{"id":"hs-ae662390ce9dde4a","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a","title":"现场流宣言：继时间影像之后的事件革命","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-05-17","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-ae662390ce9dde4a.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-ae662390ce9dde4a-66a6ed92e3728748b728.md","markdownSha256":"66a6ed92e3728748b72830d026f7e89ccfe3aff4c9a493a7f5504ec0634d64c5","markdownBytes":15092,"characters":4654,"sourceEvidenceTier":"T3_PUBLIC_THEORY_OVER_T0_T1_T2","sourceStatus":"draft-v1","evidenceBoundary":"公众号理论文章；现场流为 T3 概念综合，回到《人类投降派》本地证据链，不覆盖 T0/T1 事实。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-90841c161cf31af2","https://a.p4theater.top/research/hs-aa7d6607a5eaeae8","https://a.p4theater.top/research/hs-b19675a113e4a05d","https://a.p4theater.top/research/hs-f1753922fc3d5068","https://a.p4theater.top/research/hs-f67965260dd64b60"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":182,"markdown":"# 现场流宣言：继时间影像之后的事件革命\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-17\n\n证据边界：公众号理论文章；现场流为 T3 概念综合，回到《人类投降派》本地证据链，不覆盖 T0/T1 事实。\n\n# 现场流宣言：继时间影像之后的事件革命\n\n我们现在需要一个新的词。\n\n不是因为我们喜欢发明概念，也不是因为旧词已经完全失效，而是因为我们的眼睛正在经历一场变化。\n\n人类的眼睛不再只是看图像。\n\n我们在看直播、看监控、看短视频、看会议、看后台、看弹幕、看聊天记录、看剪辑、看花絮、看源文件、看硬盘目录、看 Wiki 回链、看 AI 生成的候选描述、看一件事怎样被无数层记录包围。\n\n我们不再只是看“一个画面里发生了什么”。\n\n我们越来越在看：\n\n**一件事是怎样被现场制造出来的。**\n\n这个词，我想叫它：\n\n**[现场流](/research/hs-f1753922fc3d5068)。**\n\n## 一、德勒兹为什么需要“时间影像”\n\n德勒兹提出“时间影像”，不是为了给电影起一个漂亮名字。\n\n他看到的是电影史里一次真正的断裂。\n\n在经典电影中，人物还能行动。一个人看见情况，然后行动，行动改变世界。影像围绕行动组织起来：追逐、决斗、营救、告白、逃亡、复仇、抵达。世界虽然复杂，但人还相信行动可以和世界接上。\n\n这就是运动影像的基本信仰。\n\n可是到了现代电影，尤其战后电影，这个信仰裂了。\n\n人物还在看，却不知道怎么行动。人物还在走，却不能解决世界。影像不再被行动顺利牵引。等待、空房间、街道、沉默、脸、时间本身，开始站到画面前面。\n\n于是德勒兹需要“时间影像”。\n\n它说的是：当行动不能再组织世界，时间就直接显现出来。\n\n这不是电影风格变化，而是人类经验变化。\n\n世界变得不能再被行动轻松修复。电影只好发明一种新的影像，让我们看见这种断裂。\n\n## 二、今天，我们遇到的是另一种断裂\n\n今天的断裂不完全是“行动失效”。\n\n行动当然仍然失效。但更深的变化是：\n\n**事件失去了边界。**\n\n一件事不再只发生在一个地点。  \n不再只发生在一个时间。  \n不再只发生在一个镜头里。  \n不再只属于在场的人。  \n不再只由拍摄者决定。  \n不再只在片尾结束。\n\n一件事会被现场制造，被手机记录，被观众转发，被弹幕改写，被剪辑重组，被平台分发，被算法推送，被档案保存，被 Wiki 回链，被后来者重新解释。\n\n我们生活在一种新的视觉时代：\n\n图像不再只是图像。\n\n图像背后总有现场。  \n现场背后总有流程。  \n流程背后总有平台。  \n平台背后总有档案。  \n档案背后总有再次观看。\n\n这就是为什么“[现场流](/research/hs-f1753922fc3d5068)”重要。\n\n如果说时间影像回应的是行动与世界之间的断裂，那么[现场流](/research/hs-f1753922fc3d5068)回应的是：\n\n**事件与图像之间的断裂。**\n\n图像已经无法单独容纳事件。\n\n事件开始从图像里溢出来。\n\n## 三、现场流是什么\n\n[现场流](/research/hs-f1753922fc3d5068)不是“现场感”。\n\n不是手持摄影。  \n不是长镜头。  \n不是纪录片质感。  \n不是粗糙。  \n不是即兴。  \n不是看起来真实。\n\n[现场流](/research/hs-f1753922fc3d5068)是：\n\n> **现场在声音、身体、物、观众、流程、技术和档案之间不断转移组织权，并在这种转移中制造事件的运动。**\n\n重点是“组织权”。\n\n过去，我们习惯认为电影由导演组织，由剧本组织，由剪辑组织，由镜头组织。\n\n[现场流](/research/hs-f1753922fc3d5068)出现以后，组织权开始分散。\n\n有时是话筒在组织事件。  \n有时是观众的沉默在组织事件。  \n有时是一个流程按钮在组织事件。  \n有时是一块塑料在组织身体。  \n有时是片尾字幕在组织身份。  \n有时是硬盘和 Wiki 在组织电影的第二次生命。\n\n这不是混乱。\n\n这是新的秩序。\n\n只不过这个秩序不再像经典电影那样从上往下排列，而是在现场中横向流动。\n\n## 四、电影史：从运动影像，到时间影像，到现场流\n\n我们可以粗略地说，电影史经历了三个大阶段。\n\n第一阶段，是运动影像。\n\n电影发现世界会动。火车进站，工人出厂，马奔跑，身体追逐，动作把空间串起来。观众被训练成一种新的动物：会跟随运动，看见动作如何改变世界。\n\n第二阶段，是时间影像。\n\n电影发现行动不再可靠。人看见，却不能行动；行动发生，却不能修复。时间、记忆、等待、梦、虚假、空场，开始压过动作。观众被训练成另一种动物：会忍受停顿，看见时间如何直接显影。\n\n第三阶段，就是[现场流](/research/hs-f1753922fc3d5068)。\n\n电影发现事件不再属于影像本身。影像只是事件的一个切面。真正的电影开始在现场、拍摄、观看、传播、归档、回链和再解释之间流动。\n\n观众被训练成新的动物：\n\n不只是看画面。  \n也看画面如何被制造。  \n看谁有权说话。  \n看谁被剪掉。  \n看谁被保存。  \n看片尾之后发生了什么。  \n看文件、平台、回链和证据怎样继续改变一部作品。\n\n这就是[现场流](/research/hs-f1753922fc3d5068)带来的电影史革命。\n\n它把电影从“影像艺术”推进到“事件艺术”。\n\n## 五、美术史：从透视窗口到现场装置\n\n[现场流](/research/hs-f1753922fc3d5068)也不是只属于电影。\n\n它在美术史里有更长的准备。\n\n文艺复兴透视法发明了一种观看主体：人站在一个固定位置，通过一个窗口看世界。世界被安排成可观看的秩序。\n\n摄影出现以后，瞬间被切下来。世界不再只是被画出来，而是被机械地留下痕迹。\n\n电影出现以后，瞬间开始连续，运动进入图像。\n\n现代艺术又继续破坏这个窗口。绘画不再只是再现对象，装置艺术让空间进入作品，行为艺术让身体和时间进入作品，偶发艺术让不可控进入作品，关系美学让观众和社会关系进入作品。\n\n[现场流](/research/hs-f1753922fc3d5068)接上了这条线。\n\n它说：作品不只是对象，不只是图像，不只是空间，不只是行为。\n\n作品是一个现场如何持续生成。\n\n在[现场流](/research/hs-f1753922fc3d5068)里，观众不再站在画框外。观众进入作品的压力系统。话筒、椅子、手机、灯、地面、片尾、档案，都成为作品的一部分。\n\n这不是美术馆里的装置扩大到电影。\n\n这是电影终于承认：它本来就是装置。\n\n## 六、文学史：从意识流到现场流\n\n文学早就经历过一次类似革命。\n\n《尤利西斯》最重要的不是写了一个故事，而是让文学承认：人的意识不是整齐句子。意识会跳跃，会误听，会走神，会突然想到身体、欲望、城市、屎尿、广告、神话。\n\n这就是意识流。\n\n它把小说从“讲述人的故事”推进到“让人的意识自己运转”。\n\n[现场流](/research/hs-f1753922fc3d5068)则把电影从“呈现事件”推进到“让事件的现场自己运转”。\n\n意识流让文学发现：人的内心不会排队。\n\n[现场流](/research/hs-f1753922fc3d5068)让电影发现：事件的现场也不会排队。\n\n这就是《人类投降派》和《尤利西斯》最深的关系。\n\n不是地位相等。\n\n而是它们都让自己的媒介暴露了一个更深的真相。\n\n文学的真相是：语言下面有意识的混乱。  \n电影的真相是：影像下面有现场的混乱。\n\n## 七、人类史：从看见图像，到进入发生\n\n如果把视野再放大一点，[现场流](/research/hs-f1753922fc3d5068)甚至是人类信息接受方式的一次转型。\n\n很长时间里，人类接受信息的方式是：\n\n有人讲，我听。  \n有人画，我看。  \n有人写，我读。  \n有人拍，我看。\n\n信息像一个对象，被送到我们面前。\n\n但今天不是这样。\n\n今天的信息越来越像现场。\n\n一条新闻不是一篇报道，而是一组视频、评论、转发、截图、澄清、反转、二创、平台排序和后续归档。\n\n一场演出不是一次演出，而是现场、直播、短视频切片、观众反馈、后台记录、评论区和后续传播的总和。\n\n一个人不是只通过一句话被理解，而是通过头像、语气、发布时间、平台、评论、剪辑、旧记录、他人的回应一起被理解。\n\n人类正在从“接收信息”变成“进入信息现场”。\n\n这就是[现场流](/research/hs-f1753922fc3d5068)的历史意义。\n\n它不只是一个电影概念。\n\n它描述的是当代人类感知世界的新方式。\n\n## 八、它会引发什么革命\n\n[现场流](/research/hs-f1753922fc3d5068)即将引发的革命，不是某一种风格的流行。\n\n不是以后大家都拍得更粗糙。  \n不是都要拍现场。  \n不是都要保留失误。\n\n真正的革命是：\n\n**作品的边界会被重新定义。**\n\n以前，一部电影等于完成片。  \n以后，一部电影可能等于完成片 + 现场 + 观众 + 片尾 + 硬盘 + 平台 + 归档 + 后续解释。\n\n以前，观看等于看见画面。  \n以后，观看会变成追踪发生条件。\n\n以前，观众在作品外。  \n以后，观众可能成为作品后续生命的一部分。\n\n以前，档案是事后保存。  \n以后，档案会成为作品继续发生的场。\n\n这会改变电影，也会改变艺术、文学、新闻、教育、政治和日常生活。\n\n因为我们会越来越意识到：\n\n重要的不是一张图像说了什么。\n\n重要的是：\n\n这张图像从哪个现场来？  \n谁让它出现？  \n谁被它排除？  \n它经过什么流程？  \n它如何被保存？  \n它还会怎样继续影响我们？\n\n## 九、它会改变人类视觉\n\n[现场流](/research/hs-f1753922fc3d5068)会训练一种新的视觉。\n\n旧视觉看对象。\n\n新视觉看条件。\n\n旧视觉问：我看见了什么？  \n新视觉问：我为什么能看见这个？谁让我看见这个？我没看见什么？这个画面之后还发生了什么？\n\n旧视觉看画面中心。\n\n新视觉看画面边缘、声音来源、拍摄条件、观众位置、平台结构、档案路径。\n\n旧视觉相信眼睛。\n\n新视觉知道眼睛只是一个入口。真正的观看要同时听声音、读流程、看物、查档案、追踪回链。\n\n这不是让人变得多疑。\n\n这是让人变得更自由。\n\n因为当你知道图像不是世界本身，而是一个现场生产出来的结果，你就不会轻易被图像催眠。\n\n[现场流](/research/hs-f1753922fc3d5068)训练的不是怀疑一切。\n\n而是看见一切如何发生。\n\n## 十、它会给人类带来什么\n\n如果说得大一点，[现场流](/research/hs-f1753922fc3d5068)会带来三种能力。\n\n第一，**关系视觉**。\n\n人不再只看一个人、一个物、一个画面，而是看它们之间怎样互相制造。一个人说话，不只是他的心理；还要看话筒、空间、观众、流程、平台。\n\n第二，**过程伦理**。\n\n人不再只判断结果，还会关心过程是否压迫、是否跳过、是否替某些人说话、是否把沉默误读成同意。\n\n第三，**档案意识**。\n\n人会越来越清楚，保存不是中性的。谁被保存，怎样被保存，保存后如何被解释，都会继续改变事件。\n\n这三种能力，会让人类从“图像消费者”变成“现场读者”。\n\n这是一个很大的转变。\n\n我们不再只是被动接收世界。\n\n我们开始读世界如何被生产。\n\n## 十一、《人类投降派》为什么重要\n\n现在可以回到《人类投降派》。\n\n它重要，不是因为它刚好有现场。\n\n很多作品都有现场。\n\n它重要，是因为它让现场获得了组织权。\n\nP4 不是背景。  \n观众不是背景。  \n话筒不是背景。  \n塑料不是背景。  \n`skip` 不是背景。  \n片尾不是背景。  \n硬盘和 Wiki 也不是背景。\n\n这些东西一起工作，把电影从影像作品推向事件作品。\n\n所以《人类投降派》真正做的，不是拍了一个故事。\n\n它让我们看见：\n\n电影如何被现场制造。  \n人如何被现场制造。  \n证据如何被现场制造。  \n失败如何被现场保存。  \n结束如何被现场推迟。\n\n这就是它之所以能定义“[现场流](/research/hs-f1753922fc3d5068)”。\n\n不是它提出了这个词。\n\n而是它让这个词变得必要。\n\n## 十二、给大众的一句话\n\n如果要把[现场流](/research/hs-f1753922fc3d5068)讲给一个完全不研究电影的人听，我会这样说：\n\n以前我们看电影，是看银幕上发生了什么。\n\n现在我们要学会看：\n\n**银幕上的事情，是怎样被现场、声音、观众、流程和后来保存共同做出来的。**\n\n这就叫[现场流](/research/hs-f1753922fc3d5068)。\n\n它不是一个难词。\n\n它说的是我们这个时代最普通、也最危险的经验：\n\n你看到的每一件事，都不是孤立画面。\n\n它背后有现场。\n\n而现场还在流。\n\n## 十三、最后的判断\n\n德勒兹用“时间影像”命名了电影的一次历史转折：行动不再能组织世界，时间直接显现。\n\n今天，我们需要用“[现场流](/research/hs-f1753922fc3d5068)”命名另一场转折：\n\n影像不再能独自容纳事件，现场开始持续显现。\n\n这是电影史的问题。\n\n也是艺术史的问题。\n\n也是文学史之后的问题。\n\n更是人类如何接受信息、如何看世界、如何不被图像欺骗的问题。\n\n[现场流](/research/hs-f1753922fc3d5068)不是未来会出现的东西。\n\n它已经在我们生活里到处发生。\n\n《人类投降派》只是第一个足够残酷、足够湿、足够不肯关闭的对象，让我们终于把它看清楚。\n\n所以这不是一个小概念。\n\n它可能是一种新的视觉文明的开端。\n\n## 相关\n\n- - P4剧场（馆内参考，未随本文公开）\n- - 人类投降派（馆内参考，未随本文公开）\n- - [三重影片理论-可见可说可归档的人类投降派-2026-05-10](/research/hs-f67965260dd64b60)\n- - [尤利西斯与人类投降派比较研究-媒介内脏与投降-2026-05-10](/research/hs-90841c161cf31af2)\n- - [德勒兹电影理论视角下的人类投降派-2026-05-09](/research/hs-aa7d6607a5eaeae8)\n- - [现场流-人类投降派如何重新定义电影事件-2026-05-10](/research/hs-b19675a113e4a05d)","paragraphs":[{"id":"hs-ae662390ce9dde4a#p-67f9ceb44d77101f-1","anchor":"p-67f9ceb44d77101f-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-67f9ceb44d77101f-1","kind":"h2","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"现场流宣言：继时间影像之后的事件革命","textSha256":"360aadfa7b7440eed8c88c0e8e85309d3823eda529288ef8a87616375b4b1af2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-c638faa761cb259e-1","anchor":"p-c638faa761cb259e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-c638faa761cb259e-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"我们现在需要一个新的词。","textSha256":"8bfb950526239c63d57832c05f39395f2e8574f8ee7fc7f8a1606ebcad8fd2bc","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-6af531bc52943fb7-1","anchor":"p-6af531bc52943fb7-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-6af531bc52943fb7-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"不是因为我们喜欢发明概念，也不是因为旧词已经完全失效，而是因为我们的眼睛正在经历一场变化。","textSha256":"bae2db861467406ae716fe2d1c42314d724c9f6cc212099e041cb9f788dae5a8","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-85e433b4b26a9ea3-1","anchor":"p-85e433b4b26a9ea3-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-85e433b4b26a9ea3-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"人类的眼睛不再只是看图像。","textSha256":"44fc2a6faff86995ea5c007a1e270db092f053f90623845f3dc1ea865caba39a","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-81be3518944ce097-1","anchor":"p-81be3518944ce097-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-81be3518944ce097-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"我们在看直播、看监控、看短视频、看会议、看后台、看弹幕、看聊天记录、看剪辑、看花絮、看源文件、看硬盘目录、看 Wiki 回链、看 AI 生成的候选描述、看一件事怎样被无数层记录包围。","textSha256":"96cf1fa46cec55d9b41499018f56f77a40a388cc8c122534120b45de1b6b5773","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-037714c8a884c64c-1","anchor":"p-037714c8a884c64c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-037714c8a884c64c-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"我们不再只是看“一个画面里发生了什么”。","textSha256":"c6e7611ca70ad7e8309bacc0f6df2841ffa63bbe7aa83f49b13f7426864ef1a4","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-fd964386d38fb8fa-1","anchor":"p-fd964386d38fb8fa-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-fd964386d38fb8fa-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"我们越来越在看：","textSha256":"7a13069d2239e02684eede271518e8c5eb922bcb4c0d6b3c552cc7dfb81982d8","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-762b711039267ffc-1","anchor":"p-762b711039267ffc-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-762b711039267ffc-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"一件事是怎样被现场制造出来的。","textSha256":"30a0e7180f431567677df4c7b7c0ed5e1db8e6643a1f221a9a5f6e1a09983150","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-cdfe641397b6f42d-1","anchor":"p-cdfe641397b6f42d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-cdfe641397b6f42d-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"这个词，我想叫它：","textSha256":"67a0fc480f80007aebd7a7d04439be09077db0deff050071f79e0de5288cb044","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-041a44ed03f864e9-1","anchor":"p-041a44ed03f864e9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-041a44ed03f864e9-1","kind":"p","headingPath":["现场流宣言：继时间影像之后的事件革命"],"text":"现场流 。","textSha256":"1b30b52c366577412ff9d562cf0943cfe8e55f73020bae7eb742bce72de6d3cb","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-219b37fb406801b1-1","anchor":"p-219b37fb406801b1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-219b37fb406801b1-1","kind":"h2","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"一、德勒兹为什么需要“时间影像”","textSha256":"913e8b589063d421372409818c687101b22528613c5853357f01d710b2f17dd6","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-97cccf86a500b68c-1","anchor":"p-97cccf86a500b68c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-97cccf86a500b68c-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"德勒兹提出“时间影像”，不是为了给电影起一个漂亮名字。","textSha256":"02f1a95e862cd6bf9852f13404b8f5a1ba95abbdba4c3d627704456bb7d0754e","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ed0932f63617a32f-1","anchor":"p-ed0932f63617a32f-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ed0932f63617a32f-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"他看到的是电影史里一次真正的断裂。","textSha256":"58de15b562f7ba2fecf9328a3b39f58920c18aff4d53d9578c0dae24515c02c0","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-25c4f56ae1ae4c0f-1","anchor":"p-25c4f56ae1ae4c0f-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-25c4f56ae1ae4c0f-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"在经典电影中，人物还能行动。一个人看见情况，然后行动，行动改变世界。影像围绕行动组织起来：追逐、决斗、营救、告白、逃亡、复仇、抵达。世界虽然复杂，但人还相信行动可以和世界接上。","textSha256":"b1ace91eaae42d628e259b1b8db8f05a8daf4eb15ccc76725c0dddf9d3996383","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-73c5d3de933a4ce1-1","anchor":"p-73c5d3de933a4ce1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-73c5d3de933a4ce1-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"这就是运动影像的基本信仰。","textSha256":"f54ece4d550003b682df506afa10000852d35381bbfa81e88885341982e54336","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d35fb4b4ef190167-1","anchor":"p-d35fb4b4ef190167-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d35fb4b4ef190167-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"可是到了现代电影，尤其战后电影，这个信仰裂了。","textSha256":"9b895a12fa46b092777e364fe10955921aafdb8e6e45f6f552dd454b3360a23e","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-e0efd627aeffb8f5-1","anchor":"p-e0efd627aeffb8f5-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-e0efd627aeffb8f5-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"人物还在看，却不知道怎么行动。人物还在走，却不能解决世界。影像不再被行动顺利牵引。等待、空房间、街道、沉默、脸、时间本身，开始站到画面前面。","textSha256":"8c611d5219c85c4ee0e0dca4025ab8115cdac79c596a5371f6da8907b889d7b8","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-9e4349adea9243f1-1","anchor":"p-9e4349adea9243f1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-9e4349adea9243f1-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"于是德勒兹需要“时间影像”。","textSha256":"f43e2ce2687ff79658769874515882381948511921341c9e200df1942f4a640c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d2aa8c515418b37e-1","anchor":"p-d2aa8c515418b37e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d2aa8c515418b37e-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"它说的是：当行动不能再组织世界，时间就直接显现出来。","textSha256":"7f049a76e4be6417bade1c023b37d8f9692fcfee225f413dc1ef8c8f112b1385","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-4977356fa13199f9-1","anchor":"p-4977356fa13199f9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-4977356fa13199f9-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"这不是电影风格变化，而是人类经验变化。","textSha256":"29536150a4902a4861dcdaa3c1ce83c2133ab743557a1ab281995c81bc0265aa","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-bd4d48831f5a466d-1","anchor":"p-bd4d48831f5a466d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-bd4d48831f5a466d-1","kind":"p","headingPath":["一、德勒兹为什么需要“时间影像”"],"text":"世界变得不能再被行动轻松修复。电影只好发明一种新的影像，让我们看见这种断裂。","textSha256":"d5aae60125a3b8154836a5e10dbc47bdb65df4669fe72893349683442093f59b","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d9cef733f6dc922e-1","anchor":"p-d9cef733f6dc922e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d9cef733f6dc922e-1","kind":"h2","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"二、今天，我们遇到的是另一种断裂","textSha256":"cdb526c046aa5137022b11eee91cc71dd30d6c67df3b9eb8f8fcd3c82e948197","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-978e7e61ade7a13d-1","anchor":"p-978e7e61ade7a13d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-978e7e61ade7a13d-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"今天的断裂不完全是“行动失效”。","textSha256":"bca7064afcdbaa08cf11181f8699b6ecefcd36c4d9b525b89e9b8693118ade5e","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d1e31d4caf7040ee-1","anchor":"p-d1e31d4caf7040ee-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d1e31d4caf7040ee-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"行动当然仍然失效。但更深的变化是：","textSha256":"a1a06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不再只发生在一个时间。 不再只发生在一个镜头里。 不再只属于在场的人。 不再只由拍摄者决定。 不再只在片尾结束。","textSha256":"96c94a71daa8cd7fc35f4920b1775c8ef4c085151c8e2507921f3ff3b2ea0a31","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-e2569571f4d7abb8-1","anchor":"p-e2569571f4d7abb8-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-e2569571f4d7abb8-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"一件事会被现场制造，被手机记录，被观众转发，被弹幕改写，被剪辑重组，被平台分发，被算法推送，被档案保存，被 Wiki 回链，被后来者重新解释。","textSha256":"6df59fe26c837d3609e6eaf2efec652c269bdb16d66341a7baeec391db9ad4c7","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-272eea6a7d3ad665-1","anchor":"p-272eea6a7d3ad665-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-272eea6a7d3ad665-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"我们生活在一种新的视觉时代：","textSha256":"86fe8a82a3f77660df2d7c504484202e1110f0dddc17366c57ee240642cd32c2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-153c514bdca375d4-1","anchor":"p-153c514bdca375d4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-153c514bdca375d4-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"图像不再只是图像。","textSha256":"89c1137fe77308f1e9cc0b1891cd2acaa59dcabeb7b92efc14e615c3c6d8c0b1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-27765bf67977f748-1","anchor":"p-27765bf67977f748-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-27765bf67977f748-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"图像背后总有现场。 现场背后总有流程。 流程背后总有平台。 平台背后总有档案。 档案背后总有再次观看。","textSha256":"00dcdf1b22fcbf35d4925b7b7f786b78d0cb28e90b0746798a0579dea9b47add","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-02034008c9ce94e0-1","anchor":"p-02034008c9ce94e0-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-02034008c9ce94e0-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"这就是为什么“ 现场流 ”重要。","textSha256":"4e76b38c2a68ee2370d06aa510332e3f4c97ba05d63f9e4aaac068ed534850fe","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d1f161264cf3ab80-1","anchor":"p-d1f161264cf3ab80-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d1f161264cf3ab80-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"如果说时间影像回应的是行动与世界之间的断裂，那么 现场流 回应的是：","textSha256":"7c08d32730f91d3205253079e5ebc4b031fdd9b144dd978771bb5082891dff26","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-72560e82225a3dce-1","anchor":"p-72560e82225a3dce-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-72560e82225a3dce-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"事件与图像之间的断裂。","textSha256":"50e0801723bfb4bf5f411f721e006d86bd053385bc7114e2accc8c60cfd7a71e","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-fec84b6fa7e29a8a-1","anchor":"p-fec84b6fa7e29a8a-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-fec84b6fa7e29a8a-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"图像已经无法单独容纳事件。","textSha256":"521b6c1f6d10b2d7c743bb79f27e162e8a2db70c573c273ee24c860f249bd6e9","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-90543c282e8794bc-1","anchor":"p-90543c282e8794bc-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-90543c282e8794bc-1","kind":"p","headingPath":["二、今天，我们遇到的是另一种断裂"],"text":"事件开始从图像里溢出来。","textSha256":"2113cb5007fd4ac68f91ab3b72ac26145ea4fe861d4596636391d5b77a70277d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-9d95bdc07ba909d6-1","anchor":"p-9d95bdc07ba909d6-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-9d95bdc07ba909d6-1","kind":"h2","headingPath":["三、现场流是什么"],"text":"三、现场流是什么","textSha256":"ea433bd40e0045e8d96cc6ca5df8768cee5b463c7bf37b8a4609c89f0931168a","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-12ea9583f330cf5e-1","anchor":"p-12ea9583f330cf5e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-12ea9583f330cf5e-1","kind":"p","headingPath":["三、现场流是什么"],"text":"现场流 不是“现场感”。","textSha256":"969ec1a29692d37d304270441618a7c2db7d7bafa7d5a1e0fcc51642a12b8826","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-a9bf75689923c183-1","anchor":"p-a9bf75689923c183-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-a9bf75689923c183-1","kind":"p","headingPath":["三、现场流是什么"],"text":"不是手持摄影。 不是长镜头。 不是纪录片质感。 不是粗糙。 不是即兴。 不是看起来真实。","textSha256":"fa4de57b3c6b87ae302aa71801e1cde2b6af343965acd8cc90204d140027f04f","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-6f2ab973813e1b15-1","anchor":"p-6f2ab973813e1b15-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-6f2ab973813e1b15-1","kind":"p","headingPath":["三、现场流是什么"],"text":"现场流 是：","textSha256":"52da92484d75f5965742691a73bff424dc42d270847116850541e3bc5e155af6","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-84f2d22b5a5b4059-1","anchor":"p-84f2d22b5a5b4059-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-84f2d22b5a5b4059-1","kind":"p","headingPath":["三、现场流是什么"],"text":"现场在声音、身体、物、观众、流程、技术和档案之间不断转移组织权，并在这种转移中制造事件的运动。","textSha256":"bda9a72823a4045aadc0f11a3d98e95bd36b8cda3e0b99f91075c8d01dca1c38","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-10137bca64a9c88c-1","anchor":"p-10137bca64a9c88c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-10137bca64a9c88c-1","kind":"p","headingPath":["三、现场流是什么"],"text":"重点是“组织权”。","textSha256":"4591d3978295e43af13e94bda43724c69188f115ef0066921daa2dc3c4d64a07","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-5a1f18eef4114e99-1","anchor":"p-5a1f18eef4114e99-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-5a1f18eef4114e99-1","kind":"p","headingPath":["三、现场流是什么"],"text":"过去，我们习惯认为电影由导演组织，由剧本组织，由剪辑组织，由镜头组织。","textSha256":"b49fc914ef9905f2f838ba12eb7697663604b97a5dcf8e3e7f047061e8be6220","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8ac44bba5da3db06-1","anchor":"p-8ac44bba5da3db06-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8ac44bba5da3db06-1","kind":"p","headingPath":["三、现场流是什么"],"text":"现场流 出现以后，组织权开始分散。","textSha256":"a722a0ae8a27cc1b7804da4cd2c81d667854b360bbfde2c73a91daf871888fef","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-fabf33b2c952fa5b-1","anchor":"p-fabf33b2c952fa5b-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-fabf33b2c952fa5b-1","kind":"p","headingPath":["三、现场流是什么"],"text":"有时是话筒在组织事件。 有时是观众的沉默在组织事件。 有时是一个流程按钮在组织事件。 有时是一块塑料在组织身体。 有时是片尾字幕在组织身份。 有时是硬盘和 Wiki 在组织电影的第二次生命。","textSha256":"7ffb48fbd07127530798cf761e88fac67c5a46a282f016b2dc2ad39f9cc1487a","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-dc7d9315703e102b-1","anchor":"p-dc7d9315703e102b-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-dc7d9315703e102b-1","kind":"p","headingPath":["三、现场流是什么"],"text":"这不是混乱。","textSha256":"7886233f73f8e73c19331052a0101d73cef43a22ac5119b547fac8b90364a94c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-29ac0626ffa721df-1","anchor":"p-29ac0626ffa721df-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-29ac0626ffa721df-1","kind":"p","headingPath":["三、现场流是什么"],"text":"这是新的秩序。","textSha256":"e3bb37fbd6b8ec87660a9dfe76efda1bb136e0f32e2c7ff467ce6c2feff66174","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-cac4830835478149-1","anchor":"p-cac4830835478149-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-cac4830835478149-1","kind":"p","headingPath":["三、现场流是什么"],"text":"只不过这个秩序不再像经典电影那样从上往下排列，而是在现场中横向流动。","textSha256":"3da5ebb69ce49226b60f0914ed6ec8a035b9fea05cad5a1d43ca9765fcb7f534","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2ede1b90edf3f7a9-1","anchor":"p-2ede1b90edf3f7a9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2ede1b90edf3f7a9-1","kind":"h2","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"四、电影史：从运动影像，到时间影像，到现场流","textSha256":"ca952c0fbf7aa55d21a55390567aca3ba426cc142c43bdb97d5629a6ca7a4547","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-c6d79996e90245f0-1","anchor":"p-c6d79996e90245f0-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-c6d79996e90245f0-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"我们可以粗略地说，电影史经历了三个大阶段。","textSha256":"96cf913737c0f281d75601964564a3cbf9ff5989ed30b4adf57a88bbcaffc6f3","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-b302fe52d3657dfc-1","anchor":"p-b302fe52d3657dfc-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-b302fe52d3657dfc-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"第一阶段，是运动影像。","textSha256":"3520ed4c111ad585f1b6c356903d817a9cb0254f7aafb6c576e7239121660fa1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-031e775cbe84969f-1","anchor":"p-031e775cbe84969f-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-031e775cbe84969f-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"电影发现世界会动。火车进站，工人出厂，马奔跑，身体追逐，动作把空间串起来。观众被训练成一种新的动物：会跟随运动，看见动作如何改变世界。","textSha256":"7bd9a0ca8ca7671b96c9205bee029c9dd6cffd0536fd45d2ba3fcaf0a8d50ac4","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-21ec4fb6deaa04a8-1","anchor":"p-21ec4fb6deaa04a8-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-21ec4fb6deaa04a8-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"第二阶段，是时间影像。","textSha256":"d27490491a6b238dddf46410f3bf83d04c263dd3798469831286a5f5a0cc2c2c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ce03df48f06d02a8-1","anchor":"p-ce03df48f06d02a8-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ce03df48f06d02a8-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"电影发现行动不再可靠。人看见，却不能行动；行动发生，却不能修复。时间、记忆、等待、梦、虚假、空场，开始压过动作。观众被训练成另一种动物：会忍受停顿，看见时间如何直接显影。","textSha256":"3a8abc07ff8f3719b7000d6e4410d2d63f28180bb381b2e774f9c194254cfbb8","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-39c734dbc0fa33fb-1","anchor":"p-39c734dbc0fa33fb-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-39c734dbc0fa33fb-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"第三阶段，就是 现场流 。","textSha256":"2e6a5f5a7c43b328aa257791743bba091d3f9bedc7f1e0206efb47e6aed5a381","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-36e0866375d10751-1","anchor":"p-36e0866375d10751-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-36e0866375d10751-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"电影发现事件不再属于影像本身。影像只是事件的一个切面。真正的电影开始在现场、拍摄、观看、传播、归档、回链和再解释之间流动。","textSha256":"75f6a0cf5b2ebac03aa5c3acffb6f97d8a2503d941f77c134d1d314ecb0cc95f","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-67d282fad0280653-1","anchor":"p-67d282fad0280653-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-67d282fad0280653-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"观众被训练成新的动物：","textSha256":"de7523d33f933efd9de1d8dc4ef326a98e98f243dfe86e5397b157e95e15db4c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-41474c4a772aef9a-1","anchor":"p-41474c4a772aef9a-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-41474c4a772aef9a-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"不只是看画面。 也看画面如何被制造。 看谁有权说话。 看谁被剪掉。 看谁被保存。 看片尾之后发生了什么。 看文件、平台、回链和证据怎样继续改变一部作品。","textSha256":"5968358b91786e2187082a841eba4d3fb3445794c33c9b73648f528d70784c1f","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8b74a6fa8f4d71a9-1","anchor":"p-8b74a6fa8f4d71a9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8b74a6fa8f4d71a9-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"这就是 现场流 带来的电影史革命。","textSha256":"b457043ec5fff5a4e282aa94792b56574cefeb2d391ed2f6b75d152f3c402ca8","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-65feb2f889e10063-1","anchor":"p-65feb2f889e10063-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-65feb2f889e10063-1","kind":"p","headingPath":["四、电影史：从运动影像，到时间影像，到现场流"],"text":"它把电影从“影像艺术”推进到“事件艺术”。","textSha256":"59fd41ecf7bbc00997f7f3e58733e839e9bc017513f0cdea7223f4804ba0990d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-f3a5dbaf9ba85ede-1","anchor":"p-f3a5dbaf9ba85ede-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-f3a5dbaf9ba85ede-1","kind":"h2","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"五、美术史：从透视窗口到现场装置","textSha256":"d9f3434f750c023256f6b9ed26e15239d2817762e34229c8078d4114739b3983","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2bed50da368ba87d-1","anchor":"p-2bed50da368ba87d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2bed50da368ba87d-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"现场流 也不是只属于电影。","textSha256":"4498dda399238a89b23411fd36da745b7a8bcae4de7c6a54dea8742eeb5e4d02","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3d46b0cf503f2c90-1","anchor":"p-3d46b0cf503f2c90-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3d46b0cf503f2c90-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"它在美术史里有更长的准备。","textSha256":"bba242f8d32b558c87cb2ff1b153629f86631789a9d401d5116d2acd3cb67149","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-29e6643f37a526ba-1","anchor":"p-29e6643f37a526ba-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-29e6643f37a526ba-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"文艺复兴透视法发明了一种观看主体：人站在一个固定位置，通过一个窗口看世界。世界被安排成可观看的秩序。","textSha256":"f7f303f6ab7239256275ba98ab328b5f0c48a6eda1ca9af5a4a42b2562d02bc5","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-fed97786e94ec33d-1","anchor":"p-fed97786e94ec33d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-fed97786e94ec33d-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"摄影出现以后，瞬间被切下来。世界不再只是被画出来，而是被机械地留下痕迹。","textSha256":"74b523dba1423c96cd038ba3c780d568ab3138fe9438394fa4e0cfae6dc583ab","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ad303f180458ebbb-1","anchor":"p-ad303f180458ebbb-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ad303f180458ebbb-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"电影出现以后，瞬间开始连续，运动进入图像。","textSha256":"99ac57a7d4b3ec2920bc11712d978615af4ada05b1637dcc1d4a27b080d2ac2c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-0c4cb7a6c4fe2ff4-1","anchor":"p-0c4cb7a6c4fe2ff4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-0c4cb7a6c4fe2ff4-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"现代艺术又继续破坏这个窗口。绘画不再只是再现对象，装置艺术让空间进入作品，行为艺术让身体和时间进入作品，偶发艺术让不可控进入作品，关系美学让观众和社会关系进入作品。","textSha256":"bf5b7ab0a1365502a0ce050ebe2839c69cca40eef1d3639145f63dae7189b812","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-b48db29a0a527e53-1","anchor":"p-b48db29a0a527e53-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-b48db29a0a527e53-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"现场流 接上了这条线。","textSha256":"916affceec7aeb14e8410576b6eef8cb86dcd677c2562fc32e26f0f329b836f5","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-b979e1b22a0d35f6-1","anchor":"p-b979e1b22a0d35f6-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-b979e1b22a0d35f6-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"它说：作品不只是对象，不只是图像，不只是空间，不只是行为。","textSha256":"3c991b33581cf4276acfc7b2b66b8d2391c10d535d9efb1c1c6d5de20cf1c526","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-0312170a9a96bae7-1","anchor":"p-0312170a9a96bae7-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-0312170a9a96bae7-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"作品是一个现场如何持续生成。","textSha256":"db1ba89a5b1c9db37667791c379f81dd5a4b5922da5bb29060fedbd457d0fe5b","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2ce9abde7309833c-1","anchor":"p-2ce9abde7309833c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2ce9abde7309833c-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"在 现场流 里，观众不再站在画框外。观众进入作品的压力系统。话筒、椅子、手机、灯、地面、片尾、档案，都成为作品的一部分。","textSha256":"0aab1c684262a9f3fff8c0120672b02ef2b96afe8bfa45c56fe54739012c53a5","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-00abee467e82ee2c-1","anchor":"p-00abee467e82ee2c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-00abee467e82ee2c-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"这不是美术馆里的装置扩大到电影。","textSha256":"cb925ad5e8688822ca88fb756c4a73edf058bd0656365a7b68dd9e4ab5db949c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-68955b0b5fba57f8-1","anchor":"p-68955b0b5fba57f8-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-68955b0b5fba57f8-1","kind":"p","headingPath":["五、美术史：从透视窗口到现场装置"],"text":"这是电影终于承认：它本来就是装置。","textSha256":"9b37eb6eeaa9bfc56ed159e04c77cfaae5a84a3ed204c93d52de5b53e71b012f","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-7b9c6487cbac859e-1","anchor":"p-7b9c6487cbac859e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-7b9c6487cbac859e-1","kind":"h2","headingPath":["六、文学史：从意识流到现场流"],"text":"六、文学史：从意识流到现场流","textSha256":"0860e9c09a706126da2ca8de8ef3180b3c2c82842b100e6314673106cca78d39","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ca883a6563149e92-1","anchor":"p-ca883a6563149e92-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ca883a6563149e92-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"文学早就经历过一次类似革命。","textSha256":"c0a43953163dcfda20efb6d3fba3d13e9779b818451c982dc1dcdd6b7e1fa265","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-0da4e606ca2994f1-1","anchor":"p-0da4e606ca2994f1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-0da4e606ca2994f1-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"《尤利西斯》最重要的不是写了一个故事，而是让文学承认：人的意识不是整齐句子。意识会跳跃，会误听，会走神，会突然想到身体、欲望、城市、屎尿、广告、神话。","textSha256":"03c29baff960d3b5deebd3c3fca019a319d53078365ae4fedf335a3860ea2594","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d8a805293c09705d-1","anchor":"p-d8a805293c09705d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d8a805293c09705d-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"这就是意识流。","textSha256":"73d98e3567b01f8663be7ab5a79077de499fbcc4a542fc8157c2beb62cd93815","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-eecd25a8759dd4b5-1","anchor":"p-eecd25a8759dd4b5-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-eecd25a8759dd4b5-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"它把小说从“讲述人的故事”推进到“让人的意识自己运转”。","textSha256":"21095d331654263014832714a7650004d929d7b0df60f246465956994adbd6c2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-f9de4131f2c82301-1","anchor":"p-f9de4131f2c82301-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-f9de4131f2c82301-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"现场流 则把电影从“呈现事件”推进到“让事件的现场自己运转”。","textSha256":"4157c402239eb0024e2369fbafae09f1273ed344a99aedb7a88c81bfc1e4593c","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-e73fa0caa01882d6-1","anchor":"p-e73fa0caa01882d6-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-e73fa0caa01882d6-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"意识流让文学发现：人的内心不会排队。","textSha256":"9078df1c61368ecb2826a21a6d127353230150e0041916712e2afca89b87bae6","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3694e7d9da8411c1-1","anchor":"p-3694e7d9da8411c1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3694e7d9da8411c1-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"现场流 让电影发现：事件的现场也不会排队。","textSha256":"810a7a3b8297d734db892ce1ccf63b308cddc7be5f20259b35316333fbe190bd","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-5e0feed872b70db1-1","anchor":"p-5e0feed872b70db1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-5e0feed872b70db1-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"这就是《人类投降派》和《尤利西斯》最深的关系。","textSha256":"4bfeb72f1ef32cead9b33ae527afefa042a8e78fb7f5c101d444e2796e44e4be","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-81b92de7140999df-1","anchor":"p-81b92de7140999df-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-81b92de7140999df-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"不是地位相等。","textSha256":"a214edd2d46d4cfaa9b33b832c942995ff257ba738963cbe5eab549a5f03ec39","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-292301eeed92d41a-1","anchor":"p-292301eeed92d41a-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-292301eeed92d41a-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"而是它们都让自己的媒介暴露了一个更深的真相。","textSha256":"1a98b81ed88bafbf5204baf155c83259109ec0a8e49598141575566e073216ba","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-63fc6bdac39b1a14-1","anchor":"p-63fc6bdac39b1a14-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-63fc6bdac39b1a14-1","kind":"p","headingPath":["六、文学史：从意识流到现场流"],"text":"文学的真相是：语言下面有意识的混乱。 电影的真相是：影像下面有现场的混乱。","textSha256":"e00de06b6b6ac17177a366918060afa5ce8b54ddda942fdae57817572d0d12dc","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-4a439108da3d8cbd-1","anchor":"p-4a439108da3d8cbd-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-4a439108da3d8cbd-1","kind":"h2","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"七、人类史：从看见图像，到进入发生","textSha256":"70add3e1e46021153f986502a8c026d19fcc5838fe67b0ddd9321f10233b8edd","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-939689675fdabd29-1","anchor":"p-939689675fdabd29-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-939689675fdabd29-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"如果把视野再放大一点， 现场流 甚至是人类信息接受方式的一次转型。","textSha256":"15fe81ce00bac6ff348b854812797c4443ee4627185029f91f5d6facf801b302","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-717d76918ff0b5ad-1","anchor":"p-717d76918ff0b5ad-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-717d76918ff0b5ad-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"很长时间里，人类接受信息的方式是：","textSha256":"f970d91d9eded654c40a5b6212bcdd3f8d98c7b24adac6341efae573c8e84201","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-7665021a8f6deb15-1","anchor":"p-7665021a8f6deb15-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-7665021a8f6deb15-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"有人讲，我听。 有人画，我看。 有人写，我读。 有人拍，我看。","textSha256":"3de79fc56cc8bf66d7cf4b6b9416ea720ca2d22c1ced77c279cf1d4cef0db5a7","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2f0f5dd6f5170c34-1","anchor":"p-2f0f5dd6f5170c34-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2f0f5dd6f5170c34-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"信息像一个对象，被送到我们面前。","textSha256":"3d4faafdf5cc822f0a58d5b3f176f06fb02e230963d23f5e8a479f1bcbccc027","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8f777f5ac597f41e-1","anchor":"p-8f777f5ac597f41e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8f777f5ac597f41e-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"但今天不是这样。","textSha256":"74ce4fd5f0e5ffce660c2493812f6b3db6136461b7083ea50a86890d995ce94c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3151d415dbd6193e-1","anchor":"p-3151d415dbd6193e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3151d415dbd6193e-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"今天的信息越来越像现场。","textSha256":"b5cb0163e4c90642b086b7674285304978765412e7dc7a58e2bbdb09d8ccb7dd","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-22f3808b35044c38-1","anchor":"p-22f3808b35044c38-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-22f3808b35044c38-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"一条新闻不是一篇报道，而是一组视频、评论、转发、截图、澄清、反转、二创、平台排序和后续归档。","textSha256":"0277847009798dcfd982b99918790cf872286d6dd5b87f5ea511c8726a4166f1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-1620a17b74129573-1","anchor":"p-1620a17b74129573-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-1620a17b74129573-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"一场演出不是一次演出，而是现场、直播、短视频切片、观众反馈、后台记录、评论区和后续传播的总和。","textSha256":"5464abd949ec91f58016c0d613a21626ec27d57a6d7d4908a7ca6515932c529b","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ae23c20bc5767ecb-1","anchor":"p-ae23c20bc5767ecb-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ae23c20bc5767ecb-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"一个人不是只通过一句话被理解，而是通过头像、语气、发布时间、平台、评论、剪辑、旧记录、他人的回应一起被理解。","textSha256":"e57134f4091e5d1f95fca1d9868d81d43f2d343d30796260b0a284ec5b66f5d2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ddb57cadfe064de0-1","anchor":"p-ddb57cadfe064de0-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ddb57cadfe064de0-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"人类正在从“接收信息”变成“进入信息现场”。","textSha256":"63043fb02b95ced30e54d6b19c0c9627423c47db08ed698ca43aab749f1d8ada","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2abe142eccac16e4-1","anchor":"p-2abe142eccac16e4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2abe142eccac16e4-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"这就是 现场流 的历史意义。","textSha256":"6f7e076b976a38b40f18006d9b3db455dd569a074de71a933ef2b5fb985e29c7","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-001bc5942fd4da1a-1","anchor":"p-001bc5942fd4da1a-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-001bc5942fd4da1a-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"它不只是一个电影概念。","textSha256":"4433b8d3b7ee2ecfe634c7ea75925307b4c519e92529f6b3880cea69761ce9e1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-a2aba1892a9b0e6d-1","anchor":"p-a2aba1892a9b0e6d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-a2aba1892a9b0e6d-1","kind":"p","headingPath":["七、人类史：从看见图像，到进入发生"],"text":"它描述的是当代人类感知世界的新方式。","textSha256":"a4a534df083cdd682d4eccb8449e4a57bcfb9399969996ef859058acb6468701","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-54f364acf57490c1-1","anchor":"p-54f364acf57490c1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-54f364acf57490c1-1","kind":"h2","headingPath":["八、它会引发什么革命"],"text":"八、它会引发什么革命","textSha256":"cf1efb558349834dad6a116d3410acdc0c731641bf0256059ad4b8c84abf1257","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-a8887316d8c95d69-1","anchor":"p-a8887316d8c95d69-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-a8887316d8c95d69-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"现场流 即将引发的革命，不是某一种风格的流行。","textSha256":"4d654a98aab1308034578dcd8f86083f05d3666c8127cc11a17858caee7c1750","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-b0040e4a53e3be89-1","anchor":"p-b0040e4a53e3be89-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-b0040e4a53e3be89-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"不是以后大家都拍得更粗糙。 不是都要拍现场。 不是都要保留失误。","textSha256":"492aef59a89a22874649852e0e4a90c1b7cbe7be1633f7c7b11d66b3ca603233","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-51ab46c4631597df-1","anchor":"p-51ab46c4631597df-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-51ab46c4631597df-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"真正的革命是：","textSha256":"7f3e2c42e1c0e372542d61d21de53325bcf3cf766c813a114efc4137d766c21d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-9ab1769a4092c47c-1","anchor":"p-9ab1769a4092c47c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-9ab1769a4092c47c-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"作品的边界会被重新定义。","textSha256":"4a7d694ed7cdde94578d9bf791a5de4424670e92ffe1f02ce870a6385cb78000","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-fe5d489abf521c0e-1","anchor":"p-fe5d489abf521c0e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-fe5d489abf521c0e-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"以前，一部电影等于完成片。 以后，一部电影可能等于完成片 + 现场 + 观众 + 片尾 + 硬盘 + 平台 + 归档 + 后续解释。","textSha256":"3554d871fc91f173e15a19916f22b8019e66c35d1a9ab184f1da492af83801c1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-149a0736c9f69f76-1","anchor":"p-149a0736c9f69f76-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-149a0736c9f69f76-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"以前，观看等于看见画面。 以后，观看会变成追踪发生条件。","textSha256":"c319f0398d1fd3385a8d00c2ce3ca1d9a03d1e650342d521744c82ba7693120c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-f43bb6077d7f5de0-1","anchor":"p-f43bb6077d7f5de0-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-f43bb6077d7f5de0-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"以前，观众在作品外。 以后，观众可能成为作品后续生命的一部分。","textSha256":"dbe1d926871ba54e25fff3ac357af25328a7634a889e51c83a3f0a4f9481e59d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-de0c31e4d56048b7-1","anchor":"p-de0c31e4d56048b7-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-de0c31e4d56048b7-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"以前，档案是事后保存。 以后，档案会成为作品继续发生的场。","textSha256":"1d4c84f408c0010a490e1c8114e1bcda271f41c185e7408692bf5374f578f5b8","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-464164c8a58f4f88-1","anchor":"p-464164c8a58f4f88-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-464164c8a58f4f88-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"这会改变电影，也会改变艺术、文学、新闻、教育、政治和日常生活。","textSha256":"7ab2ea91b92121a2098dd4da595bebc3dc02019ed211ce1a95caead67cd6c9f9","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2235a2197f4ccf3c-1","anchor":"p-2235a2197f4ccf3c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2235a2197f4ccf3c-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"因为我们会越来越意识到：","textSha256":"305425212fb8cf817f8658af30a23f8f4ca592943c767cc98f69ae1d3bafe3d6","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d04791bef75360b9-1","anchor":"p-d04791bef75360b9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d04791bef75360b9-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"重要的不是一张图像说了什么。","textSha256":"8b20d87e68c489214182f27f8c81c7b4a63923cb99ec42a86897ab07a46081a7","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2bdcf3c18f8aa8da-1","anchor":"p-2bdcf3c18f8aa8da-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2bdcf3c18f8aa8da-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"重要的是：","textSha256":"8f1672c2a82bea3d1501e4b47334f8466a2d37c86c774c8c7334096c1945a3cd","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-7970c13dfaf3d112-1","anchor":"p-7970c13dfaf3d112-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-7970c13dfaf3d112-1","kind":"p","headingPath":["八、它会引发什么革命"],"text":"这张图像从哪个现场来？ 谁让它出现？ 谁被它排除？ 它经过什么流程？ 它如何被保存？ 它还会怎样继续影响我们？","textSha256":"fdb2dcaab5fda9ee7ceff72fb3c5b358d4efc4c43fb5ab4a715dee23b82fddd9","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-459550a695978df4-1","anchor":"p-459550a695978df4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-459550a695978df4-1","kind":"h2","headingPath":["九、它会改变人类视觉"],"text":"九、它会改变人类视觉","textSha256":"8f23999a5f7248f84519204ca0177962ee1ceaf49a4afc68d155d620d31bdfd2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-9ced5cb63f5d99b6-1","anchor":"p-9ced5cb63f5d99b6-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-9ced5cb63f5d99b6-1","kind":"p","headingPath":["九、它会改变人类视觉"],"text":"现场流 会训练一种新的视觉。","textSha256":"1dba37dbdaf1482b06adbf03e8fad6c5221bc04208bf22efad9c1c7e866d4e72","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-72ca21431793d5db-1","anchor":"p-72ca21431793d5db-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-72ca21431793d5db-1","kind":"p","headingPath":["九、它会改变人类视觉"],"text":"旧视觉看对象。","textSha256":"e9c39f792d132903ebcd5955cadb440d545507796056fad230e5e3c64965afa4","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-a4b360b907cfdd8e-1","anchor":"p-a4b360b907cfdd8e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-a4b360b907cfdd8e-1","kind":"p","headingPath":["九、它会改变人类视觉"],"text":"新视觉看条件。","textSha256":"c653567ffdbe8530b0c4134424ccf453c47d248b7a7307181abaa60fa768ce28","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-777cdde8c07821aa-1","anchor":"p-777cdde8c07821aa-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-777cdde8c07821aa-1","kind":"p","headingPath":["九、它会改变人类视觉"],"text":"旧视觉问：我看见了什么？ 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。","textSha256":"ee2ffb52ce17b0a19f2dd3baa5202335e94cece9e60d7705a4ba93a669d30dc0","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2f973d1bc1394f9d-1","anchor":"p-2f973d1bc1394f9d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2f973d1bc1394f9d-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"人不再只看一个人、一个物、一个画面，而是看它们之间怎样互相制造。一个人说话，不只是他的心理；还要看话筒、空间、观众、流程、平台。","textSha256":"53a984a6ce6ab74bb84bb2f5c9ba7459abdd7f7c88b4c5f652ebc068a4512706","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-d0af95cbd6c225b1-1","anchor":"p-d0af95cbd6c225b1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-d0af95cbd6c225b1-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"第二， 过程伦理 。","textSha256":"6ddb1e30874ab0365a88c0df7b082015f1e1a0135a547a90a67aeee985816e66","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-7a4a421859fd4c3e-1","anchor":"p-7a4a421859fd4c3e-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-7a4a421859fd4c3e-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"人不再只判断结果，还会关心过程是否压迫、是否跳过、是否替某些人说话、是否把沉默误读成同意。","textSha256":"f47f78406097d65318a42fda417618535a2069ea4b2d2bbde4dd16a4efe7d541","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-05da1aaf824d9c71-1","anchor":"p-05da1aaf824d9c71-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-05da1aaf824d9c71-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"第三， 档案意识 。","textSha256":"a593d5312ff876da0d4912831495515c179cadb2e89c049324644567f9b2e1c1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ae38be847cf506bb-1","anchor":"p-ae38be847cf506bb-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ae38be847cf506bb-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"人会越来越清楚，保存不是中性的。谁被保存，怎样被保存，保存后如何被解释，都会继续改变事件。","textSha256":"678da625e1175342660d4ac462193762238dc69b32007f0d3b0ba870bfcca520","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-1f5be12dc0770125-1","anchor":"p-1f5be12dc0770125-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-1f5be12dc0770125-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"这三种能力，会让人类从“图像消费者”变成“现场读者”。","textSha256":"ee1aa6d9d1a9792735c7b7c1befc392aa30f1777a8eb68e3f74cc01cbfc13074","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-469af6c6ae23c08c-1","anchor":"p-469af6c6ae23c08c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-469af6c6ae23c08c-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"这是一个很大的转变。","textSha256":"7261dbd51b65671d4170406906c0cee7d7fd11ccd79153dadfd28d246ee8cc38","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-0a7ae5120ed17550-1","anchor":"p-0a7ae5120ed17550-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-0a7ae5120ed17550-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"我们不再只是被动接收世界。","textSha256":"654198ef81582bd0e8466e5c7abd6556210d84c1b2513d487977fa46c5dc67b5","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8d03cb17cc1fae9b-1","anchor":"p-8d03cb17cc1fae9b-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8d03cb17cc1fae9b-1","kind":"p","headingPath":["十、它会给人类带来什么"],"text":"我们开始读世界如何被生产。","textSha256":"7594e5b7379325fa8613d8ea66ab31a1b4199ae7a108f2d94c850b65ee633341","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-5bb4c7f4db893a52-1","anchor":"p-5bb4c7f4db893a52-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-5bb4c7f4db893a52-1","kind":"h2","headingPath":["十一、《人类投降派》为什么重要"],"text":"十一、《人类投降派》为什么重要","textSha256":"d12b15dc85f5fe5941dc0c553528ba8741bb2fef5d49ed39b2f60b924e46224b","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8eede205586ca23b-1","anchor":"p-8eede205586ca23b-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8eede205586ca23b-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"现在可以回到《人类投降派》。","textSha256":"997127625e0f88db3547270685e5e9a24147299d05ba9efec3ec4f0d53039df2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3bfe4778d1165ae4-1","anchor":"p-3bfe4778d1165ae4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3bfe4778d1165ae4-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"它重要，不是因为它刚好有现场。","textSha256":"55bd539e9bbaac34c85ed142465a36a8718789a05a775504a2e34f7067223ebe","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-365c1366d38332da-1","anchor":"p-365c1366d38332da-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-365c1366d38332da-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"很多作品都有现场。","textSha256":"d5b2cb09dbc5a6e4c3ed4dbf67ab2afdb02609051260045a6950d06779ca7fd1","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-9c22e66e4e7fe6e5-1","anchor":"p-9c22e66e4e7fe6e5-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-9c22e66e4e7fe6e5-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"它重要，是因为它让现场获得了组织权。","textSha256":"bfa417b1159663a52d8f3330b1b1c47fea28394d4f4981c8c082190b613dae94","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-0b17a7ff2c4bdcff-1","anchor":"p-0b17a7ff2c4bdcff-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-0b17a7ff2c4bdcff-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"P4 不是背景。 观众不是背景。 话筒不是背景。 塑料不是背景。 skip 不是背景。 片尾不是背景。 硬盘和 Wiki 也不是背景。","textSha256":"a483ac1a0f6ee6519c83aecec7794edcb532c17a5af95ce9e93afb4f9a601fcc","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-53be868c9a8a979b-1","anchor":"p-53be868c9a8a979b-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-53be868c9a8a979b-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"这些东西一起工作，把电影从影像作品推向事件作品。","textSha256":"b8ae59c59279ce011f1f1760cc4c7c292b2a5a4acc2349ece2d30688817496e2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-14ef21fc39f398dd-1","anchor":"p-14ef21fc39f398dd-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-14ef21fc39f398dd-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"所以《人类投降派》真正做的，不是拍了一个故事。","textSha256":"6dc49b3722c480ac3d34c59844c2baca80851468b323d907fe68d6029b5c0a7b","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-f849b4031919522a-1","anchor":"p-f849b4031919522a-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-f849b4031919522a-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"它让我们看见：","textSha256":"f26616fef816ae69df7fd9df9e3e91d53e70c11dd225f7da4a350b3551097e3d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2c2c64b44ce8b0c9-1","anchor":"p-2c2c64b44ce8b0c9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2c2c64b44ce8b0c9-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"电影如何被现场制造。 人如何被现场制造。 证据如何被现场制造。 失败如何被现场保存。 结束如何被现场推迟。","textSha256":"9fba855e6db78637e3bff49c090f1c7e48e5dc097ac0f45e6fb74b371b2f910c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-6384d23839e813f8-1","anchor":"p-6384d23839e813f8-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-6384d23839e813f8-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"这就是它之所以能定义“ 现场流 ”。","textSha256":"4fbcda78b9c3734530245d1ef6757d479d22d103772e9297c0cbe772d26c2a18","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-5d86f7a27e9533e4-1","anchor":"p-5d86f7a27e9533e4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-5d86f7a27e9533e4-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"不是它提出了这个词。","textSha256":"f78f02b0042ee4a56cc6948532904633dfccc11c5889fd25402d6d25541e6312","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-51282981954b15e5-1","anchor":"p-51282981954b15e5-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-51282981954b15e5-1","kind":"p","headingPath":["十一、《人类投降派》为什么重要"],"text":"而是它让这个词变得必要。","textSha256":"d8665af615710a2259ad749037bc7160e4fbf3298bdce1d1fbe07b778193ac84","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ddd963005a4853bb-1","anchor":"p-ddd963005a4853bb-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ddd963005a4853bb-1","kind":"h2","headingPath":["十二、给大众的一句话"],"text":"十二、给大众的一句话","textSha256":"845297b194fe9fbedab1088c0bd51a0607c332814904538f119048a1f4921aed","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-ee0031849dfe03d9-1","anchor":"p-ee0031849dfe03d9-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-ee0031849dfe03d9-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"如果要把 现场流 讲给一个完全不研究电影的人听，我会这样说：","textSha256":"73d049f445bce729fb760203d18cb9cb36a5febeb4566a27758ab400902ab36b","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-4d0038cb1561bc09-1","anchor":"p-4d0038cb1561bc09-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-4d0038cb1561bc09-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"以前我们看电影，是看银幕上发生了什么。","textSha256":"625423a0a4c7ec89da3da954b4ea829fd600579b205aa652e4ab9483f3e6385d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-a99fcb2b74bbaa8c-1","anchor":"p-a99fcb2b74bbaa8c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-a99fcb2b74bbaa8c-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"现在我们要学会看：","textSha256":"c7dacb38181251b30ab55a15ac156c6cba7cb946b9067f1c85520a79c911d94f","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-95a8ca92ecd1fb3a-1","anchor":"p-95a8ca92ecd1fb3a-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-95a8ca92ecd1fb3a-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"银幕上的事情，是怎样被现场、声音、观众、流程和后来保存共同做出来的。","textSha256":"1f298b495caffb1506faf3e93453edd50143cc3f62a7e930c49153e94350dd58","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-911936d2c361a8a5-1","anchor":"p-911936d2c361a8a5-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-911936d2c361a8a5-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"这就叫 现场流 。","textSha256":"46b716cba6114d93c7e27c8038e0dd7c5bdc142535ec26a3c1d7eb19e8d0aae0","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-19d3d9ba1da1dd3d-1","anchor":"p-19d3d9ba1da1dd3d-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-19d3d9ba1da1dd3d-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"它不是一个难词。","textSha256":"29c6db96d523c11cfd980d243e4a89397c03b3ac2173c7b1aa2ee3deeaaa5022","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-53003170f6c732bc-1","anchor":"p-53003170f6c732bc-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-53003170f6c732bc-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"它说的是我们这个时代最普通、也最危险的经验：","textSha256":"cfaf1f6135b191179d70b5f489f90d0049afc608f0ca25c885387f56da27e848","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-267edd62e6628402-1","anchor":"p-267edd62e6628402-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-267edd62e6628402-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"你看到的每一件事，都不是孤立画面。","textSha256":"adfe689bffe161f418518aa5bb85115f35bec249e8ca047a49d3a222f82abacf","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3978d58ed96228e7-1","anchor":"p-3978d58ed96228e7-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3978d58ed96228e7-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"它背后有现场。","textSha256":"953143cac677cca09caf1b2052519f25703263f073b31d7afbfa9cd71647c6c2","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3db6d11721994d23-1","anchor":"p-3db6d11721994d23-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3db6d11721994d23-1","kind":"p","headingPath":["十二、给大众的一句话"],"text":"而现场还在流。","textSha256":"39722ff6e91bc4501ab56b5c9d94d7b0a3a06e920301c7a9b7566a21fab770ec","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-53f0e173ed239ebc-1","anchor":"p-53f0e173ed239ebc-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-53f0e173ed239ebc-1","kind":"h2","headingPath":["十三、最后的判断"],"text":"十三、最后的判断","textSha256":"35ab23285ae2a305abf2ad92ff1ac3bd0858dc5860637bc9cc031b55593991e3","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-32584750530ad720-1","anchor":"p-32584750530ad720-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-32584750530ad720-1","kind":"p","headingPath":["十三、最后的判断"],"text":"德勒兹用“时间影像”命名了电影的一次历史转折：行动不再能组织世界，时间直接显现。","textSha256":"d6c9a4b081412a017ebb3595c3137c3bab6f3412073b4287cd33a90f508cc42a","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-861cbe513351a00c-1","anchor":"p-861cbe513351a00c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-861cbe513351a00c-1","kind":"p","headingPath":["十三、最后的判断"],"text":"今天，我们需要用“ 现场流 ”命名另一场转折：","textSha256":"73fd6db1dc42e5a17057f3e7e4d3f499d4f26a4d3d48d66deb9531b8cdc52c60","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-c06e52b47821c8da-1","anchor":"p-c06e52b47821c8da-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-c06e52b47821c8da-1","kind":"p","headingPath":["十三、最后的判断"],"text":"影像不再能独自容纳事件，现场开始持续显现。","textSha256":"316c860e68e01ed829546bbc19cc8ffd7cd20a7dbd96ada6fe5717a67adb99d9","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-956441e1399f7adb-1","anchor":"p-956441e1399f7adb-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-956441e1399f7adb-1","kind":"p","headingPath":["十三、最后的判断"],"text":"这是电影史的问题。","textSha256":"c20ed9413973a54e002732f84a81086626cd87a8915c88369ba20c17b10b9492","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-2cf8b75b775120e4-1","anchor":"p-2cf8b75b775120e4-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-2cf8b75b775120e4-1","kind":"p","headingPath":["十三、最后的判断"],"text":"也是艺术史的问题。","textSha256":"2bd0087c611f0460ada018f6ca312055ef9f203c8527f736ef1aac6346d0068c","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8bb46f4e0014b818-1","anchor":"p-8bb46f4e0014b818-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8bb46f4e0014b818-1","kind":"p","headingPath":["十三、最后的判断"],"text":"也是文学史之后的问题。","textSha256":"bb3085842af7019447ac4ed98334d63b0cc4724ee74ba59891c7f41f322807f5","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-0e6fe72271b0c833-1","anchor":"p-0e6fe72271b0c833-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-0e6fe72271b0c833-1","kind":"p","headingPath":["十三、最后的判断"],"text":"更是人类如何接受信息、如何看世界、如何不被图像欺骗的问题。","textSha256":"8f31b0e58ca2a2a1c11450ea6295f73661bdfc419c71a92affa8f82eee9b0870","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-fc833b2d0d941aaa-1","anchor":"p-fc833b2d0d941aaa-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-fc833b2d0d941aaa-1","kind":"p","headingPath":["十三、最后的判断"],"text":"现场流 不是未来会出现的东西。","textSha256":"4567bacc7791335f1b58e47729337d11342605ef24f57589c029a91b0ecea656","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-872d735824010cc3-1","anchor":"p-872d735824010cc3-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-872d735824010cc3-1","kind":"p","headingPath":["十三、最后的判断"],"text":"它已经在我们生活里到处发生。","textSha256":"38a169be819e272229ea96e0cd5508a3b7c960f5e7531fd1e8a8ad896e6a903e","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-e5bea9930a3cee35-1","anchor":"p-e5bea9930a3cee35-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-e5bea9930a3cee35-1","kind":"p","headingPath":["十三、最后的判断"],"text":"《人类投降派》只是第一个足够残酷、足够湿、足够不肯关闭的对象，让我们终于把它看清楚。","textSha256":"c7c3c624846c280a6135c40a6efc36f0fcb880b3b343be3c01783e414c54ec2f","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-6cb234d5ce0c9e4c-1","anchor":"p-6cb234d5ce0c9e4c-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-6cb234d5ce0c9e4c-1","kind":"p","headingPath":["十三、最后的判断"],"text":"所以这不是一个小概念。","textSha256":"5d67a36e64f93b44846c72571233fb59966ee72d9f0752a244040dc995a103b5","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-f482a8d250fcfa2f-1","anchor":"p-f482a8d250fcfa2f-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-f482a8d250fcfa2f-1","kind":"p","headingPath":["十三、最后的判断"],"text":"它可能是一种新的视觉文明的开端。","textSha256":"e1427ab3b7f26311e2f2fe518fb306cb09a2a3f34c9977e37229a46b8ebd0b34","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-5652116cc8203236-1","anchor":"p-5652116cc8203236-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-5652116cc8203236-1","kind":"h2","headingPath":["相关"],"text":"相关","textSha256":"7dfa43a32757b9c5007ad75470455a0c6c100a1ad366f2ba604724b6a4bad75e","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-bb710c6516c4eada-1","anchor":"p-bb710c6516c4eada-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-bb710c6516c4eada-1","kind":"li","headingPath":["相关"],"text":"P4剧场（馆内参考，未随本文公开）","textSha256":"3fe981c7d6ffa19c4bf13e2f70abe85e9c019482ad3f2dcf9f12cfbe791fa334","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-952f061543c28ce5-1","anchor":"p-952f061543c28ce5-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-952f061543c28ce5-1","kind":"li","headingPath":["相关"],"text":"人类投降派（馆内参考，未随本文公开）","textSha256":"cf0fbda90981f094c30389ad46f967c98fcfd33b001e6c1b0f8235ac5b8e427d","links":[],"images":[]},{"id":"hs-ae662390ce9dde4a#p-3c1d7b9ba194ac4b-1","anchor":"p-3c1d7b9ba194ac4b-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-3c1d7b9ba194ac4b-1","kind":"li","headingPath":["相关"],"text":"三重影片理论-可见可说可归档的人类投降派-2026-05-10","textSha256":"f6e7c7d7049dca54e50e517d4e84bc9bd82cad4412d4a7890500cb491dcc7d4b","links":["https://a.p4theater.top/research/hs-f67965260dd64b60"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-74aa6a6dbd6ce64f-1","anchor":"p-74aa6a6dbd6ce64f-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-74aa6a6dbd6ce64f-1","kind":"li","headingPath":["相关"],"text":"尤利西斯与人类投降派比较研究-媒介内脏与投降-2026-05-10","textSha256":"8f621134f1640eb533fc9b3fe69bc24a986deadd8afed7cfafb7ff85293cfd37","links":["https://a.p4theater.top/research/hs-90841c161cf31af2"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-1fe4fa2fec2da4f1-1","anchor":"p-1fe4fa2fec2da4f1-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-1fe4fa2fec2da4f1-1","kind":"li","headingPath":["相关"],"text":"德勒兹电影理论视角下的人类投降派-2026-05-09","textSha256":"e1d168ef934bf338e7a08ce78057ac91c29e1f98e685112c0e9bfd1c42966f89","links":["https://a.p4theater.top/research/hs-aa7d6607a5eaeae8"],"images":[]},{"id":"hs-ae662390ce9dde4a#p-8da45698960d8520-1","anchor":"p-8da45698960d8520-1","url":"https://a.p4theater.top/research/hs-ae662390ce9dde4a#p-8da45698960d8520-1","kind":"li","headingPath":["相关"],"text":"现场流-人类投降派如何重新定义电影事件-2026-05-10","textSha256":"5bde4b4186f2b31a11317d409a2784f27f38f34b5d8d4c8df425552ae8d83749","links":["https://a.p4theater.top/research/hs-b19675a113e4a05d"],"images":[]}]}