{"id":"hs-f3ec5086f6959f70","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70","title":"2026-05-13 第四部分流程重锁定本地复核","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"本地声画取证记录","series":"本地声画取证记录","sourceVersionDate":"2026-05-13","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-f3ec5086f6959f70.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-f3ec5086f6959f70-a45a41f1fef91f93e2d0.md","markdownSha256":"a45a41f1fef91f93e2d01906ecc03d62e06d27de15deeca7aa33a899d588b2a1","markdownBytes":14820,"characters":6011,"sourceEvidenceTier":"T1_LOCAL_SUBTITLE_FRAME_AUDIO_WITH_T0_ALIGNMENT","sourceStatus":"active","evidenceBoundary":"本页只闭合 `02:16:30-02:21:20` 中从 `下一幕`、说话顺序、`鲸落`、`跳过/不在这演/演过了/没必要演` 到 `来` 后身体执行的 T0/T1 链条。不得把本窗流程声归为何发单点控制；逐句说话人以 V10/T0 和用户纠偏边界分层处理。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":["https://a.p4theater.top/research/images/014ab6bd8ac4f9790c5d.webp","https://a.p4theater.top/research/images/3c51c827ccaf83bd7e15.webp","https://a.p4theater.top/research/images/66da56e7e059fb1f4894.webp","https://a.p4theater.top/research/images/6c8ada7a83a0c5cce1d8.webp","https://a.p4theater.top/research/images/6ed2849aba73aa4deac5.webp","https://a.p4theater.top/research/images/d3b408584d3bfc5576fc.webp","https://a.p4theater.top/research/images/d752242baf6a1f681bf1.webp"],"links":["https://a.p4theater.top/research/hs-0b267e09f9678172","https://a.p4theater.top/research/hs-5246ecd78e1f2226","https://a.p4theater.top/research/hs-63c878de568a6050","https://a.p4theater.top/research/hs-7d3cfd2207b83cf7","https://a.p4theater.top/research/hs-9517c3196c5ad9cf","https://a.p4theater.top/research/hs-959c89f08157f150","https://a.p4theater.top/research/hs-a89346fd836e0986"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":78,"markdown":"# 2026-05-13 第四部分流程重锁定本地复核\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-13\n\n证据边界：本页只闭合 `02:16:30-02:21:20` 中从 `下一幕`、说话顺序、`鲸落`、`跳过/不在这演/演过了/没必要演` 到 `来` 后身体执行的 T0/T1 链条。不得把本窗流程声归为何发单点控制；逐句说话人以 V10/T0 和用户纠偏边界分层处理。\n\n## 本地取证\n\n```mermaid\nflowchart LR\n    VID[\"原始视频\"] --> FOR[\"取证分析\"]\n    FOR --> RPT[\"2026-05-13-第四部分流程重锁定本地复核\"]\n    FOR --> FRM[\"帧审查\"]\n    style RPT fill:#7ee787,stroke:#7ee787,color:#000\n```\n\n\n# 2026-05-13 第四部分流程重锁定本地复核\n\n## 结论\n\n`02:16:30-02:21:20` 不是 何发（馆内参考，未随本文公开） 在 `02:12` 介入之后继续单点接管现场。它是上一窗 [伤疤话术接管](/research/hs-a89346fd836e0986) 与 [导演位增殖](/research/hs-63c878de568a6050) 之后，场内人物把风险重新锁回流程的窗口。\n\n这条链可以压缩为：\n\n```text\n二次杀意/挑战/修补语余波\n-> 下一幕\n-> 说话顺序\n-> 抽烟小规则与 Ricky 退出愿望\n-> 最后一幕 / 鲸落\n-> 跳过很多 / 中间还有 / 偶剧\n-> 子丑：跳过 / 不在这演 / 演过了 / 没必要演\n-> 最开始的地方 / 谁先说话\n-> 甲瑞：来\n-> 身体转场、观众前方经过、低位支撑\n```\n\n所以本窗最适合沉淀为 [流程重锁定](/research/hs-5246ecd78e1f2226)：它不是把混乱解决，而是把混乱重新改写成下一幕、最后一幕、跳过、地点、说话顺序和身体执行。语言在这里像现场按钮，但每个按钮都要由身体、地面、观众和房间声付账。\n\n## 本轮资产\n\n- 短片：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/clip-021630-022120-flow-relock.mp4`\n- MiMo 小片：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/clip-021630-022120-flow-relock-mimo-small-audio.mp4`\n- 音频：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/audio-021630-022120-mono.wav`\n- 接触表：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/contact-021630-022120-1fps.jpg`\n- `来` 后密集接触表：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/contact-022020-022120-2fps.jpg`\n- 1fps 抽帧目录：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/frames-1fps/`\n- 关键帧目录：`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/keyframes/`\n- 正片源：`inspool-wiki-zh/raw/assets/source-video-20260505/人类投降派 4g 版本.mov`\n\n![《人类投降派》研究图像](/research/images/6ed2849aba73aa4deac5.webp)\n\n![《人类投降派》研究图像](/research/images/d752242baf6a1f681bf1.webp)\n\n## 字幕与角色锁定\n\n本页继承 [2026-05-09-第四部分后段流程声归属校正](/research/hs-7d3cfd2207b83cf7) 的硬边界：不能把 `02:16:30-02:20:35` 的下一幕、说话顺序、鲸落、跳过和确认链写成何发流程声。逐句说话人仍以 [2026-05-09-第四部分分钟级T0字幕骨架](/research/hs-959c89f08157f150) / V10 为底盘，并保留后续人工重锁空间。\n\n| 时间码 | V10/T0 说话人 | 文本 | 当前判断 |\n|---:|---|---|---|\n| `02:16:37.00` | 甲瑞 | 下一幕 | 风险归档按钮；把刚才杀意、导演位和挑战语压成“上一幕”。 |\n| `02:16:44.23` | 甲瑞 | 下一幕 | 重复按钮，说明现场不是自然转场，而是在重新锁流程。 |\n| `02:16:48.83` | 子丑 | 啥来着 | 流程检索声；不是何发下令。 |\n| `02:16:55.16-02:17:04.70` | 甲瑞 | 对 / 对 / 对 / 对 / 对 | 多个最小确认粒子，把不稳现场对齐到下一步。 |\n| `02:17:13.10-02:17:18.53` | 甲瑞 | 你先说话 / 然后是我 / 然后是她 | 说话顺序首次排程；语言从表达变成队列。 |\n| `02:17:36.16` | 黄蒙/阿蒙 | 这里不能抽烟 | 现实小规则插入，说明公演流程仍被现场生活规则打断。 |\n| `02:17:37.40` | Ricky | 我知道 我不想跟你们出现在一起了 | Ricky 表达退出愿望；它接在[导演位增殖](/research/hs-63c878de568a6050)之后，不是流程被顺滑修复。 |\n| `02:17:58.93-02:18:02.46` | 黄蒙/阿蒙 | 你好点了吗 / 嗯 | 状态修补和最小确认，仍在把风险拉回可继续。 |\n| `02:19:06.83-02:19:10.40` | 甲瑞 / 子丑 | 最后一幕是 / 鲸落 / 啊 / 对 | 终局命名按钮；“鲸落”把低位身体、沉没、水和终局意象收进可安排槽位。 |\n| `02:19:14.23` | 甲瑞 | 然后就导演下场 | 把前一窗何发/Ricky 的调度变成流程记忆，而非何发继续发令。 |\n| `02:19:16.06-02:19:24.40` | 黄蒙/阿蒙 / 子丑 | 跳过了很多 / 没有 / 中间还有 / 还有一幕好吧 | 跳过不是无争议删除；黄蒙/阿蒙把“中间”拽回来。 |\n| `02:19:27.50` | 黄蒙/阿蒙 | 偶剧 | 被跳过对象获得名称。 |\n| `02:19:36.06` | 子丑 | 跳过 | 子丑流程按钮强锚点。 |\n| `02:19:36.70-02:19:44.60` | 黄蒙/阿蒙 / 子丑 | 你要跳过偶剧吗 / 嗯 / 你确定吗 / 那跳过偶剧吗 / 好 | 跳过进入确认程序，不是单一命令瞬间完成。 |\n| `02:19:47.33-02:19:56.33` | 子丑 / 黄蒙 | 不在这演 / 不在这演 / 对 / 那你想在哪演 / 演过了 / 没必要演 | 跳过获得空间边界、伪过去和合法性。 |\n| `02:19:58.00-02:20:03.23` | 黄蒙/阿蒙 / 甲瑞 | 那现在最后一幕吗 / 嗯 / 好吧 最后一幕是什么安排 / 我们 | 终局流程被再次确认。 |\n| `02:20:03.86-02:20:07.06` | 甲瑞 | 坐在 / 最开始的地方 | 语言把最后一幕安排成位置回返。 |\n| `02:20:10.76-02:20:26.33` | 甲瑞 / 黄蒙 | 他先说话 / 还是你先说话 / 他先说话 / 我再说话 / 你再说话 / 他再说话 | 说话权循环排程；不是内容，而是顺序本身成为内容。 |\n| `02:20:28.86` | 甲瑞 | 来 | 身体执行按钮，马上接低位转场。 |\n\n## 画面与声音复核\n\n`02:16:30-02:21:20` 的 1fps 接触表显示，画面从相对静止的低位/观众空间，逐步进入终局安排、身体起身和公开经过。`02:20:20-02:21:20` 的 2fps 密集接触表进一步确认：`来` 之后不是剪辑意义上的轻盈跳转，而是需要身体弯身、移动、站起、经过观众前方，再回到低位靠近和支撑关系。\n\n本窗单声道音频 `audio-021630-022120-mono.wav` 的整体 RMS 约 `-33.18 dB`，peak 约 `-11.26 dB`。以 `-40 dB / 0.5s` 抽查，能抓到多个短暂停顿；这些停顿不说明“空白”，而说明本窗的声音组织本来就是断续的：流程按钮、确认粒子、等待、微小声响和身体转场交替出现。\n\n已有下钻页继续说明 `来` 后并非沉默：[2026-05-12-第四部分来之后声学低处复核](/research/hs-9517c3196c5ad9cf) 固定 `02:20:29.633-02:22:01.266` 为台词组织空窗，[2026-05-12-第四部分来之后声画微账本](/research/hs-0b267e09f9678172) 则把 `02:20:39-02:20:46` 与 `02:20:56-02:21:11` 等回潮对齐到身体公开经过和近身遮挡。本页只闭合到 `02:21:20`，不把 `02:21:39-02:21:54` 第三次回潮混入当前窗口。\n\n## 分析判断\n\n这段最关键的不是“跳过了偶剧”，而是“跳过怎样重新制造现实”。\n\n`下一幕` 把上一段风险归档；说话顺序把人重新排成队列；`鲸落` 给最后一幕一个终局名；`跳过` 把未演段移出现场；`不在这演` 给它空间边界；`演过了` 给它伪过去；`没必要演` 给它流程正当性。最后 `来` 把这些话推进身体。于是，跳过没有删除中间，只是删除了中间的体面叙述；中间作为重力、移动、观众前方的一段路、手掌和房间声回来。\n\n这也是本窗为什么必须接在 [导演位增殖](/research/hs-63c878de568a6050) 之后：前一窗暴露多个导演位，后一窗并没有回到“真正导演说了算”。相反，流程权被分散到甲瑞的下一幕/顺序安排、子丑的跳过/不在这演/演过了、黄蒙/阿蒙的确认追问和复述、Ricky 的退出愿望、观众空间和身体执行之间。\n\n更短地说：\n\n```text\n第四部分后半真正可怕的地方，不是有人掌控一切，\n而是流程可以借不同人的嘴继续运行，\n并要求身体替每个被跳过的中间付出时间。\n```\n\n## MiMo 旁证边界\n\n本轮 MiMo Wave34 formal-safe 已成功，见 MiMo-第四部分流程重锁定Wave34总账-2026-05-13（馆内参考，未随本文公开）。底层报告使用带音频小片：\n\n`inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/clip-021630-022120-flow-relock-mimo-small-audio.mp4`\n\nWave34 的可用价值是 T2 形式旁证：高低差、白色塑料界面、观众高位、身体图解化、现场混响和声音方向性。这些观察支持一个很窄的判断：`下一幕 / 鲸落 / 跳过 / 来` 不是悬空流程词，而是在公开空间、观众、材料和房间声里被承接。\n\n但 Wave34 不能覆盖本页 T0/V10 的台词、时间码和说话人归属，也不能把本窗流程声重新归给何发。MiMo 报告中“黄脸男子”“短发女子”“导演下场”等模型描述只作为 T2 感知语言保留，不替代 Wiki canonical 名称和逐句角色锁定。\n\n## 可写入综合页的判断\n\n```text\n`02:16:30-02:21:20` 是公开观察机器的流程重锁定窗口。蒙眼围打、伤疤话术和导演位增殖之后，现场没有被某个导演重新掌控，而是由甲瑞、子丑、黄蒙/阿蒙、Ricky、观众和身体共同把风险改写为下一幕、说话顺序、最后一幕、鲸落、跳过、位置安排和 `来`。其中 `跳过 / 不在这演 / 演过了 / 没必要演` 不是简单省略，而是把没演段做成流程事实；`来` 之后的身体转场说明，语言可以跳过戏，身体不能跳过重力。\n```\n\n## 不能由本页闭合的判断\n\n- 不能把本窗流程声归给何发；何发的硬介入已在 `02:12` 窗口闭合，后段按用户纠偏进入场内流程声重锁定区。\n- 不能一刀切改写全部 V10 说话人；本页保留逐句 V10/T0 底盘，并把高风险行列为后续 Owner UI 重锁对象。\n- 不能把 `跳过` 写成影片真的没有中间段；本页只确认“跳过”作为片内流程行为发生，并制造了新的身体债务。\n- 不能把 `演过了` 写成外部事实，只能写成片内伪过去生成。\n- 不能把 `来` 后身体动作过度命名为固定舞蹈动作；本页只闭合弯身、移动、公开经过、低位支撑等可见方向。\n- 不能用 MiMo 覆盖 T0/V10 说话人、台词和时间码。\n\n## 关键帧逐帧视觉描述（2026-05-16 补）\n\n### 接触表 `contact-021630-022120-1fps.jpg`\n\n1fps 采样接触表，覆盖 `02:16:30-02:21:20` 约 5 分钟的连续画面。左侧大部分格子为多人低处场景：白色塑料膜、地面人物、围坐观众和身体弯折/爬行动作交替出现。中段出现一个极为明亮的过曝白格——强光/手机光源直接对准镜头。中后段画面重新稳定为红紫色调舞台空间，可见站立人物、地面人物和观众位。后段有两人身体极度靠近、面对面的亲密/对抗特写，以及多人围观场景。整体呈现\"流程中断→强光穿刺→身体重新组织→亲密/对抗→围观回收\"的视觉弧。\n\n### 鲸落/跳过 `frame-021908.jpg`\n\n中景。红/黑色调舞台。中央一名白衣女子蹲坐在地面白色塑料膜上，头低垂。右侧一名白衣男子站在黄色道具/平台上，头后仰，姿态像是在呼喊或宣告。背景可见红色帷幕和更远的人物。构图把\"蹲坐低头的执行者+站立仰头的宣告者\"排成一上一下的权力关系——\"鲸落\"和\"跳过\"不是抽象流程词，而是在身体高低差中执行的空间动作。\n\n### 来 `frame-022028.jpg`\n\n中景，红紫色调。中央一名女子（红裙/花裙）弯腰向前，姿态像是正在从地面起身或向前移动。左侧一名白衣男子伸手向前，像是在招呼或引导。背景有红色帷幕和模糊人物。地面有白色散落物。画面的运动方向是向前、起身、离开当前位置——视觉上确认\"来\"不是一个口头指令，而是一个已经在发生的身体转场。\n\n### 抓人裁决接触表 `contact-015520-015805-0p5fps.jpg`\n\n0.5fps 采样接触表，覆盖 `01:55:20-01:58:05` 约 2 分 45 秒的连续画面。左侧前段为暗调舞台全景，可见白色塑料膜、地面材料和分散人物。中段转入更亮的红/橙色调，出现追逐、奔跑和身体交错的动态画面。中后段可见地面人物、观众围绕和手部接触。后段画面重新变暗，出现低位身体和观众席。全程画面中白色塑料膜始终作为地面/空间界面存在，观众从背景逐步进入前景——接触表支持\"抓人裁决\"把观众从旁观者拉入游戏边界的判断。\n\n### 三个字 `frame-015521900-three-words.jpg`\n\n中远景，暗色调。白色塑料膜/屏障铺满地面。左侧多名观众坐地旁观。中央偏右有一名白衣人物蹲坐在塑料膜上，另有一名深色衣物人物站立。空间被白色半透明屏障和台阶/斜面分割。画面呈现\"规则即将开始\"的悬停感——人物已到位，但追逐尚未启动。\n\n### 游戏胜利 `frame-015610666-game-victory.jpg`\n\n暖红/橙色调中景。一名女性（粉色/红色花裙、黑色紧身裤）站在画面中央，双臂向两侧展开——姿态为明确的胜利/宣告。她身后有一名白衣男子坐在地面。背景可见观众和红色帷幕。暖色调和展开的姿态把\"赢了\"从语言事实变成身体展示——游戏的裁决不只靠台词，还需要一个可被看见的身体姿态。\n\n## 文中引用的图像资料\n\n以下图像由本篇已有文件引用对应；保留历史引用范围，图像展示不增加新的事实判断。\n\n![frame-021908.jpg](/research/images/d3b408584d3bfc5576fc.webp)\n\n![frame-022028.jpg](/research/images/6c8ada7a83a0c5cce1d8.webp)\n\n![contact-015520-015805-0p5fps.jpg](/research/images/66da56e7e059fb1f4894.webp)\n\n![frame-015521900-three-words.jpg](/research/images/3c51c827ccaf83bd7e15.webp)\n\n![frame-015610666-game-victory.jpg](/research/images/014ab6bd8ac4f9790c5d.webp)","paragraphs":[{"id":"hs-f3ec5086f6959f70#p-f825dad0c4f256d7-1","anchor":"p-f825dad0c4f256d7-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-f825dad0c4f256d7-1","kind":"h2","headingPath":["本地取证"],"text":"本地取证","textSha256":"10a2c97086622176fb7c283cd00fa43aa97e84e03bfa6cc5e98358dacda58214","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-5f11bb3a7dd72c01-1","anchor":"p-5f11bb3a7dd72c01-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-5f11bb3a7dd72c01-1","kind":"pre","headingPath":["本地取证"],"text":"flowchart LR\n    VID[\"原始视频\"] --> FOR[\"取证分析\"]\n    FOR --> RPT[\"2026-05-13-第四部分流程重锁定本地复核\"]\n    FOR --> FRM[\"帧审查\"]\n    style RPT fill:#7ee787,stroke:#7ee787,color:#000","textSha256":"0e4f7aeb955d092f91007eb3892fc762f755f212649acbd26e3a334b8374db38","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-ff57470cb51c6102-1","anchor":"p-ff57470cb51c6102-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-ff57470cb51c6102-1","kind":"h2","headingPath":["2026-05-13 第四部分流程重锁定本地复核"],"text":"2026-05-13 第四部分流程重锁定本地复核","textSha256":"1fe47393c334f53c1ef34c19afc49efe77a7f975c0888bee34f50be409207b1d","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-0a734aec410e8b6b-1","anchor":"p-0a734aec410e8b6b-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-0a734aec410e8b6b-1","kind":"h2","headingPath":["结论"],"text":"结论","textSha256":"14163a5df29f258ec56765ffe165c9ba7fbba840d4a2aafd26a3d215c64c0370","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-82a0409df97b1931-1","anchor":"p-82a0409df97b1931-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-82a0409df97b1931-1","kind":"p","headingPath":["结论"],"text":"02:16:30-02:21:20 不是 何发（馆内参考，未随本文公开） 在 02:12 介入之后继续单点接管现场。它是上一窗 伤疤话术接管 与 导演位增殖 之后，场内人物把风险重新锁回流程的窗口。","textSha256":"55ea457a918e2bc08561317811ad9b6f27c8fa894fc625ceac30fecef92bac4a","links":["https://a.p4theater.top/research/hs-63c878de568a6050","https://a.p4theater.top/research/hs-a89346fd836e0986"],"images":[]},{"id":"hs-f3ec5086f6959f70#p-8a7c772ecce4ddda-1","anchor":"p-8a7c772ecce4ddda-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-8a7c772ecce4ddda-1","kind":"p","headingPath":["结论"],"text":"这条链可以压缩为：","textSha256":"4dac8a1712381043eef251f52023618a96700ac55653fdedf51cfc8a78c4e569","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-c00095cc76ac3303-1","anchor":"p-c00095cc76ac3303-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-c00095cc76ac3303-1","kind":"pre","headingPath":["结论"],"text":"二次杀意/挑战/修补语余波\n-> 下一幕\n-> 说话顺序\n-> 抽烟小规则与 Ricky 退出愿望\n-> 最后一幕 / 鲸落\n-> 跳过很多 / 中间还有 / 偶剧\n-> 子丑：跳过 / 不在这演 / 演过了 / 没必要演\n-> 最开始的地方 / 谁先说话\n-> 甲瑞：来\n-> 身体转场、观众前方经过、低位支撑","textSha256":"2bda4e80be6c1064fc0045a427ccb481764305e29a8d6417a1d696d8e14b21e8","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-dac5122b27a0d910-1","anchor":"p-dac5122b27a0d910-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-dac5122b27a0d910-1","kind":"p","headingPath":["结论"],"text":"所以本窗最适合沉淀为 流程重锁定 ：它不是把混乱解决，而是把混乱重新改写成下一幕、最后一幕、跳过、地点、说话顺序和身体执行。语言在这里像现场按钮，但每个按钮都要由身体、地面、观众和房间声付账。","textSha256":"82c5f855ed67c3e040ef35897268fbf2490eae35efd7f9d4a2607396bb64c6f2","links":["https://a.p4theater.top/research/hs-5246ecd78e1f2226"],"images":[]},{"id":"hs-f3ec5086f6959f70#p-742ec40762bb0240-1","anchor":"p-742ec40762bb0240-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-742ec40762bb0240-1","kind":"h2","headingPath":["本轮资产"],"text":"本轮资产","textSha256":"12cbaf45af1fc9aef001bc33ad160dd4bde4c3fbd62962a78462ce2cfd5c0c75","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-8ba7d28144cf0e6e-1","anchor":"p-8ba7d28144cf0e6e-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-8ba7d28144cf0e6e-1","kind":"li","headingPath":["本轮资产"],"text":"短片： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/clip-021630-022120-flow-relock.mp4","textSha256":"73ac6b7a86c2db2b3a41d28d28966f2073e65062208593c056afa0574e499c83","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-68aad41c5d1f884d-1","anchor":"p-68aad41c5d1f884d-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-68aad41c5d1f884d-1","kind":"li","headingPath":["本轮资产"],"text":"MiMo 小片： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/clip-021630-022120-flow-relock-mimo-small-audio.mp4","textSha256":"6b755d64e442b312ed29b0053799e0ec2d411c813f7adc3d0174f019be51f8c1","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-3581dc09adf1d9e3-1","anchor":"p-3581dc09adf1d9e3-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-3581dc09adf1d9e3-1","kind":"li","headingPath":["本轮资产"],"text":"音频： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/audio-021630-022120-mono.wav","textSha256":"0a3a46ead2f43c2dabf7632ece9cb695802c33f97f9b35226ecfdda3f9bb0ee1","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-a9ea270cd4046421-1","anchor":"p-a9ea270cd4046421-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-a9ea270cd4046421-1","kind":"li","headingPath":["本轮资产"],"text":"接触表： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/contact-021630-022120-1fps.jpg","textSha256":"e659a89b40cd844cb15cbea1c3105fed6efd3a0f410601f87b388bc2dd0b0566","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-d3ac37dff4845bf9-1","anchor":"p-d3ac37dff4845bf9-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-d3ac37dff4845bf9-1","kind":"li","headingPath":["本轮资产"],"text":"来 后密集接触表： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/contact-022020-022120-2fps.jpg","textSha256":"9445778fbe49c7b2cdd6310c38f36e9f371a17e3b1fa50df745a727cbfba2965","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-46fe318528623bdd-1","anchor":"p-46fe318528623bdd-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-46fe318528623bdd-1","kind":"li","headingPath":["本轮资产"],"text":"1fps 抽帧目录： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/frames-1fps/","textSha256":"f4c7576b8e0962d72732351dc1aef188cb5e592cba3de9cd40f040625889110d","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-f859b02ecad091fe-1","anchor":"p-f859b02ecad091fe-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-f859b02ecad091fe-1","kind":"li","headingPath":["本轮资产"],"text":"关键帧目录： inspool-wiki-zh/raw/assets/local-forensics-20260513-part4-flow-relock-021630-022120/keyframes/","textSha256":"8a7ba8042cddafbf2502d7c55104b1a7ff4db6f7b892d0c4b14a59c71cc1bdad","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-d336d5460ff3ac97-1","anchor":"p-d336d5460ff3ac97-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-d336d5460ff3ac97-1","kind":"li","headingPath":["本轮资产"],"text":"正片源： inspool-wiki-zh/raw/assets/source-video-20260505/人类投降派 4g 版本.mov","textSha256":"cb0cc4a3f78acdde4c91694926721fc251e01c16edceceb27ee9a339785135de","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-5aaa1cc9488b7cc7-1","anchor":"p-5aaa1cc9488b7cc7-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-5aaa1cc9488b7cc7-1","kind":"h2","headingPath":["字幕与角色锁定"],"text":"字幕与角色锁定","textSha256":"8fd2d9d9246bf97abad115f7da940e95cacc9192cbbc54fd051352c18ed1cdb3","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-0a208bb72a999309-1","anchor":"p-0a208bb72a999309-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-0a208bb72a999309-1","kind":"p","headingPath":["字幕与角色锁定"],"text":"本页继承 2026-05-09-第四部分后段流程声归属校正 的硬边界：不能把 02:16:30-02:20:35 的下一幕、说话顺序、鲸落、跳过和确认链写成何发流程声。逐句说话人仍以 2026-05-09-第四部分分钟级T0字幕骨架 / V10 为底盘，并保留后续人工重锁空间。","textSha256":"d7305406aea2ee72ba9bed137f2b9b46e3522ffda20be2a689012e1cb5d247ea","links":["https://a.p4theater.top/research/hs-7d3cfd2207b83cf7","https://a.p4theater.top/research/hs-959c89f08157f150"],"images":[]},{"id":"hs-f3ec5086f6959f70#p-4f78ccb37a0bc8c0-1","anchor":"p-4f78ccb37a0bc8c0-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-4f78ccb37a0bc8c0-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"时间码 V10/T0 说话人 文本 当前判断","textSha256":"e9f806a8502155042e40d4a623e7069b724370544c36430f956876998fad6c73","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-15baf6bb385a88da-1","anchor":"p-15baf6bb385a88da-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-15baf6bb385a88da-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:16:37.00 甲瑞 下一幕 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说话顺序首次排程；语言从表达变成队列。","textSha256":"4142f75c69e444e42bf5abde3e976233a4dd861c3fc27bd15112f2548f7feff6","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-6e6a7985078582e6-1","anchor":"p-6e6a7985078582e6-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-6e6a7985078582e6-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:17:36.16 黄蒙/阿蒙 这里不能抽烟 现实小规则插入，说明公演流程仍被现场生活规则打断。","textSha256":"bdfa73497f521e624d7d2916efe1b5f0c9168014e869e6099c14dfeefe87b79f","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-7b6cb61449c91135-1","anchor":"p-7b6cb61449c91135-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-7b6cb61449c91135-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:17:37.40 Ricky 我知道 我不想跟你们出现在一起了 Ricky 表达退出愿望；它接在 导演位增殖 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子丑流程按钮强锚点。","textSha256":"dcfbc163ba067225ccdbbeb148660def3b88c744420380204af6b3d23f9b308d","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-01ff95450a8eb9f4-1","anchor":"p-01ff95450a8eb9f4-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-01ff95450a8eb9f4-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:19:36.70-02:19:44.60 黄蒙/阿蒙 / 子丑 你要跳过偶剧吗 / 嗯 / 你确定吗 / 那跳过偶剧吗 / 好 跳过进入确认程序，不是单一命令瞬间完成。","textSha256":"05d313379499a2cea38484e1b5c77c6f51d8f0bf9d11291a92d0b419aae2b6c4","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-69a572e9ad124c39-1","anchor":"p-69a572e9ad124c39-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-69a572e9ad124c39-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:19:47.33-02:19:56.33 子丑 / 黄蒙 不在这演 / 不在这演 / 对 / 那你想在哪演 / 演过了 / 没必要演 跳过获得空间边界、伪过去和合法性。","textSha256":"d92cf3aed4a8eb1b29eca09502ec9b2f5854d092c5cf043c90216c4a0f884472","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-48ed6c6fc63de4fb-1","anchor":"p-48ed6c6fc63de4fb-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-48ed6c6fc63de4fb-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:19:58.00-02:20:03.23 黄蒙/阿蒙 / 甲瑞 那现在最后一幕吗 / 嗯 / 好吧 最后一幕是什么安排 / 我们 终局流程被再次确认。","textSha256":"2a3bb3032f6284a68a1327332fa301da962eba9e30cc6ad4e8b3136005b56346","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-9ed25320df3c72de-1","anchor":"p-9ed25320df3c72de-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-9ed25320df3c72de-1","kind":"tr","headingPath":["字幕与角色锁定"],"text":"02:20:03.86-02:20:07.06 甲瑞 坐在 / 最开始的地方 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身体执行按钮，马上接低位转场。","textSha256":"df96f4e8b289eb52a9b68c88f2ffd45d022465521ae4a5a9c7554a0549563632","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-67557c53d785fc5b-1","anchor":"p-67557c53d785fc5b-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-67557c53d785fc5b-1","kind":"h2","headingPath":["画面与声音复核"],"text":"画面与声音复核","textSha256":"b74c61071da3bb8a5f5abfd7b9b2cf2e1f9ec51747801a7eae68d3f85953eec9","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-4b60682ecbd59140-1","anchor":"p-4b60682ecbd59140-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-4b60682ecbd59140-1","kind":"p","headingPath":["画面与声音复核"],"text":"02:16:30-02:21:20 的 1fps 接触表显示，画面从相对静止的低位/观众空间，逐步进入终局安排、身体起身和公开经过。 02:20:20-02:21:20 的 2fps 密集接触表进一步确认： 来 之后不是剪辑意义上的轻盈跳转，而是需要身体弯身、移动、站起、经过观众前方，再回到低位靠近和支撑关系。","textSha256":"eb5305e9f60ccff25deededd9048bed5ac624484ea0d4f1dea4a027feaf6bb6a","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-93742c9e2ee38c56-1","anchor":"p-93742c9e2ee38c56-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-93742c9e2ee38c56-1","kind":"p","headingPath":["画面与声音复核"],"text":"本窗单声道音频 audio-021630-022120-mono.wav 的整体 RMS 约 -33.18 dB ，peak 约 -11.26 dB 。以 -40 dB / 0.5s 抽查，能抓到多个短暂停顿；这些停顿不说明“空白”，而说明本窗的声音组织本来就是断续的：流程按钮、确认粒子、等待、微小声响和身体转场交替出现。","textSha256":"ebd5e51ea12e2c3a7ca11b182cbf68651ae9a41643f88cd9a803c1bc186cefdf","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-017e25b54f62579e-1","anchor":"p-017e25b54f62579e-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-017e25b54f62579e-1","kind":"p","headingPath":["画面与声音复核"],"text":"已有下钻页继续说明 来 后并非沉默： 2026-05-12-第四部分来之后声学低处复核 固定 02:20:29.633-02:22:01.266 为台词组织空窗， 2026-05-12-第四部分来之后声画微账本 则把 02:20:39-02:20:46 与 02:20:56-02:21:11 等回潮对齐到身体公开经过和近身遮挡。本页只闭合到 02:21:20 ，不把 02:21:39-02:21:54 第三次回潮混入当前窗口。","textSha256":"1d1eeaf156f0c709952dea37068f46b895d7e1b33c77f7790830fab038ce4d5a","links":["https://a.p4theater.top/research/hs-0b267e09f9678172","https://a.p4theater.top/research/hs-9517c3196c5ad9cf"],"images":[]},{"id":"hs-f3ec5086f6959f70#p-3bb59d39ba3e4cb5-1","anchor":"p-3bb59d39ba3e4cb5-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-3bb59d39ba3e4cb5-1","kind":"h2","headingPath":["分析判断"],"text":"分析判断","textSha256":"ba768e65458284541ed6697e3000626c7ebbae7129cab3c93159d088dddbade0","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-2b4cbd2cb0777ef8-1","anchor":"p-2b4cbd2cb0777ef8-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-2b4cbd2cb0777ef8-1","kind":"p","headingPath":["分析判断"],"text":"这段最关键的不是“跳过了偶剧”，而是“跳过怎样重新制造现实”。","textSha256":"dc4329f2b791c359d032c215f76014135ffe92392573e79e96c53d16ffa00f0d","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-144a577ffda0941d-1","anchor":"p-144a577ffda0941d-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-144a577ffda0941d-1","kind":"p","headingPath":["分析判断"],"text":"下一幕 把上一段风险归档；说话顺序把人重新排成队列； 鲸落 给最后一幕一个终局名； 跳过 把未演段移出现场； 不在这演 给它空间边界； 演过了 给它伪过去； 没必要演 给它流程正当性。最后 来 把这些话推进身体。于是，跳过没有删除中间，只是删除了中间的体面叙述；中间作为重力、移动、观众前方的一段路、手掌和房间声回来。","textSha256":"c36358672a5f394ec185fb8e48d28003dcdd16a8972418d8a4871f7532c56c92","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-f9334f947ee52af4-1","anchor":"p-f9334f947ee52af4-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-f9334f947ee52af4-1","kind":"p","headingPath":["分析判断"],"text":"这也是本窗为什么必须接在 导演位增殖 之后：前一窗暴露多个导演位，后一窗并没有回到“真正导演说了算”。相反，流程权被分散到甲瑞的下一幕/顺序安排、子丑的跳过/不在这演/演过了、黄蒙/阿蒙的确认追问和复述、Ricky 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frame-015521900-three-words.jpg"],"text":"中远景，暗色调。白色塑料膜/屏障铺满地面。左侧多名观众坐地旁观。中央偏右有一名白衣人物蹲坐在塑料膜上，另有一名深色衣物人物站立。空间被白色半透明屏障和台阶/斜面分割。画面呈现\"规则即将开始\"的悬停感——人物已到位，但追逐尚未启动。","textSha256":"eb80bd34d6660831498edd87eb0238a27d9f869deecfa2e9907614c913b1a20f","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-7dcbdd4b8278581d-1","anchor":"p-7dcbdd4b8278581d-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-7dcbdd4b8278581d-1","kind":"h3","headingPath":["关键帧逐帧视觉描述（2026-05-16 补）","游戏胜利 frame-015610666-game-victory.jpg"],"text":"游戏胜利 frame-015610666-game-victory.jpg","textSha256":"5aebc9f13f528f4d2d871a03c059f7151a6d2987fea12f86fa6c25e14a13feb8","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-8a3b8bb0e769efc7-1","anchor":"p-8a3b8bb0e769efc7-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-8a3b8bb0e769efc7-1","kind":"p","headingPath":["关键帧逐帧视觉描述（2026-05-16 补）","游戏胜利 frame-015610666-game-victory.jpg"],"text":"暖红/橙色调中景。一名女性（粉色/红色花裙、黑色紧身裤）站在画面中央，双臂向两侧展开——姿态为明确的胜利/宣告。她身后有一名白衣男子坐在地面。背景可见观众和红色帷幕。暖色调和展开的姿态把\"赢了\"从语言事实变成身体展示——游戏的裁决不只靠台词，还需要一个可被看见的身体姿态。","textSha256":"7004b6d4faeab10d828634f5fab5be1d0d9a14df70efaf4c2fcba21befb370f3","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-436269b0ace309e5-1","anchor":"p-436269b0ace309e5-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-436269b0ace309e5-1","kind":"h2","headingPath":["文中引用的图像资料"],"text":"文中引用的图像资料","textSha256":"60a8e8dcb2ec4c5787e572c62d0e82b91a14f76e7cc77a0b3c153f147b480683","links":[],"images":[]},{"id":"hs-f3ec5086f6959f70#p-95be68489ce80f9b-1","anchor":"p-95be68489ce80f9b-1","url":"https://a.p4theater.top/research/hs-f3ec5086f6959f70#p-95be68489ce80f9b-1","kind":"p","headingPath":["文中引用的图像资料"],"text":"以下图像由本篇已有文件引用对应；保留历史引用范围，图像展示不增加新的事实判断。","textSha256":"5f46e1ef45e1654c0217986f34695a401b04e1b705c954cb6ad16f3b75a3d9e0","links":[],"images":[]}]}