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Can Actors Make an Empty AI Script Feel Real? | Human Surrender

英文 / English · 205 cues

Project · Human Surrender / Shoot Self with You

PROJECT / ARCHIVE CONTEXT

Context and introduction

Canonical projectP4E-002 · Human Surrender / Shoot Self with You
Derived from public video metadata (not from subtitle text)

This public video belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: A discussion of empty machine language, what acting adds, and whether theatre can become an outlet rather than a trend wrapper.

Published (UTC)
2026-09-06 07:11:58 UTC
Duration
9:41
Format
Long-form video
Subtitles
Full text archived
Subtitle languages
en, zh-Hans

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YouTube readback consistency

Verified

Sep 8, 2026

SHA-256

d035c157b07b…c68943bb

Timestamps open the corresponding moment on YouTube. Verification confirms preservation consistency, not human word-by-word proofreading.
  1. 0:00

    Even if it's just a half-hour or forty-minute film

  2. 0:00

    Just take this film alone

  3. 0:02

    Go go go to go to other movies

  4. 0:05

    Oh that long one is a complete thing

  5. 0:08

    Go watch it

  6. 0:11

    Actually I still have a point here

  7. 0:14

    Why is it called Humanity Stealing Hometown

  8. 0:17

    I I feel that

  9. 0:20

    Including we say

  10. 0:21

    Mentioned regions like that too

  11. 0:23

    Mentioned many people

  12. 0:24

    I feel that feeling

  13. 0:26

    That generation of young people's

  14. 0:30

    Just lying flat

  15. 0:32

    Actually the posture of telling you to lie flat

  16. 0:33

    A lot of that comes from real-world pressures

  17. 0:38

    If there's no distance

  18. 0:41

    It's even more boring

  19. 0:42

    There's some distance like

  20. 0:44

    Fuck, am I using this to make some money

  21. 0:46

    I can feel some things

  22. 0:50

    Or just AIGC

  23. 0:53

    So I I use this system to get out

  24. 0:57

    A future for myself

  25. 0:59

    Like it gives me some hope

  26. 1:02

    As long as it's really desperate

  27. 1:04

    That sort of hierarchy stuff

  28. 1:08

    And and

  29. 1:09

    Anyway, just take something and drag it home

  30. 1:14

    Its explanatory power becomes richer

  31. 1:17

    I think it's like saying

  32. 1:19

    Here

  33. 1:22

    I still want to focus on

  34. 1:24

    Actually the core

  35. 1:27

    Is still people

  36. 1:30

    That people's[unclear] in the big environment

  37. 1:36

    Not going in

  38. 1:37

    He's really a

  39. 1:38

    Because some are

  40. 1:40

    Right

  41. 1:41

    If life gives me

  42. 1:44

    He's too desperate for something to save him

  43. 1:48

    He thinks he has to save all of humanity

  44. 1:53

    But but but

  45. 1:55

    He's too desperate for something to change

  46. 1:59

    I think I'm using this thing actually

  47. 2:04

    Actually it's finally a

  48. 2:06

    I see what's going into the piece

  49. 2:08

    Finally at the very bottom

  50. 2:10

    It shows the most real thing

  51. 2:12

    The most real state

  52. 2:14

    So he's definitely not some scientist

  53. 2:17

    Or anything true

  54. 2:19

    None of that matters

  55. 2:21

    He can pretend

  56. 2:23

    He can pretend endlessly

  57. 2:24

    He's like I definitely understand

  58. 2:26

    Yeah that's fine

  59. 2:28

    Yeah I tell you when this is

  60. 2:30

    But but but actually in those languages that

  61. 2:34

    These, these, these beneath the disguise

  62. 2:36

    Actually, a particularly fragile subject

  63. 2:41

    A solitary, disconnected subject

  64. 2:43

    Then in this state

  65. 2:47

    So so so

  66. 2:54

    He's too eager for the state of a general expecting the end of the world

  67. 2:58

    For the future, nothing at all

  68. 3:02

    Nothing at all

  69. 3:03

    For the future, nothing at all

  70. 3:05

    Exactly, exactly that Jiang

  71. 3:08

    Exactly, exactly, exactly

  72. 3:11

    Who's ghost

  73. 3:12

    Who ghost

  74. 3:13

    This is what he keeps saying: despair of despair

  75. 3:17

    He has despair as a thing

  76. 3:19

    He's utterly despairing of the present

  77. 3:23

    But he says

  78. 3:24

    And he hopes for hope within utter despair

  79. 3:30

    But this person is also

  80. 3:32

    What we all see as a deathly pain

  81. 3:35

    Blinding himself to death

  82. 3:38

    That tension

  83. 3:41

    I want to pull him out in the end

  84. 3:43

    So, care for such people

  85. 3:46

    Then use cinematic techniques

  86. 3:50

    To bring out those fine details

  87. 3:52

    Very rich

  88. 3:54

    To bring out that emotional depth

  89. 4:00

    Then use a fake shell

  90. 4:02

    Just shine it

  91. 4:03

    Use a very fake shell

  92. 4:05

    For example

  93. 4:07

    I just watched

  94. 4:08

    What do you think of those lines in the dismantling

  95. 4:11

    So silly

  96. 4:14

    But actually, with emotion

  97. 4:17

    That also works

  98. 4:19

    I think it's especially good

  99. 4:20

    Exactly

  100. 4:21

    He Fang

  101. 4:26

    You say it's too beautiful

  102. 4:30

    Do you really believe what you say

  103. 4:33

    Do you really understand what you say

  104. 4:36

    Do you really feel what you say

  105. 4:40

    You're just using hollow words

  106. 4:45

    To cover your inner emptiness and fear

  107. 4:48

    You're just using false, meaningless theories

  108. 4:54

    To deceive yourself and others

  109. 4:58

    You're just using pretended noble acts

  110. 5:02

    To escape yourself and reality

  111. 5:05

    Xu Jingjiao

  112. 5:09

    You're not so ignorant

  113. 5:12

    I don't blame you

  114. 5:16

    You don't understand at all

  115. 5:23

    Legalism

  116. 5:27

    You don't understand art at all

  117. 5:29

    You don't understand

  118. 5:33

    Life

  119. 5:35

    You're just someone socially dictated

  120. 5:41

    Oppressed by reality

  121. 5:46

    Parasite trapped by self

  122. 5:58

    You're just someone wanting to change your fate through drama

  123. 6:02

    Wanting to gain others' approval through drama

  124. 6:06

    Wanting to satisfy desires through drama's effect

  125. 6:12

    Of course, this is just a feeling

  126. 6:17

    It can keep ranking

  127. 6:19

    It can use [unclear] commercial words with no action

  128. 6:23

    I think words have no action

  129. 6:24

    What's this kind of thing?

  130. 6:28

    Your position isn't handled

  131. 6:31

    I'll give him the original ones

  132. 6:36

    Farm-written articles

  133. 6:37

    Or revisit the farm-written articles on the play

  134. 6:40

    Plus a simple summary

  135. 6:43

    Have him repeatedly draft script outlines

  136. 6:47

    Then under the play

  137. 6:49

    Have him write some solution articles

  138. 6:51

    Yes

  139. 6:54

    These things seem hollow to us

  140. 6:57

    But its hollowness actually can

  141. 7:02

    Hollowness is fine

  142. 7:04

    Yes, hollowness is complete

  143. 7:05

    Bidding

  144. 7:06

    Bidding is purely hollow

  145. 7:08

    Its language

  146. 7:09

    Its language isn't necessarily its own

  147. 7:11

    But its performance just needs to maintain emptiness

  148. 7:13

    We can make language hollow

  149. 7:18

    But performance can layer upon layer

  150. 7:25

    Yes

  151. 7:26

    I'm thinking

  152. 7:29

    Why must we move this farm or that?

  153. 7:32

    Can we use the things inside?

  154. 7:34

    Yes

  155. 7:35

    That's possible

  156. 7:36

    Yes, all

  157. 7:37

    Yes

  158. 7:38

    Not necessarily the same type

  159. 7:41

    We can use the previous things

  160. 7:42

    Also include some small elements

  161. 7:44

    Yes

  162. 7:44

    Organic

  163. 7:45

    Yes

  164. 7:47

    That's it

  165. 7:51

    I've done this for so long

  166. 7:54

    I asked why I started this

  167. 7:57

    Because it's also me

  168. 8:00

    I've done this for so long

  169. 8:01

    I

  170. 8:03

    I've met so many people

  171. 8:04

    I've seen

  172. 8:05

    Met over a thousand people over the years

  173. 8:08

    It's painful

  174. 8:08

    I hurt

  175. 8:11

    Everyone's seeking an exit

  176. 8:14

    No exit

  177. 8:16

    Drama thought it was the exit

  178. 8:20

    After searching, found

  179. 8:21

    It's not the exit

  180. 8:24

    Even broke their front teeth

  181. 8:28

    This is it

  182. 8:31

    This is it

  183. 8:35

    But it's still searching

  184. 8:40

    I think the most impressive is

  185. 8:42

    It keeps recalling

  186. 8:45

    Still keeps searching

  187. 8:47

    It hasn't given up

  188. 8:49

    Even if this

  189. 8:51

    Big environment is so ridiculous

  190. 8:53

    So so so cooperative

  191. 8:55

    Then it's still going

  192. 8:58

    Crawl if it has to

  193. 9:00

    Keep crawling forward

  194. 9:03

    I feel just

  195. 9:05

    Just just just just

  196. 9:12

    It's still a

  197. 9:18

    Flip it out

  198. 9:20

    It's still using a drama

  199. 9:22

    Flip it around

  200. 9:26

    But why make it

  201. 9:28

    Honestly just jump on a trend

  202. 9:31

    It's just jumping on a trend

  203. 9:32

    Just jumping on a trend good

  204. 9:34

    Good packaging good marketing good

  205. 9:37

    Good with this [unclear]