返回该视频字幕总页

VERIFIED SUBTITLE TRANSCRIPT

《冰山》ICEBERG|完整演出影像(4K·中英字幕)

英文 / English · 2648 条字幕

项目 · 冰山

PROJECT / ARCHIVE CONTEXT

项目语境与简介

正式项目关系P4E-001 · 冰山
依据公开视频元数据整理(非字幕派生)

这条公开视频归入「冰山」。以下简介依据公开视频标题与说明整理:P4剧场档案馆《冰山》项目影像资料。

发布时间(UTC)
2026-07-18 02:22:16 UTC
时长
2 小时 8 分 27 秒
类型
长视频
字幕
已存档全文
字幕语言
en、zh-Hans

校验

与 YouTube 回读一致性

校验时间

2026年9月8日

SHA-256

2b1f7832cc65…a05d26e3

点击时间码可跳到 YouTube 对应时刻。校验确认保存内容一致,不代表已经由人工逐字校对。
  1. 0:52

    Want to sit in the red chair?

  2. 0:54

    Sit in that red chair

  3. 0:56

    Sit in that chair

  4. 0:58

    Sit on that chair

  5. 1:01

    Give us your...

  6. 1:10

    Someone has to step up as the...

  7. 1:12

    Xiaojiang, think it over

  8. 1:14

    Isn't that still director-centered?

  9. 1:16

    Give it more thought

  10. 1:18

    No idea which one of us draws

  11. 1:20

    Mine

  12. 1:22

    It's not totally director-centered

  13. 1:24

    But there's bound to be someone

  14. 1:26

    who plays the director role

  15. 1:28

    Hate the role or not, someone does the job

  16. 1:32

    Still takes someone with a title to do it

  17. 1:36

    Didn't we agree on this before?

  18. 1:39

    that the director exists only when needed

  19. 1:44

    I need him there every single moment

  20. 1:46

    Really?

  21. 1:48

    Really

  22. 1:49

    Why?

  23. 1:51

    Because that's how the show was rehearsed

  24. 2:00

    It's starting

  25. 2:01

    Each of us should tell a joke about this

  26. 2:04

    Tell a joke

  27. 2:05

    Then let us perform first in a bit

  28. 2:06

    You do the first part

  29. 2:07

    Mid-scene, when the camera comes

  30. 2:08

    just talk right at the camera

  31. 2:09

    Go pai wu

  32. 2:11

    Go pai wu

  33. 2:12

    Go pai wu

  34. 2:13

    Go pai wu

  35. 2:14

    Go pai wu

  36. 2:15

    Go pai wu

  37. 2:16

    It's all on you

  38. 2:18

    Who's going?

  39. 2:19

    You. Yes you. Go pai wu

  40. 2:21

    You go pai wu

  41. 2:22

    You go pai wu

  42. 2:33

    You go pai wu

  43. 2:34

    You go pai wu

  44. 2:35

    You go pai wu

  45. 2:36

    You go pai wu

  46. 2:37

    You go pai wu

  47. 2:38

    You go pai wu

  48. 2:39

    You go pai wu

  49. 2:40

    You go pai wu

  50. 2:41

    You go pai wu

  51. 2:42

    Right at that line, he just shows up

  52. 2:44

    That's your proof

  53. 2:47

    Don't sleep too deep tonight

  54. 2:49

    And no stumbling over your lines

  55. 2:50

    Because this is one take

  56. 2:50

    Don't sleep too deep tonight

  57. 2:53

    The cut I watched left me kind of wistful

  58. 2:57

    I can't put it well

  59. 2:58

    But it really got to me

  60. 3:00

    I feel like in it

  61. 3:01

    all these different characters

  62. 3:02

    the ties between character and character

  63. 3:04

    that kind of bond

  64. 3:05

    You're tied to him

  65. 3:06

    He's tied to him

  66. 3:07

    All kinds of ties, just...

  67. 3:10

    Kind of wistful

  68. 3:11

    Kind of meaningful

  69. 3:13

    But the visuals, though...

  70. 3:15

    every single frame means something

  71. 3:16

    Shut up. Show's over

  72. 3:18

    Show's over

  73. 3:19

    I love you all

  74. 3:20

    So that's the whole show

  75. 3:21

    OK, curtain call

  76. 3:22

    OK, thanks

  77. 3:29

    So?

  78. 3:30

    Time for Act Two

  79. 3:34

    Act Two people, get out here!

  80. 3:43

    Whose mic? Hand it over

  81. 3:44

    Mid-scene, say a line or two to camera

  82. 3:47

    Whose mic?

  83. 3:47

    Come on, start your performance

  84. 3:49

    Whose mic?

  85. 3:50

    Did you talk to the camera?

  86. 3:51

    Whose mic?

  87. 3:52

    Did you talk to the camera?

  88. 3:53

    Yes, you have to talk to the camera

  89. 3:54

    We did

  90. 3:55

    Said what?

  91. 3:57

    We're saying it right now, aren't we?

  92. 3:59

    What are you doing?

  93. 4:00

    I'm acting

  94. 4:01

    Why did you come here?

  95. 4:03

    I don't know either

  96. 4:05

    Hard for me to say

  97. 4:09

    Fuck

  98. 4:13

    He told me to come here

  99. 4:18

    Line!

  100. 4:18

    Um...

  101. 4:23

    Now you give him some photo or other

  102. 4:25

    That could be me

  103. 4:26

    I hate you

  104. 4:27

    There's that sour face

  105. 4:49

    Honestly

  106. 4:50

    it felt pretty good to me

  107. 4:52

    It didn't make me uncomfortable

  108. 4:53

    Watching as audience, I felt just fine

  109. 4:55

    I found it really smooth

  110. 4:56

    The acting was silky smooth

  111. 4:57

    It made me...

  112. 4:58

    If you mean genuinely uncomfortable

  113. 4:59

    Actually

  114. 5:00

    If it were really like this, for real

  115. 5:02

    it's that you stalled

  116. 5:24

    Heads or tails?

  117. 5:25

    I can never tell them apart

  118. 5:27

    Even the lines won't flow that well

  119. 5:29

    Then the whole exchange takes effort

  120. 5:31

    That's just crude

  121. 5:31

    You say I—

  122. 5:32

    I'm telling you now

  123. 5:34

    I need to think it over

  124. 5:35

    And then I—

  125. 5:36

    This is—

  126. 5:37

    This is ten kinds of cheap

  127. 5:38

    Do I have a problem?

  128. 5:39

    My acting—

  129. 5:39

    I wasn't good because I never truly felt it

  130. 5:42

    I didn't put in the work, lost my craft

  131. 5:44

    The problems are all on me

  132. 5:46

    I deserve to be cursed out

  133. 5:47

    No one even bothers to curse me out

  134. 5:52

    Right, was that about your performance?

  135. 5:55

    I just wanna ask why it turned out this way

  136. 5:57

    Like, once he's dead

  137. 6:01

    The work would finally be presentable

  138. 6:03

    And we'd be famous

  139. 6:05

    Wait, he hasn't even named us yet

  140. 6:10

    In the script my name is Number One

  141. 6:15

    I'm Number Two

  142. 6:16

    Hope you treat your own life this way too

  143. 6:18

    Just hurry up and die

  144. 6:19

    Just hurry up and die

  145. 6:20

    Just hurry up and die

  146. 6:21

    Just hurry up and die

  147. 6:22

    Just hurry up and die

  148. 6:23

    Just hurry up and die

  149. 6:24

    Just hurry up and die

  150. 6:24

    Just hurry up and die

  151. 6:27

    What caused this?

  152. 6:27

    I got lazy

  153. 6:29

    What's behind the laziness?

  154. 6:29

    I got lazy with the performance

  155. 6:31

    Too much going on, I had to face front

  156. 6:32

    Then why'd you even come?

  157. 6:33

    Huh?

  158. 6:34

    Then why come here to play him?

  159. 6:35

    He asked me to come

  160. 6:36

    He asks and you just come?

  161. 6:37

    He asks and you just come?

  162. 6:39

    Yeah

  163. 6:39

    I love him

  164. 6:40

    You're so—

  165. 6:41

    I love him

  166. 6:42

    I love him

  167. 6:44

    You love him because he's like you?

  168. 6:46

    I'd say he's nothing like me

  169. 6:47

    I just love him, no reason needed

  170. 6:54

    That was Teacher Shi's performance

  171. 6:57

    Talk about total realism

  172. 6:59

    But acting too lifelike isn't good either

  173. 7:03

    Mainly a bit above real life

  174. 7:05

    Acting that's too lifelike is no good

  175. 7:07

    I mean, a bit higher than life

  176. 7:09

    If it's a bit more... you know

  177. 7:11

    It's still stylized, poeticized acting

  178. 7:13

    It's very pleasing to watch

  179. 7:14

    When I was little

  180. 7:16

    You wanna go to KTV, don't you?

  181. 7:18

    Want me to call you a momo-chang?

  182. 7:34

    Get you a momo-chang

  183. 7:35

    Give it a try, how about it?

  184. 7:50

    The Big One is coming

  185. 7:51

    Spread the word

  186. 7:52

    Why?

  187. 7:53

    Because the Big One is coming

  188. 8:02

    What does the Big One stand for?

  189. 8:03

    What?

  190. 8:04

    Go eat a fish

  191. 8:05

    The Big One is coming

  192. 8:06

    Ah

  193. 8:14

    Just wait

  194. 8:16

    What's this?

  195. 8:17

    Where's a school around here?

  196. 8:24

    You don't know?

  197. 8:25

    Where's a school around here?

  198. 8:27

    You look like a city type

  199. 8:29

    Haven't seen any students

  200. 8:32

    Left or right, go the left way

  201. 8:42

    It's already bad enough

  202. 8:51

    Have you ever eaten human flesh?

  203. 8:52

    You said it

  204. 8:54

    A gut cleanse, how about it?

  205. 8:56

    Right is the road, right is the way

  206. 8:57

    I only know two roads: left and right

  207. 8:59

    The thing is

  208. 9:00

    The Big One should be here by now

  209. 9:01

    Have you ever eaten human flesh?

  210. 9:04

    No

  211. 9:06

    No, never

  212. 9:07

    Where'd yesterday's confidence go?

  213. 9:12

    You weren't like this yesterday

  214. 9:14

    You pointed to the corner: help yourself

  215. 9:19

    I'll wait until he comes, no matter what

  216. 9:22

    But the smokes I want are on your counter

  217. 9:25

    Sorry, sorry, I failed at my job

  218. 9:31

    I'll do better next time

  219. 9:33

    Some people think they control everything

  220. 9:36

    Yet never even tasted human flesh

  221. 9:38

    Have you eaten human flesh? Have you?

  222. 9:42

    I haven't either

  223. 9:43

    But do you get to mock me?

  224. 9:47

    You don't get to mock me

  225. 9:49

    Because I dare to tell you

  226. 9:51

    I want to eat human flesh

  227. 9:53

    And someday

  228. 9:54

    You won't even dare to think it

  229. 9:56

    You won't dare say what you think

  230. 9:59

    You weren't like this when I came yesterday

  231. 10:03

    Excuses

  232. 10:05

    You just came to do your own thing

  233. 10:08

    I can't bring myself to laugh

  234. 10:09

    Pointed at the corner: go help yourself

  235. 10:12

    Was my joke not funny?

  236. 10:14

    Your smokes are right there on the counter

  237. 10:16

    I'm sorry

  238. 10:20

    This is my failure

  239. 10:21

    I'll do better from now on

  240. 10:25

    Is it really that funny?

  241. 10:26

    You're in control of everything

  242. 10:27

    Don't shoot

  243. 10:29

    The money's all right there

  244. 10:38

    What I said isn't funny

  245. 10:41

    Everything you asked me to do

  246. 10:43

    I've done it all

  247. 10:45

    I put the money there for you too

  248. 10:48

    So you can go now, right?

  249. 10:50

    You think I'm a robber

  250. 10:53

    You actually think I'm a robber

  251. 11:01

    You talking to me?

  252. 11:04

    You talking to me?

  253. 11:06

    I can't quite hear you

  254. 11:10

    Come on

  255. 11:13

    Sorry

  256. 11:21

    Being understood is just so hard

  257. 11:23

    Because, you know

  258. 11:25

    I go so far out of my way to come here

  259. 11:28

    Only ever when you're here

  260. 11:30

    I've seen you before

  261. 11:34

    But you don't know what smokes I buy

  262. 11:36

    I...

  263. 11:37

    You don't know me at all, do you?

  264. 11:42

    I...

  265. 11:44

    All my love is right here

  266. 11:46

    And you never even knew

  267. 11:47

    I know

  268. 11:49

    I don't have the energy left to...

  269. 11:51

    Only like this

  270. 11:54

    would you take me seriously

  271. 11:57

    Being taken seriously is just so hard

  272. 12:01

    Funny, isn't it

  273. 12:06

    My dignity is in my hand

  274. 12:09

    My thoughts are in the bullet

  275. 12:13

    Have you ever thought

  276. 12:14

    we're actually the same kind of people

  277. 12:17

    When I took the money from the register

  278. 12:18

    you didn't even blink

  279. 12:21

    Because you know it's not your money

  280. 12:24

    Every day you go to work, get off work

  281. 12:27

    Punch the clock

  282. 12:29

    Show up later than the Boss

  283. 12:30

    and you're on edge all day

  284. 12:33

    I'm not living like that anymore

  285. 12:38

    Work is your life

  286. 12:41

    and your life is in the Boss's hands

  287. 12:47

    We're the same species

  288. 12:49

    yet some became our gods

  289. 12:54

    You know what I mean?

  290. 13:00

    Then that's a real shame

  291. 13:03

    All I can do is take my thoughts

  292. 13:05

    and shoot them into your brain

  293. 13:07

    Next life

  294. 13:10

    Next life, you'll understand

  295. 13:13

    I want to say

  296. 13:16

    if our roles were reversed

  297. 13:19

    I'd beg you to shoot, no hesitation

  298. 13:25

    Goodbye

  299. 13:34

    And then I died

  300. 13:35

    Next scene

  301. 13:58

    Anything else you want to say?

  302. 14:00

    Not now — there'll be a chance later

  303. 14:03

    Then hurry up and go

  304. 14:04

    Save it for the next act

  305. 14:08

    Come on, do the bit with the Boss

  306. 14:09

    Weren't we talking to the actors?

  307. 14:10

    Say whatever, just say whatever

  308. 14:13

    Let him untie it

  309. 14:15

    I...

  310. 14:16

    Are you watching me?

  311. 14:18

    Do I look pretty on camera right now?

  312. 14:21

    But actually

  313. 14:23

    this is a completely fake face

  314. 14:26

    I could take all my makeup off

  315. 14:29

    and just sing along with you

  316. 14:30

    It's always me who finds the time

  317. 14:33

    It's not like I'm after something

  318. 14:35

    You come out and it just isn't there

  319. 14:37

    Get all fired up, then come back out

  320. 14:39

    I've bought out all these

  321. 14:41

    people trying to talk me into leaving

  322. 14:44

    Mic

  323. 14:46

    Iceberg, Act One

  324. 14:48

    No music

  325. 14:49

    Improvised performance

  326. 15:03

    I know you're home

  327. 15:04

    Pay up or I'm telling your neighbors

  328. 15:06

    I'll go to your workplace

  329. 15:08

    and let all your coworkers know

  330. 15:09

    You hear me?

  331. 15:11

    Unbelievable, it's just three grand

  332. 15:13

    and you keep stalling

  333. 15:14

    You'll never amount to anything

  334. 15:15

    You're finished, fuck your mother

  335. 15:26

    That's way too blinding

  336. 15:45

    What's going through your head here?

  337. 16:01

    Is there music playing in your head?

  338. 16:03

    Which tune?

  339. 16:13

    Indescribable

  340. 16:26

    In this part

  341. 16:27

    I feel like a puddle of water

  342. 16:30

    just rotting away right here

  343. 16:32

    Turned to mist

  344. 16:37

    Water? That's still too clean

  345. 16:39

    Go a few steps further

  346. 16:40

    All see-through

  347. 16:41

    A Ditto

  348. 16:45

    Just to mention

  349. 16:46

    I mean

  350. 16:48

    It's in this

  351. 16:49

    muddy kind of state

  352. 16:51

    A state where you can't even die properly

  353. 16:55

    Every day we can fantasize

  354. 16:57

    about us and the brutal Boss

  355. 16:58

    The Boss is like a

  356. 17:01

    how do I put it

  357. 17:02

    It's a slave-and-master relationship

  358. 17:04

    Say the Boss is the master

  359. 17:05

    whipping you all day

  360. 17:07

    That's not the kind...

  361. 17:09

    Rather, it's through certain

  362. 17:11

    subtle, unnoticed things

  363. 17:12

    that he reshapes your perception

  364. 17:14

    He just thinks your perception is wrong

  365. 17:18

    That's the state he's in

  366. 17:19

    But the Male Lead feels

  367. 17:20

    on one hand, the people around him

  368. 17:22

    treat him decently enough

  369. 17:24

    so why does he always feel, deep down,

  370. 17:25

    there's something strange

  371. 17:26

    something a little off?

  372. 17:28

    And that wrongness

  373. 17:29

    keeps itching, scratching, picking at him

  374. 17:32

    Everything the Male Lead does on stage

  375. 17:34

    as long as it's set in his own home

  376. 17:37

    anything set in his own home

  377. 17:39

    is his inner world acted outward

  378. 17:41

    Meaning if you saw him there in person

  379. 17:45

    he'd really just be sitting here

  380. 17:48

    Just like this

  381. 17:48

    It's too fucking dark

  382. 18:01

    Heads or tails — I can never tell

  383. 18:04

    Everyone loves to watch heads

  384. 18:07

    The day the heads people slip up

  385. 18:09

    the tails people start to revel

  386. 18:12

    When the tails side errs, the heads side

  387. 18:15

    what do they get to see?

  388. 18:18

    It's like one group of people is here

  389. 18:22

    one person is here

  390. 18:23

    and another one over here

  391. 18:24

    It's even like, you know

  392. 18:26

    it simply can't find

  393. 18:29

    one tone that holds from start to finish

  394. 18:32

    That's the most fatal problem

  395. 18:35

    Before I went on stage

  396. 18:36

    I didn't even dare to perform

  397. 18:39

    Honestly speaking

  398. 18:40

    Two days before going on

  399. 18:42

    I told playwright Shi I shouldn't go on

  400. 18:45

    because I felt this thing

  401. 18:47

    was the worst I've ever acted in

  402. 18:49

    the shittiest, trashiest thing ever

  403. 18:51

    Really?

  404. 18:52

    I mean

  405. 18:54

    Really

  406. 18:55

    Anyway, with my own performance

  407. 18:57

    I'm deeply unsatisfied

  408. 18:59

    How I wish they were like you

  409. 19:02

    with only one side

  410. 19:03

    only able to see themselves

  411. 19:06

    Scraping by in the concrete jungle

  412. 19:08

    has stunted people's thinking

  413. 19:10

    A person has ten units of energy a day

  414. 19:12

    Work burns five

  415. 19:14

    dealing with people takes three

  416. 19:16

    the last two get wasted on fun

  417. 19:21

    I've spared myself all that pondering

  418. 19:24

    I even plan to quit this hypocritical job

  419. 19:36

    Let me ask you a question

  420. 19:38

    Would you get a reaction on stage?

  421. 19:42

    What do you think?

  422. 19:43

    Just guessing

  423. 19:44

    You think getting a reaction on stage

  424. 19:46

    is something that can happen?

  425. 19:48

    I think it can

  426. 19:51

    One look at you and it goes soft

  427. 19:52

    Are you talking to me?

  428. 19:57

    Being understood is just too hard

  429. 20:05

    I thought you knew

  430. 20:08

    I go the long way to you every day

  431. 20:10

    always right when you're on shift

  432. 20:12

    Yet you don't even know

  433. 20:14

    what cigarettes I smoke

  434. 20:20

    I...

  435. 20:21

    You don't know me at all, do you?

  436. 20:24

    All my love is right here

  437. 20:26

    and you never even knew

  438. 20:29

    Only this way would you notice me

  439. 20:42

    Being noticed is just too hard

  440. 20:52

    It's just too hard

  441. 20:57

    He's the playwright

  442. 20:58

    His head is full of water

  443. 21:02

    Hey, you upstairs

  444. 21:04

    Play something else, will you?

  445. 21:07

    Can you do Bach?

  446. 21:11

    Enough with Chopin

  447. 21:12

    Romanticism is dead

  448. 21:17

    Hey, do you hear me?

  449. 21:20

    Sha sha yi

  450. 21:22

    No — fuck

  451. 21:23

    Not in sync

  452. 21:24

    Three, two, one

  453. 21:26

    Sha sha yi

  454. 21:40

    These artists are always like this

  455. 21:42

    Won't face reality, won't die either

  456. 21:45

    It makes things hard for me

  457. 21:47

    Romanticism won't put food on the table

  458. 21:50

    If it could

  459. 21:50

    we might as well die at fantasy's climax

  460. 21:55

    But hey, it's artistic creation

  461. 21:58

    can't really fault it

  462. 21:59

    Too bad I just don't care for it

  463. 22:03

    Out of smokes

  464. 22:08

    Here you go

  465. 22:10

    Thanks

  466. 22:11

    A free pack of smokes

  467. 22:14

    Got cigarettes now

  468. 22:15

    But I can't smoke now

  469. 22:16

    No smoking in the theatre

  470. 22:20

    There's even a lighter

  471. 22:21

    Now the smokes are in your hands

  472. 22:22

    To smoke or not — that's up to you

  473. 22:27

    I get to see him again

  474. 22:29

    I really like him

  475. 22:30

    Though I've never spoken to him

  476. 22:32

    I just know he must be lovely

  477. 22:35

    Every day when I look out the window

  478. 22:38

    he's right there, busy at work

  479. 22:39

    In winter

  480. 22:40

    he wears a bright red scarf

  481. 22:43

    Her hair tucked into her scarf

  482. 22:45

    Makes her look so docile

  483. 22:47

    In summer

  484. 22:48

    Her sweat dampens her bangs

  485. 22:50

    She's too busy to even fix them

  486. 22:54

    But that's her truest, most beautiful self

  487. 22:57

    I really like her

  488. 22:58

    I believe this is my love

  489. 23:00

    I don't like the one who used to like me

  490. 23:02

    You know?

  491. 23:03

    She's always grinning

  492. 23:04

    Never takes what I say to heart

  493. 23:06

    I said, Sally

  494. 23:08

    I'm a sociologist now

  495. 23:10

    I've seen the ugly side of this society

  496. 23:13

    Look, isn't my dress pretty?

  497. 23:15

    But we're all living in lies

  498. 23:17

    Let's go shopping tomorrow

  499. 23:19

    I'll buy more, even prettier dresses

  500. 23:22

    Sally

  501. 23:22

    Do you really know my heart?

  502. 23:24

    Of course I do. So, you going or not?

  503. 23:26

    Sally, you're such a fucking idiot

  504. 23:32

    Look, if I slept with someone like her

  505. 23:36

    Uh, I mean, spent my life with her

  506. 23:39

    It'd be a tragedy for sure

  507. 23:40

    Calling you a fucking idiot

  508. 23:47

    Are you free tomorrow afternoon?

  509. 23:49

    I hear there's a good movie out

  510. 23:50

    You seen the movie? No?

  511. 23:53

    No, too abrupt

  512. 23:54

    Let me think

  513. 24:00

    Can I ask your name?

  514. 24:03

    Oh, what a lovely name

  515. 24:05

    No good

  516. 24:14

    Haven't we met somewhere?

  517. 24:16

    You look so familiar

  518. 24:20

    Too cliché

  519. 24:22

    I'd better just improvise

  520. 24:23

    I don't want these lines tying me down

  521. 24:36

    Iceberg, Act Two

  522. 24:39

    No lights, no sound

  523. 24:40

    Nothing at all

  524. 24:41

    All improvised

  525. 24:42

    Now that's interesting

  526. 24:45

    No thermal underwear

  527. 24:46

    It's freezing

  528. 24:48

    I'm not in the deep sea

  529. 24:49

    I'm in the glacier

  530. 24:55

    I feel out of place in this theatre

  531. 25:00

    As if drifting through the deep sea

  532. 25:03

    Funny thing

  533. 25:04

    The deep sea has neon lights too

  534. 25:06

    Sea creatures hunt with light

  535. 25:10

    The ocean is just like this theatre

  536. 25:14

    The deeper you go

  537. 25:16

    The fewer people there are

  538. 25:31

    This is, this is, this is—

  539. 25:39

    I... I'll take a pack of cigarettes

  540. 25:42

    Um, can I ask your name?

  541. 25:49

    No. Why?

  542. 25:50

    Just wanted to ask if you're free tomorrow

  543. 25:56

    I'm not free

  544. 25:56

    Then... then when are you free?

  545. 26:01

    Huh? Never

  546. 26:03

    You're my friend

  547. 26:08

    Hey

  548. 26:08

    How can you talk to a customer like that?

  549. 26:12

    The customer is your God

  550. 26:15

    Now God wants to know your name

  551. 26:17

    You dare not tell him?

  552. 26:19

    Do you dare?

  553. 26:23

    I just want to know your name

  554. 26:24

    Is that so hard?

  555. 26:31

    What are you hiding down there for?

  556. 26:39

    I'm a robber

  557. 26:41

    You think I'm a robber?

  558. 26:47

    You talking to me?

  559. 27:06

    The lighter's gone

  560. 27:09

    Kecheng

  561. 27:20

    What's it to you?

  562. 27:23

    You rat playwright

  563. 27:32

    An eight-yuan pack of smokes

  564. 27:34

    And he only gave me one yuan change

  565. 27:37

    Dignity's worth one yuan

  566. 27:40

    Maybe he's long known his soul's price

  567. 27:44

    If I were like him

  568. 27:45

    I'd go report him

  569. 27:47

    But I won't

  570. 28:00

    The best venue for this play is—

  571. 28:04

    It shouldn't be in a theatre like this

  572. 28:05

    It should be in some sewer

  573. 28:08

    With rats scurrying around

  574. 28:11

    Everyone sitting in a row

  575. 28:12

    Just watching it

  576. 28:13

    Watching this shitty play

  577. 28:15

    Other than that, it's...

  578. 28:21

    This, this script is way too cutesy

  579. 28:24

    Written way too cutesy

  580. 28:24

    Too young

  581. 28:25

    Too cute

  582. 28:26

    Sometimes the words that come out

  583. 28:30

    Make me feel it's not a...

  584. 28:34

    It's just not a grown-up script

  585. 28:36

    It's just this, this cutesy thing

  586. 28:39

    Like stuff I scroll past on my phone

  587. 28:41

    Like Qzone

  588. 28:42

    Right

  589. 28:43

    Like Qzone

  590. 28:44

    That kind of, that kind of stuff

  591. 28:45

    So it, it makes me laugh now and then

  592. 28:49

    And it can't pull me in either

  593. 28:52

    I just feel it's a kind of...

  594. 28:59

    The playwright's head is full of

  595. 29:04

    Things that are utterly baffling

  596. 29:08

    And the playwright hits people too

  597. 29:09

    He never knows how to say what he means

  598. 29:13

    If you think this play is bad

  599. 29:16

    Then go write and direct it yourself

  600. 29:20

    Instead of just trashing it nonstop

  601. 29:22

    He's losing it

  602. 29:22

    Get it?

  603. 29:23

    He's triggered

  604. 29:24

    So triggered

  605. 29:25

    He's mad

  606. 29:29

    You can't say Chinese soccer sucks

  607. 29:30

    You should go up and play

  608. 29:33

    Can't say a thing about Chinese soccer

  609. 29:39

    You chickened out

  610. 29:40

    He raises his left hand

  611. 29:41

    I can't even say what I think

  612. 29:43

    This one, and another one

  613. 29:45

    There's one here

  614. 29:46

    Problem is, both are recording

  615. 29:48

    You're scared even on record

  616. 29:49

    Which one?

  617. 29:51

    Where's the other mic?

  618. 29:53

    Shit, they heard it all

  619. 29:59

    We're done, I just said so much

  620. 30:01

    It's over, over, over, over

  621. 30:02

    Ruined, ruined, ruined

  622. 30:06

    It's fine, keep acting

  623. 30:08

    Think the show sucks? Then build it up

  624. 30:11

    What are you adding?

  625. 30:12

    He's mad

  626. 30:13

    I won't add. I'm done talking

  627. 30:14

    Think the show sucks? Then build it up

  628. 30:17

    Not just run away from it

  629. 30:19

    You got my cigarette on camera

  630. 30:20

    No smoking in the theatre

  631. 30:22

    Blur it, blur it, blur it out

  632. 30:24

    You can't even smoke a prop one

  633. 30:25

    Right, a prop

  634. 30:26

    Right, if you wanna smoke

  635. 30:28

    Just smoke the intention

  636. 30:30

    No cigarette in your heart

  637. 30:32

    None in your hand either

  638. 30:33

    You get it?

  639. 30:36

    Come join us on January 1st

  640. 30:39

    Step into a

  641. 30:40

    To do what?

  642. 30:41

    Shabby little cyberpunk building

  643. 30:43

    And watch our show

  644. 30:45

    Wishing us all a lovely…

  645. 30:48

    His mic

  646. 30:49

    Our pass, our pass

  647. 30:52

    Honestly, this show's completion level

  648. 30:55

    To me falls short of a passing grade

  649. 30:59

    But polish comes from many factors

  650. 31:02

    Acting, lighting, dance, transitions

  651. 31:06

    Since it's a so-called collective creation

  652. 31:11

    No director, no stage manager

  653. 31:14

    Countless slip-ups at every step

  654. 31:17

    You probably don't know—can we try again?

  655. 31:20

    Quick, quick, take over

  656. 31:22

    Quick, quick, quick

  657. 31:24

    No—we're at Act Three now

  658. 31:26

    Not mine, my co-worker's

  659. 31:28

    I'm in it

  660. 31:30

    Three

  661. 31:32

    Right, one and two

  662. 31:34

    I'm in it

  663. 31:36

    Right, I'm in it

  664. 31:38

    So go ahead, criticize as you see fit

  665. 31:40

    No one acts or rehearses this way

  666. 31:42

    This play

  667. 31:44

    The actors arrived not knowing each other

  668. 31:46

    Then rehearsed for 21 days

  669. 31:48

    How can 21 days' work go on stage?

  670. 31:52

    Sincerity alone won't cut it

  671. 31:53

    In the end we

  672. 31:54

    I think 21 days is long enough

  673. 31:56

    We

  674. 31:57

    Know what I delivered today?

  675. 32:05

    Lingerie

  676. 32:08

    So what?

  677. 32:10

    You snuck a peek inside

  678. 32:12

    Not afraid of a complaint?

  679. 32:14

    Saw the label, so I opened it

  680. 32:16

    Besides

  681. 32:18

    Damaged-parcel stuff like this

  682. 32:21

    Nobody can prove a thing

  683. 32:23

    Don't be like that

  684. 32:24

    You're acting like his girlfriend

  685. 32:25

    I'm even closer to them

  686. 32:27

    They'll get it

  687. 32:29

    They'll think we've got minorities here

  688. 32:31

    So what of it?

  689. 32:33

    You're actually a minority

  690. 32:35

    I'm no minority

  691. 32:37

    What are you doing?

  692. 32:39

    Just getting a laugh

  693. 32:45

    Disgusting

  694. 32:47

    Some want to cover our eyes

  695. 32:49

    Some want to shut our mouths

  696. 32:51

    Are you minorities?

  697. 32:53

    But I speak out for minorities

  698. 32:56

    I'll fight for it all my life

  699. 32:57

    World peace

  700. 32:59

    People like you make me furious

  701. 33:02

    What use are you to minorities?

  702. 33:05

    Why'd you feel so floaty today?

  703. 33:09

    I'm telling you, I was floating

  704. 33:10

    Floaty how?

  705. 33:13

    My whole soul just scattered

  706. 33:15

    Like my mind was miles away

  707. 33:17

    That's on me

  708. 33:19

    Because I was

  709. 33:20

    First, when I read the script

  710. 33:23

    Co-worker One—I didn't really like him

  711. 33:26

    Sure, Co-worker Two I don't like either

  712. 33:29

    And I never dug deep into it

  713. 33:31

    And I didn't rehearse much either

  714. 33:33

    And I slacked off in rehearsal

  715. 33:35

    Still holding the script—I was shocked

  716. 33:38

    No no, that was my design

  717. 33:41

    A little design—I own the energy

  718. 33:44

    It's a little design, not me—no no no

  719. 33:47

    My lines aren't down yet

  720. 33:49

    That was my little trick to mislead you

  721. 33:52

    But Piao, I do think the acting was off

  722. 33:54

    Because back when I was doing that shop bit

  723. 33:58

    Please, come on down

  724. 33:59

    The actor's prep just wasn't there

  725. 34:01

    My feeling is you just acted badly

  726. 34:03

    Saw this play on Bilibili

  727. 34:04

    You love your own scenes

  728. 34:06

    But this play you look down on, guys

  729. 34:08

    Piao

  730. 34:08

    No no no no, not at all

  731. 34:10

    Hahaha

  732. 34:11

    No no no no, no way

  733. 34:13

    Haha, it's just... it's that thing

  734. 34:14

    This—I just didn't do my homework

  735. 34:16

    It's on me... is it my fault?

  736. 34:18

    I didn't—I just didn't play it well

  737. 34:19

    I never truly, truly felt it

  738. 34:21

    I didn't—didn't put in the work

  739. 34:22

    I lost the business

  740. 34:23

    My fault, it's all my fault

  741. 34:25

    I just deserve a cussing-out

  742. 34:26

    Nobody yells at me

  743. 34:27

    Grade-A, Grade-A stuff

  744. 34:31

    Right—was that about your performance?

  745. 34:34

    I just want to ask why it was like that

  746. 34:36

    Like, what caused it?

  747. 34:38

    What's behind the laziness?

  748. 34:39

    When I acted, I couldn't be bothered

  749. 34:40

    I had a lot going on

  750. 34:41

    I had to face dead front

  751. 34:41

    Then why'd you even come?

  752. 34:43

    Then why come here to play him?

  753. 34:44

    He asked me to come

  754. 34:45

    He asks and you just come?

  755. 34:47

    He tells you to come and you come?

  756. 34:48

    Yeah

  757. 34:49

    I love him

  758. 34:49

    You're so...

  759. 34:50

    I love him

  760. 34:52

    You love him 'cause he's like you?

  761. 34:55

    He is like me

  762. 34:56

    I just love him—and pretty girls

  763. 35:01

    I am an idealist

  764. 35:07

    I am a romantic

  765. 35:09

    Don't shout slogans

  766. 35:11

    White-left lords of the seven stars

  767. 35:13

    Don't shout slogans

  768. 35:16

    Keep going—where were we?

  769. 35:18

    Stuff like damaged parcels

  770. 35:24

    I held that underwear up and sniffed it

  771. 35:29

    Like it had already been worn

  772. 35:32

    I try to leave my scent on it

  773. 35:35

    So next time the girl wears it

  774. 35:38

    She'll think of me

  775. 35:40

    And when we meet, she'll fall for me

  776. 35:45

    Fuck!

  777. 35:46

    That is so fucking gross

  778. 35:48

    Two years single now

  779. 35:49

    Just cut me some slack, okay?

  780. 35:52

    Besides

  781. 35:53

    Just cut me some slack

  782. 35:55

    Besides

  783. 36:00

    What was I supposed to say?

  784. 36:03

    Besides

  785. 36:04

    That measly salary of yours

  786. 36:05

    Besides

  787. 36:07

    This measly salary of mine

  788. 36:08

    Isn't enough to buy a girl a drink

  789. 36:10

    'Cause you drink it all yourself

  790. 36:15

    I'm not kidding you

  791. 36:16

    Let me do the math for you

  792. 36:19

    Taking a girl out on a date

  793. 36:21

    You can't make her pay, can you?

  794. 36:23

    You date, you hit it off

  795. 36:25

    Then you move in together, right?

  796. 36:26

    Moving in means renting bigger, right?

  797. 36:31

    Hit it off

  798. 36:32

    Move in

  799. 36:33

    Then what?

  800. 36:34

    Marriage

  801. 36:34

    Right

  802. 36:36

    Marriage takes a bride price, right?

  803. 36:38

    Right

  804. 36:39

    And after the wedding?

  805. 36:40

    A house

  806. 36:41

    A car

  807. 36:42

    A hukou

  808. 36:43

    Tuition: primary, middle, high, college

  809. 36:48

    It'd wear the both of us out

  810. 36:51

    A burial plot

  811. 36:52

    Whoa, hold on

  812. 36:54

    You're not even at the dating stage

  813. 36:55

    And you jump straight to the burial plot?

  814. 36:57

    I hadn't thought of that

  815. 36:58

    True, though

  816. 37:00

    You've been single two years

  817. 37:01

    You're getting antsy

  818. 37:02

    What would I be antsy about?

  819. 37:05

    There's another one right here

  820. 37:07

    A 27-year-old virgin, right?

  821. 37:10

    He's not even antsy yet

  822. 37:11

    Still single to this very day

  823. 37:16

    Time for the afternoon run, right?

  824. 37:17

    Just about

  825. 37:18

    Yeah, true

  826. 37:20

    Oh, right

  827. 37:21

    From that stock of yours

  828. 37:22

    Pick out a few girls for me

  829. 37:24

    I'll deliver them for you

  830. 37:26

    Call it setting me up

  831. 37:28

    And if it works out

  832. 37:30

    You're off the hook for the gift money

  833. 37:32

    Don't go slipping me a ladyboy

  834. 37:34

    Relax

  835. 37:34

    Like I'd ever do you wrong

  836. 37:37

    Xiaoshui

  837. 37:38

    Xiaoshui

  838. 37:39

    We're heading out

  839. 37:42

    Let's go

  840. 37:43

    Go, go, go

  841. 37:49

    Xiaoshui

  842. 37:49

    Coming!

  843. 37:56

    It fell apart, fell apart

  844. 37:57

    It's not you who fell apart

  845. 37:59

    it's our camera crew that did

  846. 38:01

    Yeah, the camera side collapsed

  847. 38:02

    What's wrong? Didn't it record?

  848. 38:03

    The first cameraman wasn't there

  849. 38:04

    And this close it still wasn't recorded

  850. 38:05

    So the next scene

  851. 38:06

    that one's us, right?

  852. 38:08

    But this scene didn't get filmed

  853. 38:09

    Do we still shoot it?

  854. 38:10

    Shoot it again?

  855. 38:11

    Shoot it again?

  856. 38:12

    This scene didn't get filmed

  857. 38:13

    No surprise there

  858. 38:14

    That whole last scene wasn't shot at all

  859. 38:16

    Half of it was shot

  860. 38:17

    The second half just...

  861. 38:18

    Wow, what perfect timing

  862. 38:20

    Just do it over

  863. 38:21

    Then it just cut out

  864. 38:22

    Next one

  865. 38:22

    I still...

  866. 38:23

    He won't use everything in the edit anyway

  867. 38:24

    So you just want the footage, right?

  868. 38:26

    Right

  869. 38:27

    So we wait for Hefa before continuing?

  870. 38:30

    Yeah

  871. 38:30

    Wait a bit

  872. 38:30

    Let's wait a bit

  873. 38:31

    Fine, let's wait for him

  874. 38:32

    I've got one speech left to cry through

  875. 38:34

    Then it's on to the Boss's part

  876. 38:35

    We only want the extra stuff

  877. 38:39

    Not the play itself

  878. 38:40

    Then what are we even acting for?

  879. 38:42

    So we don't do the play?

  880. 38:43

    Why wouldn't we?

  881. 38:44

    No, no — didn't you want the extra parts?

  882. 38:46

    You didn't think we'd release the full play, did you?

  883. 38:52

    The edit mostly keeps just a bit of the play

  884. 38:55

    Then just the offstage stuff in between

  885. 38:58

    But you have to be in the play

  886. 39:00

    Right, like I said — the parts you acted

  887. 39:03

    How about this

  888. 39:04

    I actually think

  889. 39:05

    we can shorten it

  890. 39:06

    Yeah, just pick a few segments

  891. 39:08

    Don't run it start to finish

  892. 39:09

    There's no time

  893. 39:10

    Just pick a few segments

  894. 39:11

    Every actor gets one go

  895. 39:16

    Everyone's on camera once

  896. 39:19

    and says a few lines

  897. 39:20

    That way we get it all shot

  898. 39:22

    Us two

  899. 39:23

    How about it?

  900. 39:24

    Shoot the inside bits you think are classic

  901. 39:26

    Say you pick a few segments

  902. 39:28

    Maybe some that touch the play

  903. 39:31

    A bit from the play

  904. 39:32

    And some offstage stuff too

  905. 39:33

    What?

  906. 39:34

    All of it from the play

  907. 39:35

    Right?

  908. 39:36

    I want it all

  909. 39:38

    All of it

  910. 39:39

    All of it — keep going then

  911. 39:40

    Keep moving, fast — after we raced through rehearsal

  912. 39:49

    One at most, right? Come on — my car, my car

  913. 39:56

    Such a shame. If I lived like him, I'd...

  914. 40:01

    Alrighty

  915. 40:04

    Alrighty

  916. 40:06

    The audience is about this close

  917. 40:13

    The audience, this close

  918. 40:16

    The audience is just this close

  919. 40:18

    Right in my face

  920. 40:22

    In this perfunctory way

  921. 40:24

    No — what's the line?

  922. 40:26

    You threw me off my lines

  923. 40:28

    Sneaking around like this

  924. 40:32

    to build a relationship is an insult to love

  925. 40:34

    Constant run-ins

  926. 40:36

    a half-hearted confession

  927. 40:38

    even marrying over an accident

  928. 40:41

    just so the accident could be born

  929. 40:44

    He ought to be locked up

  930. 40:46

    I'm telling you

  931. 40:47

    But I'm not like him

  932. 40:50

    A thing like snitching —

  933. 40:51

    How are you any different?

  934. 40:51

    only someone like him would do it

  935. 40:54

    I can't stand people touching my shoulder

  936. 40:59

    It's over

  937. 41:02

    They're bullying me

  938. 41:05

    I can't stand people touching my shoulder

  939. 41:10

    Why isn't he back yet?

  940. 41:11

    Here he comes

  941. 41:14

    No idea

  942. 41:21

    Hey, you there

  943. 41:21

    You

  944. 41:23

    The Boss

  945. 41:23

    wants you to come by

  946. 41:25

    I'm off to see the Boss

  947. 41:35

    The script really has its logic problems

  948. 41:40

    Including some of the lines

  949. 41:43

    When I first got the script

  950. 41:45

    lots of lines made no sense to me

  951. 41:48

    Two, three days ago I still didn't get them

  952. 41:55

    What on earth did you mean by writing that?

  953. 41:57

    Then slowly you rationalize it to yourself

  954. 42:02

    and create from there

  955. 42:06

    Uh, I think us actors were all pretty serious

  956. 42:16

    Well then actually do it!

  957. 42:19

    Is he sick in the head here or what?

  958. 42:33

    Like, mentally ill?

  959. 42:39

    Not really

  960. 42:40

    But he's got a bit of it in him

  961. 42:42

    A guy like him

  962. 42:44

    Say he's 100% a menace to society

  963. 42:49

    that might be unfair to him

  964. 42:52

    But say 90% odds he'd do wrong

  965. 42:55

    that's definitely underselling it

  966. 42:58

    Two mics held up to you

  967. 43:17

    An interview

  968. 43:18

    Say something

  969. 43:19

    What a shit play

  970. 43:21

    Who the fuck wrote this

  971. 43:26

    I'd better not say

  972. 43:30

    Come say a few words

  973. 43:35

    The Boss is here

  974. 43:36

    My turn

  975. 43:37

    Hurry up

  976. 43:41

    Come on

  977. 43:42

    The Boss is here

  978. 43:49

    Let me introduce

  979. 43:50

    This is my Boss

  980. 43:51

    I'm his employee

  981. 43:54

    The exploited one

  982. 43:57

    Exploited how?

  983. 43:59

    I'd fucking love to know, exploited how

  984. 44:01

    Go on, tell me

  985. 44:04

    Right?

  986. 44:07

    I pay you

  987. 44:08

    Gave you a job, gave you money

  988. 44:10

    How did I exploit you?

  989. 44:11

    Don't you earn what you work for?

  990. 44:14

    Boss

  991. 44:15

    Exploited what?

  992. 44:16

    Right? Exploited what?

  993. 44:17

    Whining over nothing

  994. 44:18

    Yeah, whining over nothing

  995. 44:20

    Right? How have I ever exploited him?

  996. 44:23

    You get paid, don't you?

  997. 44:26

    Since you joined, how's he exploited you?

  998. 44:28

    You get paid? You have a job?

  999. 44:30

    How does that song go again?

  1000. 44:31

    What?

  1001. 44:32

    How does The Internationale go?

  1002. 44:34

    Arise, ye who refuse to be slaves

  1003. 44:39

    Don't dare sing that, really don't

  1004. 44:40

    Come on, from the top

  1005. 44:41

    Arise, ye who refuse to be slaves

  1006. 44:45

    Arise, ye hungry and cold

  1007. 44:46

    Arise, ye hungry and cold

  1008. 44:48

    I'll lead, you sing along

  1009. 44:49

    Arise, ye slaves of cold and hunger

  1010. 44:53

    Arise, ye wretched of the earth

  1011. 45:40

    Waiting for the slaughter

  1012. 45:41

    I even think

  1013. 45:42

    I'm worse off than a pig

  1014. 45:44

    A pig eats, then sleeps

  1015. 45:46

    sleeps, then eats, thinks of nothing

  1016. 45:48

    But me

  1017. 45:48

    me, I let myself be exploited

  1018. 45:53

    When I didn't know I was that pig

  1019. 46:00

    I ate just like the pigs

  1020. 46:03

    Slept

  1021. 46:04

    Worked

  1022. 46:05

    Thought about nothing

  1023. 46:06

    Once I know my final fate

  1024. 46:09

    I should fight back

  1025. 46:11

    No grand ideals

  1026. 46:12

    Rebel purely for my own interests

  1027. 46:16

    Oh

  1028. 46:17

    The blood in our chests is boiling

  1029. 46:28

    We will fight for the truth

  1030. 46:32

    Hi, I want to talk to these three

  1031. 46:35

    Smash the old world to smithereens

  1032. 46:39

    Just sing, it's fine

  1033. 46:41

    We did sing

  1034. 46:42

    I love Beijing's Tiananmen...

  1035. 46:44

    ...where the sun rises

  1036. 46:50

    I hear

  1037. 46:51

    your attitude's been a bit off lately

  1038. 46:55

    Is something messing with your mood?

  1039. 46:58

    It's fine, just say it

  1040. 47:00

    I hope you'll accept my help

  1041. 47:03

    After all, you're new here

  1042. 47:05

    Fitting in takes some time

  1043. 47:08

    Save it. Cards on the table

  1044. 47:11

    You make us grind this rote work daily

  1045. 47:15

    till we can't think for ourselves

  1046. 47:18

    Work this endlessly repetitive

  1047. 47:21

    why not just let machines do it?

  1048. 47:23

    Nothing I can do about that

  1049. 47:24

    Machines can't do everything, can they?

  1050. 47:26

    Boss

  1051. 47:27

    I've been here since graduation

  1052. 47:29

    Why?

  1053. 47:31

    Because I think you can still be saved

  1054. 47:33

    Money has rotted all the others

  1055. 47:38

    Boss, you know what?

  1056. 47:39

    10% of people hold 90% of the resources

  1057. 47:44

    By the time it reaches us, just scraps

  1058. 47:48

    And you still make excuses for them

  1059. 47:50

    People have to eat, don't they?

  1060. 47:52

    Look

  1061. 47:53

    Back then you farmed for your grain

  1062. 47:55

    Now you're spared all that toil

  1063. 47:57

    Sacrifice a little dignity, eat your fill

  1064. 48:00

    Why won't you just bow your head?

  1065. 48:02

    Know why I can't fit in?

  1066. 48:04

    That crowd

  1067. 48:07

    hooked daily on bite-size cheap thrills

  1068. 48:11

    Off work, they dive into short videos

  1069. 48:14

    Hooked, feeding capitalists their traffic

  1070. 48:17

    Funnier still, they can't even

  1071. 48:21

    tell whether they're drowning in

  1072. 48:24

    They can't even see they're hooked on trash

  1073. 48:31

    I mean, if you've never tasted good food

  1074. 48:34

    you don't know your own food is swill

  1075. 48:37

    So what do you want?

  1076. 48:38

    If I were in your seat

  1077. 48:39

    I'd run a great purge

  1078. 48:42

    I'd screen an obscure art film in a meeting

  1079. 48:45

    Whoever pees, checks phones, or dozes off

  1080. 48:48

    Fire them all

  1081. 48:49

    Then I'd have no employees left

  1082. 48:51

    Look me in the eyes and say it

  1083. 48:53

    Understood

  1084. 48:54

    Look me in the eyes and say it. Hear me?

  1085. 48:58

    Understood

  1086. 48:59

    My eyes. Say it. Do you hear me?

  1087. 49:13

    I'm talking to you. Do you hear me?

  1088. 49:15

    I'm talking to you! Do you hear me?

  1089. 49:18

    I'm talking to you! Do you hear me?

  1090. 49:22

    I'm talking to you! Do you hear me?

  1091. 49:28

    Quit messing around

  1092. 49:30

    I hear you, I hear you

  1093. 49:32

    Sorry, Boss

  1094. 49:33

    What's going on with you lately?

  1095. 49:36

    Why the sour face every day?

  1096. 49:39

    I didn't do anything to you, did I?

  1097. 49:41

    They didn't either, right?

  1098. 49:44

    Say something!

  1099. 49:47

    Fine, don't talk then

  1100. 49:49

    You've been here a whole week

  1101. 49:51

    Say something!

  1102. 49:53

    And you still can't fit in with them

  1103. 49:55

    I'll take it to HR

  1104. 49:57

    Boss, I didn't mean it like that

  1105. 49:59

    It's the same mechanical work every day

  1106. 50:02

    It gets a bit boring

  1107. 50:04

    I feel like a machine

  1108. 50:06

    Might as well have a machine replace me

  1109. 50:11

    What a fucking great idea he's got

  1110. 50:14

    Then why not swap you for a machine?

  1111. 50:16

    What do I need you for?

  1112. 50:19

    You know why I hired you?

  1113. 50:21

    Because you're cheaper than a machine

  1114. 50:26

    I hired you fresh out of school

  1115. 50:29

    Why?

  1116. 50:32

    Because I thought you could still be saved

  1117. 50:34

    Most young people are way too cocky

  1118. 50:36

    All ambition, zero ability

  1119. 50:39

    You are the foundation of this society

  1120. 50:41

    If you lot won't take responsibility

  1121. 50:43

    this society will collapse

  1122. 50:45

    And you want to sink to their level?

  1123. 50:55

    You know why you can't fit in?

  1124. 50:58

    Look at them

  1125. 50:59

    Watching short videos all day

  1126. 51:02

    After work

  1127. 51:04

    they mess around with all kinds of junk

  1128. 51:07

    A little chat

  1129. 51:08

    a little tea

  1130. 51:09

    You must learn to fit into the collective

  1131. 51:11

    But I won't drown in this cheap entertainment

  1132. 51:16

    You haven't even looked, and it's "cheap"?

  1133. 51:21

    Just how noble are you?

  1134. 51:29

    Have him lay his cards on the table

  1135. 51:31

    Is he in or out?

  1136. 51:32

    Say something

  1137. 51:35

    Speak up!

  1138. 51:36

    Are you in or not?

  1139. 51:39

    I'm in

  1140. 51:43

    From now on, when you talk to me

  1141. 51:44

    look me in the eyes

  1142. 51:45

    Let me know you're talking to me

  1143. 51:46

    Understood?

  1144. 51:48

    Understood

  1145. 51:48

    Here it comes

  1146. 51:50

    Here

  1147. 51:51

    Thanks

  1148. 51:52

    Looking good

  1149. 51:54

    Almost didn't recognize you

  1150. 51:55

    Don't you bully him

  1151. 51:57

    If he acts up, hit him

  1152. 51:59

    I wouldn't dare

  1153. 52:01

    Playing twenty-somethings

  1154. 52:03

    for so many years now

  1155. 52:05

    I've picked up some bad habits

  1156. 52:07

    First: sweep only my own doorstep

  1157. 52:09

    leave the rest alone

  1158. 52:11

    That's how it is in film and TV

  1159. 52:13

    Quick in, quick out

  1160. 52:15

    Actors rarely meddle in others' acting

  1161. 52:17

    So I mostly mind my own business

  1162. 52:19

    And how did you do?

  1163. 52:21

    I won't say much, maybe half of it

  1164. 52:23

    It steps out of the Male Lead's thoughts, or a hallucination, or...

  1165. 52:28

    It's a...

  1166. 52:29

    Someone brought it up — who was it? — saying

  1167. 52:32

    actors aren't on the same level — I don't know

  1168. 52:34

    But in every scene of mine, he and I are in sync

  1169. 52:37

    So I can accept the play having no director

  1170. 52:40

    That shouldn't be — no one takes charge

  1171. 52:43

    no one keeps the balance

  1172. 52:45

    I don't know why it's like this either

  1173. 52:46

    Also, I've done a lot of CCTV dramas

  1174. 52:49

    Scripts where you can't change a single word

  1175. 52:51

    Because historical figures said the lines

  1176. 52:53

    When we act, we treat them all as Shakespeare

  1177. 52:56

    No matter what garbage they wrote

  1178. 52:58

    you make sure not one word changes

  1179. 53:00

    So the script's logic is flawed

  1180. 53:02

    the characters' motives are flawed

  1181. 53:04

    the lines don't connect

  1182. 53:05

    But I don't care

  1183. 53:06

    because he's Shakespeare

  1184. 53:08

    so it must be my fault

  1185. 53:09

    So I do everything I can

  1186. 53:11

    to make all his lines

  1187. 53:12

    and all the logic hold together

  1188. 53:14

    That much I will do

  1189. 53:16

    And today there were real slip-ups

  1190. 53:18

    I adjusted those mistakes on the spot

  1191. 53:21

    You played him into his sixties

  1192. 53:26

    I was a secretary, a restaurant secretary

  1193. 53:28

    A soldier first, then Provincial Party Secretary

  1194. 53:30

    All the way up to Provincial Party Secretary

  1195. 53:33

    You dumped me and went abroad

  1196. 53:34

    Then I came back and won you back

  1197. 53:36

    So fucking impressive — the roles you've played

  1198. 53:40

    When I joined they said the company is everyone's

  1199. 53:59

    We're all one family

  1200. 54:01

    In the end, isn't it all his anyway?

  1201. 54:03

    They've forgotten how to walk

  1202. 54:05

    They have to point at the sky every day and say

  1203. 54:09

    Today I want Brecht

  1204. 54:10

    Today I want Stanislavski

  1205. 54:11

    Today I'm this

  1206. 54:12

    Today I'm that

  1207. 54:13

    Today I'm that

  1208. 54:14

    Problem is, those people are all dead

  1209. 54:18

    So why won't you act it my way?

  1210. 54:21

    Because I'm still alive

  1211. 54:22

    Ask me, then

  1212. 54:24

    All that talk about the place you live off

  1213. 54:26

    It's your company

  1214. 54:27

    The company is whatever you are

  1215. 54:30

    If you think the company's bad

  1216. 54:31

    Then work your way up and become the boss

  1217. 54:34

    Lead — don't just gripe your whole life, or run

  1218. 54:40

    Report it or not, no one uses our courier anymore

  1219. 54:43

    Fewer and fewer parcels

  1220. 54:46

    Less and less pay

  1221. 54:48

    So I went and secretly opened people's parcels

  1222. 54:58

    And then

  1223. 54:59

    So he's just

  1224. 55:01

    Isn't this space too clean for what happens here?

  1225. 55:05

    I'd imagine

  1226. 55:06

    If this is where the Rat lives

  1227. 55:08

    Then the place should reek

  1228. 55:11

    It should be foul and filthy

  1229. 55:12

    And none of us should look so polished

  1230. 55:14

    And I remember

  1231. 55:15

    Yesterday, say, when people bought tickets

  1232. 55:17

    It asked: are you proletariat?

  1233. 55:27

    Wait, which act is it?

  1234. 55:31

    No — Act Four

  1235. 55:32

    Act Four

  1236. 55:33

    Qunhao, which act are we on?

  1237. 55:35

    So I went and opened people's parcels

  1238. 55:39

    I can't hold it together

  1239. 55:41

    It's over

  1240. 55:42

    Forgot how to play the whole act

  1241. 55:44

    I'm done acting

  1242. 55:48

    Disband. Disband

  1243. 55:49

    Stop filming. Disband

  1244. 55:51

    What kind of crew is this unprofessional?

  1245. 55:52

    Disband

  1246. 55:57

    Don't you have the script?

  1247. 55:59

    Right — what kind of actors are you?

  1248. 56:01

    Act Four already

  1249. 56:03

    Hurry up

  1250. 56:05

    Whose turn?

  1251. 56:07

    Has Momo-chang been done yet?

  1252. 56:09

    Go do it

  1253. 56:09

    Momo-chang

  1254. 56:10

    Hey

  1255. 56:11

    I'll go disband them

  1256. 56:12

    Oh

  1257. 56:13

    I'll go disband them

  1258. 56:14

    Let me take my papers off you

  1259. 56:16

    Let me take the papers

  1260. 56:17

    Number Two

  1261. 56:18

    Fine

  1262. 56:18

    Keep it on you

  1263. 56:20

    I can cue you in

  1264. 56:21

    If you forget your lines

  1265. 56:22

    It's fine

  1266. 56:23

    I'll feed you your lines

  1267. 56:27

    Just wing it

  1268. 56:57

    Sit

  1269. 57:08

    What do you mean

  1270. 57:10

    What do you mean, filler scene?

  1271. 57:11

    What do you mean, filler?

  1272. 57:12

    This is the main event

  1273. 57:14

    This is singing it

  1274. 57:15

    What? Get lost

  1275. 57:16

    This is the real play

  1276. 57:17

    You know nothing

  1277. 57:18

    We're the leads, okay?

  1278. 57:21

    The first classic piece

  1279. 57:22

    We're the soul of this

  1280. 57:24

    Curtain up

  1281. 57:25

    One time I went to a KTV

  1282. 57:27

    My friend called me a momo-chang girl

  1283. 57:29

    A normal one

  1284. 57:30

    One time I went to a KTV

  1285. 57:32

    Realism

  1286. 57:34

    One time I went to a KTV

  1287. 57:36

    My friend called me a momo-chang girl

  1288. 57:38

    I was nervous as hell

  1289. 57:40

    My whole body went stiff

  1290. 57:46

    They were playing dice

  1291. 57:48

    I didn't know how

  1292. 57:50

    So she played blackjack with me

  1293. 57:52

    And told her girlfriends

  1294. 57:54

    We're playing blackjack

  1295. 57:56

    And snickered behind her hand

  1296. 57:58

    I felt my dignity

  1297. 58:00

    Had been trampled by a hostess

  1298. 58:03

    I was furious

  1299. 58:07

    They were all groping freely

  1300. 58:10

    But my hand

  1301. 58:11

    I only dared rest it on her waist

  1302. 58:13

    I didn't dare move

  1303. 58:14

    So what then?

  1304. 58:17

    But

  1305. 58:19

    For a man's dignity

  1306. 58:21

    My hand

  1307. 58:23

    I started inching upward too

  1308. 58:28

    She gave my hand a light slap

  1309. 58:33

    And I chickened out

  1310. 58:37

    A while later I tried again

  1311. 58:39

    She grabbed my hand

  1312. 58:42

    She leaned in to my ear

  1313. 58:44

    And she said to me

  1314. 58:47

    She said to me

  1315. 58:49

    Be good for me, okay?

  1316. 58:55

    Hearing that

  1317. 58:56

    I nearly knelt down and called her Mom

  1318. 59:01

    Really

  1319. 59:02

    No one had ever said anything so tender to me

  1320. 59:10

    I disguise myself as wanting nothing

  1321. 59:13

    Cold-hearted by nature

  1322. 59:15

    Plus, with a height like mine

  1323. 59:20

    Not tall

  1324. 59:21

    Everyone thinks I'm strong

  1325. 59:25

    But after she said that

  1326. 59:29

    I felt a mother's love

  1327. 59:31

    Dumbass

  1328. 59:37

    If only she weren't a hostess girl

  1329. 59:40

    How nice that would be

  1330. 59:45

    Dumbass

  1331. 1:00:04

    It's fine

  1332. 1:00:05

    Come on, camera

  1333. 1:00:06

    Point it at me

  1334. 1:00:09

    I've got a complaint

  1335. 1:00:10

    No

  1336. 1:00:10

    No, not a complaint

  1337. 1:00:11

    Let me share what happened this morning

  1338. 1:00:17

    I went to the dentist this morning

  1339. 1:00:19

    Everyone, look at my mouth

  1340. 1:00:24

    It hurts when I talk

  1341. 1:00:26

    A rubber band links my top and bottom teeth

  1342. 1:00:30

    My mouth feels sewn shut

  1343. 1:00:33

    So life is so hard for me

  1344. 1:00:35

    Life is so hard

  1345. 1:00:39

    Whose turn is it?

  1346. 1:00:48

    The Act Four actors

  1347. 1:00:53

    Act Four actors, on stage

  1348. 1:00:54

    Not two, right? There's one more

  1349. 1:00:58

    Who's in Act Four?

  1350. 1:00:59

    Act Four has three actors

  1351. 1:01:00

    Buy, buy, buy

  1352. 1:01:01

    Act Four is Hunhun

  1353. 1:01:03

    I can sing

  1354. 1:01:04

    Here we go

  1355. 1:01:05

    Here comes the entrance scene

  1356. 1:01:07

    Goddess

  1357. 1:01:08

    Goddess

  1358. 1:01:23

    In this scene I'm a different person

  1359. 1:01:24

    I'm the Pimp

  1360. 1:01:25

    Don't ask me why

  1361. 1:01:26

    I don't know either

  1362. 1:01:27

    You can't see a pimp's face

  1363. 1:01:30

    That's why I wear a mask

  1364. 1:01:31

    A rat!

  1365. 1:01:31

    Did you kill it?

  1366. 1:01:32

    Help!

  1367. 1:01:33

    Look at my greasy clothes

  1368. 1:01:35

    Thanks

  1369. 1:01:36

    Oh

  1370. 1:01:38

    My cigarette

  1371. 1:01:38

    I'm the Pimp

  1372. 1:01:40

    A smoke

  1373. 1:01:41

    Lend me a cigarette

  1374. 1:01:43

    Damn it

  1375. 1:01:43

    Bumming smokes off the Boss?

  1376. 1:01:44

    Piss off

  1377. 1:01:45

    No props, all mime

  1378. 1:01:48

    Want a light?

  1379. 1:01:48

    Not lighting it

  1380. 1:01:49

    We're in a theatre, no lighting up

  1381. 1:01:52

    Lighting it would be too pro

  1382. 1:01:54

    You can't force me to do what I hate

  1383. 1:01:56

    You can't turn down this money

  1384. 1:01:59

    How can you go back on your word?

  1385. 1:02:10

    Let me tell you

  1386. 1:02:11

    The client asked for you by name

  1387. 1:02:13

    I can't afford to cross him

  1388. 1:02:15

    If you won't go

  1389. 1:02:15

    I'll drag you into the car

  1390. 1:02:17

    It'll be ugly for both of us

  1391. 1:02:18

    How about this

  1392. 1:02:20

    This time

  1393. 1:02:21

    You're coming with me

  1394. 1:02:24

    You're hurting me

  1395. 1:02:25

    Let go

  1396. 1:02:28

    Aren't you scared at all?

  1397. 1:02:31

    You'll never dare again

  1398. 1:02:32

    You'll never dare again

  1399. 1:02:33

    You'll never dare again

  1400. 1:02:34

    You'll never dare again

  1401. 1:02:35

    You'll never dare again

  1402. 1:02:36

    You'll never dare again

  1403. 1:02:37

    What, you'll call the cops?

  1404. 1:02:39

    Cops!

  1405. 1:02:41

    This guy's peddling tarts

  1406. 1:02:43

    What are you doing?

  1407. 1:02:45

    Not peddling, she's saved for Boss Wang

  1408. 1:02:48

    Not the street, your place then?

  1409. 1:02:51

    You're nuts

  1410. 1:02:52

    Fuck you

  1411. 1:02:53

    Holy shit

  1412. 1:02:54

    Motherfucker

  1413. 1:02:55

    Fuck, he's a pimp

  1414. 1:02:58

    Get him

  1415. 1:02:59

    Fucking hell

  1416. 1:03:01

    Dog catching rats, huh?

  1417. 1:03:04

    Playing hot shit, huh?

  1418. 1:03:07

    You don't even rate as a dog

  1419. 1:03:09

    You're just a rat

  1420. 1:03:10

    What, you can't fight?

  1421. 1:03:11

    You idiot

  1422. 1:03:12

    Steal from you?

  1423. 1:03:13

    Where you going? I'll beat you

  1424. 1:03:18

    You okay?

  1425. 1:03:20

    No, I'm not

  1426. 1:03:21

    Just piss off already

  1427. 1:03:22

    Good insult!

  1428. 1:03:24

    Go, let's go

  1429. 1:03:30

    What's wrong, baby?

  1430. 1:03:35

    Move it, clients waiting

  1431. 1:03:37

    Let go

  1432. 1:03:41

    Sorry about that

  1433. 1:03:42

    How many clients have you done?

  1434. 1:03:44

    What's wrong?

  1435. 1:03:46

    You exit on your own here

  1436. 1:03:47

    I still have a scene

  1437. 1:03:48

    You haven't said your line yet

  1438. 1:03:54

    I'm out of lines

  1439. 1:03:55

    You do. 'Move it, baby' is your line

  1440. 1:03:57

    Ugh, stop it

  1441. 1:03:58

    You know what happens if you grab me, right?

  1442. 1:04:00

    Worst case, I'll do last time all over again

  1443. 1:04:03

    I still don't know what happened last time

  1444. 1:04:06

    What happened last time?

  1445. 1:04:09

    Driving

  1446. 1:04:11

    Last time you were hauling a truckload

  1447. 1:04:12

    And he didn't want to go

  1448. 1:04:13

    But you made him go

  1449. 1:04:14

    He beat the guy up

  1450. 1:04:15

    Holy fuck

  1451. 1:04:18

    Really?

  1452. 1:04:18

    Forget it then

  1453. 1:04:20

    Let me tell you

  1454. 1:04:22

    I'll go get Lisa

  1455. 1:04:24

    Don't think you're such hot shit

  1456. 1:04:26

    With wigs on I can't even tell who you are

  1457. 1:04:30

    So tacky

  1458. 1:04:31

    Daughter

  1459. 1:04:32

    Don't let me see you again

  1460. 1:04:34

    Look at the state of you

  1461. 1:04:39

    Lisa

  1462. 1:04:40

    Daddy's here

  1463. 1:04:42

    Daddy

  1464. 1:04:45

    Wait, you're Lisa?

  1465. 1:04:47

    The moment it comes off

  1466. 1:04:49

    Turns out you're still you

  1467. 1:04:56

    Props! Is there even a props team?

  1468. 1:04:58

    No props at all

  1469. 1:04:59

    Miming now? Props? What a crew, seriously

  1470. 1:05:05

    Done acting, I'm pulling a diva

  1471. 1:05:06

    There is a result — Beifeng isn't like the usual theatre

  1472. 1:05:12

    The result is... the result is

  1473. 1:05:16

    The result is this thing has to pass the bar

  1474. 1:05:19

    But clearly we haven't gotten there yet

  1475. 1:05:22

    And we need to keep creating

  1476. 1:05:23

    Or my own character itself

  1477. 1:05:26

    Even two or three days before rehearsals

  1478. 1:05:29

    We were still finding the hooker character

  1479. 1:05:32

    We were still discussing

  1480. 1:05:33

    Still searching inside the character

  1481. 1:05:35

    Searching right up until tonight's stage

  1482. 1:05:37

    But I think it's still not enough

  1483. 1:05:38

    We have to keep searching

  1484. 1:05:40

    My part alone is three roles

  1485. 1:05:43

    Right from the entrance

  1486. 1:05:45

    It's the Robber forcing his way in

  1487. 1:05:47

    And a hostage, that state

  1488. 1:05:49

    So I think

  1489. 1:05:51

    Everyone needs more time

  1490. 1:05:53

    To create together

  1491. 1:05:54

    To find our groove together

  1492. 1:05:55

    The result matters too

  1493. 1:05:57

    But the most important meaning, I think

  1494. 1:06:00

    This play existing means a lot to Beifeng

  1495. 1:06:03

    Beifeng truly exists now, it's real

  1496. 1:06:06

    So really, thank you, thank you

  1497. 1:06:11

    There's one thing I find interesting

  1498. 1:06:13

    Like three actors all said they never found

  1499. 1:06:18

    That spot

  1500. 1:06:19

    I don't know how Beifeng defines that now

  1501. 1:06:22

    Instead of searching or talking about finding it

  1502. 1:06:26

    Just go try being that person

  1503. 1:06:28

    Or rather

  1504. 1:06:29

    Just because

  1505. 1:06:30

    I mean, right now Beifeng is still

  1506. 1:06:32

    Like

  1507. 1:06:33

    It's still

  1508. 1:06:34

    So-called play-acting

  1509. 1:06:36

    I mean

  1510. 1:06:37

    That is, or rather

  1511. 1:06:38

    You can leap right into it

  1512. 1:06:40

    And I really didn't like the playwright's

  1513. 1:06:41

    Opening line just now

  1514. 1:06:43

    Saying we made a lot of mistakes

  1515. 1:06:45

    Like the lighting problems

  1516. 1:06:46

    That, uh

  1517. 1:06:47

    The transitions were bad

  1518. 1:06:48

    Well, for example

  1519. 1:06:49

    Right

  1520. 1:06:50

    One, in itself

  1521. 1:06:51

    Take film, for example

  1522. 1:06:52

    Sound comes in first too

  1523. 1:06:53

    Then the picture opens

  1524. 1:06:54

    Or some jump-cut techniques

  1525. 1:06:56

    That's all totally normal

  1526. 1:06:57

    There's no fixed standard template

  1527. 1:06:59

    And then

  1528. 1:07:00

    My way is just fine

  1529. 1:07:02

    The way I played it

  1530. 1:07:03

    Right

  1531. 1:07:03

    I played it wrong

  1532. 1:07:05

    Or you think your way of playing it is right

  1533. 1:07:07

    Then who gave you that template of legitimacy?

  1534. 1:07:10

    Me, myself

  1535. 1:07:11

    Myself

  1536. 1:07:12

    I myself think I played it wrong

  1537. 1:07:17

    He seems to have some kind of glow

  1538. 1:07:19

    Warm and pure

  1539. 1:07:22

    He was meant to be pure

  1540. 1:07:23

    He doesn't belong on this filthy street

  1541. 1:07:26

    Shouldn't be in my sight

  1542. 1:07:28

    He shouldn't be doing this kind of work

  1543. 1:07:31

    If he weren't here, he'd be a star

  1544. 1:07:33

    He should be smiling at flashbulbs on a red carpet

  1545. 1:07:36

    But now no one cherishes his smile

  1546. 1:07:43

    I wish a real rain would wash this street clean

  1547. 1:07:47

    Or one day

  1548. 1:07:49

    When they all gather

  1549. 1:07:52

    I mean

  1550. 1:07:53

    Everyone packed together out on the street

  1551. 1:07:56

    I'll drive a cement truck

  1552. 1:07:59

    And crush them all to death

  1553. 1:08:02

    Twice

  1554. 1:08:04

    Three times

  1555. 1:08:06

    Till their bones are mashed together

  1556. 1:08:09

    Till the screaming stops for good

  1557. 1:08:14

    God, I'd love to do that

  1558. 1:08:16

    I might need a piece

  1559. 1:08:19

    For when I run into them

  1560. 1:08:20

    I can do it

  1561. 1:08:39

    Sleep now, my beloved

  1562. 1:08:42

    This is where you rave too, right?

  1563. 1:08:44

    Sleep, sleep

  1564. 1:08:48

    Lao Song

  1565. 1:08:52

    laughing over here

  1566. 1:08:53

    Shh

  1567. 1:08:55

    No, I mean, we're on stage here

  1568. 1:09:02

    Once he's asleep

  1569. 1:09:03

    he even sleeps with flair

  1570. 1:09:04

    Sleep

  1571. 1:09:07

    Hurry up and sleep

  1572. 1:09:09

    I'm sleeping

  1573. 1:09:10

    Your chest can't hold a bed

  1574. 1:09:16

    Hurry up and fall asleep

  1575. 1:09:18

    You've lost track of the night

  1576. 1:09:23

    Nice

  1577. 1:09:26

    No more sorrow

  1578. 1:09:28

    No more hunger

  1579. 1:09:30

    No more empty meal tickets

  1580. 1:09:38

    You'll hit the jackpot

  1581. 1:09:41

    Hurry up and fall asleep

  1582. 1:09:43

    The ones you love will remember

  1583. 1:09:46

    Bravo, what a poem

  1584. 1:09:48

    Bravo

  1585. 1:09:49

    Li Bai wrote that, right?

  1586. 1:09:50

    Hurry up and sleep

  1587. 1:09:52

    Never mind what the heart wants

  1588. 1:09:53

    Hurry up and fall asleep

  1589. 1:09:56

    No need to wallow in self-pity

  1590. 1:10:00

    Hurry up and fall asleep

  1591. 1:10:03

    The dream within the dream

  1592. 1:10:07

    can learn the creativity of our world

  1593. 1:10:11

    can go back to before it went wrong

  1594. 1:10:14

    back into the amniotic fluid, back

  1595. 1:10:18

    to before conception

  1596. 1:10:22

    Great show, great show

  1597. 1:10:26

    Someone

  1598. 1:10:27

    Someone wants to cover our eyes

  1599. 1:10:29

    gag our mouths

  1600. 1:10:30

    pin down our hands

  1601. 1:10:32

    pretend all is normal, nothing happened

  1602. 1:10:34

    I've seen it

  1603. 1:10:36

    I know what this place was like when he fled

  1604. 1:10:39

    Now look what you've turned it into

  1605. 1:10:41

    He's down

  1606. 1:10:48

    My back's given out

  1607. 1:10:51

    Call an ambulance, I can't move

  1608. 1:10:58

    Which act are we on?

  1609. 1:11:04

    That's it?

  1610. 1:11:05

    That's it?

  1611. 1:11:06

    Nope

  1612. 1:11:07

    The part where the Boss gets shot

  1613. 1:11:16

    No, no, no

  1614. 1:11:18

    My bit

  1615. 1:11:20

    Ugh, this is so annoying

  1616. 1:11:22

    Is there more?

  1617. 1:11:23

    Mine, mine

  1618. 1:11:24

    Who made the rules?

  1619. 1:11:53

    Those who profit sit closest to the rules

  1620. 1:11:57

    This must be just what they wanted

  1621. 1:12:00

    And they succeeded

  1622. 1:12:01

    They cut people like me out of society

  1623. 1:12:04

    I should head back

  1624. 1:12:06

    This is my return ticket

  1625. 1:12:09

    I mean, we all rejoin society someday

  1626. 1:12:13

    Either buy a few friends with money

  1627. 1:12:17

    or make a few enemies with brute force

  1628. 1:12:21

    I just checked my bank balance

  1629. 1:12:29

    Enough to last a lifetime if I never work

  1630. 1:12:32

    But there's one condition

  1631. 1:12:34

    I'd have to die tomorrow

  1632. 1:12:36

    Not one day more

  1633. 1:12:38

    Ring ring. The phone's ringing

  1634. 1:12:40

    The poor can't afford one of these

  1635. 1:12:44

    Hello?

  1636. 1:12:50

    Listen, I've got no money to pay you back

  1637. 1:12:52

    Worst case, come kill me

  1638. 1:12:55

    Or I'll jump off this building

  1639. 1:12:57

    Happy now?

  1640. 1:13:02

    He swore at me

  1641. 1:13:11

    So much in this world I've yet to try

  1642. 1:13:15

    I do this today, that tomorrow

  1643. 1:13:18

    In my heart, what makes me happy is right

  1644. 1:13:21

    What I loathe becomes wrong. And yet

  1645. 1:13:23

    people keep telling me my joys are wrong

  1646. 1:13:27

    I can't tell anymore, it's all displaced

  1647. 1:13:31

    Someone has to stand up

  1648. 1:13:40

    Even just not joining their filth counts

  1649. 1:13:44

    No sound effect

  1650. 1:13:47

    I just won't live penned up like a pig

  1651. 1:14:06

    waiting to be slaughtered

  1652. 1:14:08

    I'm not even as good as a pig

  1653. 1:14:11

    A pig eats, sleeps, eats

  1654. 1:14:13

    never has to think

  1655. 1:14:14

    And me? I just finished my PhD

  1656. 1:14:18

    Before I knew which pig I was

  1657. 1:14:22

    I could live like a pig

  1658. 1:14:24

    eat, sleep, work

  1659. 1:14:26

    think about nothing

  1660. 1:14:28

    But all I know is my final fate

  1661. 1:14:31

    so I have to fight back

  1662. 1:14:33

    Not for some ideal

  1663. 1:14:35

    just purely

  1664. 1:14:37

    fighting for my own interests

  1665. 1:15:25

    How do we shout it?

  1666. 1:15:54

    Is this me?

  1667. 1:16:25

    This must be who I was meant to become

  1668. 1:16:27

    They call this

  1669. 1:16:31

    the birth pangs of the times

  1670. 1:16:34

    a necessary sacrifice

  1671. 1:16:36

    the road that must be walked

  1672. 1:16:43

    Why is he stripping?

  1673. 1:16:44

    Isn't this the last act?

  1674. 1:16:45

    But my whole life...

  1675. 1:16:47

    He stripped once midway too

  1676. 1:16:48

    who would even know

  1677. 1:16:50

    Call it publicity, a selling point

  1678. 1:16:52

    That's called exhibitionism

  1679. 1:16:53

    So where were we?

  1680. 1:16:54

    Right?

  1681. 1:16:55

    Where'd the feelings get to?

  1682. 1:17:07

    Come on, next scene

  1683. 1:17:08

    Where were we?

  1684. 1:17:08

    I didn't sell it

  1685. 1:17:23

    Sealed off

  1686. 1:17:28

    The Big One is coming

  1687. 1:17:29

    The Big One is coming

  1688. 1:17:30

    No, no, the big-big one

  1689. 1:17:31

    This is Act Six already, right?

  1690. 1:17:33

    The Big One comes later, right?

  1691. 1:17:34

    Where are we?

  1692. 1:17:35

    Act Six, I think

  1693. 1:17:35

    Act Six

  1694. 1:17:36

    Yeah

  1695. 1:17:36

    Give it to me

  1696. 1:17:38

    Still mine

  1697. 1:17:52

    Honestly speaking

  1698. 1:17:55

    I still hope this time of ours

  1699. 1:17:56

    won't be the last

  1700. 1:18:00

    I've figured it out

  1701. 1:18:02

    Big dreams, weak hands—it got to me

  1702. 1:18:04

    The road you chose, you walk step by step

  1703. 1:18:10

    Why didn't you show this attitude sooner?

  1704. 1:18:13

    They all got raises this month

  1705. 1:18:16

    All except you

  1706. 1:18:17

    Because of your attitude problem

  1707. 1:18:19

    I didn't give you one

  1708. 1:18:20

    But my numbers match theirs this month

  1709. 1:18:24

    So why, at the last second,

  1710. 1:18:28

    do you dock my wages?

  1711. 1:18:30

    I'm not docking your wages

  1712. 1:18:32

    You're just not one with the collective yet

  1713. 1:18:35

    So no raise for you this month

  1714. 1:18:37

    My point is to make you see

  1715. 1:18:41

    numbers don't come first

  1716. 1:18:44

    Attitude is what matters most

  1717. 1:18:46

    Once you're sitting where I sit

  1718. 1:18:49

    you'll understand

  1719. 1:18:50

    When your company runs like a machine

  1720. 1:18:53

    the last thing you want to see

  1721. 1:18:55

    is one of the gears

  1722. 1:18:57

    turning the wrong way

  1723. 1:18:59

    You get it?

  1724. 1:19:02

    Show me your attitude next month

  1725. 1:19:06

    Let me see you change

  1726. 1:19:08

    and I'll make it up to you

  1727. 1:19:10

    Generous enough, right?

  1728. 1:19:13

    If you show me your attitude

  1729. 1:19:16

    let me see you—

  1730. 1:19:17

    Get to work

  1731. 1:19:19

    Everyone's about to head out

  1732. 1:19:21

    You get ready too

  1733. 1:19:24

    Put your cap on

  1734. 1:19:25

    Get to work

  1735. 1:19:26

    Don't just stand there

  1736. 1:19:28

    Everyone's about to head out

  1737. 1:19:29

    Come back

  1738. 1:19:30

    Come

  1739. 1:19:32

    Come here

  1740. 1:19:34

    Come here

  1741. 1:19:40

    Here, a pack of smokes for you

  1742. 1:19:41

    And here's a mug

  1743. 1:19:42

    Someone gave it to me

  1744. 1:19:43

    Haven't even had time to use it

  1745. 1:19:45

    You take it

  1746. 1:19:48

    Off you go

  1747. 1:19:51

    Sir, there's something I should report

  1748. 1:19:53

    There's something I should report

  1749. 1:19:55

    Gimme a light

  1750. 1:19:56

    I've got something to report to you

  1751. 1:19:58

    Go ahead

  1752. 1:19:59

    Take it, take it

  1753. 1:20:00

    Can't help parcels getting lost or damaged

  1754. 1:20:03

    We got complaints—parcels lost or damaged, right?

  1755. 1:20:06

    Can't be helped

  1756. 1:20:07

    I know

  1757. 1:20:10

    There really were complaints

  1758. 1:20:12

    But there's nothing to be done

  1759. 1:20:14

    I know a guy who keeps opening parcels

  1760. 1:20:16

    and harassing people too

  1761. 1:20:17

    Oh, him?

  1762. 1:20:18

    Fire him

  1763. 1:20:23

    That behavior is pretty vile

  1764. 1:20:25

    And he keeps bragging about it

  1765. 1:20:28

    It's a really rotten vibe for the company

  1766. 1:20:31

    But— I'll think it over

  1767. 1:20:37

    Think it over?

  1768. 1:20:40

    Shouldn't he just be fired?

  1769. 1:20:43

    You talked about seeing the other side

  1770. 1:20:44

    I even looked at it from your side

  1771. 1:20:46

    You stressed that yourself

  1772. 1:20:48

    He's the gear turning backwards, right?

  1773. 1:20:50

    I'll think it over

  1774. 1:20:51

    But he delivers more parcels than you

  1775. 1:20:53

    Right

  1776. 1:20:53

    Mm

  1777. 1:20:54

    Why not just fire him?

  1778. 1:20:55

    He never asked for more pay either

  1779. 1:20:56

    You talked about seeing the other side

  1780. 1:20:58

    I looked at it from your angle

  1781. 1:21:00

    He's corrupted the company's culture

  1782. 1:21:02

    Then it doesn't hold up

  1783. 1:21:03

    I think

  1784. 1:21:05

    for a man who sells his labor

  1785. 1:21:10

    what he believes in is fairness

  1786. 1:21:13

    This sort of thing is a necessity

  1787. 1:21:16

    Some things stay inside the company

  1788. 1:21:22

    Don't spread it around

  1789. 1:21:23

    Isn't that just an inside job?

  1790. 1:21:30

    If I spill it, so much for your company service

  1791. 1:21:33

    Go tell whoever you want—see who

  1792. 1:21:36

    believes who

  1793. 1:21:38

    Don't spread it around

  1794. 1:21:40

    Who'd believe who?

  1795. 1:21:42

    Got it

  1796. 1:21:43

    And if I do tell

  1797. 1:21:44

    thanks for your work for the company

  1798. 1:21:46

    I am the truth

  1799. 1:21:47

    How happy the comrades are

  1800. 1:21:48

    Go ahead, say whatever you want

  1801. 1:21:49

    See who believes whom

  1802. 1:21:53

    Think statements go by your terms?

  1803. 1:21:56

    Who's got more resources, me or you?

  1804. 1:22:01

    One last piece of advice, kid

  1805. 1:22:03

    Keep your head down and work

  1806. 1:22:06

    Skip the stretch from suing to losing

  1807. 1:22:10

    Better for the both of us

  1808. 1:22:12

    I'd hate to see the news say one day

  1809. 1:22:14

    some company's ex-employee

  1810. 1:22:16

    fabricated facts out of revenge

  1811. 1:22:18

    and has now been arrested

  1812. 1:22:20

    You're a young man

  1813. 1:22:22

    If you go out talking nonsense

  1814. 1:22:25

    your justice becomes a joke

  1815. 1:22:27

    Don't, don't, don't!

  1816. 1:22:35

    That's fake, right?

  1817. 1:22:37

    Don't!

  1818. 1:22:40

    Let's talk this out!

  1819. 1:22:44

    Put the gun down first

  1820. 1:22:51

    My good employee

  1821. 1:22:58

    I never gave him special treatment

  1822. 1:23:00

    He's kind of related to me

  1823. 1:23:03

    He's from my wife's side

  1824. 1:23:04

    He's my father-in-law's man

  1825. 1:23:05

    I admit it

  1826. 1:23:06

    I can't fire him

  1827. 1:23:08

    You compromise for family, right?

  1828. 1:23:11

    I can't fire him

  1829. 1:23:12

    You have to compromise

  1830. 1:23:13

    He's from my wife's side

  1831. 1:23:15

    He's my father-in-law's man

  1832. 1:23:17

    I'll fire him tomorrow

  1833. 1:23:19

    I had to compromise for my family

  1834. 1:23:20

    Right? I had to compromise

  1835. 1:23:22

    We still have to go on living

  1836. 1:23:23

    We still have to stay alive

  1837. 1:23:25

    I'll fire him tomorrow

  1838. 1:23:27

    Maybe

  1839. 1:23:28

    We still have to go on living

  1840. 1:23:29

    We still have to stay alive

  1841. 1:23:31

    Maybe

  1842. 1:23:32

    It's strange, really

  1843. 1:23:38

    Only then do they

  1844. 1:23:39

    respect me — my dignity's in my hand

  1845. 1:23:44

    Really?

  1846. 1:23:45

    I respect you

  1847. 1:23:47

    I do

  1848. 1:23:48

    I won't breathe a word of this

  1849. 1:23:51

    And you won't either, right?

  1850. 1:23:53

    I trust you

  1851. 1:23:55

    Just put down that thing in your hand

  1852. 1:23:57

    What don't I get?

  1853. 1:24:00

    Maybe I should pour my thoughts

  1854. 1:24:02

    straight into your brain

  1855. 1:24:05

    And you won't either, right?

  1856. 1:24:07

    My life is so boring

  1857. 1:24:08

    I trust you

  1858. 1:24:10

    Just put down that thing in your hand

  1859. 1:24:12

    What don't I get?

  1860. 1:24:14

    I'll walk away

  1861. 1:24:16

    Sing out my thoughts

  1862. 1:24:18

    No, no, don't!

  1863. 1:24:20

    You still have a life ahead

  1864. 1:24:22

    You'll be okay

  1865. 1:24:24

    I'll help you

  1866. 1:24:26

    I'll share all my resources with you

  1867. 1:24:28

    I'll teach you things

  1868. 1:24:30

    You'll—

  1869. 1:24:32

    I'll what?

  1870. 1:24:34

    You still have a life ahead

  1871. 1:24:36

    You'll get better

  1872. 1:24:38

    I'll help you

  1873. 1:24:40

    I'll help you

  1874. 1:24:43

    I'll teach you

  1875. 1:24:45

    I'll take everything I've got

  1876. 1:24:47

    and share it all with you

  1877. 1:24:49

    The good days are still ahead

  1878. 1:24:51

    I'll teach you things

  1879. 1:24:53

    What do you even know?

  1880. 1:24:55

    I'll take the money—

  1881. 1:24:57

    I'd become someone like you

  1882. 1:24:59

    I still wouldn't pity you

  1883. 1:25:01

    There are no poor people

  1884. 1:25:03

    How are you poor?

  1885. 1:25:05

    Life's best days are still ahead

  1886. 1:25:08

    Economy's booming — what poor people?

  1887. 1:25:10

    What poor people?

  1888. 1:25:12

    Give the money back

  1889. 1:25:14

    Share it with the poor

  1890. 1:25:16

    There are no poor people

  1891. 1:25:19

    How are you poor?

  1892. 1:25:21

    What poor people?

  1893. 1:25:23

    What poor people?

  1894. 1:25:27

    Economy's booming — what poor people?

  1895. 1:25:33

    Economy's booming — what poor people?

  1896. 1:25:35

    What poor people?

  1897. 1:25:37

    Here it comes

  1898. 1:25:42

    How do we play this?

  1899. 1:25:43

    There's no rave in this bit

  1900. 1:25:44

    Are we supposed to rave now?

  1901. 1:25:45

    Does the rave go in the show?

  1902. 1:25:47

    No. Fine, I'm doing it

  1903. 1:25:47

    I can't move

  1904. 1:25:49

    Just dry-bounce it

  1905. 1:25:49

    Come on, count it inside, let it flow

  1906. 1:25:52

    Fine, fine, let's go

  1907. 1:25:53

    The rave is our best material

  1908. 1:25:54

    Then we put it in

  1909. 1:25:57

    We don't

  1910. 1:25:58

    This one's risky — risky

  1911. 1:25:59

    You're in the middle, the middle

  1912. 1:26:02

    I know, the middle

  1913. 1:26:04

    Go in through the middle

  1914. 1:26:05

    Our favorite new one's coming

  1915. 1:26:09

    It's already started

  1916. 1:26:10

    Not this one — wait for it

  1917. 1:26:13

    Two, three, four, five, six, seven, eight

  1918. 1:26:37

    Two, three, four, five, six, seven, eight

  1919. 1:26:40

    Three — two, three, four

  1920. 1:26:41

    Seven, eight, four

  1921. 1:26:43

    Ah, I'm beat

  1922. 1:26:44

    Nobody move

  1923. 1:26:45

    Nobody move

  1924. 1:26:48

    Seems like it

  1925. 1:26:48

    What are you looking at? What?

  1926. 1:26:50

    A sky-piercing head

  1927. 1:26:50

    On the left, a patch and a strip

  1928. 1:26:52

    Right, right, right

  1929. 1:26:52

    The left

  1930. 1:26:53

    The left

  1931. 1:26:54

    Half a dragon

  1932. 1:26:55

    Right hand

  1933. 1:26:55

    Half of one

  1934. 1:26:56

    How does the bug part go?

  1935. 1:26:57

    No idea how it goes

  1936. 1:26:59

    Don't sleep too deep tonight

  1937. 1:27:01

    Why not?

  1938. 1:27:02

    Why?

  1939. 1:27:03

    What dragon's the right half?

  1940. 1:27:05

    The Big One is coming

  1941. 1:27:07

    What does the Big One stand for?

  1942. 1:27:08

    It's so dark

  1943. 1:27:09

    I can't really say

  1944. 1:27:10

    Fuck

  1945. 1:27:12

    All I know is we're waiting for the Big One

  1946. 1:27:14

    Ah, let me find a line

  1947. 1:27:18

    You sure you want to wait here?

  1948. 1:27:20

    He told me to wait here

  1949. 1:27:22

    When is the Big One coming?

  1950. 1:27:27

    What?

  1951. 1:27:29

    Where is this place?

  1952. 1:27:33

    An office or a school?

  1953. 1:27:37

    A school where?

  1954. 1:27:39

    Maybe one in the city

  1955. 1:27:42

    I don't see any students

  1956. 1:27:46

    This place looks like a school

  1957. 1:27:49

    What do you mean by that?

  1958. 1:27:50

    Why do you say 'looks like'?

  1959. 1:27:52

    Did we go the wrong way?

  1960. 1:27:54

    Let's not talk politics

  1961. 1:27:57

    This play is shitty enough already

  1962. 1:28:00

    All this talk of directions and roads

  1963. 1:28:05

    I only know two roads

  1964. 1:28:07

    Left or right. The thing is

  1965. 1:28:09

    The Big One should be here by now

  1966. 1:28:11

    He never said for sure he'd come

  1967. 1:28:14

    What if he doesn't come?

  1968. 1:28:16

    Then we come back tomorrow

  1969. 1:28:19

    And the day after that

  1970. 1:28:21

    He's always like this. The thing is

  1971. 1:28:23

    I will wait until he comes, no matter what

  1972. 1:28:27

    This transition scene of ours

  1973. 1:28:38

    Acting like a diva

  1974. 1:28:41

    That cigarette

  1975. 1:28:48

    Come on, next mic

  1976. 1:28:50

    Who gets the mic?

  1977. 1:28:51

    The smoke went to what's-his-name

  1978. 1:28:55

    Give what's-his-name a cigarette

  1979. 1:28:56

    Well...

  1980. 1:28:58

    I just thought of a shameless bit

  1981. 1:29:00

    That, uh...

  1982. 1:29:02

    A lighter

  1983. 1:29:03

    Lighter

  1984. 1:29:04

    Lighter

  1985. 1:29:05

    Lighter

  1986. 1:29:06

    Lighter

  1987. 1:29:08

    Hey, I just thought of a... what was it

  1988. 1:29:10

    That, uh...

  1989. 1:29:11

    Got a lighter?

  1990. 1:29:12

    Oh

  1991. 1:29:13

    I think it's out

  1992. 1:29:15

    Quick, someone give me a smoke

  1993. 1:29:16

    Oh

  1994. 1:29:17

    OK, OK, we've got one

  1995. 1:29:20

    Just thought of that guy, what's-his-name

  1996. 1:29:24

    That Showmaker expression

  1997. 1:29:26

    Ah

  1998. 1:29:31

    We pull back backstage

  1999. 1:29:34

    The chairs

  2000. 1:29:35

    Come on, mic

  2001. 1:29:36

    The guy's champion face

  2002. 1:29:37

    Hahaha, champion face

  2003. 1:29:39

    Oh man

  2004. 1:29:41

    Dim it down, dim it down

  2005. 1:29:58

    One more. Both mics are back now

  2006. 1:30:12

    You—scoot over

  2007. 1:30:20

    I thought you might cost more

  2008. 1:30:22

    I've always thought you're

  2009. 1:30:24

    a rare kind of woman

  2010. 1:30:26

    Because the way I see it

  2011. 1:30:27

    if an agent packaged you up

  2012. 1:30:29

    you could make a lot more money

  2013. 1:30:32

    Trust me

  2014. 1:30:34

    I mean, I'd rather you not discount for me

  2015. 1:30:39

    I want you to treat me like anyone else

  2016. 1:30:41

    Really

  2017. 1:30:44

    Coming out to chat costs extra

  2018. 1:30:47

    It's not the same as the usual service

  2019. 1:30:51

    At first I worried it might be dangerous

  2020. 1:30:55

    But I figured you're not that kind of person

  2021. 1:30:59

    So I came

  2022. 1:31:02

    Normally I shouldn't tell a client this much

  2023. 1:31:05

    You're cold

  2024. 1:31:07

    I mean, girls in your trade have fawning eyes

  2025. 1:31:12

    But I have a feeling

  2026. 1:31:14

    you're above wallowing in money

  2027. 1:31:17

    You're after something else

  2028. 1:31:19

    After what?

  2029. 1:31:21

    Like a diamond sealed inside rock

  2030. 1:31:25

    Like a pearl buried in the silt

  2031. 1:31:27

    You sink low, run wild, unleash desire

  2032. 1:31:30

    maybe just to wait for someone

  2033. 1:31:33

    Someone willing to dig you out

  2034. 1:31:35

    Someone willing to tear through the filth

  2035. 1:31:37

    and carry you out of the bitter sea

  2036. 1:31:40

    No

  2037. 1:31:42

    What I do is my own freedom

  2038. 1:31:46

    Xu Hao

  2039. 1:31:46

    What?

  2040. 1:31:47

    Fire!

  2041. 1:31:48

    It's on fire!

  2042. 1:31:55

    You thirsty?

  2043. 1:31:57

    You started a fire

  2044. 1:31:58

    You went right at the curtains

  2045. 1:32:00

    You firebug, go get a taste of it

  2046. 1:32:07

    Small hiccup. Keep going

  2047. 1:32:08

    It's fine

  2048. 1:32:13

    I forgot my lines

  2049. 1:32:16

    Quit freaking out

  2050. 1:32:17

    I lost hope long ago

  2051. 1:32:20

    Before I grow old, I just want

  2052. 1:32:22

    to earn enough toast money to last my days

  2053. 1:32:26

    I think not going hungry

  2054. 1:32:29

    is what most people wish for these days

  2055. 1:32:32

    Let me cover your toast money for life

  2056. 1:32:35

    As long as I'm alive

  2057. 1:32:36

    I'll never let you go hungry

  2058. 1:32:40

    Here—I actually wrote a character bio here

  2059. 1:32:43

    I wrote him a whole character bio

  2060. 1:32:45

    Go ahead

  2061. 1:32:46

    Don't tell me

  2062. 1:32:46

    Say it to the camera

  2063. 1:32:47

    I wrote a whole character bio for this

  2064. 1:32:49

    Let me read it off my phone

  2065. 1:32:51

    Go

  2066. 1:32:59

    Wait, how did the dance go again?

  2067. 1:33:04

    While rehearsing

  2068. 1:33:07

    I found this moment

  2069. 1:33:08

    Right here

  2070. 1:33:10

    He's just a tired, penniless man

  2071. 1:33:13

    But in my eyes he's lovable

  2072. 1:33:15

    Tired and penniless

  2073. 1:33:16

    As long as I'm alive

  2074. 1:33:17

    I'll never let you go hungry

  2075. 1:33:20

    I longed so much to hear those words

  2076. 1:33:23

    Yet of all the men I've met in this world

  2077. 1:33:26

    not one ever said them to me

  2078. 1:33:29

    For the first time I felt my heart

  2079. 1:33:31

    stirring with a soft, hopeful strength

  2080. 1:33:36

    Nothing like falling asleep in the arms

  2081. 1:33:39

    of those smug, self-righteous men

  2082. 1:33:42

    Completely different

  2083. 1:33:49

    Just like that

  2084. 1:33:52

    Wait, what—

  2085. 1:33:54

    Just like that, I changed my mind

  2086. 1:33:57

    How so?

  2087. 1:33:58

    I thought it over

  2088. 1:33:59

    I wanted to go through with it

  2089. 1:34:01

    But then I had second thoughts

  2090. 1:34:06

    They say hitmen keep their first shell casing

  2091. 1:34:12

    Do you have one too?

  2092. 1:34:15

    Sure do

  2093. 1:34:19

    Huh?

  2094. 1:34:19

    Did we skip a few bits?

  2095. 1:34:23

    That...

  2096. 1:34:25

    The reckless kid bit is just gone

  2097. 1:34:27

    Let me be your toast guy for life

  2098. 1:34:30

    As long as I'm alive

  2099. 1:34:31

    I'll never let you go hungry

  2100. 1:34:34

    Just a figure of speech

  2101. 1:34:35

    You make promises to women that easily?

  2102. 1:34:42

    I don't want to wake up one day

  2103. 1:34:44

    and find the vows you made me were all lies

  2104. 1:34:47

    and we part on bad terms

  2105. 1:34:50

    By then you and I couldn't even

  2106. 1:34:51

    smoke together like this

  2107. 1:34:55

    I think I'd probably like a man

  2108. 1:34:57

    who's full of courage

  2109. 1:35:00

    not some lying,

  2110. 1:35:02

    reckless little boy

  2111. 1:35:06

    But it's fine, keep going

  2112. 1:35:07

    Keep going

  2113. 1:35:10

    I don't even have a gun here

  2114. 1:35:12

    They say hitmen keep their first shell casing

  2115. 1:35:17

    Do you have one too?

  2116. 1:35:20

    Sure do

  2117. 1:35:30

    Must've used one by now

  2118. 1:35:36

    One, two, three... nine. Who killed them?

  2119. 1:35:39

    One, two, three, four, five

  2120. 1:35:41

    The gunpowder smell after a shot

  2121. 1:35:53

    never really fades

  2122. 1:35:55

    This is a brand-new gun

  2123. 1:36:02

    I've definitely used one before

  2124. 1:36:05

    Have you ever actually shot a gun?

  2125. 1:36:14

    Where's the gun?

  2126. 1:36:23

    No gun

  2127. 1:36:26

    There's just no gun

  2128. 1:36:27

    Next is that bit with you two

  2129. 1:36:37

    Right?

  2130. 1:36:38

    Xu Hehe

  2131. 1:36:39

    Hold onto this for me

  2132. 1:36:42

    I think we'll need it later

  2133. 1:36:48

    Just now my cigarette butt

  2134. 1:36:49

    burned a hole in my own sock

  2135. 1:36:52

    Burned a hole right through

  2136. 1:36:54

    When did you burn it?

  2137. 1:36:55

    Just now, ashing my cigarette

  2138. 1:36:56

    That's exactly the feel we want

  2139. 1:36:58

    That street vibe

  2140. 1:36:59

    It really fits

  2141. 1:37:00

    Give me more

  2142. 1:37:01

    Take this off

  2143. 1:37:03

    Oh

  2144. 1:37:04

    Your turn

  2145. 1:37:07

    Want it?

  2146. 1:37:08

    Here

  2147. 1:37:09

    I do

  2148. 1:37:10

    I do

  2149. 1:37:25

    How did you use to confess your love?

  2150. 1:37:28

    I mean

  2151. 1:37:30

    with all those exes of yours

  2152. 1:37:34

    I think

  2153. 1:37:35

    as long as you don't just talk at her

  2154. 1:37:37

    all smug

  2155. 1:37:37

    most girls won't bother exposing your lies

  2156. 1:37:47

    So?

  2157. 1:37:51

    So certain someones

  2158. 1:37:53

    love taking those bland, smug sweet nothings

  2159. 1:37:57

    and dumping them all on a girl

  2160. 1:37:59

    Like pounding a pipe

  2161. 1:38:00

    Like a horny poodle, it's fucking great

  2162. 1:38:04

    But you remember the last time, right?

  2163. 1:38:05

    That girl who smelled amazing all over

  2164. 1:38:09

    Oh

  2165. 1:38:11

    We went from strangers to close

  2166. 1:38:14

    in just two hours

  2167. 1:38:16

    I couldn't wait to get a room with her

  2168. 1:38:19

    But then I found out

  2169. 1:38:21

    I couldn't do it

  2170. 1:38:23

    That's what booze does

  2171. 1:38:25

    I wasn't drunk

  2172. 1:38:26

    I was stone-cold sober

  2173. 1:38:30

    I watched her lying there on the bed

  2174. 1:38:34

    Mine for the taking

  2175. 1:38:35

    But I just couldn't get it up

  2176. 1:38:37

    You mean

  2177. 1:38:41

    with her right in front of you

  2178. 1:38:42

    you felt the urge, right?

  2179. 1:38:44

    No

  2180. 1:38:45

    My desire was burning like fire

  2181. 1:38:50

    I was like a dog

  2182. 1:38:51

    that got its balls cut off

  2183. 1:38:54

    I stayed in the bathroom forever

  2184. 1:38:57

    But it just wouldn't get hard

  2185. 1:38:58

    So I ran

  2186. 1:39:01

    Never looked back

  2187. 1:39:03

    Some people

  2188. 1:39:04

    This play... how do I put it

  2189. 1:39:05

    I mean

  2190. 1:39:07

    if this were a proper production

  2191. 1:39:08

    Things do move fast these days

  2192. 1:39:10

    When someone called 21 days plenty

  2193. 1:39:11

    I was honestly surprised

  2194. 1:39:13

    A decade ago, when we talked theatre

  2195. 1:39:16

    it started at three months

  2196. 1:39:17

    And six months

  2197. 1:39:18

    was perfectly reasonable

  2198. 1:39:20

    So clearly it's a fast-paced era now

  2199. 1:39:22

    Which means

  2200. 1:39:23

    three days, even 21, works for everyone

  2201. 1:39:25

    Then my thinking really has fallen behind

  2202. 1:39:29

    As for the standard of this play

  2203. 1:39:31

    The standard of this play

  2204. 1:39:33

    This production still needs lots of work

  2205. 1:39:36

    If you treat this play as Shakespeare

  2206. 1:39:39

    you could do that too

  2207. 1:39:41

    It wasn't like this early on

  2208. 1:39:43

    But after we thought it through

  2209. 1:39:45

    that's why so much changed

  2210. 1:39:47

    With more time to think it over

  2211. 1:39:49

    and to unify all the actors' styles

  2212. 1:39:51

    Some people always seize the moment

  2213. 1:39:54

    But not me

  2214. 1:39:56

    It's decided at birth

  2215. 1:39:57

    Decided by what?

  2216. 1:39:59

    By where you come from

  2217. 1:40:00

    Some people are born without that luck

  2218. 1:40:05

    Chances vanish in a blink

  2219. 1:40:07

    And that's your ceiling

  2220. 1:40:10

    So

  2221. 1:40:12

    So

  2222. 1:40:13

    I'm getting a new job

  2223. 1:40:16

    Why keep working here anyway?

  2224. 1:40:17

    What have I been doing my whole life?

  2225. 1:40:24

    What have I been doing all my life?

  2226. 1:40:26

    What have I been doing all my life?

  2227. 1:40:28

    I'm done working here

  2228. 1:40:31

    Congratulations

  2229. 1:40:33

    Not even treating us to KTV?

  2230. 1:40:36

    KTV? Yeah right

  2231. 1:40:37

    Singing with you is no fun

  2232. 1:40:39

    Honestly

  2233. 1:40:40

    I hate this job

  2234. 1:40:41

    I mean, I do exist, you know

  2235. 1:40:43

    yet I get bossed around all day

  2236. 1:40:45

    And you know what

  2237. 1:40:46

    it's so damn annoying

  2238. 1:40:47

    Let me tell you

  2239. 1:40:48

    the Boss here

  2240. 1:40:51

    used to work in our factory

  2241. 1:40:54

    Couldn't make it back home

  2242. 1:40:56

    so he came to the city

  2243. 1:40:58

    If my uncle hadn't gotten him this job

  2244. 1:41:00

    he'd still be on the assembly line

  2245. 1:41:04

    He'd end up marrying a factory girl

  2246. 1:41:07

    living a happy, steady life

  2247. 1:41:10

    Shame he'd never get to touch a fancy car

  2248. 1:41:17

    I know a guy

  2249. 1:41:18

    who touches them every day

  2250. 1:41:21

    He washes cars

  2251. 1:41:26

    Anyway, we'll never see each other again

  2252. 1:41:31

    Hope you won't miss me

  2253. 1:41:33

    I won't miss you

  2254. 1:41:34

    But your beef? I'll miss it to death

  2255. 1:41:37

    Honestly I've never gotten many numbers

  2256. 1:41:41

    I'm just like a dog

  2257. 1:41:43

    chasing after things

  2258. 1:41:44

    Chasing what exactly?

  2259. 1:41:45

    No idea

  2260. 1:41:46

    Why chase at all?

  2261. 1:41:47

    No idea

  2262. 1:41:48

    What the fuck was it again?

  2263. 1:42:05

    Pretend there's a pair of handcuffs

  2264. 1:42:06

    Pretend I'm wearing what?

  2265. 1:42:07

    I pretend I spot the handcuffs

  2266. 1:42:14

    And then

  2267. 1:42:15

    I pretend

  2268. 1:42:16

    to pick them up

  2269. 1:42:19

    and cuff myself

  2270. 1:42:21

    Then

  2271. 1:42:23

    Then I walk over here

  2272. 1:42:26

    And then

  2273. 1:42:28

    I wait for him to stand up

  2274. 1:42:32

    Once he's up

  2275. 1:42:33

    we lock eyes for three seconds

  2276. 1:42:39

    Then I raise my handcuffs

  2277. 1:42:42

    smiling at the Male Lead

  2278. 1:42:47

    I've won

  2279. 1:42:50

    And then I say bye-bye

  2280. 1:42:51

    Time to grab my boxed meal

  2281. 1:42:55

    I told you ages ago

  2282. 1:42:57

    He's got sticky fingers

  2283. 1:43:00

    See? He got arrested

  2284. 1:43:06

    He even said he wants to go back

  2285. 1:43:08

    Well, prison's not bad either

  2286. 1:43:12

    Rid all womankind of a menace

  2287. 1:43:15

    Not bad

  2288. 1:43:16

    Ah

  2289. 1:43:17

    I thought you two were close

  2290. 1:43:21

    Hey

  2291. 1:43:25

    I'm talking to you, man

  2292. 1:43:27

    Hey

  2293. 1:45:11

    Can't get up

  2294. 1:45:28

    Hello, Sally

  2295. 1:45:31

    I knew it was you

  2296. 1:45:32

    I never changed my number

  2297. 1:45:35

    Didn't think you'd keep yours either

  2298. 1:45:38

    Been a little disappointed lately

  2299. 1:45:40

    I didn't become who I wanted to be

  2300. 1:45:42

    And I shut myself away

  2301. 1:45:44

    You've pulled this one before

  2302. 1:45:45

    I don't have many friends, you know

  2303. 1:45:48

    No, you know I told you before

  2304. 1:45:51

    Then you simply forgot

  2305. 1:45:54

    Laugh at me if you want

  2306. 1:45:56

    You're the one closest to my heart

  2307. 1:46:00

    See, you're still laughing at me

  2308. 1:46:03

    So be it

  2309. 1:46:04

    Like anyone truly knows another's heart

  2310. 1:46:08

    There's so much I want to tell you

  2311. 1:46:11

    I used to gripe you never let me take it back

  2312. 1:46:13

    I used to gripe you'd never take it back

  2313. 1:46:14

    Now I understand

  2314. 1:46:16

    I always used to complain

  2315. 1:46:18

    You wouldn't let me take it back

  2316. 1:46:19

    Wouldn't give me the time of day

  2317. 1:46:21

    Now I understand

  2318. 1:46:23

    I regret it

  2319. 1:46:24

    If your boyfriend asks who called

  2320. 1:46:25

    You won't get it tomorrow afternoon

  2321. 1:46:27

    I'll talk to him

  2322. 1:46:28

    Won't get it tomorrow afternoon

  2323. 1:46:30

    What is this?

  2324. 1:46:31

    If your boyfriend asks who called

  2325. 1:46:34

    Hand him the phone, I'll talk to him

  2326. 1:46:40

    Beep, beep

  2327. 1:46:42

    A busy tone came from the other end

  2328. 1:46:45

    The higher-ups treat me alright

  2329. 1:46:47

    The higher-ups treat me alright

  2330. 1:46:49

    Said they'd hold my position for me

  2331. 1:46:51

    Told me to stay home and clear my head

  2332. 1:46:54

    And come back once I've figured it out

  2333. 1:46:56

    He said, the day I finally figure it out

  2334. 1:46:59

    He'll give me a call

  2335. 1:47:01

    And forget about making headlines

  2336. 1:47:04

    I don't think I'll ever make it big

  2337. 1:47:07

    My name will never appear on TV

  2338. 1:47:11

    Those interview lines and speeches are useless now

  2339. 1:47:16

    I want to be a sociologist

  2340. 1:47:18

    So my thinking can be put to use

  2341. 1:47:21

    I don't want my job to be mindless repetition

  2342. 1:47:29

    Didn't I drop ash during the scene just now?

  2343. 1:47:33

    I did so much, yet it's like nothing happened

  2344. 1:47:36

    Back to the same jobless drifting days

  2345. 1:47:39

    And what even is this feeling?

  2346. 1:47:42

    The Boss keeps on sucking up capital

  2347. 1:47:45

    That smug look on his face

  2348. 1:47:48

    Even his white shirt disgusts me

  2349. 1:47:51

    If the justice I fought to uphold

  2350. 1:47:54

    And the truth I chased all turn to nothing

  2351. 1:47:57

    Then what in this world can ever change?

  2352. 1:48:01

    Got a light?

  2353. 1:48:49

    How did you find my place?

  2354. 1:48:57

    I thought no one could find me

  2355. 1:49:04

    It's so quiet in the hallway

  2356. 1:49:07

    I don't want anyone disturbing me

  2357. 1:49:11

    I came to catch up with you

  2358. 1:49:16

    If you mind

  2359. 1:49:18

    I can leave right now

  2360. 1:49:22

    We've met twice, what's to catch up on?

  2361. 1:49:25

    Maybe once isn't enough to know each other

  2362. 1:49:29

    But by the third time, nothing's off-limits

  2363. 1:49:33

    I like letting boys know me through my body

  2364. 1:49:39

    Is that how you treat your clients too?

  2365. 1:49:42

    If this is one of your services, you can go

  2366. 1:49:45

    We never actually made a deal

  2367. 1:49:48

    You can go home now

  2368. 1:49:50

    So you're still a virgin

  2369. 1:49:56

    I don't like love made in bed

  2370. 1:50:00

    Is lust really the answer to love?

  2371. 1:50:03

    But I have done it before

  2372. 1:50:06

    If you're trying to mock me with that

  2373. 1:50:11

    Just go

  2374. 1:50:16

    Will you leave with me?

  2375. 1:50:20

    So you're leaving this place

  2376. 1:50:28

    You're right

  2377. 1:50:29

    I mean you're tired of the way you live

  2378. 1:50:35

    You're right

  2379. 1:50:36

    Maybe I've had enough of cheap love

  2380. 1:50:41

    And of being used as an outlet

  2381. 1:50:44

    Maybe you've fulfilled your ideal here

  2382. 1:50:48

    Even giving it up doesn't matter

  2383. 1:50:50

    As long as you want to leave

  2384. 1:50:52

    I hope you'll come away with me

  2385. 1:50:55

    I... I still have things to settle

  2386. 1:51:05

    A man either dies where his ideal ends

  2387. 1:51:08

    Or dies on the road to reaching it

  2388. 1:51:12

    You're a romantic

  2389. 1:51:16

    No, I hate Romanticism

  2390. 1:51:18

    They think feelings alone solve problems

  2391. 1:51:20

    I'm not like that

  2392. 1:51:22

    I pursue the absolute truth of this world

  2393. 1:51:25

    And I wish everyone were like me

  2394. 1:51:28

    Seeing how false this world is

  2395. 1:51:31

    But they should discover the truth themselves

  2396. 1:51:34

    Only then do their lives have meaning

  2397. 1:51:37

    Let them expose the lies themselves

  2398. 1:51:39

    Then fight and cry out for the truth

  2399. 1:51:42

    Instead of coldly looking on

  2400. 1:51:45

    You're right

  2401. 1:51:46

    Except you're a realist

  2402. 1:51:50

    If escaping reality

  2403. 1:51:52

    Is what you call idealism

  2404. 1:51:54

    Then where will you go?

  2405. 1:51:59

    I am a lone island

  2406. 1:52:05

    Where does the ocean flow?

  2407. 1:52:08

    What?

  2408. 1:52:10

    There's an unclaimed little house in the country

  2409. 1:52:15

    And an abandoned field

  2410. 1:52:17

    I'd live with a man who treats me as his whole world

  2411. 1:52:23

    I need to put myself back together

  2412. 1:52:32

    Will you wait for me?

  2413. 1:52:35

    Did I ever say that?

  2414. 1:52:46

    Is that you?

  2415. 1:52:49

    Sorry — broke character laughing

  2416. 1:53:13

    What are you laughing at?

  2417. 1:53:16

    This scene is too long

  2418. 1:53:20

    It's good, it's good

  2419. 1:53:21

    You did say it

  2420. 1:53:22

    Is that you?

  2421. 1:53:25

    Cut this scene

  2422. 1:53:29

    Right, this scene can't leave this room

  2423. 1:53:31

    If it leaks, the price goes up

  2424. 1:53:33

    So which part next?

  2425. 1:53:36

    Oh, my turn — the police partners

  2426. 1:53:42

    Go on

  2427. 1:53:43

    Okay

  2428. 1:53:44

    Hey, what's wrong?

  2429. 1:53:52

    Why did the mood suddenly get heavy?

  2430. 1:53:55

    Come on

  2431. 1:53:58

    What time is it?

  2432. 1:54:12

    Ten past ten

  2433. 1:54:14

    So this case is closed

  2434. 1:54:16

    Remember to get me the report

  2435. 1:54:18

    All for this gun

  2436. 1:54:22

    Sorry to drag you out here

  2437. 1:54:24

    Is that kid really possessed?

  2438. 1:54:26

    He's pretty normal

  2439. 1:54:28

    It's just that nobody else is an idealist

  2440. 1:54:30

    That's what makes him look ridiculous

  2441. 1:54:32

    He reminds me of you

  2442. 1:54:35

    Me?

  2443. 1:54:37

    I'm nothing like him

  2444. 1:54:40

    My door doesn't have that many locks

  2445. 1:54:42

    And I only have two keys

  2446. 1:54:44

    One of them is still with you

  2447. 1:54:46

    That time you finally came over

  2448. 1:54:50

    I opened the door

  2449. 1:54:53

    Walked into the bedroom

  2450. 1:54:55

    And there you were with your chick

  2451. 1:54:57

    Just standing on the bed

  2452. 1:55:01

    I wanted to gouge my own eyes out

  2453. 1:55:08

    Anyway

  2454. 1:55:09

    We shouldn't have dragged the audience into this

  2455. 1:55:11

    Even if we investigate him

  2456. 1:55:12

    It should wait until the operation is over

  2457. 1:55:13

    Your first year on the force

  2458. 1:55:19

    Your uniform was covered in snot

  2459. 1:55:21

    You were a greenhorn

  2460. 1:55:25

    Yes

  2461. 1:55:27

    The bureau was a mess back then

  2462. 1:55:29

    If the chief hadn't gone down

  2463. 1:55:30

    Who knows how it would've ended

  2464. 1:55:32

    In the end it was you who reported him

  2465. 1:55:34

    That's how you made squad leader

  2466. 1:55:36

    And waded into this muddy water of yours

  2467. 1:55:38

    That's right

  2468. 1:55:39

    If it were her

  2469. 1:55:41

    She would never have done that

  2470. 1:55:43

    She'd stand at the prosecutor's gate

  2471. 1:55:45

    Soaking the files with the sweat of her hands

  2472. 1:55:48

    And then turn around and go home

  2473. 1:55:50

    And what does that tell you?

  2474. 1:55:52

    You both want to protect something

  2475. 1:55:55

    Whether your own interests or justice

  2476. 1:55:58

    You're a doer

  2477. 1:56:00

    You act first

  2478. 1:56:01

    She thinks first

  2479. 1:56:05

    You're mocking me for being reckless

  2480. 1:56:09

    I can hear it

  2481. 1:56:11

    You grew up in a stable family

  2482. 1:56:13

    Went to the police academy

  2483. 1:56:15

    Elite of the elite

  2484. 1:56:17

    While he's like a rat

  2485. 1:56:20

    Living in the sewer

  2486. 1:56:22

    So terrified by the vast sewage system

  2487. 1:56:23

    He can't climb out

  2488. 1:56:25

    Still cursing

  2489. 1:56:27

    Which bastard dug this thing so deep

  2490. 1:56:29

    That's him

  2491. 1:56:31

    He doesn't deserve to see this world

  2492. 1:56:35

    Then does he count as human?

  2493. 1:56:39

    Put tonight on my tab

  2494. 1:56:47

    Go home and get some rest

  2495. 1:56:48

    Rest

  2496. 1:56:49

    I want your report first thing tomorrow

  2497. 1:56:55

    Not coming to my place tonight?

  2498. 1:56:56

    No

  2499. 1:57:00

    I've sensed it too

  2500. 1:57:02

    Your recent tastes

  2501. 1:57:03

    Have changed a little

  2502. 1:57:06

    It's rather sad to say

  2503. 1:57:08

    He suffers from ED

  2504. 1:57:10

    He can't get it up

  2505. 1:57:12

    To protect himself

  2506. 1:57:13

    From being hurt by reality

  2507. 1:57:15

    His brain triggers a defense mechanism

  2508. 1:57:18

    To fill in his own night of passion

  2509. 1:57:20

    His brain auto-triggers that defense

  2510. 1:57:22

    To complete his night of passion

  2511. 1:57:24

    He's truly terrifying

  2512. 1:57:28

    No

  2513. 1:57:29

    He might be an anti-revisionist

  2514. 1:57:32

    A restless creed in his heart

  2515. 1:57:34

    But he has nothing

  2516. 1:57:36

    No gift, no talent

  2517. 1:57:39

    And only a scrap of courage

  2518. 1:57:41

    In this world full of injustice

  2519. 1:57:45

    What is he supposed to do?

  2520. 1:59:55

    Did you think the play was good?

  2521. 1:59:57

    It was awful

  2522. 1:59:58

    What a piece of junk

  2523. 1:59:59

    But I kind of loved it

  2524. 2:00:02

    I like bad plays

  2525. 2:00:05

    Because I'm a bad person

  2526. 2:00:07

    What's a good play anyway?

  2527. 2:00:09

    There are none. I've never seen one

  2528. 2:00:11

    Bad people watch bad plays

  2529. 2:00:15

    Good people watch good plays

  2530. 2:00:17

    It was wonderful. I loved it

  2531. 2:00:19

    My god, I saw a world of ice

  2532. 2:00:21

    It was like seeing my mother

  2533. 2:00:23

    So warm

  2534. 2:00:26

    My favorite play of my whole life

  2535. 2:00:30

    A few questions for you

  2536. 2:00:34

    Go ahead

  2537. 2:00:38

    Would you give everything for your ideals?

  2538. 2:00:40

    Yes

  2539. 2:00:45

    Talking money is vulgar

  2540. 2:00:46

    That's not something I can reveal

  2541. 2:00:48

    Been doing any of that lately?

  2542. 2:00:53

    It's alright

  2543. 2:00:54

    Alright, huh?

  2544. 2:00:55

    If you went to a hooker, what kind would you pick?

  2545. 2:01:03

    What kind?

  2546. 2:01:04

    A good figure

  2547. 2:01:07

    And what kind of service?

  2548. 2:01:09

    Are you an idealist?

  2549. 2:01:19

    I think I am

  2550. 2:01:21

    I absolutely am

  2551. 2:01:22

    I am

  2552. 2:01:30

    Which one do I face?

  2553. 2:01:37

    Film him, film him, film him

  2554. 2:01:38

    Watching Iceberg

  2555. 2:01:40

    Film him!

  2556. 2:01:41

    Say it to both cameras

  2557. 2:01:42

    I... I think I

  2558. 2:01:45

    Yu Haoran

  2559. 2:01:46

    You tell me

  2560. 2:01:47

    I... I think

  2561. 2:01:49

    Zhang Yuming

  2562. 2:01:50

    What... what do I even say?

  2563. 2:01:55

    Chu Yixu

  2564. 2:01:57

    I am

  2565. 2:01:58

    Li Junjiang

  2566. 2:02:00

    Zhang Naizhu

  2567. 2:02:02

    I think I am

  2568. 2:02:06

    Good

  2569. 2:02:07

    And our two behind-the-scenes creators

  2570. 2:02:11

    Li Zuchang

  2571. 2:02:12

    We're a short-film collective

  2572. 2:02:14

    Press it again

  2573. 2:02:17

    Yep, it didn't record

  2574. 2:02:19

    Oh, the west

  2575. 2:02:21

    Again, again, again

  2576. 2:02:23

    Exactly right — come on

  2577. 2:02:25

    I

  2578. 2:02:27

    Are you an idealist?

  2579. 2:02:29

    I think I am

  2580. 2:02:31

    I think I am

  2581. 2:02:33

    Now we move into

  2582. 2:02:35

    The backstage meeting

  2583. 2:02:37

    Everyone can share their thoughts

  2584. 2:02:39

    If you dare to be blunt, that works too

  2585. 2:02:41

    Let's just start talking

  2586. 2:02:43

    Are you going to strip now?

  2587. 2:02:44

    I'm too old. I don't want to strip

  2588. 2:02:45

    Besides, this part stays in the script

  2589. 2:02:46

    Otherwise the trailer loses its surprise

  2590. 2:02:49

    Fine

  2591. 2:02:50

    Save it for January 1st then

  2592. 2:02:52

    Fine

  2593. 2:02:53

    About whether to strip or not

  2594. 2:02:54

    I think

  2595. 2:02:55

    On January 1st

  2596. 2:02:57

    Play it by ear

  2597. 2:02:58

    You can strip or not strip

  2598. 2:03:00

    And both of you will be there together

  2599. 2:03:02

    So

  2600. 2:03:03

    Will you strip now or not?

  2601. 2:03:04

    Strip or not?

  2602. 2:03:05

    Strip or not?

  2603. 2:03:06

    Strip or not?

  2604. 2:03:08

    Strip or not?

  2605. 2:03:09

    Strip or not?

  2606. 2:03:10

    Strip or not?

  2607. 2:03:11

    Strip or not?

  2608. 2:03:12

    And Lao Lian will be there too

  2609. 2:03:14

    And my brother Tiandi will be there

  2610. 2:03:16

    If the mood feels right

  2611. 2:03:18

    I can consider it

  2612. 2:03:20

    If necessary

  2613. 2:03:22

    Sure, of course

  2614. 2:03:24

    There won't be any problem

  2615. 2:03:26

    No

  2616. 2:03:28

    Actually, it's not impossible

  2617. 2:03:30

    Because everyone

  2618. 2:03:32

    Has come into this space

  2619. 2:03:34

    They can see something different

  2620. 2:03:36

    Right — they have to see something different

  2621. 2:03:38

    Sure

  2622. 2:03:40

    If I feel the mood is right

  2623. 2:03:42

    And I'm really in the zone

  2624. 2:03:43

    More power to you

  2625. 2:03:43

    Sure

  2626. 2:03:46

    Show a little

  2627. 2:03:47

    And if it doesn't feel right

  2628. 2:03:48

    Just go by the moment

  2629. 2:03:49

    If it feels right, go for it

  2630. 2:03:51

    No wait — I think you had a full outfit on

  2631. 2:03:54

    It wasn't on

  2632. 2:03:55

    But by your own feeling

  2633. 2:03:56

    Not as formal as this

  2634. 2:03:58

    Can I strip myself?

  2635. 2:03:59

    Sure, no problem

  2636. 2:04:01

    Someone else strips

  2637. 2:04:03

    That's the key act

  2638. 2:04:05

    Stop recording

  2639. 2:04:07

    But don't you think it's a bit

  2640. 2:04:08

    Business versus sincerity?

  2641. 2:04:10

    Right

  2642. 2:04:11

    Are you single too? Shoes, shoes, shoes

  2643. 2:04:17

    Are you single? I usually... I

  2644. 2:04:19

    I'm just asking if you're single

  2645. 2:04:21

    Single, nothing serious going on

  2646. 2:04:23

    That sounds shaky. A bit shaky

  2647. 2:04:25

    Right? There's a backup, isn't there?

  2648. 2:04:27

    Your rival