{"id":"hs-cfa3b89f03e5ad15","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15","title":"行为艺术与在场：身体出现以后，就不再只是私人身体","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"P16-视觉艺术行为艺术内部人称技术第六批","sourceVersionDate":"2026-06-18","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-cfa3b89f03e5ad15-6a8c1f890e3151b5468c.md","markdownSha256":"6a8c1f890e3151b5468cfaf0deb14da3352d1b8fe8f253c4eaf585d20bcdd098","markdownBytes":3731,"characters":962,"sourceEvidenceTier":"T4_EXTERNAL_FORM_REFERENCE","sourceStatus":"active","evidenceBoundary":"本页只讨论行为艺术、身体媒介、现场在场、观众见证和记录延长如何改变第一人称归属，作为《人类投降派》身体、观看责任、片尾后命和档案化的 T4 形式参照；不反向裁决片内身体伦理、consent、现实伤害、人物心理或作者意图。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://www.tate.org.uk/art/art-terms/p/performance-art","https://www.tate.org.uk/art/art-terms/r/relational-aesthetics"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":55,"markdown":"# 行为艺术与在场：身体出现以后，就不再只是私人身体\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-06-18\n\n证据边界：本页只讨论行为艺术、身体媒介、现场在场、观众见证和记录延长如何改变第一人称归属，作为《人类投降派》身体、观看责任、片尾后命和档案化的 T4 形式参照；不反向裁决片内身体伦理、consent、现实伤害、人物心理或作者意图。\n\n# 行为艺术与在场：身体出现以后，就不再只是私人身体\n\n## 形式对象\n\n行为艺术最锋利的地方，是它把身体放到现场。\n\n不是身体代表作品。\n\n而是身体成为作品发生的媒介。\n\n身体一出现，事情就变了。\n\n因为身体不是纸上的符号。\n\n身体会累。\n\n身体会疼。\n\n身体会等待。\n\n身体会被看见。\n\n身体会被记录。\n\n身体会被误解。\n\n所以硬句是：\n\n```text\n身体一旦成为作品，就不再只是私人身体。\n```\n\n这句话不能浪漫化。\n\n它不是说身体被公共化就天然正当。\n\n恰恰相反。\n\n身体进入现场以后，责任更重。\n\n## 人称动作\n\n| 人称位 | 在行为艺术/在场中如何作用 |\n|---|---|\n| 第一人称 | 艺术家的我通过身体出现，但这个我被现场、观众和记录共同接走。 |\n| 第二人称 | 观众可能被面对、被邀请、被逼近，但被面对不等于被授权。 |\n| 第三人称 | 行为被记录、描述、计时、命名，变成可归档事件。 |\n| 第四人称 | 现场观众共同见证，也共同承担观看边界。 |\n| 第五人称 | 行为结束后，缺席的身体仍通过照片、录像和传闻压场。 |\n| 第六人称 | 摄影、录像、展览制度和档案系统延长并改写现场。 |\n\n## 作用链\n\n```text\n身体进入现场\n-> 行动发生\n-> 观众看见\n-> 看见变成责任\n-> 摄影和记录介入\n-> 行为结束\n-> 文件继续让身体出现\n```\n\n行为艺术不是让“我”变强。\n\n它常常让“我”暴露自己并不完整。\n\n身体在场以后，第一人称不再能独自占有自己。\n\n```text\n我在这里。\n但这里不归我一个人。\n```\n\n## 回到《人类投降派》\n\n适用位置：\n\n```text\n011 身体不是证词附属品。\n013 我不是我一个人。\n028 观众不是外面的人。\n034 你被叫进来但法槌没有给你。\n040 结束之后开始。\n```\n\n《人类投降派》里，身体不是概念的包装。\n\n身体本身会让概念失去轻飘。\n\n人不是在身体外面讲投降。\n\n人是在身体被现场逼出来时，才发现自己没有那么完整。\n\n这张卡可以支撑一句更硬的话：\n\n```text\n身体不是人的财产。\n身体是现场把人逼出来的地方。\n```\n\n## 可写硬句\n\n```text\n身体一旦成为作品，就不再只是私人身体。\n```\n\n也可以写成：\n\n```text\n身体来了，解释就不能太轻。\n```\n\n## 不可越界\n\n不能把行为艺术伦理直接套到片内人物身上。\n\n不能把身体公开化写成自动同意。\n\n不能把观众在场写成观众拥有裁决权。\n\n只能迁移：\n\n```text\n身体进入现场以后，第一人称会被观众、记录和制度共同分配。\n```\n\n## 外部线索\n\n- [Tate: performance art](https://www.tate.org.uk/art/art-terms/p/performance-art)\n- [Tate: relational aesthetics](https://www.tate.org.uk/art/art-terms/r/relational-aesthetics)","paragraphs":[{"id":"hs-cfa3b89f03e5ad15#p-e35b5c596b90a306-1","anchor":"p-e35b5c596b90a306-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-e35b5c596b90a306-1","kind":"h2","headingPath":["行为艺术与在场：身体出现以后，就不再只是私人身体"],"text":"行为艺术与在场：身体出现以后，就不再只是私人身体","textSha256":"701df6d34966f0e6b113c1835ce4878dab417825d1d18212313d027d251eb9cd","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-70d051ef069b4089-1","anchor":"p-70d051ef069b4089-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-70d051ef069b4089-1","kind":"h2","headingPath":["形式对象"],"text":"形式对象","textSha256":"d2c28c55810e315612f0dcc2da4f627d000ef128720a10de9a4d4d3d958a0c67","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-80ad6f443b17f108-1","anchor":"p-80ad6f443b17f108-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-80ad6f443b17f108-1","kind":"p","headingPath":["形式对象"],"text":"行为艺术最锋利的地方，是它把身体放到现场。","textSha256":"4ec00ce7de3743a605cbcb4e336e1c24805806840bd99dd67003b6b9a098f373","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-70dd2ddf14e2f976-1","anchor":"p-70dd2ddf14e2f976-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-70dd2ddf14e2f976-1","kind":"p","headingPath":["形式对象"],"text":"不是身体代表作品。","textSha256":"bf478f61a2fe806eb666380c729b31c7ea16d014a38dcb85f145c667cf589f9b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-60d7f0bfed6e6f92-1","anchor":"p-60d7f0bfed6e6f92-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-60d7f0bfed6e6f92-1","kind":"p","headingPath":["形式对象"],"text":"而是身体成为作品发生的媒介。","textSha256":"2c12426d032b80a2da11d5f480abafacc0a6e83a8aefc44328de16fa88319e4b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-5c5b636f75f40683-1","anchor":"p-5c5b636f75f40683-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-5c5b636f75f40683-1","kind":"p","headingPath":["形式对象"],"text":"身体一出现，事情就变了。","textSha256":"24d57114a75f1178033001aacd64961dfb08fd28f559c69c08b0c305238af455","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-85d28c99d68b9b8d-1","anchor":"p-85d28c99d68b9b8d-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-85d28c99d68b9b8d-1","kind":"p","headingPath":["形式对象"],"text":"因为身体不是纸上的符号。","textSha256":"6f16e9fbdf26081fd7f74672a4ae8cda9bf151851396bd580eda7c72b8b4c2ab","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-9105709d2bf43f12-1","anchor":"p-9105709d2bf43f12-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-9105709d2bf43f12-1","kind":"p","headingPath":["形式对象"],"text":"身体会累。","textSha256":"45916060df79aa952a068eec5704aed26f41202b6258c4765617466eb476615e","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-0854786cb75c90d6-1","anchor":"p-0854786cb75c90d6-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-0854786cb75c90d6-1","kind":"p","headingPath":["形式对象"],"text":"身体会疼。","textSha256":"f8c9abb7204f94dd387f07ff95ba4456c3336f63f45149588ba548b6a217d339","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-1e462839d2cb6119-1","anchor":"p-1e462839d2cb6119-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-1e462839d2cb6119-1","kind":"p","headingPath":["形式对象"],"text":"身体会等待。","textSha256":"c6e83565b5349b0e4dbc0abf17603ad892e428ba80923a88fe2f21983dd6a699","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-7312bea60890e78c-1","anchor":"p-7312bea60890e78c-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-7312bea60890e78c-1","kind":"p","headingPath":["形式对象"],"text":"身体会被看见。","textSha256":"79dfc067372fa9a6e2b1ba3fcc6ec56d566dab0926ea0b6dc990e662b77fc4a3","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-8771e21df342bdcf-1","anchor":"p-8771e21df342bdcf-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-8771e21df342bdcf-1","kind":"p","headingPath":["形式对象"],"text":"身体会被记录。","textSha256":"1290e26d37c15cdcc829a38d59329e536539a451b59e00fb50ea736f269d1c84","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-5bacf6d7f0a0e26f-1","anchor":"p-5bacf6d7f0a0e26f-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-5bacf6d7f0a0e26f-1","kind":"p","headingPath":["形式对象"],"text":"身体会被误解。","textSha256":"02327890682cf70f614af5c751e8284efefa600fae16b8e50bfc440b4e418fcb","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-fad4fe82aa2cb671-1","anchor":"p-fad4fe82aa2cb671-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-fad4fe82aa2cb671-1","kind":"p","headingPath":["形式对象"],"text":"所以硬句是：","textSha256":"4f8aa8beffb4ef4b22a633aa63750dee73b3365e021f9e54ed8114f7e5bbac44","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-2d45e1ee6b9ff750-1","anchor":"p-2d45e1ee6b9ff750-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-2d45e1ee6b9ff750-1","kind":"pre","headingPath":["形式对象"],"text":"身体一旦成为作品，就不再只是私人身体。","textSha256":"00fe366f1c8931a2d0813af045457a0a4a7408b3f23aa10b6c5dbd67e08d6765","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-9faaba7bb441d8f7-1","anchor":"p-9f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在行为艺术/在场中如何作用","textSha256":"8d320490cf78b74b454273c4e1a8b2ed012fe6b418665209ac753b22376b48b8","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-2cb022c91a17347d-1","anchor":"p-2cb022c91a17347d-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-2cb022c91a17347d-1","kind":"tr","headingPath":["人称动作"],"text":"第一人称 艺术家的我通过身体出现，但这个我被现场、观众和记录共同接走。","textSha256":"7336633c534ad4a39d0eb3e8c468c730056fb9700965d4670ff4cac05b45be43","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-9733161c8f211337-1","anchor":"p-9733161c8f211337-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-9733161c8f211337-1","kind":"tr","headingPath":["人称动作"],"text":"第二人称 观众可能被面对、被邀请、被逼近，但被面对不等于被授权。","textSha256":"acf86eebe00d760d8fa75b22d9932cf2819c5f7ee42383a8d10a2b4205d3351d","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-584b3c4a544ac609-1","anchor":"p-584b3c4a544ac609-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-584b3c4a544ac609-1","kind":"tr","headingPath":["人称动作"],"text":"第三人称 行为被记录、描述、计时、命名，变成可归档事件。","textSha256":"f3973f3e47506b383a5f711eba1843d8f2c4e340d8a2897474334e62dc0b9c37","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-7ebcdbd415c26aa6-1","anchor":"p-7ebcdbd415c26aa6-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-7ebcdbd415c26aa6-1","kind":"tr","headingPath":["人称动作"],"text":"第四人称 现场观众共同见证，也共同承担观看边界。","textSha256":"705fa4ea4fd0b525338088f6bac6b6a974ecdc2ff1268dea4d8373336b07f5f5","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-659eb6fb8f41ac5b-1","anchor":"p-659eb6fb8f41ac5b-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-659eb6fb8f41ac5b-1","kind":"tr","headingPath":["人称动作"],"text":"第五人称 行为结束后，缺席的身体仍通过照片、录像和传闻压场。","textSha256":"02d8e172d3db0c7477b69f6ebbc0fe99c03802c9854b4e7912fa74f4667e45ff","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-395ad8d4ac656751-1","anchor":"p-395ad8d4ac656751-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-395ad8d4ac656751-1","kind":"tr","headingPath":["人称动作"],"text":"第六人称 摄影、录像、展览制度和档案系统延长并改写现场。","textSha256":"ede746eca1f31377d91cfd774b995d5b3f3f7515a039a7e1f679537108252e51","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-876298288cf574a6-1","anchor":"p-876298288cf574a6-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-876298288cf574a6-1","kind":"h2","headingPath":["作用链"],"text":"作用链","textSha256":"12a83acf72f8cbbba222ceebe0d6a3fd42c7f206d048b91371a002ed54272bd1","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-e9673d5bff47325a-1","anchor":"p-e9673d5bff47325a-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-e9673d5bff47325a-1","kind":"pre","headingPath":["作用链"],"text":"身体进入现场\n-> 行动发生\n-> 观众看见\n-> 看见变成责任\n-> 摄影和记录介入\n-> 行为结束\n-> 文件继续让身体出现","textSha256":"518280bd6ea59c3e51fbc15fd22fb5854b40966b221a4c7e612c0f351f0936dd","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-79755235bd405966-1","anchor":"p-79755235bd405966-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-79755235bd405966-1","kind":"p","headingPath":["作用链"],"text":"行为艺术不是让“我”变强。","textSha256":"d3d57750a339ed78de10618f8b26a6d243fb12c039885bd5a362d4262cd5cc0f","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-c081d5cb35a7bc37-1","anchor":"p-c081d5cb35a7bc37-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-c081d5cb35a7bc37-1","kind":"p","headingPath":["作用链"],"text":"它常常让“我”暴露自己并不完整。","textSha256":"747c350b6b2ea4a78391f5c6317776fef0b03b088f1d5b1ffbc49487e659e5a6","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-a09ed4624dae3ff1-1","anchor":"p-a09ed4624dae3ff1-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-a09ed4624dae3ff1-1","kind":"p","headingPath":["作用链"],"text":"身体在场以后，第一人称不再能独自占有自己。","textSha256":"277f6264ac6270ab3af18422abc525b34cb51457edd365746dbe39173267968b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-2abffa4102bb484e-1","anchor":"p-2abffa4102bb484e-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-2abffa4102bb484e-1","kind":"pre","headingPath":["作用链"],"text":"我在这里。\n但这里不归我一个人。","textSha256":"5ef937e5cd25b445ef4467d0fd6d866315a1612ba62348594c3485d1745ba102","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-4f2ee1a86b8786ca-1","anchor":"p-4f2ee1a86b8786ca-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-4f2ee1a86b8786ca-1","kind":"h2","headingPath":["回到《人类投降派》"],"text":"回到《人类投降派》","textSha256":"2d41c8fc6bf0ab5c3e2119a46c76babb40bd4a5ed338fafc30853ce271122d5d","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-46ecbb726152e8bb-1","anchor":"p-46ecbb726152e8bb-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-46ecbb726152e8bb-1","kind":"p","headingPath":["回到《人类投降派》"],"text":"适用位置：","textSha256":"5eae78be342222e686a1cce01512dd7bbb90eeb47bd60d9a0f26f45f3a6b325b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-1af4e8816505dc45-1","anchor":"p-1af4e8816505dc45-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-1af4e8816505dc45-1","kind":"pre","headingPath":["回到《人类投降派》"],"text":"011 身体不是证词附属品。\n013 我不是我一个人。\n028 观众不是外面的人。\n034 你被叫进来但法槌没有给你。\n040 结束之后开始。","textSha256":"e7b9e6ddc1875009802d45335f5350d65182c24cd4f0ab9c7512737ff72ef672","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-4063021753d7f255-1","anchor":"p-4063021753d7f255-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-4063021753d7f255-1","kind":"p","headingPath":["回到《人类投降派》"],"text":"《人类投降派》里，身体不是概念的包装。","textSha256":"e77c70209b6cadddd5f4529af9dcb3d26bb3aadf4e328efdd2b93787bea48f66","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-339d49e0499a41fb-1","anchor":"p-339d49e0499a41fb-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-339d49e0499a41fb-1","kind":"p","headingPath":["回到《人类投降派》"],"text":"身体本身会让概念失去轻飘。","textSha256":"f7d2ca30bfdf0b4e72e3283c6d8feea48532915f988383693216760835f4c004","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-7f4b33d132cba32d-1","anchor":"p-7f4b33d132cba32d-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-7f4b33d132cba32d-1","kind":"p","headingPath":["回到《人类投降派》"],"text":"人不是在身体外面讲投降。","textSha256":"4c27c23da868c2011c4a0c148977fe0337a6a55670d4bba3426861623d6fa462","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-2750315b2c48cb9b-1","anchor":"p-2750315b2c48cb9b-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-2750315b2c48cb9b-1","kind":"p","headingPath":["回到《人类投降派》"],"text":"人是在身体被现场逼出来时，才发现自己没有那么完整。","textSha256":"30ccd0d069a17675534f0f147424b9bd6c6515f4f98ea11baaae832cfec3971f","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-ae60628fbd21bc45-1","anchor":"p-ae60628fbd21bc45-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-ae60628fbd21bc45-1","kind":"p","headingPath":["回到《人类投降派》"],"text":"这张卡可以支撑一句更硬的话：","textSha256":"a3476db57ae77618fb0b14ecf4fcc303fa6e5dae2a21e50e3fb535edc205feaa","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-1e458c876c9b0751-1","anchor":"p-1e458c876c9b0751-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-1e458c876c9b0751-1","kind":"pre","headingPath":["回到《人类投降派》"],"text":"身体不是人的财产。\n身体是现场把人逼出来的地方。","textSha256":"4b2fa1e143a371456ae761deb12105bd87f220ac359afdb59dd5ba14f237cf79","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-bac69aae61a293ed-1","anchor":"p-bac69aae61a293ed-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-bac69aae61a293ed-1","kind":"h2","headingPath":["可写硬句"],"text":"可写硬句","textSha256":"cbdb6a684e76eb78d98602b32e152917c9225e5dcc9f0e3eaeb1b9c19d58791a","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-2d45e1ee6b9ff750-2","anchor":"p-2d45e1ee6b9ff750-2","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-2d45e1ee6b9ff750-2","kind":"pre","headingPath":["可写硬句"],"text":"身体一旦成为作品，就不再只是私人身体。","textSha256":"00fe366f1c8931a2d0813af045457a0a4a7408b3f23aa10b6c5dbd67e08d6765","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-3ed62bdf558c9c51-1","anchor":"p-3ed62bdf558c9c51-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-3ed62bdf558c9c51-1","kind":"p","headingPath":["可写硬句"],"text":"也可以写成：","textSha256":"50553916e38e112dc15204be6049229ebc45ca11fa868e88296bad1dc6b4e15b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-ffcb429154c5fc5e-1","anchor":"p-ffcb429154c5fc5e-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-ffcb429154c5fc5e-1","kind":"pre","headingPath":["可写硬句"],"text":"身体来了，解释就不能太轻。","textSha256":"57e73fa4541e3e91113e5c29d0dfafe3d620d9e0aa4cdc9f0b51fda402e4ace8","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-f1402fe5cca6e49e-1","anchor":"p-f1402fe5cca6e49e-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-f1402fe5cca6e49e-1","kind":"h2","headingPath":["不可越界"],"text":"不可越界","textSha256":"bdd5e7782d1d0b9c5537d69c7b0d62cc9696499daec461feede549dea570ed80","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-449b105bbe33b638-1","anchor":"p-449b105bbe33b638-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-449b105bbe33b638-1","kind":"p","headingPath":["不可越界"],"text":"不能把行为艺术伦理直接套到片内人物身上。","textSha256":"fe97db581f8dba0e759209520a7cdb172bc940e7c5232fb664fb9e208f672b90","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-294071f42025e63b-1","anchor":"p-294071f42025e63b-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-294071f42025e63b-1","kind":"p","headingPath":["不可越界"],"text":"不能把身体公开化写成自动同意。","textSha256":"a3e51025a6ef5a704130dae407a97363be6c2b0955f3b9b800c31e884920dbda","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-eef53b8e15614072-1","anchor":"p-eef53b8e15614072-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-eef53b8e15614072-1","kind":"p","headingPath":["不可越界"],"text":"不能把观众在场写成观众拥有裁决权。","textSha256":"4b904a302fdb9be9bf56f880cd8eb634881124c4d99ba19f8122706d4ee14f9b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-d92f5e07c225c00b-1","anchor":"p-d92f5e07c225c00b-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-d92f5e07c225c00b-1","kind":"p","headingPath":["不可越界"],"text":"只能迁移：","textSha256":"40a2b388c508a9e986482f2db602df6dcf872c634dca5f8a2cf62d57be17d179","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-86b1db0ac8f56c1f-1","anchor":"p-86b1db0ac8f56c1f-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-86b1db0ac8f56c1f-1","kind":"pre","headingPath":["不可越界"],"text":"身体进入现场以后，第一人称会被观众、记录和制度共同分配。","textSha256":"d6752bd477d30dc83e69862ed9e15b9ad7d661ceae32502b36369396734c1322","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-82ba8e93d7c6ee48-1","anchor":"p-82ba8e93d7c6ee48-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-82ba8e93d7c6ee48-1","kind":"h2","headingPath":["外部线索"],"text":"外部线索","textSha256":"0edffbd614a15b8df7d89c163708be0053882bf8650e4293a8114334f6adfa3b","links":[],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-5386c995baf84bf4-1","anchor":"p-5386c995baf84bf4-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-5386c995baf84bf4-1","kind":"li","headingPath":["外部线索"],"text":"Tate: performance art","textSha256":"83810714ad010dafdb799de85f727e4c87ced86c86e5edd8657270f8ff127331","links":["https://www.tate.org.uk/art/art-terms/p/performance-art"],"images":[]},{"id":"hs-cfa3b89f03e5ad15#p-1da5651274781370-1","anchor":"p-1da5651274781370-1","url":"https://a.p4theater.top/research/hs-cfa3b89f03e5ad15#p-1da5651274781370-1","kind":"li","headingPath":["外部线索"],"text":"Tate: relational aesthetics","textSha256":"b4ef06c35787feac9eda75f428ebb59bc7bc2eda93ede70fbddd5c03c50a6fc2","links":["https://www.tate.org.uk/art/art-terms/r/relational-aesthetics"],"images":[]}]}