{"id":"hs-eeeadbba897c914a","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a","title":"递归电影与个人维基词条证据布局方案","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-07-11","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-eeeadbba897c914a.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-eeeadbba897c914a-cd027be5c5977c5a9939.md","markdownSha256":"cd027be5c5977c5a993904b1659b3f757aeb604b3d4c1b23cdf6a152d54551cb","markdownBytes":11937,"characters":4206,"sourceEvidenceTier":"T3_SYNTHESIS_FROM_PUBLIC_POLICY_AND_SCHOLARLY_SOURCE","sourceStatus":"active","evidenceBoundary":"本页给出建项与证据布局方案，不宣称‘递归电影’已是中文电影研究中的稳定术语。个人网站、自出版物、新闻稿和自行上传的材料只能作为第一手资料，不能单独证明人物或概念符合维基百科收录标准。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://zh.wikipedia.org/w/index.php?title=User:Fafalish&oldid=93410752"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":106,"markdown":"# 递归电影与个人维基词条证据布局方案\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-11\n\n证据边界：本页给出建项与证据布局方案，不宣称‘递归电影’已是中文电影研究中的稳定术语。个人网站、自出版物、新闻稿和自行上传的材料只能作为第一手资料，不能单独证明人物或概念符合维基百科收录标准。\n\n# 递归电影与个人维基词条证据布局方案\n\n## 核心判断\n\n应把工作拆成彼此独立的三个对象：\n\n1. 人物词条：证明人物本身受到多方独立可靠来源的深入介绍。\n2. 概念词条：证明“递归电影”或更稳妥的“电影中的递归结构”已经被第三方研究者使用、界定和讨论。\n3. 作品词条：只为得到独立评论、重要展映或学术讨论的单部作品建项。\n\n不能先在个人网站和自媒体批量发布同一套材料，再把这些页面当作“多方来源”。中文维基百科的收录标准要求可靠来源作有效介绍，并独立于主题实体；自我宣传、个人出版物、自传和新闻稿不能证明收录资格。\n\n## 推荐的维基知识结构\n\n### 人物页\n\n- 导言：姓名、身份、主要创作领域、最受独立来源讨论的贡献。\n- 生平与教育：只保留可验证且与创作相关的内容。\n- 创作生涯：按阶段组织，不写成履历表。\n- 方法与主题：只有独立评论已经讨论时，才写“递归结构/递归电影实践”。\n- 主要作品：精选，不罗列全部项目。\n- 评价与影响：以评论、论文、书籍和策展文本为主。\n- 著作、奖项、参考资料与外部链接。\n\n### “递归电影”概念页\n\n- 定义与术语史。\n- 理论谱系：元电影、电影自反性、mise en abyme、嵌套叙事、循环叙事、反馈系统与生成电影。\n- 结构类型：叙事递归、视觉递归、媒介递归、生产过程递归、观众反馈递归、算法递归。\n- 历史与代表案例。\n- 与相邻概念的区别。\n- 批评、限制与争议。\n- 参考文献。\n\n初步检索显示，英文电影研究已有 Daniel Yacavone 的 “Recursive Reflections: Types, Modes, and Forms of Cinematic Reflexivity”，但“递归电影”作为中文固定术语的独立材料仍不足。现阶段宜先建立术语与研究语料，不宜直接宣称其为由某个人创立的电影流派。\n\n## 外部资料分层\n\n### 第一层：官方档案，只用于核对事实\n\n- 个人官网：标准姓名、双语简介、年表、精选作品、完整片目、出版物、联系方式。\n- 每部作品的标准元数据：年份、时长、媒介、主创、首映、展映、收藏、版权状态。\n- Press kit：100字/300字简介、导演陈述、剧照、海报、预告片、引用格式。\n- ORCID、机构主页、出版商作者页、馆藏目录等身份标识。\n- 可公开的剧照和肖像，明确版权与许可。\n\n这些页面有助于查日期和作品信息，但不能证明关注度。\n\n### 第二层：正式出版与长期存档\n\n- 同行评审论文或书章。\n- 有编辑与审稿流程的电影研究期刊、大学出版社或艺术出版社专著。\n- 美术馆、电影节、大学研究机构出版的策展图录和研究册。\n- 图书应具有规范 ISBN、版权页、参考文献，并进入国家图书馆、大学图书馆或 WorldCat 等馆藏系统。\n- 研究材料可在机构知识库、Zenodo、OSF 或 Internet Archive 留存；自行上传仍属于第一手材料。\n\n### 第三层：真正决定能否建项的独立来源\n\n- 独立学者撰写的专章、论文或书评。\n- 有编辑把关的报刊、文化杂志、电影刊物所做的深度人物报道或作品评论。\n- 独立策展人或研究机构对作品与方法的分析。\n- 多个互不依赖的来源明确使用并解释“递归电影”，或明确把人物作品放入这一脉络。\n\n付费软文、转载新闻稿、广告、个人访谈实录、豆瓣/IMDb式数据库条目和社交媒体只能辅助核对，不能代替独立评论。\n\n## 一本“递归电影”专著的建议目录\n\n1. 术语、定义与适用边界\n2. 自反电影、元电影与嵌套结构的理论谱系\n3. 叙事递归\n4. 图像与空间递归\n5. 拍摄、表演和制作过程的递归\n6. 观众参与、反馈回路与现场系统\n7. 算法、生成式影像与人工智能递归\n8. 代表作品的比较研究\n9. 伦理、作者权与概念过度扩张的批评\n10. 术语表、作品年表、索引与书目\n\n作者自己的专著可以定义方法，但若要支撑维基百科概念页，还需要独立学者的评论、引用和后续使用。\n\n## 建项顺序\n\n1. 先做证据审计：为人物、概念、作品分别建立来源矩阵。\n2. 整理官方档案与版权清晰的视觉材料。\n3. 推进独立论文、评论、策展文本和图书馆馆藏，而不是制造转载链。\n4. 当人物与概念分别都有多方独立深入来源后，再各自写维基草稿。\n5. 申报利益冲突，经“建立条目”或讨论页请求其他编辑审阅，不直接把自传式文本发布到主空间。\n6. “递归电影”与人物的关系只按第三方来源所给比重写入；分类必须是明显、无争议的关系，不能用来制造创始人身份。\n\n## 先建立个人用户页\n\n可在 `User:Fafalish` 建立有限的自我介绍。用户页不是人物百科条目，重点应是编辑身份、兴趣领域、维基贡献和当前计划，而不是完整简历或个人宣传。\n\n推荐栏目：\n\n- 关于我：简短说明关注的艺术、电影与研究领域。\n- 我在维基百科的工作：已扩充或计划维护的词条。\n- 当前计划：递归电影文献整理、艺术词条翻译与中文知识缺口。\n- 工作页面：沙盒、草稿、贡献记录、维基共享资源图片。\n- 联系方式：优先请他人在用户讨论页留言。\n\n可以写“我正在研究或整理‘递归电影’相关材料”，但不应在用户页模仿百科口吻宣称自己是某流派的创始人。详细人物简历、奖项、商业项目、服务介绍、购买链接和大量外部链接应放在个人官网，不应把用户页做成宣传网站。\n\n### 已发布版本\n\n- 2026-07-11：已用中文维基账号 `Fafalish` 创建详细个人用户页，公开介绍何发／He Fa／Fa He、P4剧场、跨媒介与非标准空间实践、主要项目、“递归电影”研究边界、维基贡献方向与当前计划。\n- 固定版本：[oldid 93410752](https://zh.wikipedia.org/w/index.php?title=User:Fafalish&oldid=93410752)。\n- 页面把“递归电影”明确写成正在研究、整理和公开讨论的工作概念，不宣称已经是公认流派；未公开电话、住址或私人联系方式。\n\n## 第二批相关领域词条包（2026-07-11）\n\n围绕“电影自反性—扩展影像—参与式剧场—数字系统艺术”四条概念链，已完成 10 个中文维基百科草稿：\n\n1. `元电影`：重写原有短条目，补入定义、概念边界、常见形式、与电影自反性及实验电影的区别。\n2. `电影自反性`：新建草稿，讨论装置显露、片中片、叙事中断、表演身份重叠与跨媒介反思。\n3. `扩展电影`：新建草稿，补入吉恩·扬布拉德、历史背景、多重投影、现场表演、实时影像和电影装置之辨。\n4. `环境剧场`：新建草稿，以理查德·谢克纳的空间原则为轴，区分特定场域、沉浸式和互动剧场。\n5. `论坛剧场`：新建草稿，说明模型场景、观演者介入、丑角主持、行动排练及方法边界。\n6. `形象剧场`：新建草稿，说明现实／理想／过渡形象、动态化、多重视角及与论坛剧场的关系。\n7. `算法艺术`：新建草稿，覆盖确定性、随机、迭代反馈、数据驱动、进化计算与实时系统。\n8. `互动艺术`：新建草稿，覆盖输入—处理—反馈结构、参与能动性、展示与保存问题。\n9. `系统艺术`：新建草稿，以杰克·伯纳姆的“系统美学”为入口，讨论信息、反馈、生态及组织关系。\n10. `过程艺术`：新建草稿，补入反形式、后极简主义、材料变化、文档与保存问题。\n\n草稿位于 `inspool-wiki-zh/exports/wikipedia-batch-2026-07-11/`。每页约 2.9–3.8 KB，合计约 32 KB；引用 Oxford University Press、MIT Press、Fordham University Press、Routledge、Pluto Press、Artforum、The Drama Review、Leonardo 等出版物。10 页已通过中文维基 MediaWiki `action=parse` 检查，模板、引用标签、内部链接和分类语法均可解析；已将停用的 `lang-en` 模板统一改为 `lang`。\n\n这些公共概念页不写何发、P4剧场或《人类投降派》，避免用概念页反向制造人物关注度。与个人实践的关系只保留在用户页、个人档案和本地研究图谱中，未来若有独立可靠来源再按来源比重纳入百科正文。\n\n当前公开发布状态（2026-07-11复核）：其中多页已经由账号 `Fafalish` 发布到主名字空间。随后 `环境剧场`、`电影自反性`、`扩展电影`、`形象剧场`、`算法艺术`、`社会实践艺术`、`互动剧场`、`特定场域剧场`、`编作剧场`、`应用剧场` 与 `被压迫者剧场` 等页被以快速删除G21提报，理由是“极有可能使用大型语言模型生成且明显缺乏人工校对”。共同风险不是概念不存在，而是短时间批量建页、章节结构高度同构、概括超出引用范围、来源未落实到具体陈述，以及无来源的比较和评价段落叠加后形成的未校对印象。\n\n### G21抢救口径\n\n- 立即停止继续批量发布，不以十分钟间隔或换句式作为规避方式。\n- 不自行移除快速删除模板；按页面实际来源分别加入 `Hang on`，并在讨论页说明首版问题与本次实质修改。\n- 每次只处理一页，优先保留有明确术语史、原始文献和独立研究的条目；其余页面先回用户草稿。\n- 抢救稿不沿用“定义—形成—原则—区别—影响”的统一模板，而按该概念自身的文献结构组织。\n- 删除没有直接来源的影响、伦理和邻近概念比较；把论文页码、DOI、ISBN、出版机构及独立研究分别核验。\n\n`环境剧场`已完成第一份本地抢救稿与讨论页说明：\n\n- `inspool-wiki-zh/exports/wikipedia-batch-2026-07-11/环境剧场-G21抢救版.wikitext`\n- `inspool-wiki-zh/exports/wikipedia-batch-2026-07-11/环境剧场-G21讨论页说明.wikitext`\n\n该稿保留 `{{delete|g21}}`，在其下加入 `{{Hang on}}`；正文删去首版无直接来源的“与其他形式的区别”及“影响与讨论”，改以Schechner 1968年论文的六条公理、1994年扩充版书目、Froma Zeitlin对《Dionysus in 69》的独立研究及纽约大学人物资料组织。MediaWiki首次解析已通过；修正了停用的 `lang-en` 模板和数个不存在的内部链接。当前Chrome及命令行再次出现 `ERR_TUNNEL_CONNECTION_FAILED / 503`，所以尚未把抢救稿与讨论页说明提交到公开页面。\n\n## 证据边界\n\n- 本方案不能替代对具体人物姓名、作品和现有报道的逐项检索。\n- 是否符合收录标准取决于现存独立来源，而不是计划发布多少外部页面。\n- 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已完成第一份本地抢救稿与讨论页说明：","textSha256":"52fd1f551a4b3302b719dd1b8c32cdcb7ba39fe6dbe124bf2bd3496b5ec49982","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-374ade7598c01fc1-1","anchor":"p-374ade7598c01fc1-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-374ade7598c01fc1-1","kind":"li","headingPath":["第二批相关领域词条包（2026-07-11）","G21抢救口径"],"text":"inspool-wiki-zh/exports/wikipedia-batch-2026-07-11/环境剧场-G21抢救版.wikitext","textSha256":"b5ae5838919fbf12747f9d916a11acfee187547122474d05ff4e6a836d2d7e5d","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-2c78ed497d130f26-1","anchor":"p-2c78ed497d130f26-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-2c78ed497d130f26-1","kind":"li","headingPath":["第二批相关领域词条包（2026-07-11）","G21抢救口径"],"text":"inspool-wiki-zh/exports/wikipedia-batch-2026-07-11/环境剧场-G21讨论页说明.wikitext","textSha256":"676ec144e47ec463ad7ef859cbb46863dd6c19128fac5c19bc61e9c56196baac","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-9035c12bf07c1bd5-1","anchor":"p-9035c12bf07c1bd5-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-9035c12bf07c1bd5-1","kind":"p","headingPath":["第二批相关领域词条包（2026-07-11）","G21抢救口径"],"text":"该稿保留 {{delete|g21}} ，在其下加入 {{Hang on}} ；正文删去首版无直接来源的“与其他形式的区别”及“影响与讨论”，改以Schechner 1968年论文的六条公理、1994年扩充版书目、Froma Zeitlin对《Dionysus in 69》的独立研究及纽约大学人物资料组织。MediaWiki首次解析已通过；修正了停用的 lang-en 模板和数个不存在的内部链接。当前Chrome及命令行再次出现 ERR_TUNNEL_CONNECTION_FAILED / 503 ，所以尚未把抢救稿与讨论页说明提交到公开页面。","textSha256":"958a29c388f95f2bd56d0be0b427336a6b1fd4ef6217581b986964b899ea3111","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-e1452dc024a630a9-1","anchor":"p-e1452dc024a630a9-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-e1452dc024a630a9-1","kind":"h2","headingPath":["证据边界"],"text":"证据边界","textSha256":"6034ee827063a3f0b3e0c1ff4b224baa5e9fb4e2cf9821273ba558075a85d9bc","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-fa007e919e2ed277-1","anchor":"p-fa007e919e2ed277-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-fa007e919e2ed277-1","kind":"li","headingPath":["证据边界"],"text":"本方案不能替代对具体人物姓名、作品和现有报道的逐项检索。","textSha256":"765f33527c7a45fb501c8a02c05b48eaa84576a2be90ce9f79d8be6b811b9089","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-9bab608f45283737-1","anchor":"p-9bab608f45283737-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-9bab608f45283737-1","kind":"li","headingPath":["证据边界"],"text":"是否符合收录标准取决于现存独立来源，而不是计划发布多少外部页面。","textSha256":"94c4d4819163a0008022fb2a79ac55fa9228cca1454eebd63da1f508a1fc3d61","links":[],"images":[]},{"id":"hs-eeeadbba897c914a#p-45266e95ca7ff524-1","anchor":"p-45266e95ca7ff524-1","url":"https://a.p4theater.top/research/hs-eeeadbba897c914a#p-45266e95ca7ff524-1","kind":"li","headingPath":["证据边界"],"text":"“递归电影”目前更适合作为待验证的研究概念；若中文第三方材料长期不足，可先在较成熟的“元电影/电影自反性”框架下写“递归结构”章节，而不急于建立独立流派词条。","textSha256":"d5a33efe46e8a324444265bd80120f9866d5f1336181bd3b7c6d0c6af34c7b9e","links":[],"images":[]}]}