{"id":"hs-771ff6f44fe62da5","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5","title":"《完美蓝》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-771ff6f44fe62da5.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-771ff6f44fe62da5-2b5517a4fc572f1a2c03.md","markdownSha256":"2b5517a4fc572f1a2c0398817e75e6dc03994b38de4bea63e641da309b14282a","markdownBytes":5553,"characters":1920,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《完美蓝》作为 P/S/D 表演—影迷—媒介替身端口候选所需的基础事实与理论使用边界；不替代逐场景时码、今敏作者研究、偶像产业研究、性别暴力研究或网络文化史。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-2a57ad9808d47a81","https://a.p4theater.top/research/hs-4b8340a66c6f7760","https://a.p4theater.top/research/hs-6506596444772a89","https://a.p4theater.top/research/hs-6adb760b5466c816","https://a.p4theater.top/research/hs-7650b8cdf6dc7b16"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":42,"markdown":"# 《完美蓝》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《完美蓝》作为 P/S/D 表演—影迷—媒介替身端口候选所需的基础事实与理论使用边界；不替代逐场景时码、今敏作者研究、偶像产业研究、性别暴力研究或网络文化史。\n\n# 《完美蓝》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）  \n返回 P1-H 报告：[递归指称机器融合重构版-来源卡补证P1H-千年女优完美蓝假面神圣车行表演影迷身份递归-2026-07-07](/research/hs-4b8340a66c6f7760)\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对今敏《完美蓝》（Perfect Blue, 1997/1998）的基础定位：它是 `P / S / D` 表演身份、影迷凝视、网络替身和媒介污染端口的候选。本文只使用公开资料确认影片基本事实、Mima Kirigoe 从偶像转向演员、粉丝不安、跟踪者、网络/角色/幻觉交缠和现实辨认崩塌等低风险事实，不在此页完成偶像产业史、性别暴力伦理或逐场景心理诊断。\n\n## 已核对事实\n\n1. GKIDS 影片页确认《完美蓝》围绕前流行偶像 Mima Kirigoe 转型为演员展开，并写到粉丝、经纪人与 Mima 自身都对这种形象转变产生不安。\n2. GKIDS 同页说明影片把戏中戏、现实、梦/妄想和网络空间互相交织。\n3. BFI 今敏入门文章将《完美蓝》概括为前偶像 Mima 向演员职业转型时遭遇公众形象、粉丝背叛感、跟踪和网络替身问题。\n4. BFI Southbank 节目笔记确认本片进入 1990 年代日本流行偶像场景，Mima 离开 CHAM! 后遭遇粉丝反对和匿名网络人格 Me-Mania 的跟踪。\n5. 这些公开资料共同支持一个低风险判断：本片不是普通身份惊悚片，而是把偶像形象、演员角色、粉丝观看、网络替身和媒体暴力织成主体崩裂机制。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《完美蓝》是今敏的长片导演首作，围绕前流行偶像 Mima Kirigoe 转型为演员、遭遇跟踪和身份崩裂展开。\n- 影片将偶像形象、表演角色、网络人格、粉丝凝视和现实辨认交织在一起。\n- 本片可作为 `P / S / D` 的“影迷污染 / 身份裂缝”样本：粉丝和媒介制造出的“另一个 Mima”不只是外部评价，而会回到主体内部，改变她如何看自己、如何被看、如何区分角色与现实。\n- 它的递归价值不在于“女主精神混乱”，而在于媒体形象和观看欲望被作品重新输入主体生成过程，使主体无法从被观看的替身中抽身。\n\n## 递归分析口径\n\n本片适合承担的功能是：补强 `P` 端口的“身份裂缝”和 `S` 端口的“影迷污染”。\n\n最低限度的判别句为：\n\n> 《完美蓝》的关键不是偶像转型失败，而是被粉丝、网络、角色和影像共同制造出的替身反过来侵入主体；Mima 不是先有一个稳定自我再遭遇误解，而是在被观看、被记录和被扮演中不断丧失自己。\n\n可暂定为：\n\n```text\nGen1 / Vis2 / View2\n```\n\n保守说明：`Vis` 和 `View` 较强，因为影片明确让表演角色、网络人格和粉丝观看污染可见性与观看位置；`Gen` 仍只判 1，因为来源卡阶段不直接裁定整部影片的生成机制是否完全由媒介替身驱动。\n\n## 与《千年女优》的差异\n\n- 《千年女优》是影迷追忆把表演生涯重新接通，偏向记忆、追逐和电影史召回。\n- 《完美蓝》是影迷/网络替身污染表演主体，偏向监视、替身和身份裂缝。\n\n二者共同说明：影迷不是电影外部的人；影迷可以成为记忆回路，也可以成为污染回路。\n\n## 需要避免或谨慎处理\n\n- 不把“角色与现实混淆”自动判为递归；必须说明混淆是否由表演/观看/媒介条件回流造成。\n- 不把心理诊断替代理论分析；本论文讨论的是媒介替身如何改写主体位置。\n- 不用本来源卡替代偶像产业研究、网络文化史、性别暴力伦理或逐场景时码。\n\n## 外部来源\n\n- GKIDS《Perfect Blue》影片页：`https://gkids.com/films/perfect-blue/`\n- BFI 今敏入门文章：`https://www.bfi.org.uk/features/where-begin-with-satoshi-kon`\n- BFI Southbank Programme Notes《Perfect Blue》：`https://bfidatadigipres.github.io/anime/2022/05/02/perfect-blue/`\n\n## 相关本地资料\n\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [2026-07-07-千年女优基础事实来源卡](/research/hs-7650b8cdf6dc7b16)\n- [2026-07-07-穆赫兰道基础事实来源卡](/research/hs-2a57ad9808d47a81)\n- [2026-07-07-搏击俱乐部基础事实来源卡](/research/hs-6506596444772a89)\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-771ff6f44fe62da5#p-6e33765525baa074-1","anchor":"p-6e33765525baa074-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-6e33765525baa074-1","kind":"h2","headingPath":["《完美蓝》基础事实来源卡"],"text":"《完美蓝》基础事实来源卡","textSha256":"a34790787d5bafdb35c9b55659ea928e2bfef08f61fd84ddda3572d447cf89ef","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-333ef75d71f4d7c3-1","anchor":"p-333ef75d71f4d7c3-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-333ef75d71f4d7c3-1","kind":"p","headingPath":["《完美蓝》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开） 返回 P1-H 报告： 递归指称机器融合重构版-来源卡补证P1H-千年女优完美蓝假面神圣车行表演影迷身份递归-2026-07-07","textSha256":"07d3bed3ef679b67274094782d97d58f209251f3416ffab69ea3977a5830abd2","links":["https://a.p4theater.top/research/hs-4b8340a66c6f7760","https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-771ff6f44fe62da5#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-187706028e6117a0-1","anchor":"p-187706028e6117a0-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-187706028e6117a0-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对今敏《完美蓝》（Perfect Blue, 1997/1998）的基础定位：它是 P / S / D 表演身份、影迷凝视、网络替身和媒介污染端口的候选。本文只使用公开资料确认影片基本事实、Mima Kirigoe 从偶像转向演员、粉丝不安、跟踪者、网络/角色/幻觉交缠和现实辨认崩塌等低风险事实，不在此页完成偶像产业史、性别暴力伦理或逐场景心理诊断。","textSha256":"959a25a5929e1ff76808329f2d58e9acd4e26b8f18050ae7cf0b8306feedd11e","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-2bf688f802f3f15f-1","anchor":"p-2bf688f802f3f15f-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-2bf688f802f3f15f-1","kind":"li","headingPath":["已核对事实"],"text":"GKIDS 影片页确认《完美蓝》围绕前流行偶像 Mima Kirigoe 转型为演员展开，并写到粉丝、经纪人与 Mima 自身都对这种形象转变产生不安。","textSha256":"19543ec94f7dabfdb2b4d434fc0867b66858120e609de396a5161f50e9e15a08","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-c622981bbc0ba7e0-1","anchor":"p-c622981bbc0ba7e0-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-c622981bbc0ba7e0-1","kind":"li","headingPath":["已核对事实"],"text":"GKIDS 同页说明影片把戏中戏、现实、梦/妄想和网络空间互相交织。","textSha256":"68f484330569d35a60723ba72faad4ad53d1cc1c632b39d55bdb05afad0cd2f8","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-8b605d4968c1f3cd-1","anchor":"p-8b605d4968c1f3cd-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-8b605d4968c1f3cd-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 今敏入门文章将《完美蓝》概括为前偶像 Mima 向演员职业转型时遭遇公众形象、粉丝背叛感、跟踪和网络替身问题。","textSha256":"58a83b6363c1fbfdbbb52c087b0e72320a47f137a37278e48a357b6dd631bfd1","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-096b6d867da93dc1-1","anchor":"p-096b6d867da93dc1-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-096b6d867da93dc1-1","kind":"li","headingPath":["已核对事实"],"text":"BFI Southbank 节目笔记确认本片进入 1990 年代日本流行偶像场景，Mima 离开 CHAM! 后遭遇粉丝反对和匿名网络人格 Me-Mania 的跟踪。","textSha256":"ccd2cce7b62ba4e38b6417c5ce4ee6fc8a6a82a3bbfa161c76b3b2c86545f07d","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-e669db15681a788a-1","anchor":"p-e669db15681a788a-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-e669db15681a788a-1","kind":"li","headingPath":["已核对事实"],"text":"这些公开资料共同支持一个低风险判断：本片不是普通身份惊悚片，而是把偶像形象、演员角色、粉丝观看、网络替身和媒体暴力织成主体崩裂机制。","textSha256":"ad58ea2af4b8d4dd86675902eef88ae21df8286b14b212bf6825710fafdca08b","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-6b8c0cacc78b5b55-1","anchor":"p-6b8c0cacc78b5b55-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-6b8c0cacc78b5b55-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《完美蓝》是今敏的长片导演首作，围绕前流行偶像 Mima Kirigoe 转型为演员、遭遇跟踪和身份崩裂展开。","textSha256":"f5f52e9c843050ca230e7fc6f405291e85faa5adac83d81db4d4aabca8deb3c8","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-ab3c9931892a3f02-1","anchor":"p-ab3c9931892a3f02-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-ab3c9931892a3f02-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"影片将偶像形象、表演角色、网络人格、粉丝凝视和现实辨认交织在一起。","textSha256":"4d14bdc3fe0eeb07f15b8febb38cfb29d983f00d32150fee1d872c1b3596a079","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-1199475b47d00905-1","anchor":"p-1199475b47d00905-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-1199475b47d00905-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"本片可作为 P / S / D 的“影迷污染 / 身份裂缝”样本：粉丝和媒介制造出的“另一个 Mima”不只是外部评价，而会回到主体内部，改变她如何看自己、如何被看、如何区分角色与现实。","textSha256":"406da4857e48cbcf90ec9b8a0d855618accc45da78335070923bc933e8a3d857","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-b405d314357f0aa7-1","anchor":"p-b405d314357f0aa7-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-b405d314357f0aa7-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它的递归价值不在于“女主精神混乱”，而在于媒体形象和观看欲望被作品重新输入主体生成过程，使主体无法从被观看的替身中抽身。","textSha256":"0aed70521081d2801f04a1b551c039df5dbd36333b3dbb706aa3b1429f586c24","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-d7f228eda15dee54-1","anchor":"p-d7f228eda15dee54-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-d7f228eda15dee54-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：补强 P 端口的“身份裂缝”和 S 端口的“影迷污染”。","textSha256":"813b3a02cdb8baa52ea8363d0fa2cf27bdc4db2c9b49b71cdb2388d5c85553ad","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-6937d0b907ff8759-1","anchor":"p-6937d0b907ff8759-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-6937d0b907ff8759-1","kind":"p","headingPath":["递归分析口径"],"text":"《完美蓝》的关键不是偶像转型失败，而是被粉丝、网络、角色和影像共同制造出的替身反过来侵入主体；Mima 不是先有一个稳定自我再遭遇误解，而是在被观看、被记录和被扮演中不断丧失自己。","textSha256":"a3b8eb51da4a51e1ef01664ef579e697b4dad71b862f041a4c623fa1c81ecb26","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-e4060b966f27bf62-1","anchor":"p-e4060b966f27bf62-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-e4060b966f27bf62-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen1 / Vis2 / View2","textSha256":"c045c6312676ee42fb0cff4f43ae7e8fde06d4a00033d0912b1f338955edc417","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-fb89929fc0e7e423-1","anchor":"p-fb89929fc0e7e423-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-fb89929fc0e7e423-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明： Vis 和 View 较强，因为影片明确让表演角色、网络人格和粉丝观看污染可见性与观看位置； Gen 仍只判 1，因为来源卡阶段不直接裁定整部影片的生成机制是否完全由媒介替身驱动。","textSha256":"9ad58f1e732d9517395e58e9deda667fc5a224a0720fe965d85695d61d08c142","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-4c4ae94df8a0b700-1","anchor":"p-4c4ae94df8a0b700-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-4c4ae94df8a0b700-1","kind":"h2","headingPath":["与《千年女优》的差异"],"text":"与《千年女优》的差异","textSha256":"c3beffdb0c20c317ebdab44d8b5a2cf3419dd874bd5eafddec033d607c243df0","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-2885452257b67b50-1","anchor":"p-2885452257b67b50-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-2885452257b67b50-1","kind":"li","headingPath":["与《千年女优》的差异"],"text":"《千年女优》是影迷追忆把表演生涯重新接通，偏向记忆、追逐和电影史召回。","textSha256":"9018528b9b937a242d592cf984ff5c081815e97b7e7cf31792705a2263ebd741","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-f85cea01e23745f4-1","anchor":"p-f85cea01e23745f4-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-f85cea01e23745f4-1","kind":"li","headingPath":["与《千年女优》的差异"],"text":"《完美蓝》是影迷/网络替身污染表演主体，偏向监视、替身和身份裂缝。","textSha256":"966abb3f2080d562b9403fc1f38935384b7d0db8f079d2991efb63a5c195f152","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-c0d066cbc5519fe2-1","anchor":"p-c0d066cbc5519fe2-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-c0d066cbc5519fe2-1","kind":"p","headingPath":["与《千年女优》的差异"],"text":"二者共同说明：影迷不是电影外部的人；影迷可以成为记忆回路，也可以成为污染回路。","textSha256":"b632eee9ad0e606875cb50de71e8eb6248c8d153729521d0e0aac2d69b4ca392","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-dc2841e116175bd2-1","anchor":"p-dc2841e116175bd2-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-dc2841e116175bd2-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把“角色与现实混淆”自动判为递归；必须说明混淆是否由表演/观看/媒介条件回流造成。","textSha256":"6e48a1f76a3c6da927c7f08190835b8db413bb6c865e5a55e60595c8a5121669","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-3c4cb805e259227a-1","anchor":"p-3c4cb805e259227a-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-3c4cb805e259227a-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把心理诊断替代理论分析；本论文讨论的是媒介替身如何改写主体位置。","textSha256":"58fc27b31c288ad192316cae5068fea4c4d437f72175130132e4a0feba0d90ad","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-5e7befb31babb04d-1","anchor":"p-5e7befb31babb04d-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-5e7befb31babb04d-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不用本来源卡替代偶像产业研究、网络文化史、性别暴力伦理或逐场景时码。","textSha256":"23809745f68671a1ff6f06537fad3f327956e121ed4770c5a469e924c6bc15d9","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-0771898b11eaeb22-1","anchor":"p-0771898b11eaeb22-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-0771898b11eaeb22-1","kind":"li","headingPath":["外部来源"],"text":"GKIDS《Perfect Blue》影片页： https://gkids.com/films/perfect-blue/","textSha256":"fbf9617d5006b75da16e2064caed0dd38c7e07d71dc636077c6575af0fd63879","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-63d89efe495045df-1","anchor":"p-63d89efe495045df-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-63d89efe495045df-1","kind":"li","headingPath":["外部来源"],"text":"BFI 今敏入门文章： https://www.bfi.org.uk/features/where-begin-with-satoshi-kon","textSha256":"6b8f2b9eea53eb6d3764e67397555466503eda02989eec7aa5e24cb0c07e3c6c","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-3823230bc68a53d5-1","anchor":"p-3823230bc68a53d5-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-3823230bc68a53d5-1","kind":"li","headingPath":["外部来源"],"text":"BFI Southbank Programme Notes《Perfect Blue》： https://bfidatadigipres.github.io/anime/2022/05/02/perfect-blue/","textSha256":"eaa2b1156aaaccc02accf00b00add8e0f2ebe74587ba5b4682ab999a135d9c9b","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-771ff6f44fe62da5#p-dd9e02ac08650564-1","anchor":"p-dd9e02ac08650564-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-dd9e02ac08650564-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-千年女优基础事实来源卡","textSha256":"433ba76ad980a771bbd8758f19c6657ef62a0293db965eb03880e55146487add","links":["https://a.p4theater.top/research/hs-7650b8cdf6dc7b16"],"images":[]},{"id":"hs-771ff6f44fe62da5#p-0448ecd69ef2b24f-1","anchor":"p-0448ecd69ef2b24f-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-0448ecd69ef2b24f-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-穆赫兰道基础事实来源卡","textSha256":"93fcecf3999c30afe7d17a94bb4e1d460de17c478d4792d147ec2ad1b68a0038","links":["https://a.p4theater.top/research/hs-2a57ad9808d47a81"],"images":[]},{"id":"hs-771ff6f44fe62da5#p-ac189de76a89d6ff-1","anchor":"p-ac189de76a89d6ff-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-ac189de76a89d6ff-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-搏击俱乐部基础事实来源卡","textSha256":"4cadb5e0c17a22f6a21d2eb39e622b186a69101e0c9f672dd2de5d144e3a7819","links":["https://a.p4theater.top/research/hs-6506596444772a89"],"images":[]},{"id":"hs-771ff6f44fe62da5#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-771ff6f44fe62da5#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-771ff6f44fe62da5#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}