{"id":"hs-9fdc644dc38c7cc5","url":"https://a.p4theater.top/research/hs-9fdc644dc38c7cc5","title":"分类树","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"人类投降派文学哲学材料知识库-2026-06-15","sourceVersionDate":"2026-06-15","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-9fdc644dc38c7cc5.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-9fdc644dc38c7cc5-d94eac954dccd25c1e4f.md","markdownSha256":"d94eac954dccd25c1e4f88316fdad0238a95299af2e34f55230db92b10e5acdd","markdownBytes":10886,"characters":3688,"sourceEvidenceTier":"","sourceStatus":"active","evidenceBoundary":"本页为历史研究资料的公开版本。原始文件未单列 source_rule；此说明仅补充公开阅读边界，不构成对原文事实、模型判断或人物解释的新认证。请结合原文来源、日期、校正与不确定性阅读。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":[],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":155,"markdown":"# 分类树\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-06-15\n\n证据边界：本页为历史研究资料的公开版本。原始文件未单列 source_rule；此说明仅补充公开阅读边界，不构成对原文事实、模型判断或人物解释的新认证。请结合原文来源、日期、校正与不确定性阅读。\n\n# 分类树\n\n本页展示新知识库的父目录、子目录、孙目录和条目之间的传承关系。\n\n# 文学性\n\n## 词典诗学\n\n### 根句与命名声部\n\n- P0：12-发生过却不归我们-v3诗性视觉导航（馆内参考，未随本文公开）\n- P0：11-三种命名声部与推荐母版-发生过却不归我们（馆内参考，未随本文公开）\n- P0：10-命名诗学-让概念重新获得呼吸（馆内参考，未随本文公开）\n\n### 词条体例与复调结构\n\n- P0：03-第一辑-四个母概念（馆内参考，未随本文公开）\n- P0：04-第二辑-从条件压强到停手能力（馆内参考，未随本文公开）\n- P0：05-总体形式分析-从概念仓库到复调事件字典（馆内参考，未随本文公开）\n- P2：08-多尺度嵌套思想图谱-v2视觉导航（馆内参考，未随本文公开）\n\n## 关系叙事\n\n### 亲密与回应\n\n- P1：帮说（馆内参考，未随本文公开）\n- P1：关系性真实生产制度（馆内参考，未随本文公开）\n- P1：回应失效（馆内参考，未随本文公开）\n- P1：公共梦像接力（馆内参考，未随本文公开）\n- P1：亲密关系证据机器（馆内参考，未随本文公开）\n- P2：关系后证据机器（馆内参考，未随本文公开）\n- P2：伤疤话术接管（馆内参考，未随本文公开）\n- P2：照顾位置（馆内参考，未随本文公开）\n\n### 角色声部与关系错位\n\n- P2：波菲利亚（馆内参考，未随本文公开）\n- P2：角色合并错误（馆内参考，未随本文公开）\n- P2：女人-浮动对象（馆内参考，未随本文公开）\n- P2：四主角说话人归属（馆内参考，未随本文公开）\n- P2：我画它（馆内参考，未随本文公开）\n- P2：无声关系端点（馆内参考，未随本文公开）\n- P2：主体间性转译（馆内参考，未随本文公开）\n- P2：Shoot self with you（馆内参考，未随本文公开）\n- P2：影像化关系工程（馆内参考，未随本文公开）\n\n## 剧场排练\n\n### 排练失败\n\n- P1：出入转化排练（馆内参考，未随本文公开）\n- P1：证明失败剧场（馆内参考，未随本文公开）\n\n### 公演导演位\n\n- P1：剧场总系统（馆内参考，未随本文公开）\n- P2：公共呈现层（馆内参考，未随本文公开）\n- P2：P4剧场体系（馆内参考，未随本文公开）\n- P2：导演位增殖（馆内参考，未随本文公开）\n- P2：戏中戏中戏（馆内参考，未随本文公开）\n- P2：执行许可（馆内参考，未随本文公开）\n\n## 长稿出口\n\n### 书稿正典\n\n- P0：书稿工程中枢-现场流人类投降派-2026-05-28（馆内参考，未随本文公开）\n- P0：92-最终排版稿-v5（馆内参考，未随本文公开）\n\n### 论文出口\n\n- P0：幽灵学专刊论文中文完整稿v1-人在被看见之后还拥有自己吗-2026-06-01（馆内参考，未随本文公开）\n- P1：招募式绝境-时间影像（馆内参考，未随本文公开）\n- P0：逐句工程之后的新发现四篇-一些突然冒出来的电影想法（馆内参考，未随本文公开）\n- P0：没有外部的电影-人类投降派指称契约外发精修版（馆内参考，未随本文公开）\n- P0：投降派如何指向我们-正式成稿v3-发表终稿候选（馆内参考，未随本文公开）\n- P1：全片P1首尾锚点-从我必须见你到谁也看不见你（馆内参考，未随本文公开）\n- P1：全片P4专题三-帮助线-从报答安抚到说出口和帮说的要求机器（馆内参考，未随本文公开）\n- P0：人类投降派哲学性与实验电影差异（馆内参考，未随本文公开）\n- P0：没有外部的指称契约-从你怎么来了到片尾名单的人类投降派合并长文（馆内参考，未随本文公开）\n- P0：全片彻底再把握-六部分如何共同生产电影（馆内参考，未随本文公开）\n- P0：人类投降派P6全片快速回声闭合总论-从这个事到片尾归档（馆内参考，未随本文公开）\n- P1：全片P4专题十-漏词代说片尾归档线（馆内参考，未随本文公开）\n- P1：全片P4专题五-声音音乐边界线（馆内参考，未随本文公开）\n- P1：现实资格如何被制造-人类投降派从你怎么来了到片尾名单的全片论证（馆内参考，未随本文公开）\n- P1：人类投降派观众向全片片段角色台词表现表（馆内参考，未随本文公开）\n- P1：逐句工程之后的新发现-人类投降派如何把解释变成取证边界（馆内参考，未随本文公开）\n- P1：逐句工程之后的新发现续篇-时间空间作者与批评位置的二次改写（馆内参考，未随本文公开）\n- P1：逐句工程之后的新发现三篇-逐句读法如何发明新的电影批评制度（馆内参考，未随本文公开）\n- P1：不要再补完我-从EVA到人类投降派-公众号重写v8（馆内参考，未随本文公开）\n- P1：机器不再长得像机器-EVA之后人类投降派如何拍到后疫情现场（馆内参考，未随本文公开）\n- P1：与你成像-投稿正文v7审稿加固版（馆内参考，未随本文公开）\n- P1：被叫出的你没有主人-投稿正文v3中文合订稿（馆内参考，未随本文公开）\n- P1：当摄影机也出体-如何观看人类投降派里不可归属的现场（馆内参考，未随本文公开）\n- P1：幽灵学专刊中文全文重写稿v4-戏关闭以后真实怎么办（馆内参考，未随本文公开）\n\n---\n# 哲学性\n\n## 投降认识论\n\n### 投降不是认输\n\n- P0：01-导言-投降不是认输（馆内参考，未随本文公开）\n- P0：投降作为认识论行动（馆内参考，未随本文公开）\n\n### 失败与不完整\n\n- P0：失效保留（馆内参考，未随本文公开）\n- P0：绝境电影（馆内参考，未随本文公开）\n- P0：完整性幻觉（馆内参考，未随本文公开）\n\n### 停手与不继续\n\n- P0：停手能力（馆内参考，未随本文公开）\n\n## 观看本体论\n\n### 条件化观看\n\n- P0：条件视觉（馆内参考，未随本文公开）\n- P0：公开观察机器（馆内参考，未随本文公开）\n- P0：观看参数化（馆内参考，未随本文公开）\n- P0：位置摄影（馆内参考，未随本文公开）\n- P1：摄影机持有者（馆内参考，未随本文公开）\n\n### 非占有见证与判读\n\n- P1：反向残影（馆内参考，未随本文公开）\n- P1：画面反证（馆内参考，未随本文公开）\n- P1：空见证位（馆内参考，未随本文公开）\n- P1：判读悬置（馆内参考，未随本文公开）\n- P2：判读诱导（馆内参考，未随本文公开）\n- P2：预告片残影（馆内参考，未随本文公开）\n\n## 事件发生学\n\n### 事件组织\n\n- P0：现场流（馆内参考，未随本文公开）\n- P0：事件组织权（馆内参考，未随本文公开）\n- P0：全片方法论-条件压强换载生成与停手能力-2026-05-28（馆内参考，未随本文公开）\n\n### 压强换载与代工\n\n- P0：非人代工（馆内参考，未随本文公开）\n- P0：换载生成（馆内参考，未随本文公开）\n- P0：条件压强（馆内参考，未随本文公开）\n- P1：数字启动协议（馆内参考，未随本文公开）\n- P1：捕获游戏（馆内参考，未随本文公开）\n- P1：程序接手（馆内参考，未随本文公开）\n- P1：公开等待（馆内参考，未随本文公开）\n- P2：分布式公演控制（馆内参考，未随本文公开）\n- P2：抓人裁决（馆内参考，未随本文公开）\n\n## 档案伦理\n\n### 保存与停手\n\n- P0：档案静默（馆内参考，未随本文公开）\n\n### 残余与转译\n\n- P2：残余判读（馆内参考，未随本文公开）\n- P2：洞口转译（馆内参考，未随本文公开）\n\n---\n# 材料性\n\n## 声场材料\n\n### 声场与音乐\n\n- P0：后台声场（馆内参考，未随本文公开）\n- P1：声音-音乐场（馆内参考，未随本文公开）\n- P1：声床预铺（馆内参考，未随本文公开）\n\n## 身体材料\n\n### 身体与感官\n\n- P1：纯感觉机器（馆内参考，未随本文公开）\n- P1：鱼缸-水-触摸（馆内参考，未随本文公开）\n- P1：身体电路（馆内参考，未随本文公开）\n\n## 物件材料\n\n### 材料法庭与物件\n\n- P1：材料法庭（馆内参考，未随本文公开）\n- P2：材料动作账（馆内参考，未随本文公开）\n- P2：蒙眼围打（馆内参考，未随本文公开）\n- P2：塑料薄膜（馆内参考，未随本文公开）\n- P2：塑料薄膜肩颈牵引（馆内参考，未随本文公开）\n\n## 六部分材料链\n\n### 全片母版\n\n- P0：五条机制线索-声债材料身体空间时间如何穿越六部分-2026-05-28（馆内参考，未随本文公开）\n- P0：人类投降派全片系统时间线与大小章节母版-2026-05-24（馆内参考，未随本文公开）\n\n### 第一部分方位装置\n\n- P1：第一部分方位装置深挖-光位预印期待训练与空位抓人-2026-05-28（馆内参考，未随本文公开）\n\n### 第二部分排练器官\n\n- P1：第二部分排练结构-罗拉快跑如何制造器官-2026-05-27（馆内参考，未随本文公开）\n- P1：第二部分排练器官内部机制-从数字启动到程序运行-2026-05-28（馆内参考，未随本文公开）\n\n### 第三部分感官证明\n\n- P1：第三部分感官证明机制-声债感官占据与梦的公共播放-2026-05-27（馆内参考，未随本文公开）\n\n### 第四部分公开推演\n\n- P1：第四部分微阶段划分-从三人场到材料法庭再到声场移交-2026-05-28（馆内参考，未随本文公开）\n- P2：第四部分角色识别速查卡-2026-05-26（馆内参考，未随本文公开）\n\n### 第五第六部分后台档案\n\n- P1：第六部分档案静默机制深挖-移交归档降噪与停手-2026-05-28（馆内参考，未随本文公开）\n- P1：第五部分后台声场内部机制-五种声源的协作与阶段划分-2026-05-28（馆内参考，未随本文公开）\n- 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