{"id":"hs-d1a368ecd49dcbf9","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9","title":"Bergson x 现场流：绵延不是慢，而是时间没有被空间化","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-05-17","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-d1a368ecd49dcbf9-6dd4d784887bbff52462.md","markdownSha256":"6dd4d784887bbff5246282810592c636de511723709bf38697cb6449cc1f7c39","markdownBytes":3939,"characters":1090,"sourceEvidenceTier":"T3_THEORY_DIALOGUE_OVER_T0_T1_T2","sourceStatus":"active","evidenceBoundary":"本页是哲学对话，不替代影片事实；片段判断回到 T0/T1/T2。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-02d254c0cf942c28","https://a.p4theater.top/research/hs-0c456321769d3b9a","https://a.p4theater.top/research/hs-0cb2177bd74a9ec3","https://a.p4theater.top/research/hs-14ef79578f89f53a","https://a.p4theater.top/research/hs-16daa15c156575d6","https://a.p4theater.top/research/hs-41eb6ee8d398d420","https://a.p4theater.top/research/hs-4869c6d00b723a0b","https://a.p4theater.top/research/hs-5eb16112fd3893c4","https://a.p4theater.top/research/hs-dbcda70f0347709d","https://a.p4theater.top/research/hs-f1753922fc3d5068"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":36,"markdown":"# Bergson x 现场流：绵延不是慢，而是时间没有被空间化\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-17\n\n证据边界：本页是哲学对话，不替代影片事实；片段判断回到 T0/T1/T2。\n\n# Bergson x 现场流：绵延不是慢，而是时间没有被空间化\n\n## 思想刀口\n\nBergson 最有用的地方，不是“时间很主观”这种浅说法，而是他反对把时间空间化。\n\n钟表时间把时间切成可数单位。Bergson 的 `duration / 绵延` 指的是一种不能被外部刻度完全分割的持续：记忆、感受、等待、迟疑和行动倾向互相渗透。真正的时间不是一排点，而是一个正在变形的内部连续体。\n\n对[现场流](/research/hs-f1753922fc3d5068)来说，Bergson 的刀口是：\n\n```text\n不要只问片段持续了几秒。\n要问这几秒怎样改变了现场的经验密度。\n```\n\n## 撞到电影\n\n《人类投降派》里最典型的时间，不是“长”或“慢”，而是时间被现场重新组织。\n\n`01:44:03` 子丑说 `我什么也没想`，接着说 `只是在发呆`。如果用钟表时间看，这只是几秒停顿；如果用 Bergson 看，这几秒是现场时间的塌陷：发呆不是无事件，而是让观众时间空转。黄蒙追问 `如果你发呆大家看什么`，等于把一个人的内部绵延推成公共等待。\n\n第四部分的 `跳过 / 演过了 / 没必要演` 更锋利。`跳过` 表面上缩短时间，实际上制造了一种伪过去：没演的段落并没有消失，而是以“已经演过”的方式进入现场记忆。这不是剪掉一段时长，而是改变时间的存在方式。\n\n片尾和 Wiki 又进一步把时间递归化。拍摄现场已经过去，但字幕、时间码、MiMo、人工纠偏让它反复返回。Bergson 的记忆在这里被技术化：过去不是死去的过去，而是持续作用于现在的虚拟层。\n\n## 撞到方法\n\n我们的 Wiki/MiMo/人工核验方法，本质上不是“整理资料”，而是在处理现场时间。\n\n- T0 字幕把声音锁到时间码。\n- T1 可见事实把动作嵌入片段。\n- T2 MiMo 让过去影像重新被机器观看。\n- T3 概念矩阵让片段进入新的问题结构。\n\n这说明 Wiki 不是把时间归档为死材料，而是在让时间继续产生差异。每一次复扫都不是回到同一段，而是回到一个已经带着新问题的段落。\n\n## 生成现场流句子\n\n```text\n现场流中的时间，不是镜头持续时间，而是现场条件让过去、等待、跳过和归档互相渗透的绵延。\n```\n\n更短：\n\n```text\n现场流不是让时间变长，而是让时间不能被简单剪短。\n```\n\n## 反读\n\n不能把所有长镜头、停顿、沉默都写成 Bergson 式绵延。必须确认停顿改变了现场组织：观众是否等待，流程是否被卡住，语言是否补上，档案是否留下痕迹。\n\n## 相关\n\n- - [主观时间公共化](/research/hs-dbcda70f0347709d)\n- - [归档意识](/research/hs-41eb6ee8d398d420)\n- - [意识流到现场流](/research/hs-02d254c0cf942c28)\n- - [现场剪辑](/research/hs-0c456321769d3b9a)\n- - [现场流](/research/hs-f1753922fc3d5068)\n- - [递归现场流](/research/hs-5eb16112fd3893c4)\n- - [2026-05-12-现场流哲学家对话源卡](/research/hs-16daa15c156575d6)\n- - [现场流哲学家对话矩阵-2026-05-12](/research/hs-4869c6d00b723a0b)\n\n## 相关页面\n\n- [31-公共绵延-发呆怎样变成大家的时间](/research/hs-14ef79578f89f53a)\n- [论文-第四部分电影本体论-存在资格与现场生成](/research/hs-0cb2177bd74a9ec3)","paragraphs":[{"id":"hs-d1a368ecd49dcbf9#p-03a0ee080372ad66-1","anchor":"p-03a0ee080372ad66-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-03a0ee080372ad66-1","kind":"h2","headingPath":["Bergson x 现场流：绵延不是慢，而是时间没有被空间化"],"text":"Bergson x 现场流：绵延不是慢，而是时间没有被空间化","textSha256":"827371ef7debbc946afb7d8c44618c1aa0a518063ad289d779d7108211cf258e","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-e6c1c3149826c1f3-1","anchor":"p-e6c1c3149826c1f3-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-e6c1c3149826c1f3-1","kind":"h2","headingPath":["思想刀口"],"text":"思想刀口","textSha256":"e62da0d576d9a3a9a0a885e381ae04580adc0c0031e215c1207b5bbabeb1d5fa","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-8c0089397ddbda91-1","anchor":"p-8c0089397ddbda91-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-8c0089397ddbda91-1","kind":"p","headingPath":["思想刀口"],"text":"Bergson 最有用的地方，不是“时间很主观”这种浅说法，而是他反对把时间空间化。","textSha256":"30f0be49b582403b16679d18a552bd678800b87c85ff946b38e51212512c12b7","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-497e25578a99d518-1","anchor":"p-497e25578a99d518-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-497e25578a99d518-1","kind":"p","headingPath":["思想刀口"],"text":"钟表时间把时间切成可数单位。Bergson 的 duration / 绵延 指的是一种不能被外部刻度完全分割的持续：记忆、感受、等待、迟疑和行动倾向互相渗透。真正的时间不是一排点，而是一个正在变形的内部连续体。","textSha256":"c1617433114d9e0cccccab2a68c6539ae92c3eca45f5a4df4b6681c223a63852","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-c0681ffae3ef7790-1","anchor":"p-c0681ffae3ef7790-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-c0681ffae3ef7790-1","kind":"p","headingPath":["思想刀口"],"text":"对 现场流 来说，Bergson 的刀口是：","textSha256":"bd65cd5d9782b4d3f0ff594ab262c43f34459140b454c2fe1d0434af3240ca05","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-a2cc467645381bf0-1","anchor":"p-a2cc467645381bf0-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-a2cc467645381bf0-1","kind":"pre","headingPath":["思想刀口"],"text":"不要只问片段持续了几秒。\n要问这几秒怎样改变了现场的经验密度。","textSha256":"ada11fb6c44dc368534c4a432daa5755bf7988f3d560b22eb6c66a610165571f","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-dd005903f9966503-1","anchor":"p-dd005903f9966503-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-dd005903f9966503-1","kind":"h2","headingPath":["撞到电影"],"text":"撞到电影","textSha256":"53fc706adec27ac3b460041e744e50087bf993302e1d0e65c40805d137d25dfd","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-3254f9a39988087d-1","anchor":"p-3254f9a39988087d-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-3254f9a39988087d-1","kind":"p","headingPath":["撞到电影"],"text":"《人类投降派》里最典型的时间，不是“长”或“慢”，而是时间被现场重新组织。","textSha256":"8374573681afc11e778afeb92a24ea75b846af460f9e7744abebb78746b8a6ad","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-d2bb927ab97320ea-1","anchor":"p-d2bb927ab97320ea-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-d2bb927ab97320ea-1","kind":"p","headingPath":["撞到电影"],"text":"01:44:03 子丑说 我什么也没想 ，接着说 只是在发呆 。如果用钟表时间看，这只是几秒停顿；如果用 Bergson 看，这几秒是现场时间的塌陷：发呆不是无事件，而是让观众时间空转。黄蒙追问 如果你发呆大家看什么 ，等于把一个人的内部绵延推成公共等待。","textSha256":"306b465b9ffa101733801749ac941578c256aaacd9396267f8214000946e344f","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-5a9b7b758a55c50f-1","anchor":"p-5a9b7b758a55c50f-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-5a9b7b758a55c50f-1","kind":"p","headingPath":["撞到电影"],"text":"第四部分的 跳过 / 演过了 / 没必要演 更锋利。 跳过 表面上缩短时间，实际上制造了一种伪过去：没演的段落并没有消失，而是以“已经演过”的方式进入现场记忆。这不是剪掉一段时长，而是改变时间的存在方式。","textSha256":"78767414bd758007ce1150a78bdf1d10224077937d244cb8f0c48989dc06a002","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-0a8dd7bb57fc3788-1","anchor":"p-0a8dd7bb57fc3788-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-0a8dd7bb57fc3788-1","kind":"p","headingPath":["撞到电影"],"text":"片尾和 Wiki 又进一步把时间递归化。拍摄现场已经过去，但字幕、时间码、MiMo、人工纠偏让它反复返回。Bergson 的记忆在这里被技术化：过去不是死去的过去，而是持续作用于现在的虚拟层。","textSha256":"44087b74558c9ae02a21921cecada477081d9491fbe26a9931e1ea6c713fb9b4","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-4b03495929614781-1","anchor":"p-4b03495929614781-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-4b03495929614781-1","kind":"h2","headingPath":["撞到方法"],"text":"撞到方法","textSha256":"03f6df5f254a22a3b4a7cc8f6cba2fbfd2c6a6ab16874d0f3abb5c63eedfcb54","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-a6d3734f0ce0c10d-1","anchor":"p-a6d3734f0ce0c10d-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-a6d3734f0ce0c10d-1","kind":"p","headingPath":["撞到方法"],"text":"我们的 Wiki/MiMo/人工核验方法，本质上不是“整理资料”，而是在处理现场时间。","textSha256":"5555ae3fff8d69ab7f41b29b87c19242168289784ce64d3448e00d35bb0b3968","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-ef31b24df00aae72-1","anchor":"p-ef31b24df00aae72-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-ef31b24df00aae72-1","kind":"li","headingPath":["撞到方法"],"text":"T0 字幕把声音锁到时间码。","textSha256":"4f2d1f113b9c09f77d8c0c39576851a91140555070389a43428789ce4d5cb3dd","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-d9e0983e0e7f06c4-1","anchor":"p-d9e0983e0e7f06c4-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-d9e0983e0e7f06c4-1","kind":"li","headingPath":["撞到方法"],"text":"T1 可见事实把动作嵌入片段。","textSha256":"9cb01e5c957127ae15369ac6cdb08d60e6f5ee783d7fc655e249f2d4ede9f315","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-6cd64486b5c576c3-1","anchor":"p-6cd64486b5c576c3-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-6cd64486b5c576c3-1","kind":"li","headingPath":["撞到方法"],"text":"T2 MiMo 让过去影像重新被机器观看。","textSha256":"0f6578a415b7b08043a2fc6cd0cbb3c65c3002fe17b4426327c14eba6ab38194","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-fd5d639fb4fa2048-1","anchor":"p-fd5d639fb4fa2048-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-fd5d639fb4fa2048-1","kind":"li","headingPath":["撞到方法"],"text":"T3 概念矩阵让片段进入新的问题结构。","textSha256":"ba63a0c5bdf9d9f54ee611d44a959fcbacd7ba3d8fb45287c661936e166e7af4","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-9c3ec32a910f8684-1","anchor":"p-9c3ec32a910f8684-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-9c3ec32a910f8684-1","kind":"p","headingPath":["撞到方法"],"text":"这说明 Wiki 不是把时间归档为死材料，而是在让时间继续产生差异。每一次复扫都不是回到同一段，而是回到一个已经带着新问题的段落。","textSha256":"06976bfb597e83df1935cc50234d6e29d75bd1751f5d735db7ce46916c55e24f","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-2264074df02a1320-1","anchor":"p-2264074df02a1320-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-2264074df02a1320-1","kind":"h2","headingPath":["生成现场流句子"],"text":"生成现场流句子","textSha256":"64cfde938963261fb411f3f5309f7909444449d3c1162f48725e0a3acbd415aa","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-e5265a50b876bdd3-1","anchor":"p-e5265a50b876bdd3-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-e5265a50b876bdd3-1","kind":"pre","headingPath":["生成现场流句子"],"text":"现场流中的时间，不是镜头持续时间，而是现场条件让过去、等待、跳过和归档互相渗透的绵延。","textSha256":"a71c5628544be0751f6540aa0e027b3b338103f3f2dc06fd395f2a423cb7f696","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-484c21c997aa2a58-1","anchor":"p-484c21c997aa2a58-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-484c21c997aa2a58-1","kind":"p","headingPath":["生成现场流句子"],"text":"更短：","textSha256":"ad892b415d4f296c18046b045d601c5707a318b5d4761c8caeec6932de1e3f2b","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-934279ac675757e2-1","anchor":"p-934279ac675757e2-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-934279ac675757e2-1","kind":"pre","headingPath":["生成现场流句子"],"text":"现场流不是让时间变长，而是让时间不能被简单剪短。","textSha256":"094f47f0b8cb72ca45a47f71188aefc4eeaf227d259eedc9074b8974d50dd8eb","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-5b34a643890de5a8-1","anchor":"p-5b34a643890de5a8-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-5b34a643890de5a8-1","kind":"h2","headingPath":["反读"],"text":"反读","textSha256":"90585c484b229d6befae88da3f4ef0845a7d08ddc4526ac69a22a83f53a7d1be","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-bfa99a4aa52463bc-1","anchor":"p-bfa99a4aa52463bc-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-bfa99a4aa52463bc-1","kind":"p","headingPath":["反读"],"text":"不能把所有长镜头、停顿、沉默都写成 Bergson 式绵延。必须确认停顿改变了现场组织：观众是否等待，流程是否被卡住，语言是否补上，档案是否留下痕迹。","textSha256":"0cbc4e1b840d6eef410547bb7340646b07e3fc5bd97739ab797ced94b126dd14","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-5652116cc8203236-1","anchor":"p-5652116cc8203236-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-5652116cc8203236-1","kind":"h2","headingPath":["相关"],"text":"相关","textSha256":"7dfa43a32757b9c5007ad75470455a0c6c100a1ad366f2ba604724b6a4bad75e","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-a5eb2cae068e9daf-1","anchor":"p-a5eb2cae068e9daf-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-a5eb2cae068e9daf-1","kind":"li","headingPath":["相关"],"text":"主观时间公共化","textSha256":"91045e50435274c3c4b1609ce645f901352688da1a3db3f1c7ee482c05c0ed10","links":["https://a.p4theater.top/research/hs-dbcda70f0347709d"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-5ec86c4b5131feee-1","anchor":"p-5ec86c4b5131feee-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-5ec86c4b5131feee-1","kind":"li","headingPath":["相关"],"text":"归档意识","textSha256":"f4cf93263ba31e7a700ac0c45ecfccf665aa979e83d5857c0a366e3ed20083c1","links":["https://a.p4theater.top/research/hs-41eb6ee8d398d420"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-40a8b666faec4851-1","anchor":"p-40a8b666faec4851-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-40a8b666faec4851-1","kind":"li","headingPath":["相关"],"text":"意识流到现场流","textSha256":"b5beba0848440be8313db5b2a9a1c4bf199abce2cea71d4e0735475063d9941d","links":["https://a.p4theater.top/research/hs-02d254c0cf942c28"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-efb99bc656bd2fb0-1","anchor":"p-efb99bc656bd2fb0-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-efb99bc656bd2fb0-1","kind":"li","headingPath":["相关"],"text":"现场剪辑","textSha256":"9ae638a8945d10aa86dda74dd9ecd4499b2f23b6af1b9b99d8ade904e15a45a5","links":["https://a.p4theater.top/research/hs-0c456321769d3b9a"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-953631e5e7e1cbaa-1","anchor":"p-953631e5e7e1cbaa-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-953631e5e7e1cbaa-1","kind":"li","headingPath":["相关"],"text":"现场流","textSha256":"bbbcf12f21f2d098d81dc557427403b4c69b5d7a684b8752d8044f45081f4f56","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-4f22fda53ef9a73f-1","anchor":"p-4f22fda53ef9a73f-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-4f22fda53ef9a73f-1","kind":"li","headingPath":["相关"],"text":"递归现场流","textSha256":"4902388bd2936d26c03df3ee55e3284eacb88c6273831760959023fb88401f23","links":["https://a.p4theater.top/research/hs-5eb16112fd3893c4"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-20cc9263053c51eb-1","anchor":"p-20cc9263053c51eb-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-20cc9263053c51eb-1","kind":"li","headingPath":["相关"],"text":"2026-05-12-现场流哲学家对话源卡","textSha256":"6a570c5d4f0b22fce56b1b351cdbc9b30ef6b5bcbe85c2b01e0197d8010fed33","links":["https://a.p4theater.top/research/hs-16daa15c156575d6"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-8d1619528897c636-1","anchor":"p-8d1619528897c636-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-8d1619528897c636-1","kind":"li","headingPath":["相关"],"text":"现场流哲学家对话矩阵-2026-05-12","textSha256":"f5be92a97dcad5685c2d3c1173341275a7667591210b51660e16ae61c3b63a2c","links":["https://a.p4theater.top/research/hs-4869c6d00b723a0b"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-38cc8282472e4c98-1","anchor":"p-38cc8282472e4c98-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-38cc8282472e4c98-1","kind":"h2","headingPath":["相关页面"],"text":"相关页面","textSha256":"81410268052e179aa1a59f2b64b2f153dc5fe3b28c87c74272db08f41036ec4c","links":[],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-6294d8084d58679d-1","anchor":"p-6294d8084d58679d-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-6294d8084d58679d-1","kind":"li","headingPath":["相关页面"],"text":"31-公共绵延-发呆怎样变成大家的时间","textSha256":"57a0f732cfc643a4505f6c6e7125c348b19b0000872be859dfd23271a9c50769","links":["https://a.p4theater.top/research/hs-14ef79578f89f53a"],"images":[]},{"id":"hs-d1a368ecd49dcbf9#p-897251fce506a295-1","anchor":"p-897251fce506a295-1","url":"https://a.p4theater.top/research/hs-d1a368ecd49dcbf9#p-897251fce506a295-1","kind":"li","headingPath":["相关页面"],"text":"论文-第四部分电影本体论-存在资格与现场生成","textSha256":"9e9fc4c64b4072f1b02160a829f137b055583db59a773697f1b9aecd9f6e8f08","links":["https://a.p4theater.top/research/hs-0cb2177bd74a9ec3"],"images":[]}]}