- 0:52
Want to sit in the red chair?
- 0:54
Sit in that red chair
- 0:56
Sit in that chair
- 0:58
Sit on that chair
- 1:01
Give us your...
- 1:10
Someone has to step up as the...
- 1:12
Xiaojiang, think it over
- 1:14
Isn't that still director-centered?
- 1:16
Give it more thought
- 1:18
No idea which one of us draws
- 1:20
Mine
- 1:22
It's not totally director-centered
- 1:24
But there's bound to be someone
- 1:26
who plays the director role
- 1:28
Hate the role or not, someone does the job
- 1:32
Still takes someone with a title to do it
- 1:36
Didn't we agree on this before?
- 1:39
that the director exists only when needed
- 1:44
I need him there every single moment
- 1:46
Really?
- 1:48
Really
- 1:49
Why?
- 1:51
Because that's how the show was rehearsed
- 2:00
It's starting
- 2:01
Each of us should tell a joke about this
- 2:04
Tell a joke
- 2:05
Then let us perform first in a bit
- 2:06
You do the first part
- 2:07
Mid-scene, when the camera comes
- 2:08
just talk right at the camera
- 2:09
Go pai wu
- 2:11
Go pai wu
- 2:12
Go pai wu
- 2:13
Go pai wu
- 2:14
Go pai wu
- 2:15
Go pai wu
- 2:16
It's all on you
- 2:18
Who's going?
- 2:19
You. Yes you. Go pai wu
- 2:21
You go pai wu
- 2:22
You go pai wu
- 2:33
You go pai wu
- 2:34
You go pai wu
- 2:35
You go pai wu
- 2:36
You go pai wu
- 2:37
You go pai wu
- 2:38
You go pai wu
- 2:39
You go pai wu
- 2:40
You go pai wu
- 2:41
You go pai wu
- 2:42
Right at that line, he just shows up
- 2:44
That's your proof
- 2:47
Don't sleep too deep tonight
- 2:49
And no stumbling over your lines
- 2:50
Because this is one take
- 2:50
Don't sleep too deep tonight
- 2:53
The cut I watched left me kind of wistful
- 2:57
I can't put it well
- 2:58
But it really got to me
- 3:00
I feel like in it
- 3:01
all these different characters
- 3:02
the ties between character and character
- 3:04
that kind of bond
- 3:05
You're tied to him
- 3:06
He's tied to him
- 3:07
All kinds of ties, just...
- 3:10
Kind of wistful
- 3:11
Kind of meaningful
- 3:13
But the visuals, though...
- 3:15
every single frame means something
- 3:16
Shut up. Show's over
- 3:18
Show's over
- 3:19
I love you all
- 3:20
So that's the whole show
- 3:21
OK, curtain call
- 3:22
OK, thanks
- 3:29
So?
- 3:30
Time for Act Two
- 3:34
Act Two people, get out here!
- 3:43
Whose mic? Hand it over
- 3:44
Mid-scene, say a line or two to camera
- 3:47
Whose mic?
- 3:47
Come on, start your performance
- 3:49
Whose mic?
- 3:50
Did you talk to the camera?
- 3:51
Whose mic?
- 3:52
Did you talk to the camera?
- 3:53
Yes, you have to talk to the camera
- 3:54
We did
- 3:55
Said what?
- 3:57
We're saying it right now, aren't we?
- 3:59
What are you doing?
- 4:00
I'm acting
- 4:01
Why did you come here?
- 4:03
I don't know either
- 4:05
Hard for me to say
- 4:09
Fuck
- 4:13
He told me to come here
- 4:18
Line!
- 4:18
Um...
- 4:23
Now you give him some photo or other
- 4:25
That could be me
- 4:26
I hate you
- 4:27
There's that sour face
- 4:49
Honestly
- 4:50
it felt pretty good to me
- 4:52
It didn't make me uncomfortable
- 4:53
Watching as audience, I felt just fine
- 4:55
I found it really smooth
- 4:56
The acting was silky smooth
- 4:57
It made me...
- 4:58
If you mean genuinely uncomfortable
- 4:59
Actually
- 5:00
If it were really like this, for real
- 5:02
it's that you stalled
- 5:24
Heads or tails?
- 5:25
I can never tell them apart
- 5:27
Even the lines won't flow that well
- 5:29
Then the whole exchange takes effort
- 5:31
That's just crude
- 5:31
You say I—
- 5:32
I'm telling you now
- 5:34
I need to think it over
- 5:35
And then I—
- 5:36
This is—
- 5:37
This is ten kinds of cheap
- 5:38
Do I have a problem?
- 5:39
My acting—
- 5:39
I wasn't good because I never truly felt it
- 5:42
I didn't put in the work, lost my craft
- 5:44
The problems are all on me
- 5:46
I deserve to be cursed out
- 5:47
No one even bothers to curse me out
- 5:52
Right, was that about your performance?
- 5:55
I just wanna ask why it turned out this way
- 5:57
Like, once he's dead
- 6:01
The work would finally be presentable
- 6:03
And we'd be famous
- 6:05
Wait, he hasn't even named us yet
- 6:10
In the script my name is Number One
- 6:15
I'm Number Two
- 6:16
Hope you treat your own life this way too
- 6:18
Just hurry up and die
- 6:19
Just hurry up and die
- 6:20
Just hurry up and die
- 6:21
Just hurry up and die
- 6:22
Just hurry up and die
- 6:23
Just hurry up and die
- 6:24
Just hurry up and die
- 6:24
Just hurry up and die
- 6:27
What caused this?
- 6:27
I got lazy
- 6:29
What's behind the laziness?
- 6:29
I got lazy with the performance
- 6:31
Too much going on, I had to face front
- 6:32
Then why'd you even come?
- 6:33
Huh?
- 6:34
Then why come here to play him?
- 6:35
He asked me to come
- 6:36
He asks and you just come?
- 6:37
He asks and you just come?
- 6:39
Yeah
- 6:39
I love him
- 6:40
You're so—
- 6:41
I love him
- 6:42
I love him
- 6:44
You love him because he's like you?
- 6:46
I'd say he's nothing like me
- 6:47
I just love him, no reason needed
- 6:54
That was Teacher Shi's performance
- 6:57
Talk about total realism
- 6:59
But acting too lifelike isn't good either
- 7:03
Mainly a bit above real life
- 7:05
Acting that's too lifelike is no good
- 7:07
I mean, a bit higher than life
- 7:09
If it's a bit more... you know
- 7:11
It's still stylized, poeticized acting
- 7:13
It's very pleasing to watch
- 7:14
When I was little
- 7:16
You wanna go to KTV, don't you?
- 7:18
Want me to call you a momo-chang?
- 7:34
Get you a momo-chang
- 7:35
Give it a try, how about it?
- 7:50
The Big One is coming
- 7:51
Spread the word
- 7:52
Why?
- 7:53
Because the Big One is coming
- 8:02
What does the Big One stand for?
- 8:03
What?
- 8:04
Go eat a fish
- 8:05
The Big One is coming
- 8:06
Ah
- 8:14
Just wait
- 8:16
What's this?
- 8:17
Where's a school around here?
- 8:24
You don't know?
- 8:25
Where's a school around here?
- 8:27
You look like a city type
- 8:29
Haven't seen any students
- 8:32
Left or right, go the left way
- 8:42
It's already bad enough
- 8:51
Have you ever eaten human flesh?
- 8:52
You said it
- 8:54
A gut cleanse, how about it?
- 8:56
Right is the road, right is the way
- 8:57
I only know two roads: left and right
- 8:59
The thing is
- 9:00
The Big One should be here by now
- 9:01
Have you ever eaten human flesh?
- 9:04
No
- 9:06
No, never
- 9:07
Where'd yesterday's confidence go?
- 9:12
You weren't like this yesterday
- 9:14
You pointed to the corner: help yourself
- 9:19
I'll wait until he comes, no matter what
- 9:22
But the smokes I want are on your counter
- 9:25
Sorry, sorry, I failed at my job
- 9:31
I'll do better next time
- 9:33
Some people think they control everything
- 9:36
Yet never even tasted human flesh
- 9:38
Have you eaten human flesh? Have you?
- 9:42
I haven't either
- 9:43
But do you get to mock me?
- 9:47
You don't get to mock me
- 9:49
Because I dare to tell you
- 9:51
I want to eat human flesh
- 9:53
And someday
- 9:54
You won't even dare to think it
- 9:56
You won't dare say what you think
- 9:59
You weren't like this when I came yesterday
- 10:03
Excuses
- 10:05
You just came to do your own thing
- 10:08
I can't bring myself to laugh
- 10:09
Pointed at the corner: go help yourself
- 10:12
Was my joke not funny?
- 10:14
Your smokes are right there on the counter
- 10:16
I'm sorry
- 10:20
This is my failure
- 10:21
I'll do better from now on
- 10:25
Is it really that funny?
- 10:26
You're in control of everything
- 10:27
Don't shoot
- 10:29
The money's all right there
- 10:38
What I said isn't funny
- 10:41
Everything you asked me to do
- 10:43
I've done it all
- 10:45
I put the money there for you too
- 10:48
So you can go now, right?
- 10:50
You think I'm a robber
- 10:53
You actually think I'm a robber
- 11:01
You talking to me?
- 11:04
You talking to me?
- 11:06
I can't quite hear you
- 11:10
Come on
- 11:13
Sorry
- 11:21
Being understood is just so hard
- 11:23
Because, you know
- 11:25
I go so far out of my way to come here
- 11:28
Only ever when you're here
- 11:30
I've seen you before
- 11:34
But you don't know what smokes I buy
- 11:36
I...
- 11:37
You don't know me at all, do you?
- 11:42
I...
- 11:44
All my love is right here
- 11:46
And you never even knew
- 11:47
I know
- 11:49
I don't have the energy left to...
- 11:51
Only like this
- 11:54
would you take me seriously
- 11:57
Being taken seriously is just so hard
- 12:01
Funny, isn't it
- 12:06
My dignity is in my hand
- 12:09
My thoughts are in the bullet
- 12:13
Have you ever thought
- 12:14
we're actually the same kind of people
- 12:17
When I took the money from the register
- 12:18
you didn't even blink
- 12:21
Because you know it's not your money
- 12:24
Every day you go to work, get off work
- 12:27
Punch the clock
- 12:29
Show up later than the Boss
- 12:30
and you're on edge all day
- 12:33
I'm not living like that anymore
- 12:38
Work is your life
- 12:41
and your life is in the Boss's hands
- 12:47
We're the same species
- 12:49
yet some became our gods
- 12:54
You know what I mean?
- 13:00
Then that's a real shame
- 13:03
All I can do is take my thoughts
- 13:05
and shoot them into your brain
- 13:07
Next life
- 13:10
Next life, you'll understand
- 13:13
I want to say
- 13:16
if our roles were reversed
- 13:19
I'd beg you to shoot, no hesitation
- 13:25
Goodbye
- 13:34
And then I died
- 13:35
Next scene
- 13:58
Anything else you want to say?
- 14:00
Not now — there'll be a chance later
- 14:03
Then hurry up and go
- 14:04
Save it for the next act
- 14:08
Come on, do the bit with the Boss
- 14:09
Weren't we talking to the actors?
- 14:10
Say whatever, just say whatever
- 14:13
Let him untie it
- 14:15
I...
- 14:16
Are you watching me?
- 14:18
Do I look pretty on camera right now?
- 14:21
But actually
- 14:23
this is a completely fake face
- 14:26
I could take all my makeup off
- 14:29
and just sing along with you
- 14:30
It's always me who finds the time
- 14:33
It's not like I'm after something
- 14:35
You come out and it just isn't there
- 14:37
Get all fired up, then come back out
- 14:39
I've bought out all these
- 14:41
people trying to talk me into leaving
- 14:44
Mic
- 14:46
Iceberg, Act One
- 14:48
No music
- 14:49
Improvised performance
- 15:03
I know you're home
- 15:04
Pay up or I'm telling your neighbors
- 15:06
I'll go to your workplace
- 15:08
and let all your coworkers know
- 15:09
You hear me?
- 15:11
Unbelievable, it's just three grand
- 15:13
and you keep stalling
- 15:14
You'll never amount to anything
- 15:15
You're finished, fuck your mother
- 15:26
That's way too blinding
- 15:45
What's going through your head here?
- 16:01
Is there music playing in your head?
- 16:03
Which tune?
- 16:13
Indescribable
- 16:26
In this part
- 16:27
I feel like a puddle of water
- 16:30
just rotting away right here
- 16:32
Turned to mist
- 16:37
Water? That's still too clean
- 16:39
Go a few steps further
- 16:40
All see-through
- 16:41
A Ditto
- 16:45
Just to mention
- 16:46
I mean
- 16:48
It's in this
- 16:49
muddy kind of state
- 16:51
A state where you can't even die properly
- 16:55
Every day we can fantasize
- 16:57
about us and the brutal Boss
- 16:58
The Boss is like a
- 17:01
how do I put it
- 17:02
It's a slave-and-master relationship
- 17:04
Say the Boss is the master
- 17:05
whipping you all day
- 17:07
That's not the kind...
- 17:09
Rather, it's through certain
- 17:11
subtle, unnoticed things
- 17:12
that he reshapes your perception
- 17:14
He just thinks your perception is wrong
- 17:18
That's the state he's in
- 17:19
But the Male Lead feels
- 17:20
on one hand, the people around him
- 17:22
treat him decently enough
- 17:24
so why does he always feel, deep down,
- 17:25
there's something strange
- 17:26
something a little off?
- 17:28
And that wrongness
- 17:29
keeps itching, scratching, picking at him
- 17:32
Everything the Male Lead does on stage
- 17:34
as long as it's set in his own home
- 17:37
anything set in his own home
- 17:39
is his inner world acted outward
- 17:41
Meaning if you saw him there in person
- 17:45
he'd really just be sitting here
- 17:48
Just like this
- 17:48
It's too fucking dark
- 18:01
Heads or tails — I can never tell
- 18:04
Everyone loves to watch heads
- 18:07
The day the heads people slip up
- 18:09
the tails people start to revel
- 18:12
When the tails side errs, the heads side
- 18:15
what do they get to see?
- 18:18
It's like one group of people is here
- 18:22
one person is here
- 18:23
and another one over here
- 18:24
It's even like, you know
- 18:26
it simply can't find
- 18:29
one tone that holds from start to finish
- 18:32
That's the most fatal problem
- 18:35
Before I went on stage
- 18:36
I didn't even dare to perform
- 18:39
Honestly speaking
- 18:40
Two days before going on
- 18:42
I told playwright Shi I shouldn't go on
- 18:45
because I felt this thing
- 18:47
was the worst I've ever acted in
- 18:49
the shittiest, trashiest thing ever
- 18:51
Really?
- 18:52
I mean
- 18:54
Really
- 18:55
Anyway, with my own performance
- 18:57
I'm deeply unsatisfied
- 18:59
How I wish they were like you
- 19:02
with only one side
- 19:03
only able to see themselves
- 19:06
Scraping by in the concrete jungle
- 19:08
has stunted people's thinking
- 19:10
A person has ten units of energy a day
- 19:12
Work burns five
- 19:14
dealing with people takes three
- 19:16
the last two get wasted on fun
- 19:21
I've spared myself all that pondering
- 19:24
I even plan to quit this hypocritical job
- 19:36
Let me ask you a question
- 19:38
Would you get a reaction on stage?
- 19:42
What do you think?
- 19:43
Just guessing
- 19:44
You think getting a reaction on stage
- 19:46
is something that can happen?
- 19:48
I think it can
- 19:51
One look at you and it goes soft
- 19:52
Are you talking to me?
- 19:57
Being understood is just too hard
- 20:05
I thought you knew
- 20:08
I go the long way to you every day
- 20:10
always right when you're on shift
- 20:12
Yet you don't even know
- 20:14
what cigarettes I smoke
- 20:20
I...
- 20:21
You don't know me at all, do you?
- 20:24
All my love is right here
- 20:26
and you never even knew
- 20:29
Only this way would you notice me
- 20:42
Being noticed is just too hard
- 20:52
It's just too hard
- 20:57
He's the playwright
- 20:58
His head is full of water
- 21:02
Hey, you upstairs
- 21:04
Play something else, will you?
- 21:07
Can you do Bach?
- 21:11
Enough with Chopin
- 21:12
Romanticism is dead
- 21:17
Hey, do you hear me?
- 21:20
Sha sha yi
- 21:22
No — fuck
- 21:23
Not in sync
- 21:24
Three, two, one
- 21:26
Sha sha yi
- 21:40
These artists are always like this
- 21:42
Won't face reality, won't die either
- 21:45
It makes things hard for me
- 21:47
Romanticism won't put food on the table
- 21:50
If it could
- 21:50
we might as well die at fantasy's climax
- 21:55
But hey, it's artistic creation
- 21:58
can't really fault it
- 21:59
Too bad I just don't care for it
- 22:03
Out of smokes
- 22:08
Here you go
- 22:10
Thanks
- 22:11
A free pack of smokes
- 22:14
Got cigarettes now
- 22:15
But I can't smoke now
- 22:16
No smoking in the theatre
- 22:20
There's even a lighter
- 22:21
Now the smokes are in your hands
- 22:22
To smoke or not — that's up to you
- 22:27
I get to see him again
- 22:29
I really like him
- 22:30
Though I've never spoken to him
- 22:32
I just know he must be lovely
- 22:35
Every day when I look out the window
- 22:38
he's right there, busy at work
- 22:39
In winter
- 22:40
he wears a bright red scarf
- 22:43
Her hair tucked into her scarf
- 22:45
Makes her look so docile
- 22:47
In summer
- 22:48
Her sweat dampens her bangs
- 22:50
She's too busy to even fix them
- 22:54
But that's her truest, most beautiful self
- 22:57
I really like her
- 22:58
I believe this is my love
- 23:00
I don't like the one who used to like me
- 23:02
You know?
- 23:03
She's always grinning
- 23:04
Never takes what I say to heart
- 23:06
I said, Sally
- 23:08
I'm a sociologist now
- 23:10
I've seen the ugly side of this society
- 23:13
Look, isn't my dress pretty?
- 23:15
But we're all living in lies
- 23:17
Let's go shopping tomorrow
- 23:19
I'll buy more, even prettier dresses
- 23:22
Sally
- 23:22
Do you really know my heart?
- 23:24
Of course I do. So, you going or not?
- 23:26
Sally, you're such a fucking idiot
- 23:32
Look, if I slept with someone like her
- 23:36
Uh, I mean, spent my life with her
- 23:39
It'd be a tragedy for sure
- 23:40
Calling you a fucking idiot
- 23:47
Are you free tomorrow afternoon?
- 23:49
I hear there's a good movie out
- 23:50
You seen the movie? No?
- 23:53
No, too abrupt
- 23:54
Let me think
- 24:00
Can I ask your name?
- 24:03
Oh, what a lovely name
- 24:05
No good
- 24:14
Haven't we met somewhere?
- 24:16
You look so familiar
- 24:20
Too cliché
- 24:22
I'd better just improvise
- 24:23
I don't want these lines tying me down
- 24:36
Iceberg, Act Two
- 24:39
No lights, no sound
- 24:40
Nothing at all
- 24:41
All improvised
- 24:42
Now that's interesting
- 24:45
No thermal underwear
- 24:46
It's freezing
- 24:48
I'm not in the deep sea
- 24:49
I'm in the glacier
- 24:55
I feel out of place in this theatre
- 25:00
As if drifting through the deep sea
- 25:03
Funny thing
- 25:04
The deep sea has neon lights too
- 25:06
Sea creatures hunt with light
- 25:10
The ocean is just like this theatre
- 25:14
The deeper you go
- 25:16
The fewer people there are
- 25:31
This is, this is, this is—
- 25:39
I... I'll take a pack of cigarettes
- 25:42
Um, can I ask your name?
- 25:49
No. Why?
- 25:50
Just wanted to ask if you're free tomorrow
- 25:56
I'm not free
- 25:56
Then... then when are you free?
- 26:01
Huh? Never
- 26:03
You're my friend
- 26:08
Hey
- 26:08
How can you talk to a customer like that?
- 26:12
The customer is your God
- 26:15
Now God wants to know your name
- 26:17
You dare not tell him?
- 26:19
Do you dare?
- 26:23
I just want to know your name
- 26:24
Is that so hard?
- 26:31
What are you hiding down there for?
- 26:39
I'm a robber
- 26:41
You think I'm a robber?
- 26:47
You talking to me?
- 27:06
The lighter's gone
- 27:09
Kecheng
- 27:20
What's it to you?
- 27:23
You rat playwright
- 27:32
An eight-yuan pack of smokes
- 27:34
And he only gave me one yuan change
- 27:37
Dignity's worth one yuan
- 27:40
Maybe he's long known his soul's price
- 27:44
If I were like him
- 27:45
I'd go report him
- 27:47
But I won't
- 28:00
The best venue for this play is—
- 28:04
It shouldn't be in a theatre like this
- 28:05
It should be in some sewer
- 28:08
With rats scurrying around
- 28:11
Everyone sitting in a row
- 28:12
Just watching it
- 28:13
Watching this shitty play
- 28:15
Other than that, it's...
- 28:21
This, this script is way too cutesy
- 28:24
Written way too cutesy
- 28:24
Too young
- 28:25
Too cute
- 28:26
Sometimes the words that come out
- 28:30
Make me feel it's not a...
- 28:34
It's just not a grown-up script
- 28:36
It's just this, this cutesy thing
- 28:39
Like stuff I scroll past on my phone
- 28:41
Like Qzone
- 28:42
Right
- 28:43
Like Qzone
- 28:44
That kind of, that kind of stuff
- 28:45
So it, it makes me laugh now and then
- 28:49
And it can't pull me in either
- 28:52
I just feel it's a kind of...
- 28:59
The playwright's head is full of
- 29:04
Things that are utterly baffling
- 29:08
And the playwright hits people too
- 29:09
He never knows how to say what he means
- 29:13
If you think this play is bad
- 29:16
Then go write and direct it yourself
- 29:20
Instead of just trashing it nonstop
- 29:22
He's losing it
- 29:22
Get it?
- 29:23
He's triggered
- 29:24
So triggered
- 29:25
He's mad
- 29:29
You can't say Chinese soccer sucks
- 29:30
You should go up and play
- 29:33
Can't say a thing about Chinese soccer
- 29:39
You chickened out
- 29:40
He raises his left hand
- 29:41
I can't even say what I think
- 29:43
This one, and another one
- 29:45
There's one here
- 29:46
Problem is, both are recording
- 29:48
You're scared even on record
- 29:49
Which one?
- 29:51
Where's the other mic?
- 29:53
Shit, they heard it all
- 29:59
We're done, I just said so much
- 30:01
It's over, over, over, over
- 30:02
Ruined, ruined, ruined
- 30:06
It's fine, keep acting
- 30:08
Think the show sucks? Then build it up
- 30:11
What are you adding?
- 30:12
He's mad
- 30:13
I won't add. I'm done talking
- 30:14
Think the show sucks? Then build it up
- 30:17
Not just run away from it
- 30:19
You got my cigarette on camera
- 30:20
No smoking in the theatre
- 30:22
Blur it, blur it, blur it out
- 30:24
You can't even smoke a prop one
- 30:25
Right, a prop
- 30:26
Right, if you wanna smoke
- 30:28
Just smoke the intention
- 30:30
No cigarette in your heart
- 30:32
None in your hand either
- 30:33
You get it?
- 30:36
Come join us on January 1st
- 30:39
Step into a
- 30:40
To do what?
- 30:41
Shabby little cyberpunk building
- 30:43
And watch our show
- 30:45
Wishing us all a lovely…
- 30:48
His mic
- 30:49
Our pass, our pass
- 30:52
Honestly, this show's completion level
- 30:55
To me falls short of a passing grade
- 30:59
But polish comes from many factors
- 31:02
Acting, lighting, dance, transitions
- 31:06
Since it's a so-called collective creation
- 31:11
No director, no stage manager
- 31:14
Countless slip-ups at every step
- 31:17
You probably don't know—can we try again?
- 31:20
Quick, quick, take over
- 31:22
Quick, quick, quick
- 31:24
No—we're at Act Three now
- 31:26
Not mine, my co-worker's
- 31:28
I'm in it
- 31:30
Three
- 31:32
Right, one and two
- 31:34
I'm in it
- 31:36
Right, I'm in it
- 31:38
So go ahead, criticize as you see fit
- 31:40
No one acts or rehearses this way
- 31:42
This play
- 31:44
The actors arrived not knowing each other
- 31:46
Then rehearsed for 21 days
- 31:48
How can 21 days' work go on stage?
- 31:52
Sincerity alone won't cut it
- 31:53
In the end we
- 31:54
I think 21 days is long enough
- 31:56
We
- 31:57
Know what I delivered today?
- 32:05
Lingerie
- 32:08
So what?
- 32:10
You snuck a peek inside
- 32:12
Not afraid of a complaint?
- 32:14
Saw the label, so I opened it
- 32:16
Besides
- 32:18
Damaged-parcel stuff like this
- 32:21
Nobody can prove a thing
- 32:23
Don't be like that
- 32:24
You're acting like his girlfriend
- 32:25
I'm even closer to them
- 32:27
They'll get it
- 32:29
They'll think we've got minorities here
- 32:31
So what of it?
- 32:33
You're actually a minority
- 32:35
I'm no minority
- 32:37
What are you doing?
- 32:39
Just getting a laugh
- 32:45
Disgusting
- 32:47
Some want to cover our eyes
- 32:49
Some want to shut our mouths
- 32:51
Are you minorities?
- 32:53
But I speak out for minorities
- 32:56
I'll fight for it all my life
- 32:57
World peace
- 32:59
People like you make me furious
- 33:02
What use are you to minorities?
- 33:05
Why'd you feel so floaty today?
- 33:09
I'm telling you, I was floating
- 33:10
Floaty how?
- 33:13
My whole soul just scattered
- 33:15
Like my mind was miles away
- 33:17
That's on me
- 33:19
Because I was
- 33:20
First, when I read the script
- 33:23
Co-worker One—I didn't really like him
- 33:26
Sure, Co-worker Two I don't like either
- 33:29
And I never dug deep into it
- 33:31
And I didn't rehearse much either
- 33:33
And I slacked off in rehearsal
- 33:35
Still holding the script—I was shocked
- 33:38
No no, that was my design
- 33:41
A little design—I own the energy
- 33:44
It's a little design, not me—no no no
- 33:47
My lines aren't down yet
- 33:49
That was my little trick to mislead you
- 33:52
But Piao, I do think the acting was off
- 33:54
Because back when I was doing that shop bit
- 33:58
Please, come on down
- 33:59
The actor's prep just wasn't there
- 34:01
My feeling is you just acted badly
- 34:03
Saw this play on Bilibili
- 34:04
You love your own scenes
- 34:06
But this play you look down on, guys
- 34:08
Piao
- 34:08
No no no no, not at all
- 34:10
Hahaha
- 34:11
No no no no, no way
- 34:13
Haha, it's just... it's that thing
- 34:14
This—I just didn't do my homework
- 34:16
It's on me... is it my fault?
- 34:18
I didn't—I just didn't play it well
- 34:19
I never truly, truly felt it
- 34:21
I didn't—didn't put in the work
- 34:22
I lost the business
- 34:23
My fault, it's all my fault
- 34:25
I just deserve a cussing-out
- 34:26
Nobody yells at me
- 34:27
Grade-A, Grade-A stuff
- 34:31
Right—was that about your performance?
- 34:34
I just want to ask why it was like that
- 34:36
Like, what caused it?
- 34:38
What's behind the laziness?
- 34:39
When I acted, I couldn't be bothered
- 34:40
I had a lot going on
- 34:41
I had to face dead front
- 34:41
Then why'd you even come?
- 34:43
Then why come here to play him?
- 34:44
He asked me to come
- 34:45
He asks and you just come?
- 34:47
He tells you to come and you come?
- 34:48
Yeah
- 34:49
I love him
- 34:49
You're so...
- 34:50
I love him
- 34:52
You love him 'cause he's like you?
- 34:55
He is like me
- 34:56
I just love him—and pretty girls
- 35:01
I am an idealist
- 35:07
I am a romantic
- 35:09
Don't shout slogans
- 35:11
White-left lords of the seven stars
- 35:13
Don't shout slogans
- 35:16
Keep going—where were we?
- 35:18
Stuff like damaged parcels
- 35:24
I held that underwear up and sniffed it
- 35:29
Like it had already been worn
- 35:32
I try to leave my scent on it
- 35:35
So next time the girl wears it
- 35:38
She'll think of me
- 35:40
And when we meet, she'll fall for me
- 35:45
Fuck!
- 35:46
That is so fucking gross
- 35:48
Two years single now
- 35:49
Just cut me some slack, okay?
- 35:52
Besides
- 35:53
Just cut me some slack
- 35:55
Besides
- 36:00
What was I supposed to say?
- 36:03
Besides
- 36:04
That measly salary of yours
- 36:05
Besides
- 36:07
This measly salary of mine
- 36:08
Isn't enough to buy a girl a drink
- 36:10
'Cause you drink it all yourself
- 36:15
I'm not kidding you
- 36:16
Let me do the math for you
- 36:19
Taking a girl out on a date
- 36:21
You can't make her pay, can you?
- 36:23
You date, you hit it off
- 36:25
Then you move in together, right?
- 36:26
Moving in means renting bigger, right?
- 36:31
Hit it off
- 36:32
Move in
- 36:33
Then what?
- 36:34
Marriage
- 36:34
Right
- 36:36
Marriage takes a bride price, right?
- 36:38
Right
- 36:39
And after the wedding?
- 36:40
A house
- 36:41
A car
- 36:42
A hukou
- 36:43
Tuition: primary, middle, high, college
- 36:48
It'd wear the both of us out
- 36:51
A burial plot
- 36:52
Whoa, hold on
- 36:54
You're not even at the dating stage
- 36:55
And you jump straight to the burial plot?
- 36:57
I hadn't thought of that
- 36:58
True, though
- 37:00
You've been single two years
- 37:01
You're getting antsy
- 37:02
What would I be antsy about?
- 37:05
There's another one right here
- 37:07
A 27-year-old virgin, right?
- 37:10
He's not even antsy yet
- 37:11
Still single to this very day
- 37:16
Time for the afternoon run, right?
- 37:17
Just about
- 37:18
Yeah, true
- 37:20
Oh, right
- 37:21
From that stock of yours
- 37:22
Pick out a few girls for me
- 37:24
I'll deliver them for you
- 37:26
Call it setting me up
- 37:28
And if it works out
- 37:30
You're off the hook for the gift money
- 37:32
Don't go slipping me a ladyboy
- 37:34
Relax
- 37:34
Like I'd ever do you wrong
- 37:37
Xiaoshui
- 37:38
Xiaoshui
- 37:39
We're heading out
- 37:42
Let's go
- 37:43
Go, go, go
- 37:49
Xiaoshui
- 37:49
Coming!
- 37:56
It fell apart, fell apart
- 37:57
It's not you who fell apart
- 37:59
it's our camera crew that did
- 38:01
Yeah, the camera side collapsed
- 38:02
What's wrong? Didn't it record?
- 38:03
The first cameraman wasn't there
- 38:04
And this close it still wasn't recorded
- 38:05
So the next scene
- 38:06
that one's us, right?
- 38:08
But this scene didn't get filmed
- 38:09
Do we still shoot it?
- 38:10
Shoot it again?
- 38:11
Shoot it again?
- 38:12
This scene didn't get filmed
- 38:13
No surprise there
- 38:14
That whole last scene wasn't shot at all
- 38:16
Half of it was shot
- 38:17
The second half just...
- 38:18
Wow, what perfect timing
- 38:20
Just do it over
- 38:21
Then it just cut out
- 38:22
Next one
- 38:22
I still...
- 38:23
He won't use everything in the edit anyway
- 38:24
So you just want the footage, right?
- 38:26
Right
- 38:27
So we wait for Hefa before continuing?
- 38:30
Yeah
- 38:30
Wait a bit
- 38:30
Let's wait a bit
- 38:31
Fine, let's wait for him
- 38:32
I've got one speech left to cry through
- 38:34
Then it's on to the Boss's part
- 38:35
We only want the extra stuff
- 38:39
Not the play itself
- 38:40
Then what are we even acting for?
- 38:42
So we don't do the play?
- 38:43
Why wouldn't we?
- 38:44
No, no — didn't you want the extra parts?
- 38:46
You didn't think we'd release the full play, did you?
- 38:52
The edit mostly keeps just a bit of the play
- 38:55
Then just the offstage stuff in between
- 38:58
But you have to be in the play
- 39:00
Right, like I said — the parts you acted
- 39:03
How about this
- 39:04
I actually think
- 39:05
we can shorten it
- 39:06
Yeah, just pick a few segments
- 39:08
Don't run it start to finish
- 39:09
There's no time
- 39:10
Just pick a few segments
- 39:11
Every actor gets one go
- 39:16
Everyone's on camera once
- 39:19
and says a few lines
- 39:20
That way we get it all shot
- 39:22
Us two
- 39:23
How about it?
- 39:24
Shoot the inside bits you think are classic
- 39:26
Say you pick a few segments
- 39:28
Maybe some that touch the play
- 39:31
A bit from the play
- 39:32
And some offstage stuff too
- 39:33
What?
- 39:34
All of it from the play
- 39:35
Right?
- 39:36
I want it all
- 39:38
All of it
- 39:39
All of it — keep going then
- 39:40
Keep moving, fast — after we raced through rehearsal
- 39:49
One at most, right? Come on — my car, my car
- 39:56
Such a shame. If I lived like him, I'd...
- 40:01
Alrighty
- 40:04
Alrighty
- 40:06
The audience is about this close
- 40:13
The audience, this close
- 40:16
The audience is just this close
- 40:18
Right in my face
- 40:22
In this perfunctory way
- 40:24
No — what's the line?
- 40:26
You threw me off my lines
- 40:28
Sneaking around like this
- 40:32
to build a relationship is an insult to love
- 40:34
Constant run-ins
- 40:36
a half-hearted confession
- 40:38
even marrying over an accident
- 40:41
just so the accident could be born
- 40:44
He ought to be locked up
- 40:46
I'm telling you
- 40:47
But I'm not like him
- 40:50
A thing like snitching —
- 40:51
How are you any different?
- 40:51
only someone like him would do it
- 40:54
I can't stand people touching my shoulder
- 40:59
It's over
- 41:02
They're bullying me
- 41:05
I can't stand people touching my shoulder
- 41:10
Why isn't he back yet?
- 41:11
Here he comes
- 41:14
No idea
- 41:21
Hey, you there
- 41:21
You
- 41:23
The Boss
- 41:23
wants you to come by
- 41:25
I'm off to see the Boss
- 41:35
The script really has its logic problems
- 41:40
Including some of the lines
- 41:43
When I first got the script
- 41:45
lots of lines made no sense to me
- 41:48
Two, three days ago I still didn't get them
- 41:55
What on earth did you mean by writing that?
- 41:57
Then slowly you rationalize it to yourself
- 42:02
and create from there
- 42:06
Uh, I think us actors were all pretty serious
- 42:16
Well then actually do it!
- 42:19
Is he sick in the head here or what?
- 42:33
Like, mentally ill?
- 42:39
Not really
- 42:40
But he's got a bit of it in him
- 42:42
A guy like him
- 42:44
Say he's 100% a menace to society
- 42:49
that might be unfair to him
- 42:52
But say 90% odds he'd do wrong
- 42:55
that's definitely underselling it
- 42:58
Two mics held up to you
- 43:17
An interview
- 43:18
Say something
- 43:19
What a shit play
- 43:21
Who the fuck wrote this
- 43:26
I'd better not say
- 43:30
Come say a few words
- 43:35
The Boss is here
- 43:36
My turn
- 43:37
Hurry up
- 43:41
Come on
- 43:42
The Boss is here
- 43:49
Let me introduce
- 43:50
This is my Boss
- 43:51
I'm his employee
- 43:54
The exploited one
- 43:57
Exploited how?
- 43:59
I'd fucking love to know, exploited how
- 44:01
Go on, tell me
- 44:04
Right?
- 44:07
I pay you
- 44:08
Gave you a job, gave you money
- 44:10
How did I exploit you?
- 44:11
Don't you earn what you work for?
- 44:14
Boss
- 44:15
Exploited what?
- 44:16
Right? Exploited what?
- 44:17
Whining over nothing
- 44:18
Yeah, whining over nothing
- 44:20
Right? How have I ever exploited him?
- 44:23
You get paid, don't you?
- 44:26
Since you joined, how's he exploited you?
- 44:28
You get paid? You have a job?
- 44:30
How does that song go again?
- 44:31
What?
- 44:32
How does The Internationale go?
- 44:34
Arise, ye who refuse to be slaves
- 44:39
Don't dare sing that, really don't
- 44:40
Come on, from the top
- 44:41
Arise, ye who refuse to be slaves
- 44:45
Arise, ye hungry and cold
- 44:46
Arise, ye hungry and cold
- 44:48
I'll lead, you sing along
- 44:49
Arise, ye slaves of cold and hunger
- 44:53
Arise, ye wretched of the earth
- 45:40
Waiting for the slaughter
- 45:41
I even think
- 45:42
I'm worse off than a pig
- 45:44
A pig eats, then sleeps
- 45:46
sleeps, then eats, thinks of nothing
- 45:48
But me
- 45:48
me, I let myself be exploited
- 45:53
When I didn't know I was that pig
- 46:00
I ate just like the pigs
- 46:03
Slept
- 46:04
Worked
- 46:05
Thought about nothing
- 46:06
Once I know my final fate
- 46:09
I should fight back
- 46:11
No grand ideals
- 46:12
Rebel purely for my own interests
- 46:16
Oh
- 46:17
The blood in our chests is boiling
- 46:28
We will fight for the truth
- 46:32
Hi, I want to talk to these three
- 46:35
Smash the old world to smithereens
- 46:39
Just sing, it's fine
- 46:41
We did sing
- 46:42
I love Beijing's Tiananmen...
- 46:44
...where the sun rises
- 46:50
I hear
- 46:51
your attitude's been a bit off lately
- 46:55
Is something messing with your mood?
- 46:58
It's fine, just say it
- 47:00
I hope you'll accept my help
- 47:03
After all, you're new here
- 47:05
Fitting in takes some time
- 47:08
Save it. Cards on the table
- 47:11
You make us grind this rote work daily
- 47:15
till we can't think for ourselves
- 47:18
Work this endlessly repetitive
- 47:21
why not just let machines do it?
- 47:23
Nothing I can do about that
- 47:24
Machines can't do everything, can they?
- 47:26
Boss
- 47:27
I've been here since graduation
- 47:29
Why?
- 47:31
Because I think you can still be saved
- 47:33
Money has rotted all the others
- 47:38
Boss, you know what?
- 47:39
10% of people hold 90% of the resources
- 47:44
By the time it reaches us, just scraps
- 47:48
And you still make excuses for them
- 47:50
People have to eat, don't they?
- 47:52
Look
- 47:53
Back then you farmed for your grain
- 47:55
Now you're spared all that toil
- 47:57
Sacrifice a little dignity, eat your fill
- 48:00
Why won't you just bow your head?
- 48:02
Know why I can't fit in?
- 48:04
That crowd
- 48:07
hooked daily on bite-size cheap thrills
- 48:11
Off work, they dive into short videos
- 48:14
Hooked, feeding capitalists their traffic
- 48:17
Funnier still, they can't even
- 48:21
tell whether they're drowning in
- 48:24
They can't even see they're hooked on trash
- 48:31
I mean, if you've never tasted good food
- 48:34
you don't know your own food is swill
- 48:37
So what do you want?
- 48:38
If I were in your seat
- 48:39
I'd run a great purge
- 48:42
I'd screen an obscure art film in a meeting
- 48:45
Whoever pees, checks phones, or dozes off
- 48:48
Fire them all
- 48:49
Then I'd have no employees left
- 48:51
Look me in the eyes and say it
- 48:53
Understood
- 48:54
Look me in the eyes and say it. Hear me?
- 48:58
Understood
- 48:59
My eyes. Say it. Do you hear me?
- 49:13
I'm talking to you. Do you hear me?
- 49:15
I'm talking to you! Do you hear me?
- 49:18
I'm talking to you! Do you hear me?
- 49:22
I'm talking to you! Do you hear me?
- 49:28
Quit messing around
- 49:30
I hear you, I hear you
- 49:32
Sorry, Boss
- 49:33
What's going on with you lately?
- 49:36
Why the sour face every day?
- 49:39
I didn't do anything to you, did I?
- 49:41
They didn't either, right?
- 49:44
Say something!
- 49:47
Fine, don't talk then
- 49:49
You've been here a whole week
- 49:51
Say something!
- 49:53
And you still can't fit in with them
- 49:55
I'll take it to HR
- 49:57
Boss, I didn't mean it like that
- 49:59
It's the same mechanical work every day
- 50:02
It gets a bit boring
- 50:04
I feel like a machine
- 50:06
Might as well have a machine replace me
- 50:11
What a fucking great idea he's got
- 50:14
Then why not swap you for a machine?
- 50:16
What do I need you for?
- 50:19
You know why I hired you?
- 50:21
Because you're cheaper than a machine
- 50:26
I hired you fresh out of school
- 50:29
Why?
- 50:32
Because I thought you could still be saved
- 50:34
Most young people are way too cocky
- 50:36
All ambition, zero ability
- 50:39
You are the foundation of this society
- 50:41
If you lot won't take responsibility
- 50:43
this society will collapse
- 50:45
And you want to sink to their level?
- 50:55
You know why you can't fit in?
- 50:58
Look at them
- 50:59
Watching short videos all day
- 51:02
After work
- 51:04
they mess around with all kinds of junk
- 51:07
A little chat
- 51:08
a little tea
- 51:09
You must learn to fit into the collective
- 51:11
But I won't drown in this cheap entertainment
- 51:16
You haven't even looked, and it's "cheap"?
- 51:21
Just how noble are you?
- 51:29
Have him lay his cards on the table
- 51:31
Is he in or out?
- 51:32
Say something
- 51:35
Speak up!
- 51:36
Are you in or not?
- 51:39
I'm in
- 51:43
From now on, when you talk to me
- 51:44
look me in the eyes
- 51:45
Let me know you're talking to me
- 51:46
Understood?
- 51:48
Understood
- 51:48
Here it comes
- 51:50
Here
- 51:51
Thanks
- 51:52
Looking good
- 51:54
Almost didn't recognize you
- 51:55
Don't you bully him
- 51:57
If he acts up, hit him
- 51:59
I wouldn't dare
- 52:01
Playing twenty-somethings
- 52:03
for so many years now
- 52:05
I've picked up some bad habits
- 52:07
First: sweep only my own doorstep
- 52:09
leave the rest alone
- 52:11
That's how it is in film and TV
- 52:13
Quick in, quick out
- 52:15
Actors rarely meddle in others' acting
- 52:17
So I mostly mind my own business
- 52:19
And how did you do?
- 52:21
I won't say much, maybe half of it
- 52:23
It steps out of the Male Lead's thoughts, or a hallucination, or...
- 52:28
It's a...
- 52:29
Someone brought it up — who was it? — saying
- 52:32
actors aren't on the same level — I don't know
- 52:34
But in every scene of mine, he and I are in sync
- 52:37
So I can accept the play having no director
- 52:40
That shouldn't be — no one takes charge
- 52:43
no one keeps the balance
- 52:45
I don't know why it's like this either
- 52:46
Also, I've done a lot of CCTV dramas
- 52:49
Scripts where you can't change a single word
- 52:51
Because historical figures said the lines
- 52:53
When we act, we treat them all as Shakespeare
- 52:56
No matter what garbage they wrote
- 52:58
you make sure not one word changes
- 53:00
So the script's logic is flawed
- 53:02
the characters' motives are flawed
- 53:04
the lines don't connect
- 53:05
But I don't care
- 53:06
because he's Shakespeare
- 53:08
so it must be my fault
- 53:09
So I do everything I can
- 53:11
to make all his lines
- 53:12
and all the logic hold together
- 53:14
That much I will do
- 53:16
And today there were real slip-ups
- 53:18
I adjusted those mistakes on the spot
- 53:21
You played him into his sixties
- 53:26
I was a secretary, a restaurant secretary
- 53:28
A soldier first, then Provincial Party Secretary
- 53:30
All the way up to Provincial Party Secretary
- 53:33
You dumped me and went abroad
- 53:34
Then I came back and won you back
- 53:36
So fucking impressive — the roles you've played
- 53:40
When I joined they said the company is everyone's
- 53:59
We're all one family
- 54:01
In the end, isn't it all his anyway?
- 54:03
They've forgotten how to walk
- 54:05
They have to point at the sky every day and say
- 54:09
Today I want Brecht
- 54:10
Today I want Stanislavski
- 54:11
Today I'm this
- 54:12
Today I'm that
- 54:13
Today I'm that
- 54:14
Problem is, those people are all dead
- 54:18
So why won't you act it my way?
- 54:21
Because I'm still alive
- 54:22
Ask me, then
- 54:24
All that talk about the place you live off
- 54:26
It's your company
- 54:27
The company is whatever you are
- 54:30
If you think the company's bad
- 54:31
Then work your way up and become the boss
- 54:34
Lead — don't just gripe your whole life, or run
- 54:40
Report it or not, no one uses our courier anymore
- 54:43
Fewer and fewer parcels
- 54:46
Less and less pay
- 54:48
So I went and secretly opened people's parcels
- 54:58
And then
- 54:59
So he's just
- 55:01
Isn't this space too clean for what happens here?
- 55:05
I'd imagine
- 55:06
If this is where the Rat lives
- 55:08
Then the place should reek
- 55:11
It should be foul and filthy
- 55:12
And none of us should look so polished
- 55:14
And I remember
- 55:15
Yesterday, say, when people bought tickets
- 55:17
It asked: are you proletariat?
- 55:27
Wait, which act is it?
- 55:31
No — Act Four
- 55:32
Act Four
- 55:33
Qunhao, which act are we on?
- 55:35
So I went and opened people's parcels
- 55:39
I can't hold it together
- 55:41
It's over
- 55:42
Forgot how to play the whole act
- 55:44
I'm done acting
- 55:48
Disband. Disband
- 55:49
Stop filming. Disband
- 55:51
What kind of crew is this unprofessional?
- 55:52
Disband
- 55:57
Don't you have the script?
- 55:59
Right — what kind of actors are you?
- 56:01
Act Four already
- 56:03
Hurry up
- 56:05
Whose turn?
- 56:07
Has Momo-chang been done yet?
- 56:09
Go do it
- 56:09
Momo-chang
- 56:10
Hey
- 56:11
I'll go disband them
- 56:12
Oh
- 56:13
I'll go disband them
- 56:14
Let me take my papers off you
- 56:16
Let me take the papers
- 56:17
Number Two
- 56:18
Fine
- 56:18
Keep it on you
- 56:20
I can cue you in
- 56:21
If you forget your lines
- 56:22
It's fine
- 56:23
I'll feed you your lines
- 56:27
Just wing it
- 56:57
Sit
- 57:08
What do you mean
- 57:10
What do you mean, filler scene?
- 57:11
What do you mean, filler?
- 57:12
This is the main event
- 57:14
This is singing it
- 57:15
What? Get lost
- 57:16
This is the real play
- 57:17
You know nothing
- 57:18
We're the leads, okay?
- 57:21
The first classic piece
- 57:22
We're the soul of this
- 57:24
Curtain up
- 57:25
One time I went to a KTV
- 57:27
My friend called me a momo-chang girl
- 57:29
A normal one
- 57:30
One time I went to a KTV
- 57:32
Realism
- 57:34
One time I went to a KTV
- 57:36
My friend called me a momo-chang girl
- 57:38
I was nervous as hell
- 57:40
My whole body went stiff
- 57:46
They were playing dice
- 57:48
I didn't know how
- 57:50
So she played blackjack with me
- 57:52
And told her girlfriends
- 57:54
We're playing blackjack
- 57:56
And snickered behind her hand
- 57:58
I felt my dignity
- 58:00
Had been trampled by a hostess
- 58:03
I was furious
- 58:07
They were all groping freely
- 58:10
But my hand
- 58:11
I only dared rest it on her waist
- 58:13
I didn't dare move
- 58:14
So what then?
- 58:17
But
- 58:19
For a man's dignity
- 58:21
My hand
- 58:23
I started inching upward too
- 58:28
She gave my hand a light slap
- 58:33
And I chickened out
- 58:37
A while later I tried again
- 58:39
She grabbed my hand
- 58:42
She leaned in to my ear
- 58:44
And she said to me
- 58:47
She said to me
- 58:49
Be good for me, okay?
- 58:55
Hearing that
- 58:56
I nearly knelt down and called her Mom
- 59:01
Really
- 59:02
No one had ever said anything so tender to me
- 59:10
I disguise myself as wanting nothing
- 59:13
Cold-hearted by nature
- 59:15
Plus, with a height like mine
- 59:20
Not tall
- 59:21
Everyone thinks I'm strong
- 59:25
But after she said that
- 59:29
I felt a mother's love
- 59:31
Dumbass
- 59:37
If only she weren't a hostess girl
- 59:40
How nice that would be
- 59:45
Dumbass
- 1:00:04
It's fine
- 1:00:05
Come on, camera
- 1:00:06
Point it at me
- 1:00:09
I've got a complaint
- 1:00:10
No
- 1:00:10
No, not a complaint
- 1:00:11
Let me share what happened this morning
- 1:00:17
I went to the dentist this morning
- 1:00:19
Everyone, look at my mouth
- 1:00:24
It hurts when I talk
- 1:00:26
A rubber band links my top and bottom teeth
- 1:00:30
My mouth feels sewn shut
- 1:00:33
So life is so hard for me
- 1:00:35
Life is so hard
- 1:00:39
Whose turn is it?
- 1:00:48
The Act Four actors
- 1:00:53
Act Four actors, on stage
- 1:00:54
Not two, right? There's one more
- 1:00:58
Who's in Act Four?
- 1:00:59
Act Four has three actors
- 1:01:00
Buy, buy, buy
- 1:01:01
Act Four is Hunhun
- 1:01:03
I can sing
- 1:01:04
Here we go
- 1:01:05
Here comes the entrance scene
- 1:01:07
Goddess
- 1:01:08
Goddess
- 1:01:23
In this scene I'm a different person
- 1:01:24
I'm the Pimp
- 1:01:25
Don't ask me why
- 1:01:26
I don't know either
- 1:01:27
You can't see a pimp's face
- 1:01:30
That's why I wear a mask
- 1:01:31
A rat!
- 1:01:31
Did you kill it?
- 1:01:32
Help!
- 1:01:33
Look at my greasy clothes
- 1:01:35
Thanks
- 1:01:36
Oh
- 1:01:38
My cigarette
- 1:01:38
I'm the Pimp
- 1:01:40
A smoke
- 1:01:41
Lend me a cigarette
- 1:01:43
Damn it
- 1:01:43
Bumming smokes off the Boss?
- 1:01:44
Piss off
- 1:01:45
No props, all mime
- 1:01:48
Want a light?
- 1:01:48
Not lighting it
- 1:01:49
We're in a theatre, no lighting up
- 1:01:52
Lighting it would be too pro
- 1:01:54
You can't force me to do what I hate
- 1:01:56
You can't turn down this money
- 1:01:59
How can you go back on your word?
- 1:02:10
Let me tell you
- 1:02:11
The client asked for you by name
- 1:02:13
I can't afford to cross him
- 1:02:15
If you won't go
- 1:02:15
I'll drag you into the car
- 1:02:17
It'll be ugly for both of us
- 1:02:18
How about this
- 1:02:20
This time
- 1:02:21
You're coming with me
- 1:02:24
You're hurting me
- 1:02:25
Let go
- 1:02:28
Aren't you scared at all?
- 1:02:31
You'll never dare again
- 1:02:32
You'll never dare again
- 1:02:33
You'll never dare again
- 1:02:34
You'll never dare again
- 1:02:35
You'll never dare again
- 1:02:36
You'll never dare again
- 1:02:37
What, you'll call the cops?
- 1:02:39
Cops!
- 1:02:41
This guy's peddling tarts
- 1:02:43
What are you doing?
- 1:02:45
Not peddling, she's saved for Boss Wang
- 1:02:48
Not the street, your place then?
- 1:02:51
You're nuts
- 1:02:52
Fuck you
- 1:02:53
Holy shit
- 1:02:54
Motherfucker
- 1:02:55
Fuck, he's a pimp
- 1:02:58
Get him
- 1:02:59
Fucking hell
- 1:03:01
Dog catching rats, huh?
- 1:03:04
Playing hot shit, huh?
- 1:03:07
You don't even rate as a dog
- 1:03:09
You're just a rat
- 1:03:10
What, you can't fight?
- 1:03:11
You idiot
- 1:03:12
Steal from you?
- 1:03:13
Where you going? I'll beat you
- 1:03:18
You okay?
- 1:03:20
No, I'm not
- 1:03:21
Just piss off already
- 1:03:22
Good insult!
- 1:03:24
Go, let's go
- 1:03:30
What's wrong, baby?
- 1:03:35
Move it, clients waiting
- 1:03:37
Let go
- 1:03:41
Sorry about that
- 1:03:42
How many clients have you done?
- 1:03:44
What's wrong?
- 1:03:46
You exit on your own here
- 1:03:47
I still have a scene
- 1:03:48
You haven't said your line yet
- 1:03:54
I'm out of lines
- 1:03:55
You do. 'Move it, baby' is your line
- 1:03:57
Ugh, stop it
- 1:03:58
You know what happens if you grab me, right?
- 1:04:00
Worst case, I'll do last time all over again
- 1:04:03
I still don't know what happened last time
- 1:04:06
What happened last time?
- 1:04:09
Driving
- 1:04:11
Last time you were hauling a truckload
- 1:04:12
And he didn't want to go
- 1:04:13
But you made him go
- 1:04:14
He beat the guy up
- 1:04:15
Holy fuck
- 1:04:18
Really?
- 1:04:18
Forget it then
- 1:04:20
Let me tell you
- 1:04:22
I'll go get Lisa
- 1:04:24
Don't think you're such hot shit
- 1:04:26
With wigs on I can't even tell who you are
- 1:04:30
So tacky
- 1:04:31
Daughter
- 1:04:32
Don't let me see you again
- 1:04:34
Look at the state of you
- 1:04:39
Lisa
- 1:04:40
Daddy's here
- 1:04:42
Daddy
- 1:04:45
Wait, you're Lisa?
- 1:04:47
The moment it comes off
- 1:04:49
Turns out you're still you
- 1:04:56
Props! Is there even a props team?
- 1:04:58
No props at all
- 1:04:59
Miming now? Props? What a crew, seriously
- 1:05:05
Done acting, I'm pulling a diva
- 1:05:06
There is a result — Beifeng isn't like the usual theatre
- 1:05:12
The result is... the result is
- 1:05:16
The result is this thing has to pass the bar
- 1:05:19
But clearly we haven't gotten there yet
- 1:05:22
And we need to keep creating
- 1:05:23
Or my own character itself
- 1:05:26
Even two or three days before rehearsals
- 1:05:29
We were still finding the hooker character
- 1:05:32
We were still discussing
- 1:05:33
Still searching inside the character
- 1:05:35
Searching right up until tonight's stage
- 1:05:37
But I think it's still not enough
- 1:05:38
We have to keep searching
- 1:05:40
My part alone is three roles
- 1:05:43
Right from the entrance
- 1:05:45
It's the Robber forcing his way in
- 1:05:47
And a hostage, that state
- 1:05:49
So I think
- 1:05:51
Everyone needs more time
- 1:05:53
To create together
- 1:05:54
To find our groove together
- 1:05:55
The result matters too
- 1:05:57
But the most important meaning, I think
- 1:06:00
This play existing means a lot to Beifeng
- 1:06:03
Beifeng truly exists now, it's real
- 1:06:06
So really, thank you, thank you
- 1:06:11
There's one thing I find interesting
- 1:06:13
Like three actors all said they never found
- 1:06:18
That spot
- 1:06:19
I don't know how Beifeng defines that now
- 1:06:22
Instead of searching or talking about finding it
- 1:06:26
Just go try being that person
- 1:06:28
Or rather
- 1:06:29
Just because
- 1:06:30
I mean, right now Beifeng is still
- 1:06:32
Like
- 1:06:33
It's still
- 1:06:34
So-called play-acting
- 1:06:36
I mean
- 1:06:37
That is, or rather
- 1:06:38
You can leap right into it
- 1:06:40
And I really didn't like the playwright's
- 1:06:41
Opening line just now
- 1:06:43
Saying we made a lot of mistakes
- 1:06:45
Like the lighting problems
- 1:06:46
That, uh
- 1:06:47
The transitions were bad
- 1:06:48
Well, for example
- 1:06:49
Right
- 1:06:50
One, in itself
- 1:06:51
Take film, for example
- 1:06:52
Sound comes in first too
- 1:06:53
Then the picture opens
- 1:06:54
Or some jump-cut techniques
- 1:06:56
That's all totally normal
- 1:06:57
There's no fixed standard template
- 1:06:59
And then
- 1:07:00
My way is just fine
- 1:07:02
The way I played it
- 1:07:03
Right
- 1:07:03
I played it wrong
- 1:07:05
Or you think your way of playing it is right
- 1:07:07
Then who gave you that template of legitimacy?
- 1:07:10
Me, myself
- 1:07:11
Myself
- 1:07:12
I myself think I played it wrong
- 1:07:17
He seems to have some kind of glow
- 1:07:19
Warm and pure
- 1:07:22
He was meant to be pure
- 1:07:23
He doesn't belong on this filthy street
- 1:07:26
Shouldn't be in my sight
- 1:07:28
He shouldn't be doing this kind of work
- 1:07:31
If he weren't here, he'd be a star
- 1:07:33
He should be smiling at flashbulbs on a red carpet
- 1:07:36
But now no one cherishes his smile
- 1:07:43
I wish a real rain would wash this street clean
- 1:07:47
Or one day
- 1:07:49
When they all gather
- 1:07:52
I mean
- 1:07:53
Everyone packed together out on the street
- 1:07:56
I'll drive a cement truck
- 1:07:59
And crush them all to death
- 1:08:02
Twice
- 1:08:04
Three times
- 1:08:06
Till their bones are mashed together
- 1:08:09
Till the screaming stops for good
- 1:08:14
God, I'd love to do that
- 1:08:16
I might need a piece
- 1:08:19
For when I run into them
- 1:08:20
I can do it
- 1:08:39
Sleep now, my beloved
- 1:08:42
This is where you rave too, right?
- 1:08:44
Sleep, sleep
- 1:08:48
Lao Song
- 1:08:52
laughing over here
- 1:08:53
Shh
- 1:08:55
No, I mean, we're on stage here
- 1:09:02
Once he's asleep
- 1:09:03
he even sleeps with flair
- 1:09:04
Sleep
- 1:09:07
Hurry up and sleep
- 1:09:09
I'm sleeping
- 1:09:10
Your chest can't hold a bed
- 1:09:16
Hurry up and fall asleep
- 1:09:18
You've lost track of the night
- 1:09:23
Nice
- 1:09:26
No more sorrow
- 1:09:28
No more hunger
- 1:09:30
No more empty meal tickets
- 1:09:38
You'll hit the jackpot
- 1:09:41
Hurry up and fall asleep
- 1:09:43
The ones you love will remember
- 1:09:46
Bravo, what a poem
- 1:09:48
Bravo
- 1:09:49
Li Bai wrote that, right?
- 1:09:50
Hurry up and sleep
- 1:09:52
Never mind what the heart wants
- 1:09:53
Hurry up and fall asleep
- 1:09:56
No need to wallow in self-pity
- 1:10:00
Hurry up and fall asleep
- 1:10:03
The dream within the dream
- 1:10:07
can learn the creativity of our world
- 1:10:11
can go back to before it went wrong
- 1:10:14
back into the amniotic fluid, back
- 1:10:18
to before conception
- 1:10:22
Great show, great show
- 1:10:26
Someone
- 1:10:27
Someone wants to cover our eyes
- 1:10:29
gag our mouths
- 1:10:30
pin down our hands
- 1:10:32
pretend all is normal, nothing happened
- 1:10:34
I've seen it
- 1:10:36
I know what this place was like when he fled
- 1:10:39
Now look what you've turned it into
- 1:10:41
He's down
- 1:10:48
My back's given out
- 1:10:51
Call an ambulance, I can't move
- 1:10:58
Which act are we on?
- 1:11:04
That's it?
- 1:11:05
That's it?
- 1:11:06
Nope
- 1:11:07
The part where the Boss gets shot
- 1:11:16
No, no, no
- 1:11:18
My bit
- 1:11:20
Ugh, this is so annoying
- 1:11:22
Is there more?
- 1:11:23
Mine, mine
- 1:11:24
Who made the rules?
- 1:11:53
Those who profit sit closest to the rules
- 1:11:57
This must be just what they wanted
- 1:12:00
And they succeeded
- 1:12:01
They cut people like me out of society
- 1:12:04
I should head back
- 1:12:06
This is my return ticket
- 1:12:09
I mean, we all rejoin society someday
- 1:12:13
Either buy a few friends with money
- 1:12:17
or make a few enemies with brute force
- 1:12:21
I just checked my bank balance
- 1:12:29
Enough to last a lifetime if I never work
- 1:12:32
But there's one condition
- 1:12:34
I'd have to die tomorrow
- 1:12:36
Not one day more
- 1:12:38
Ring ring. The phone's ringing
- 1:12:40
The poor can't afford one of these
- 1:12:44
Hello?
- 1:12:50
Listen, I've got no money to pay you back
- 1:12:52
Worst case, come kill me
- 1:12:55
Or I'll jump off this building
- 1:12:57
Happy now?
- 1:13:02
He swore at me
- 1:13:11
So much in this world I've yet to try
- 1:13:15
I do this today, that tomorrow
- 1:13:18
In my heart, what makes me happy is right
- 1:13:21
What I loathe becomes wrong. And yet
- 1:13:23
people keep telling me my joys are wrong
- 1:13:27
I can't tell anymore, it's all displaced
- 1:13:31
Someone has to stand up
- 1:13:40
Even just not joining their filth counts
- 1:13:44
No sound effect
- 1:13:47
I just won't live penned up like a pig
- 1:14:06
waiting to be slaughtered
- 1:14:08
I'm not even as good as a pig
- 1:14:11
A pig eats, sleeps, eats
- 1:14:13
never has to think
- 1:14:14
And me? I just finished my PhD
- 1:14:18
Before I knew which pig I was
- 1:14:22
I could live like a pig
- 1:14:24
eat, sleep, work
- 1:14:26
think about nothing
- 1:14:28
But all I know is my final fate
- 1:14:31
so I have to fight back
- 1:14:33
Not for some ideal
- 1:14:35
just purely
- 1:14:37
fighting for my own interests
- 1:15:25
How do we shout it?
- 1:15:54
Is this me?
- 1:16:25
This must be who I was meant to become
- 1:16:27
They call this
- 1:16:31
the birth pangs of the times
- 1:16:34
a necessary sacrifice
- 1:16:36
the road that must be walked
- 1:16:43
Why is he stripping?
- 1:16:44
Isn't this the last act?
- 1:16:45
But my whole life...
- 1:16:47
He stripped once midway too
- 1:16:48
who would even know
- 1:16:50
Call it publicity, a selling point
- 1:16:52
That's called exhibitionism
- 1:16:53
So where were we?
- 1:16:54
Right?
- 1:16:55
Where'd the feelings get to?
- 1:17:07
Come on, next scene
- 1:17:08
Where were we?
- 1:17:08
I didn't sell it
- 1:17:23
Sealed off
- 1:17:28
The Big One is coming
- 1:17:29
The Big One is coming
- 1:17:30
No, no, the big-big one
- 1:17:31
This is Act Six already, right?
- 1:17:33
The Big One comes later, right?
- 1:17:34
Where are we?
- 1:17:35
Act Six, I think
- 1:17:35
Act Six
- 1:17:36
Yeah
- 1:17:36
Give it to me
- 1:17:38
Still mine
- 1:17:52
Honestly speaking
- 1:17:55
I still hope this time of ours
- 1:17:56
won't be the last
- 1:18:00
I've figured it out
- 1:18:02
Big dreams, weak hands—it got to me
- 1:18:04
The road you chose, you walk step by step
- 1:18:10
Why didn't you show this attitude sooner?
- 1:18:13
They all got raises this month
- 1:18:16
All except you
- 1:18:17
Because of your attitude problem
- 1:18:19
I didn't give you one
- 1:18:20
But my numbers match theirs this month
- 1:18:24
So why, at the last second,
- 1:18:28
do you dock my wages?
- 1:18:30
I'm not docking your wages
- 1:18:32
You're just not one with the collective yet
- 1:18:35
So no raise for you this month
- 1:18:37
My point is to make you see
- 1:18:41
numbers don't come first
- 1:18:44
Attitude is what matters most
- 1:18:46
Once you're sitting where I sit
- 1:18:49
you'll understand
- 1:18:50
When your company runs like a machine
- 1:18:53
the last thing you want to see
- 1:18:55
is one of the gears
- 1:18:57
turning the wrong way
- 1:18:59
You get it?
- 1:19:02
Show me your attitude next month
- 1:19:06
Let me see you change
- 1:19:08
and I'll make it up to you
- 1:19:10
Generous enough, right?
- 1:19:13
If you show me your attitude
- 1:19:16
let me see you—
- 1:19:17
Get to work
- 1:19:19
Everyone's about to head out
- 1:19:21
You get ready too
- 1:19:24
Put your cap on
- 1:19:25
Get to work
- 1:19:26
Don't just stand there
- 1:19:28
Everyone's about to head out
- 1:19:29
Come back
- 1:19:30
Come
- 1:19:32
Come here
- 1:19:34
Come here
- 1:19:40
Here, a pack of smokes for you
- 1:19:41
And here's a mug
- 1:19:42
Someone gave it to me
- 1:19:43
Haven't even had time to use it
- 1:19:45
You take it
- 1:19:48
Off you go
- 1:19:51
Sir, there's something I should report
- 1:19:53
There's something I should report
- 1:19:55
Gimme a light
- 1:19:56
I've got something to report to you
- 1:19:58
Go ahead
- 1:19:59
Take it, take it
- 1:20:00
Can't help parcels getting lost or damaged
- 1:20:03
We got complaints—parcels lost or damaged, right?
- 1:20:06
Can't be helped
- 1:20:07
I know
- 1:20:10
There really were complaints
- 1:20:12
But there's nothing to be done
- 1:20:14
I know a guy who keeps opening parcels
- 1:20:16
and harassing people too
- 1:20:17
Oh, him?
- 1:20:18
Fire him
- 1:20:23
That behavior is pretty vile
- 1:20:25
And he keeps bragging about it
- 1:20:28
It's a really rotten vibe for the company
- 1:20:31
But— I'll think it over
- 1:20:37
Think it over?
- 1:20:40
Shouldn't he just be fired?
- 1:20:43
You talked about seeing the other side
- 1:20:44
I even looked at it from your side
- 1:20:46
You stressed that yourself
- 1:20:48
He's the gear turning backwards, right?
- 1:20:50
I'll think it over
- 1:20:51
But he delivers more parcels than you
- 1:20:53
Right
- 1:20:53
Mm
- 1:20:54
Why not just fire him?
- 1:20:55
He never asked for more pay either
- 1:20:56
You talked about seeing the other side
- 1:20:58
I looked at it from your angle
- 1:21:00
He's corrupted the company's culture
- 1:21:02
Then it doesn't hold up
- 1:21:03
I think
- 1:21:05
for a man who sells his labor
- 1:21:10
what he believes in is fairness
- 1:21:13
This sort of thing is a necessity
- 1:21:16
Some things stay inside the company
- 1:21:22
Don't spread it around
- 1:21:23
Isn't that just an inside job?
- 1:21:30
If I spill it, so much for your company service
- 1:21:33
Go tell whoever you want—see who
- 1:21:36
believes who
- 1:21:38
Don't spread it around
- 1:21:40
Who'd believe who?
- 1:21:42
Got it
- 1:21:43
And if I do tell
- 1:21:44
thanks for your work for the company
- 1:21:46
I am the truth
- 1:21:47
How happy the comrades are
- 1:21:48
Go ahead, say whatever you want
- 1:21:49
See who believes whom
- 1:21:53
Think statements go by your terms?
- 1:21:56
Who's got more resources, me or you?
- 1:22:01
One last piece of advice, kid
- 1:22:03
Keep your head down and work
- 1:22:06
Skip the stretch from suing to losing
- 1:22:10
Better for the both of us
- 1:22:12
I'd hate to see the news say one day
- 1:22:14
some company's ex-employee
- 1:22:16
fabricated facts out of revenge
- 1:22:18
and has now been arrested
- 1:22:20
You're a young man
- 1:22:22
If you go out talking nonsense
- 1:22:25
your justice becomes a joke
- 1:22:27
Don't, don't, don't!
- 1:22:35
That's fake, right?
- 1:22:37
Don't!
- 1:22:40
Let's talk this out!
- 1:22:44
Put the gun down first
- 1:22:51
My good employee
- 1:22:58
I never gave him special treatment
- 1:23:00
He's kind of related to me
- 1:23:03
He's from my wife's side
- 1:23:04
He's my father-in-law's man
- 1:23:05
I admit it
- 1:23:06
I can't fire him
- 1:23:08
You compromise for family, right?
- 1:23:11
I can't fire him
- 1:23:12
You have to compromise
- 1:23:13
He's from my wife's side
- 1:23:15
He's my father-in-law's man
- 1:23:17
I'll fire him tomorrow
- 1:23:19
I had to compromise for my family
- 1:23:20
Right? I had to compromise
- 1:23:22
We still have to go on living
- 1:23:23
We still have to stay alive
- 1:23:25
I'll fire him tomorrow
- 1:23:27
Maybe
- 1:23:28
We still have to go on living
- 1:23:29
We still have to stay alive
- 1:23:31
Maybe
- 1:23:32
It's strange, really
- 1:23:38
Only then do they
- 1:23:39
respect me — my dignity's in my hand
- 1:23:44
Really?
- 1:23:45
I respect you
- 1:23:47
I do
- 1:23:48
I won't breathe a word of this
- 1:23:51
And you won't either, right?
- 1:23:53
I trust you
- 1:23:55
Just put down that thing in your hand
- 1:23:57
What don't I get?
- 1:24:00
Maybe I should pour my thoughts
- 1:24:02
straight into your brain
- 1:24:05
And you won't either, right?
- 1:24:07
My life is so boring
- 1:24:08
I trust you
- 1:24:10
Just put down that thing in your hand
- 1:24:12
What don't I get?
- 1:24:14
I'll walk away
- 1:24:16
Sing out my thoughts
- 1:24:18
No, no, don't!
- 1:24:20
You still have a life ahead
- 1:24:22
You'll be okay
- 1:24:24
I'll help you
- 1:24:26
I'll share all my resources with you
- 1:24:28
I'll teach you things
- 1:24:30
You'll—
- 1:24:32
I'll what?
- 1:24:34
You still have a life ahead
- 1:24:36
You'll get better
- 1:24:38
I'll help you
- 1:24:40
I'll help you
- 1:24:43
I'll teach you
- 1:24:45
I'll take everything I've got
- 1:24:47
and share it all with you
- 1:24:49
The good days are still ahead
- 1:24:51
I'll teach you things
- 1:24:53
What do you even know?
- 1:24:55
I'll take the money—
- 1:24:57
I'd become someone like you
- 1:24:59
I still wouldn't pity you
- 1:25:01
There are no poor people
- 1:25:03
How are you poor?
- 1:25:05
Life's best days are still ahead
- 1:25:08
Economy's booming — what poor people?
- 1:25:10
What poor people?
- 1:25:12
Give the money back
- 1:25:14
Share it with the poor
- 1:25:16
There are no poor people
- 1:25:19
How are you poor?
- 1:25:21
What poor people?
- 1:25:23
What poor people?
- 1:25:27
Economy's booming — what poor people?
- 1:25:33
Economy's booming — what poor people?
- 1:25:35
What poor people?
- 1:25:37
Here it comes
- 1:25:42
How do we play this?
- 1:25:43
There's no rave in this bit
- 1:25:44
Are we supposed to rave now?
- 1:25:45
Does the rave go in the show?
- 1:25:47
No. Fine, I'm doing it
- 1:25:47
I can't move
- 1:25:49
Just dry-bounce it
- 1:25:49
Come on, count it inside, let it flow
- 1:25:52
Fine, fine, let's go
- 1:25:53
The rave is our best material
- 1:25:54
Then we put it in
- 1:25:57
We don't
- 1:25:58
This one's risky — risky
- 1:25:59
You're in the middle, the middle
- 1:26:02
I know, the middle
- 1:26:04
Go in through the middle
- 1:26:05
Our favorite new one's coming
- 1:26:09
It's already started
- 1:26:10
Not this one — wait for it
- 1:26:13
Two, three, four, five, six, seven, eight
- 1:26:37
Two, three, four, five, six, seven, eight
- 1:26:40
Three — two, three, four
- 1:26:41
Seven, eight, four
- 1:26:43
Ah, I'm beat
- 1:26:44
Nobody move
- 1:26:45
Nobody move
- 1:26:48
Seems like it
- 1:26:48
What are you looking at? What?
- 1:26:50
A sky-piercing head
- 1:26:50
On the left, a patch and a strip
- 1:26:52
Right, right, right
- 1:26:52
The left
- 1:26:53
The left
- 1:26:54
Half a dragon
- 1:26:55
Right hand
- 1:26:55
Half of one
- 1:26:56
How does the bug part go?
- 1:26:57
No idea how it goes
- 1:26:59
Don't sleep too deep tonight
- 1:27:01
Why not?
- 1:27:02
Why?
- 1:27:03
What dragon's the right half?
- 1:27:05
The Big One is coming
- 1:27:07
What does the Big One stand for?
- 1:27:08
It's so dark
- 1:27:09
I can't really say
- 1:27:10
Fuck
- 1:27:12
All I know is we're waiting for the Big One
- 1:27:14
Ah, let me find a line
- 1:27:18
You sure you want to wait here?
- 1:27:20
He told me to wait here
- 1:27:22
When is the Big One coming?
- 1:27:27
What?
- 1:27:29
Where is this place?
- 1:27:33
An office or a school?
- 1:27:37
A school where?
- 1:27:39
Maybe one in the city
- 1:27:42
I don't see any students
- 1:27:46
This place looks like a school
- 1:27:49
What do you mean by that?
- 1:27:50
Why do you say 'looks like'?
- 1:27:52
Did we go the wrong way?
- 1:27:54
Let's not talk politics
- 1:27:57
This play is shitty enough already
- 1:28:00
All this talk of directions and roads
- 1:28:05
I only know two roads
- 1:28:07
Left or right. The thing is
- 1:28:09
The Big One should be here by now
- 1:28:11
He never said for sure he'd come
- 1:28:14
What if he doesn't come?
- 1:28:16
Then we come back tomorrow
- 1:28:19
And the day after that
- 1:28:21
He's always like this. The thing is
- 1:28:23
I will wait until he comes, no matter what
- 1:28:27
This transition scene of ours
- 1:28:38
Acting like a diva
- 1:28:41
That cigarette
- 1:28:48
Come on, next mic
- 1:28:50
Who gets the mic?
- 1:28:51
The smoke went to what's-his-name
- 1:28:55
Give what's-his-name a cigarette
- 1:28:56
Well...
- 1:28:58
I just thought of a shameless bit
- 1:29:00
That, uh...
- 1:29:02
A lighter
- 1:29:03
Lighter
- 1:29:04
Lighter
- 1:29:05
Lighter
- 1:29:06
Lighter
- 1:29:08
Hey, I just thought of a... what was it
- 1:29:10
That, uh...
- 1:29:11
Got a lighter?
- 1:29:12
Oh
- 1:29:13
I think it's out
- 1:29:15
Quick, someone give me a smoke
- 1:29:16
Oh
- 1:29:17
OK, OK, we've got one
- 1:29:20
Just thought of that guy, what's-his-name
- 1:29:24
That Showmaker expression
- 1:29:26
Ah
- 1:29:31
We pull back backstage
- 1:29:34
The chairs
- 1:29:35
Come on, mic
- 1:29:36
The guy's champion face
- 1:29:37
Hahaha, champion face
- 1:29:39
Oh man
- 1:29:41
Dim it down, dim it down
- 1:29:58
One more. Both mics are back now
- 1:30:12
You—scoot over
- 1:30:20
I thought you might cost more
- 1:30:22
I've always thought you're
- 1:30:24
a rare kind of woman
- 1:30:26
Because the way I see it
- 1:30:27
if an agent packaged you up
- 1:30:29
you could make a lot more money
- 1:30:32
Trust me
- 1:30:34
I mean, I'd rather you not discount for me
- 1:30:39
I want you to treat me like anyone else
- 1:30:41
Really
- 1:30:44
Coming out to chat costs extra
- 1:30:47
It's not the same as the usual service
- 1:30:51
At first I worried it might be dangerous
- 1:30:55
But I figured you're not that kind of person
- 1:30:59
So I came
- 1:31:02
Normally I shouldn't tell a client this much
- 1:31:05
You're cold
- 1:31:07
I mean, girls in your trade have fawning eyes
- 1:31:12
But I have a feeling
- 1:31:14
you're above wallowing in money
- 1:31:17
You're after something else
- 1:31:19
After what?
- 1:31:21
Like a diamond sealed inside rock
- 1:31:25
Like a pearl buried in the silt
- 1:31:27
You sink low, run wild, unleash desire
- 1:31:30
maybe just to wait for someone
- 1:31:33
Someone willing to dig you out
- 1:31:35
Someone willing to tear through the filth
- 1:31:37
and carry you out of the bitter sea
- 1:31:40
No
- 1:31:42
What I do is my own freedom
- 1:31:46
Xu Hao
- 1:31:46
What?
- 1:31:47
Fire!
- 1:31:48
It's on fire!
- 1:31:55
You thirsty?
- 1:31:57
You started a fire
- 1:31:58
You went right at the curtains
- 1:32:00
You firebug, go get a taste of it
- 1:32:07
Small hiccup. Keep going
- 1:32:08
It's fine
- 1:32:13
I forgot my lines
- 1:32:16
Quit freaking out
- 1:32:17
I lost hope long ago
- 1:32:20
Before I grow old, I just want
- 1:32:22
to earn enough toast money to last my days
- 1:32:26
I think not going hungry
- 1:32:29
is what most people wish for these days
- 1:32:32
Let me cover your toast money for life
- 1:32:35
As long as I'm alive
- 1:32:36
I'll never let you go hungry
- 1:32:40
Here—I actually wrote a character bio here
- 1:32:43
I wrote him a whole character bio
- 1:32:45
Go ahead
- 1:32:46
Don't tell me
- 1:32:46
Say it to the camera
- 1:32:47
I wrote a whole character bio for this
- 1:32:49
Let me read it off my phone
- 1:32:51
Go
- 1:32:59
Wait, how did the dance go again?
- 1:33:04
While rehearsing
- 1:33:07
I found this moment
- 1:33:08
Right here
- 1:33:10
He's just a tired, penniless man
- 1:33:13
But in my eyes he's lovable
- 1:33:15
Tired and penniless
- 1:33:16
As long as I'm alive
- 1:33:17
I'll never let you go hungry
- 1:33:20
I longed so much to hear those words
- 1:33:23
Yet of all the men I've met in this world
- 1:33:26
not one ever said them to me
- 1:33:29
For the first time I felt my heart
- 1:33:31
stirring with a soft, hopeful strength
- 1:33:36
Nothing like falling asleep in the arms
- 1:33:39
of those smug, self-righteous men
- 1:33:42
Completely different
- 1:33:49
Just like that
- 1:33:52
Wait, what—
- 1:33:54
Just like that, I changed my mind
- 1:33:57
How so?
- 1:33:58
I thought it over
- 1:33:59
I wanted to go through with it
- 1:34:01
But then I had second thoughts
- 1:34:06
They say hitmen keep their first shell casing
- 1:34:12
Do you have one too?
- 1:34:15
Sure do
- 1:34:19
Huh?
- 1:34:19
Did we skip a few bits?
- 1:34:23
That...
- 1:34:25
The reckless kid bit is just gone
- 1:34:27
Let me be your toast guy for life
- 1:34:30
As long as I'm alive
- 1:34:31
I'll never let you go hungry
- 1:34:34
Just a figure of speech
- 1:34:35
You make promises to women that easily?
- 1:34:42
I don't want to wake up one day
- 1:34:44
and find the vows you made me were all lies
- 1:34:47
and we part on bad terms
- 1:34:50
By then you and I couldn't even
- 1:34:51
smoke together like this
- 1:34:55
I think I'd probably like a man
- 1:34:57
who's full of courage
- 1:35:00
not some lying,
- 1:35:02
reckless little boy
- 1:35:06
But it's fine, keep going
- 1:35:07
Keep going
- 1:35:10
I don't even have a gun here
- 1:35:12
They say hitmen keep their first shell casing
- 1:35:17
Do you have one too?
- 1:35:20
Sure do
- 1:35:30
Must've used one by now
- 1:35:36
One, two, three... nine. Who killed them?
- 1:35:39
One, two, three, four, five
- 1:35:41
The gunpowder smell after a shot
- 1:35:53
never really fades
- 1:35:55
This is a brand-new gun
- 1:36:02
I've definitely used one before
- 1:36:05
Have you ever actually shot a gun?
- 1:36:14
Where's the gun?
- 1:36:23
No gun
- 1:36:26
There's just no gun
- 1:36:27
Next is that bit with you two
- 1:36:37
Right?
- 1:36:38
Xu Hehe
- 1:36:39
Hold onto this for me
- 1:36:42
I think we'll need it later
- 1:36:48
Just now my cigarette butt
- 1:36:49
burned a hole in my own sock
- 1:36:52
Burned a hole right through
- 1:36:54
When did you burn it?
- 1:36:55
Just now, ashing my cigarette
- 1:36:56
That's exactly the feel we want
- 1:36:58
That street vibe
- 1:36:59
It really fits
- 1:37:00
Give me more
- 1:37:01
Take this off
- 1:37:03
Oh
- 1:37:04
Your turn
- 1:37:07
Want it?
- 1:37:08
Here
- 1:37:09
I do
- 1:37:10
I do
- 1:37:25
How did you use to confess your love?
- 1:37:28
I mean
- 1:37:30
with all those exes of yours
- 1:37:34
I think
- 1:37:35
as long as you don't just talk at her
- 1:37:37
all smug
- 1:37:37
most girls won't bother exposing your lies
- 1:37:47
So?
- 1:37:51
So certain someones
- 1:37:53
love taking those bland, smug sweet nothings
- 1:37:57
and dumping them all on a girl
- 1:37:59
Like pounding a pipe
- 1:38:00
Like a horny poodle, it's fucking great
- 1:38:04
But you remember the last time, right?
- 1:38:05
That girl who smelled amazing all over
- 1:38:09
Oh
- 1:38:11
We went from strangers to close
- 1:38:14
in just two hours
- 1:38:16
I couldn't wait to get a room with her
- 1:38:19
But then I found out
- 1:38:21
I couldn't do it
- 1:38:23
That's what booze does
- 1:38:25
I wasn't drunk
- 1:38:26
I was stone-cold sober
- 1:38:30
I watched her lying there on the bed
- 1:38:34
Mine for the taking
- 1:38:35
But I just couldn't get it up
- 1:38:37
You mean
- 1:38:41
with her right in front of you
- 1:38:42
you felt the urge, right?
- 1:38:44
No
- 1:38:45
My desire was burning like fire
- 1:38:50
I was like a dog
- 1:38:51
that got its balls cut off
- 1:38:54
I stayed in the bathroom forever
- 1:38:57
But it just wouldn't get hard
- 1:38:58
So I ran
- 1:39:01
Never looked back
- 1:39:03
Some people
- 1:39:04
This play... how do I put it
- 1:39:05
I mean
- 1:39:07
if this were a proper production
- 1:39:08
Things do move fast these days
- 1:39:10
When someone called 21 days plenty
- 1:39:11
I was honestly surprised
- 1:39:13
A decade ago, when we talked theatre
- 1:39:16
it started at three months
- 1:39:17
And six months
- 1:39:18
was perfectly reasonable
- 1:39:20
So clearly it's a fast-paced era now
- 1:39:22
Which means
- 1:39:23
three days, even 21, works for everyone
- 1:39:25
Then my thinking really has fallen behind
- 1:39:29
As for the standard of this play
- 1:39:31
The standard of this play
- 1:39:33
This production still needs lots of work
- 1:39:36
If you treat this play as Shakespeare
- 1:39:39
you could do that too
- 1:39:41
It wasn't like this early on
- 1:39:43
But after we thought it through
- 1:39:45
that's why so much changed
- 1:39:47
With more time to think it over
- 1:39:49
and to unify all the actors' styles
- 1:39:51
Some people always seize the moment
- 1:39:54
But not me
- 1:39:56
It's decided at birth
- 1:39:57
Decided by what?
- 1:39:59
By where you come from
- 1:40:00
Some people are born without that luck
- 1:40:05
Chances vanish in a blink
- 1:40:07
And that's your ceiling
- 1:40:10
So
- 1:40:12
So
- 1:40:13
I'm getting a new job
- 1:40:16
Why keep working here anyway?
- 1:40:17
What have I been doing my whole life?
- 1:40:24
What have I been doing all my life?
- 1:40:26
What have I been doing all my life?
- 1:40:28
I'm done working here
- 1:40:31
Congratulations
- 1:40:33
Not even treating us to KTV?
- 1:40:36
KTV? Yeah right
- 1:40:37
Singing with you is no fun
- 1:40:39
Honestly
- 1:40:40
I hate this job
- 1:40:41
I mean, I do exist, you know
- 1:40:43
yet I get bossed around all day
- 1:40:45
And you know what
- 1:40:46
it's so damn annoying
- 1:40:47
Let me tell you
- 1:40:48
the Boss here
- 1:40:51
used to work in our factory
- 1:40:54
Couldn't make it back home
- 1:40:56
so he came to the city
- 1:40:58
If my uncle hadn't gotten him this job
- 1:41:00
he'd still be on the assembly line
- 1:41:04
He'd end up marrying a factory girl
- 1:41:07
living a happy, steady life
- 1:41:10
Shame he'd never get to touch a fancy car
- 1:41:17
I know a guy
- 1:41:18
who touches them every day
- 1:41:21
He washes cars
- 1:41:26
Anyway, we'll never see each other again
- 1:41:31
Hope you won't miss me
- 1:41:33
I won't miss you
- 1:41:34
But your beef? I'll miss it to death
- 1:41:37
Honestly I've never gotten many numbers
- 1:41:41
I'm just like a dog
- 1:41:43
chasing after things
- 1:41:44
Chasing what exactly?
- 1:41:45
No idea
- 1:41:46
Why chase at all?
- 1:41:47
No idea
- 1:41:48
What the fuck was it again?
- 1:42:05
Pretend there's a pair of handcuffs
- 1:42:06
Pretend I'm wearing what?
- 1:42:07
I pretend I spot the handcuffs
- 1:42:14
And then
- 1:42:15
I pretend
- 1:42:16
to pick them up
- 1:42:19
and cuff myself
- 1:42:21
Then
- 1:42:23
Then I walk over here
- 1:42:26
And then
- 1:42:28
I wait for him to stand up
- 1:42:32
Once he's up
- 1:42:33
we lock eyes for three seconds
- 1:42:39
Then I raise my handcuffs
- 1:42:42
smiling at the Male Lead
- 1:42:47
I've won
- 1:42:50
And then I say bye-bye
- 1:42:51
Time to grab my boxed meal
- 1:42:55
I told you ages ago
- 1:42:57
He's got sticky fingers
- 1:43:00
See? He got arrested
- 1:43:06
He even said he wants to go back
- 1:43:08
Well, prison's not bad either
- 1:43:12
Rid all womankind of a menace
- 1:43:15
Not bad
- 1:43:16
Ah
- 1:43:17
I thought you two were close
- 1:43:21
Hey
- 1:43:25
I'm talking to you, man
- 1:43:27
Hey
- 1:45:11
Can't get up
- 1:45:28
Hello, Sally
- 1:45:31
I knew it was you
- 1:45:32
I never changed my number
- 1:45:35
Didn't think you'd keep yours either
- 1:45:38
Been a little disappointed lately
- 1:45:40
I didn't become who I wanted to be
- 1:45:42
And I shut myself away
- 1:45:44
You've pulled this one before
- 1:45:45
I don't have many friends, you know
- 1:45:48
No, you know I told you before
- 1:45:51
Then you simply forgot
- 1:45:54
Laugh at me if you want
- 1:45:56
You're the one closest to my heart
- 1:46:00
See, you're still laughing at me
- 1:46:03
So be it
- 1:46:04
Like anyone truly knows another's heart
- 1:46:08
There's so much I want to tell you
- 1:46:11
I used to gripe you never let me take it back
- 1:46:13
I used to gripe you'd never take it back
- 1:46:14
Now I understand
- 1:46:16
I always used to complain
- 1:46:18
You wouldn't let me take it back
- 1:46:19
Wouldn't give me the time of day
- 1:46:21
Now I understand
- 1:46:23
I regret it
- 1:46:24
If your boyfriend asks who called
- 1:46:25
You won't get it tomorrow afternoon
- 1:46:27
I'll talk to him
- 1:46:28
Won't get it tomorrow afternoon
- 1:46:30
What is this?
- 1:46:31
If your boyfriend asks who called
- 1:46:34
Hand him the phone, I'll talk to him
- 1:46:40
Beep, beep
- 1:46:42
A busy tone came from the other end
- 1:46:45
The higher-ups treat me alright
- 1:46:47
The higher-ups treat me alright
- 1:46:49
Said they'd hold my position for me
- 1:46:51
Told me to stay home and clear my head
- 1:46:54
And come back once I've figured it out
- 1:46:56
He said, the day I finally figure it out
- 1:46:59
He'll give me a call
- 1:47:01
And forget about making headlines
- 1:47:04
I don't think I'll ever make it big
- 1:47:07
My name will never appear on TV
- 1:47:11
Those interview lines and speeches are useless now
- 1:47:16
I want to be a sociologist
- 1:47:18
So my thinking can be put to use
- 1:47:21
I don't want my job to be mindless repetition
- 1:47:29
Didn't I drop ash during the scene just now?
- 1:47:33
I did so much, yet it's like nothing happened
- 1:47:36
Back to the same jobless drifting days
- 1:47:39
And what even is this feeling?
- 1:47:42
The Boss keeps on sucking up capital
- 1:47:45
That smug look on his face
- 1:47:48
Even his white shirt disgusts me
- 1:47:51
If the justice I fought to uphold
- 1:47:54
And the truth I chased all turn to nothing
- 1:47:57
Then what in this world can ever change?
- 1:48:01
Got a light?
- 1:48:49
How did you find my place?
- 1:48:57
I thought no one could find me
- 1:49:04
It's so quiet in the hallway
- 1:49:07
I don't want anyone disturbing me
- 1:49:11
I came to catch up with you
- 1:49:16
If you mind
- 1:49:18
I can leave right now
- 1:49:22
We've met twice, what's to catch up on?
- 1:49:25
Maybe once isn't enough to know each other
- 1:49:29
But by the third time, nothing's off-limits
- 1:49:33
I like letting boys know me through my body
- 1:49:39
Is that how you treat your clients too?
- 1:49:42
If this is one of your services, you can go
- 1:49:45
We never actually made a deal
- 1:49:48
You can go home now
- 1:49:50
So you're still a virgin
- 1:49:56
I don't like love made in bed
- 1:50:00
Is lust really the answer to love?
- 1:50:03
But I have done it before
- 1:50:06
If you're trying to mock me with that
- 1:50:11
Just go
- 1:50:16
Will you leave with me?
- 1:50:20
So you're leaving this place
- 1:50:28
You're right
- 1:50:29
I mean you're tired of the way you live
- 1:50:35
You're right
- 1:50:36
Maybe I've had enough of cheap love
- 1:50:41
And of being used as an outlet
- 1:50:44
Maybe you've fulfilled your ideal here
- 1:50:48
Even giving it up doesn't matter
- 1:50:50
As long as you want to leave
- 1:50:52
I hope you'll come away with me
- 1:50:55
I... I still have things to settle
- 1:51:05
A man either dies where his ideal ends
- 1:51:08
Or dies on the road to reaching it
- 1:51:12
You're a romantic
- 1:51:16
No, I hate Romanticism
- 1:51:18
They think feelings alone solve problems
- 1:51:20
I'm not like that
- 1:51:22
I pursue the absolute truth of this world
- 1:51:25
And I wish everyone were like me
- 1:51:28
Seeing how false this world is
- 1:51:31
But they should discover the truth themselves
- 1:51:34
Only then do their lives have meaning
- 1:51:37
Let them expose the lies themselves
- 1:51:39
Then fight and cry out for the truth
- 1:51:42
Instead of coldly looking on
- 1:51:45
You're right
- 1:51:46
Except you're a realist
- 1:51:50
If escaping reality
- 1:51:52
Is what you call idealism
- 1:51:54
Then where will you go?
- 1:51:59
I am a lone island
- 1:52:05
Where does the ocean flow?
- 1:52:08
What?
- 1:52:10
There's an unclaimed little house in the country
- 1:52:15
And an abandoned field
- 1:52:17
I'd live with a man who treats me as his whole world
- 1:52:23
I need to put myself back together
- 1:52:32
Will you wait for me?
- 1:52:35
Did I ever say that?
- 1:52:46
Is that you?
- 1:52:49
Sorry — broke character laughing
- 1:53:13
What are you laughing at?
- 1:53:16
This scene is too long
- 1:53:20
It's good, it's good
- 1:53:21
You did say it
- 1:53:22
Is that you?
- 1:53:25
Cut this scene
- 1:53:29
Right, this scene can't leave this room
- 1:53:31
If it leaks, the price goes up
- 1:53:33
So which part next?
- 1:53:36
Oh, my turn — the police partners
- 1:53:42
Go on
- 1:53:43
Okay
- 1:53:44
Hey, what's wrong?
- 1:53:52
Why did the mood suddenly get heavy?
- 1:53:55
Come on
- 1:53:58
What time is it?
- 1:54:12
Ten past ten
- 1:54:14
So this case is closed
- 1:54:16
Remember to get me the report
- 1:54:18
All for this gun
- 1:54:22
Sorry to drag you out here
- 1:54:24
Is that kid really possessed?
- 1:54:26
He's pretty normal
- 1:54:28
It's just that nobody else is an idealist
- 1:54:30
That's what makes him look ridiculous
- 1:54:32
He reminds me of you
- 1:54:35
Me?
- 1:54:37
I'm nothing like him
- 1:54:40
My door doesn't have that many locks
- 1:54:42
And I only have two keys
- 1:54:44
One of them is still with you
- 1:54:46
That time you finally came over
- 1:54:50
I opened the door
- 1:54:53
Walked into the bedroom
- 1:54:55
And there you were with your chick
- 1:54:57
Just standing on the bed
- 1:55:01
I wanted to gouge my own eyes out
- 1:55:08
Anyway
- 1:55:09
We shouldn't have dragged the audience into this
- 1:55:11
Even if we investigate him
- 1:55:12
It should wait until the operation is over
- 1:55:13
Your first year on the force
- 1:55:19
Your uniform was covered in snot
- 1:55:21
You were a greenhorn
- 1:55:25
Yes
- 1:55:27
The bureau was a mess back then
- 1:55:29
If the chief hadn't gone down
- 1:55:30
Who knows how it would've ended
- 1:55:32
In the end it was you who reported him
- 1:55:34
That's how you made squad leader
- 1:55:36
And waded into this muddy water of yours
- 1:55:38
That's right
- 1:55:39
If it were her
- 1:55:41
She would never have done that
- 1:55:43
She'd stand at the prosecutor's gate
- 1:55:45
Soaking the files with the sweat of her hands
- 1:55:48
And then turn around and go home
- 1:55:50
And what does that tell you?
- 1:55:52
You both want to protect something
- 1:55:55
Whether your own interests or justice
- 1:55:58
You're a doer
- 1:56:00
You act first
- 1:56:01
She thinks first
- 1:56:05
You're mocking me for being reckless
- 1:56:09
I can hear it
- 1:56:11
You grew up in a stable family
- 1:56:13
Went to the police academy
- 1:56:15
Elite of the elite
- 1:56:17
While he's like a rat
- 1:56:20
Living in the sewer
- 1:56:22
So terrified by the vast sewage system
- 1:56:23
He can't climb out
- 1:56:25
Still cursing
- 1:56:27
Which bastard dug this thing so deep
- 1:56:29
That's him
- 1:56:31
He doesn't deserve to see this world
- 1:56:35
Then does he count as human?
- 1:56:39
Put tonight on my tab
- 1:56:47
Go home and get some rest
- 1:56:48
Rest
- 1:56:49
I want your report first thing tomorrow
- 1:56:55
Not coming to my place tonight?
- 1:56:56
No
- 1:57:00
I've sensed it too
- 1:57:02
Your recent tastes
- 1:57:03
Have changed a little
- 1:57:06
It's rather sad to say
- 1:57:08
He suffers from ED
- 1:57:10
He can't get it up
- 1:57:12
To protect himself
- 1:57:13
From being hurt by reality
- 1:57:15
His brain triggers a defense mechanism
- 1:57:18
To fill in his own night of passion
- 1:57:20
His brain auto-triggers that defense
- 1:57:22
To complete his night of passion
- 1:57:24
He's truly terrifying
- 1:57:28
No
- 1:57:29
He might be an anti-revisionist
- 1:57:32
A restless creed in his heart
- 1:57:34
But he has nothing
- 1:57:36
No gift, no talent
- 1:57:39
And only a scrap of courage
- 1:57:41
In this world full of injustice
- 1:57:45
What is he supposed to do?
- 1:59:55
Did you think the play was good?
- 1:59:57
It was awful
- 1:59:58
What a piece of junk
- 1:59:59
But I kind of loved it
- 2:00:02
I like bad plays
- 2:00:05
Because I'm a bad person
- 2:00:07
What's a good play anyway?
- 2:00:09
There are none. I've never seen one
- 2:00:11
Bad people watch bad plays
- 2:00:15
Good people watch good plays
- 2:00:17
It was wonderful. I loved it
- 2:00:19
My god, I saw a world of ice
- 2:00:21
It was like seeing my mother
- 2:00:23
So warm
- 2:00:26
My favorite play of my whole life
- 2:00:30
A few questions for you
- 2:00:34
Go ahead
- 2:00:38
Would you give everything for your ideals?
- 2:00:40
Yes
- 2:00:45
Talking money is vulgar
- 2:00:46
That's not something I can reveal
- 2:00:48
Been doing any of that lately?
- 2:00:53
It's alright
- 2:00:54
Alright, huh?
- 2:00:55
If you went to a hooker, what kind would you pick?
- 2:01:03
What kind?
- 2:01:04
A good figure
- 2:01:07
And what kind of service?
- 2:01:09
Are you an idealist?
- 2:01:19
I think I am
- 2:01:21
I absolutely am
- 2:01:22
I am
- 2:01:30
Which one do I face?
- 2:01:37
Film him, film him, film him
- 2:01:38
Watching Iceberg
- 2:01:40
Film him!
- 2:01:41
Say it to both cameras
- 2:01:42
I... I think I
- 2:01:45
Yu Haoran
- 2:01:46
You tell me
- 2:01:47
I... I think
- 2:01:49
Zhang Yuming
- 2:01:50
What... what do I even say?
- 2:01:55
Chu Yixu
- 2:01:57
I am
- 2:01:58
Li Junjiang
- 2:02:00
Zhang Naizhu
- 2:02:02
I think I am
- 2:02:06
Good
- 2:02:07
And our two behind-the-scenes creators
- 2:02:11
Li Zuchang
- 2:02:12
We're a short-film collective
- 2:02:14
Press it again
- 2:02:17
Yep, it didn't record
- 2:02:19
Oh, the west
- 2:02:21
Again, again, again
- 2:02:23
Exactly right — come on
- 2:02:25
I
- 2:02:27
Are you an idealist?
- 2:02:29
I think I am
- 2:02:31
I think I am
- 2:02:33
Now we move into
- 2:02:35
The backstage meeting
- 2:02:37
Everyone can share their thoughts
- 2:02:39
If you dare to be blunt, that works too
- 2:02:41
Let's just start talking
- 2:02:43
Are you going to strip now?
- 2:02:44
I'm too old. I don't want to strip
- 2:02:45
Besides, this part stays in the script
- 2:02:46
Otherwise the trailer loses its surprise
- 2:02:49
Fine
- 2:02:50
Save it for January 1st then
- 2:02:52
Fine
- 2:02:53
About whether to strip or not
- 2:02:54
I think
- 2:02:55
On January 1st
- 2:02:57
Play it by ear
- 2:02:58
You can strip or not strip
- 2:03:00
And both of you will be there together
- 2:03:02
So
- 2:03:03
Will you strip now or not?
- 2:03:04
Strip or not?
- 2:03:05
Strip or not?
- 2:03:06
Strip or not?
- 2:03:08
Strip or not?
- 2:03:09
Strip or not?
- 2:03:10
Strip or not?
- 2:03:11
Strip or not?
- 2:03:12
And Lao Lian will be there too
- 2:03:14
And my brother Tiandi will be there
- 2:03:16
If the mood feels right
- 2:03:18
I can consider it
- 2:03:20
If necessary
- 2:03:22
Sure, of course
- 2:03:24
There won't be any problem
- 2:03:26
No
- 2:03:28
Actually, it's not impossible
- 2:03:30
Because everyone
- 2:03:32
Has come into this space
- 2:03:34
They can see something different
- 2:03:36
Right — they have to see something different
- 2:03:38
Sure
- 2:03:40
If I feel the mood is right
- 2:03:42
And I'm really in the zone
- 2:03:43
More power to you
- 2:03:43
Sure
- 2:03:46
Show a little
- 2:03:47
And if it doesn't feel right
- 2:03:48
Just go by the moment
- 2:03:49
If it feels right, go for it
- 2:03:51
No wait — I think you had a full outfit on
- 2:03:54
It wasn't on
- 2:03:55
But by your own feeling
- 2:03:56
Not as formal as this
- 2:03:58
Can I strip myself?
- 2:03:59
Sure, no problem
- 2:04:01
Someone else strips
- 2:04:03
That's the key act
- 2:04:05
Stop recording
- 2:04:07
But don't you think it's a bit
- 2:04:08
Business versus sincerity?
- 2:04:10
Right
- 2:04:11
Are you single too? Shoes, shoes, shoes
- 2:04:17
Are you single? I usually... I
- 2:04:19
I'm just asking if you're single
- 2:04:21
Single, nothing serious going on
- 2:04:23
That sounds shaky. A bit shaky
- 2:04:25
Right? There's a backup, isn't there?
- 2:04:27
Your rival
依据公开视频元数据整理(非字幕派生)
这条公开视频归入「冰山」。以下简介依据公开视频标题与说明整理:P4剧场档案馆《冰山》项目影像资料。
- 发布时间(UTC)
- 2026-07-18 02:22:16 UTC
- 时长
- 2 小时 8 分 27 秒
- 类型
- 长视频
- 字幕
- 已存档全文
- 字幕语言
- en、zh-Hans
校验
与 YouTube 回读一致性
校验时间
2026年9月8日
SHA-256
2b1f7832cc65…a05d26e3
点击时间码可跳到 YouTube 对应时刻。校验确认保存内容一致,不代表已经由人工逐字校对。
