
- 1:14
Its explanatory power becomes richer
- 1:17
I think it's like saying
- 1:19
Here
- 1:22
I still want to focus on
- 1:24
Actually the core
- 1:27
Is still people
- 1:30
That people's[unclear] in the big environment
- 1:36
Not going in
- 1:37
He's really a
- 1:38
Because some are
- 1:40
Right
- 1:41
If life gives me
- 1:44
He's too desperate for something to save him
- 1:48
He thinks he has to save all of humanity
- 1:53
But but but
- 1:55
He's too desperate for something to change
- 1:59
I think I'm using this thing actually
- 2:04
Actually it's finally a
- 2:06
I see what's going into the piece
- 2:08
Finally at the very bottom
- 2:10
It shows the most real thing
- 2:12
The most real state
- 2:14
So he's definitely not some scientist
- 2:17
Or anything true
- 2:19
None of that matters
- 2:21
He can pretend
- 2:23
He can pretend endlessly
- 2:24
He's like I definitely understand
- 2:26
Yeah that's fine
- 2:28
Yeah I tell you when this is
- 2:30
But but but actually in those languages that
- 2:34
These, these, these beneath the disguise
- 2:36
Actually, a particularly fragile subject
- 2:41
A solitary, disconnected subject
- 2:43
Then in this state
- 2:47
So so so
- 2:54
He's too eager for the state of a general expecting the end of the world
- 2:58
For the future, nothing at all
- 3:02
Nothing at all
- 3:03
For the future, nothing at all
- 3:05
Exactly, exactly that Jiang
- 3:08
Exactly, exactly, exactly
- 3:11
Who's ghost
- 3:12
Who ghost
- 3:13
This is what he keeps saying: despair of despair
- 3:17
He has despair as a thing
- 3:19
He's utterly despairing of the present
- 3:23
But he says
- 3:24
And he hopes for hope within utter despair
- 3:30
But this person is also
- 3:32
What we all see as a deathly pain
- 3:35
Blinding himself to death
- 3:38
That tension
- 3:41
I want to pull him out in the end
- 3:43
So, care for such people
- 3:46
Then use cinematic techniques
- 3:50
To bring out those fine details
- 3:52
Very rich
- 3:54
To bring out that emotional depth
- 4:00
Then use a fake shell
- 4:02
Just shine it
- 4:03
Use a very fake shell
- 4:05
For example
- 4:07
I just watched
- 4:08
What do you think of those lines in the dismantling
- 4:11
So silly
- 4:14
But actually, with emotion
- 4:17
That also works
- 4:19
I think it's especially good
- 4:20
Exactly
- 4:21
He Fang
- 4:26
You say it's too beautiful
- 4:30
Do you really believe what you say
- 4:33
Do you really understand what you say
- 4:36
Do you really feel what you say
- 4:40
You're just using hollow words
- 4:45
To cover your inner emptiness and fear
- 4:48
You're just using false, meaningless theories
- 4:54
To deceive yourself and others
- 4:58
You're just using pretended noble acts
- 5:02
To escape yourself and reality
- 5:05
Xu Jingjiao
- 5:09
You're not so ignorant
- 5:12
I don't blame you
- 5:16
You don't understand at all
- 5:23
Legalism
- 5:27
You don't understand art at all
- 5:29
You don't understand
- 5:33
Life
- 5:35
You're just someone socially dictated
- 5:41
Oppressed by reality
- 5:46
Parasite trapped by self
- 5:58
You're just someone wanting to change your fate through drama
- 6:02
Wanting to gain others' approval through drama
- 6:06
Wanting to satisfy desires through drama's effect
- 6:12
Of course, this is just a feeling
- 6:17
It can keep ranking
- 6:19
It can use [unclear] commercial words with no action
- 6:23
I think words have no action
- 6:24
What's this kind of thing?
- 6:28
Your position isn't handled
- 6:31
I'll give him the original ones
- 6:36
Farm-written articles
- 6:37
Or revisit the farm-written articles on the play
- 6:40
Plus a simple summary
- 6:43
Have him repeatedly draft script outlines
- 6:47
Then under the play
- 6:49
Have him write some solution articles
- 6:51
Yes
- 6:54
These things seem hollow to us
- 6:57
But its hollowness actually can
- 7:02
Hollowness is fine
- 7:04
Yes, hollowness is complete
- 7:05
Bidding
- 7:06
Bidding is purely hollow
- 7:08
Its language
- 7:09
Its language isn't necessarily its own
- 7:11
But its performance just needs to maintain emptiness
- 7:13
We can make language hollow
- 7:18
But performance can layer upon layer
- 7:25
Yes
- 7:26
I'm thinking
- 7:29
Why must we move this farm or that?
- 7:32
Can we use the things inside?
- 7:34
Yes
- 7:35
That's possible
- 7:36
Yes, all
- 7:37
Yes
- 7:38
Not necessarily the same type
- 7:41
We can use the previous things
- 7:42
Also include some small elements
- 7:44
Yes
- 7:44
Organic
- 7:45
Yes
- 7:47
That's it
- 7:51
I've done this for so long
- 7:54
I asked why I started this
- 7:57
Because it's also me
- 8:00
I've done this for so long
- 8:01
I
- 8:03
I've met so many people
- 8:04
I've seen
- 8:05
Met over a thousand people over the years
- 8:08
It's painful
- 8:08
I hurt
- 8:11
Everyone's seeking an exit
- 8:14
No exit
- 8:16
Drama thought it was the exit
- 8:20
After searching, found
- 8:21
It's not the exit
- 8:24
Even broke their front teeth
- 8:28
This is it
- 8:31
This is it
- 8:35
But it's still searching
- 8:40
I think the most impressive is
- 8:42
It keeps recalling
- 8:45
Still keeps searching
- 8:47
It hasn't given up
- 8:49
Even if this
- 8:51
Big environment is so ridiculous
- 8:53
So so so cooperative
- 8:55
Then it's still going
- 8:58
Crawl if it has to
- 9:00
Keep crawling forward
- 9:03
I feel just
- 9:05
Just just just just
- 9:12
It's still a
- 9:18
Flip it out
- 9:20
It's still using a drama
- 9:22
Flip it around
- 9:26
But why make it
- 9:28
Honestly just jump on a trend
- 9:31
It's just jumping on a trend
- 9:32
Just jumping on a trend good
- 9:34
Good packaging good marketing good
- 9:37
Good with this [unclear]
Video subtitle record
VERIFIED SUBTITLE TRANSCRIPT
Can Actors Make an Empty AI Script Feel Real? | Human Surrender
英文 / English · 205 cues
Project · Human Surrender / Shoot Self with You
PROJECT / ARCHIVE CONTEXT
Context and introduction
Canonical projectP4E-002 · Human Surrender / Shoot Self with YouDerived from public video metadata (not from subtitle text)
This public video belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: A discussion of empty machine language, what acting adds, and whether theatre can become an outlet rather than a trend wrapper.
- Published (UTC)
- 2026-09-06 07:11:58 UTC
- Duration
- 9:41
- Format
- Long-form video
- Subtitles
- Full text archived
- Subtitle languages
- en, zh-Hans
Verification
YouTube readback consistency
Verified
Sep 8, 2026
SHA-256
d035c157b07b…c68943bb
Timestamps open the corresponding moment on YouTube. Verification confirms preservation consistency, not human word-by-word proofreading.
