{"id":"hs-74e266db9d57b0a5","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5","title":"《不散》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-74e266db9d57b0a5.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-74e266db9d57b0a5-8edaf10b13d52aa8a3ad.md","markdownSha256":"8edaf10b13d52aa8a3ad5dad41aca9c83c3a1f04088c469e51eede2f84852d0e","markdownBytes":5550,"characters":1879,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《不散》作为 S/D 影院—放映—观众仪式端口候选所需的基础事实与理论使用边界；不替代逐镜头分析、蔡明亮作者研究、台湾电影史或影院文化史。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-1041ae3e607d4858","https://a.p4theater.top/research/hs-34a9058a38b1f698","https://a.p4theater.top/research/hs-3e74cb570b83d09b","https://a.p4theater.top/research/hs-546f8992aa4cdef1","https://a.p4theater.top/research/hs-6adb760b5466c816","https://a.p4theater.top/research/hs-73e080fbf6128d20","https://a.p4theater.top/research/hs-74d45d53d165766e"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":44,"markdown":"# 《不散》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《不散》作为 S/D 影院—放映—观众仪式端口候选所需的基础事实与理论使用边界；不替代逐镜头分析、蔡明亮作者研究、台湾电影史或影院文化史。\n\n# 《不散》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）  \n返回 P1-G 报告：[递归指称机器融合重构版-来源卡补证P1G-小福尔摩斯偷窥狂不散装置放映影院递归-2026-07-07](/research/hs-1041ae3e607d4858)\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Tsai Ming-liang《不散》（Goodbye, Dragon Inn, 2003）的基础定位：它是 `S / D` 影院、放映、观众仪式与影院死亡端口的候选。本文只使用公开资料确认影片基本事实、放映《龙门客栈》的旧影院设置、最后一场/将要关闭的影院语境和观众稀少的空间结构，不在此页完成蔡明亮作者论或台湾影院文化史裁决。\n\n## 已核对事实\n\n1. BFI 影片页将《不散》列为 Tsai Ming-liang 2003 年台湾电影，并提供本片作为公开片目入口。\n2. MoMA 放映页确认本片围绕老旧影院及其放映/观众空间展开，并将其放在蔡明亮作品的影院经验语境中理解。\n3. Second Run 发行页将本片概括为发生在即将关闭的老电影院里的作品，放映对象为 King Hu《龙门客栈》，观众、影院空间与电影记忆共同构成影片的核心条件。\n4. 公开资料共同支持一个低风险事实：本片不是一般“以电影院为背景”的电影，而是把影院空间、放映仪式、观众稀少和电影记忆做成自身显现方式。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《不散》是 Tsai Ming-liang 2003 年电影，故事发生在一座老旧影院的放映空间中，并与 King Hu《龙门客栈》的放映记忆相连。\n- 本片可作为 `S / D` 的“影院死亡/观看仪式”样本：影院不只是场景，而是影片的时间、空间、观看姿态和幽灵感的生成条件。\n- 它适合补强观看端口的空间维度：观众不是抽象认知主体，而是在影院建筑、银幕、座位、通道、等待和离散中被组织出来。\n- 它不能被简单归入“怀旧电影”或“电影史致敬”；理论关键在于影院空间本身如何决定影片的显现节奏和观看位置。\n\n## 递归分析口径\n\n本片适合承担的功能是：把 `S` 端口从“观众误判/欲望”扩展到“影院仪式/观众位置/放映空间”。\n\n最低限度的判别句为：\n\n> 《不散》的理论价值在于：影院之死不是外在主题，而是影片显现的条件；空座、等待、银幕、放映和影迷幽灵共同规定了我们如何观看这部关于观看消逝的电影。\n\n可暂定为：\n\n```text\nGen1 / Vis1 / View2\n```\n\n保守说明：`View` 较强，因为影片直接组织观众对影院观看的感知；`Vis` 也被牵动，但若要升级为强案例，需要逐镜头节奏分析、放映空间研究和《龙门客栈》互文材料。\n\n## 与《小福尔摩斯》《天堂电影院》的差异\n\n- [《小福尔摩斯》](/research/hs-3e74cb570b83d09b)偏向银幕边界穿越：角色进入影像空间。\n- 《不散》偏向影院仪式退潮：影像、观众和影院建筑一起走向消散。\n- 《天堂电影院》更容易被读作怀旧/记忆电影；若使用它，必须另行证明影院空间是否成为显现条件，而不是只作为情感对象。\n\n因此，《不散》在 P1-G 中承担的是 `S / D` 的空间仪式锚点，而不是电影怀旧的泛例。\n\n## 需要避免或谨慎处理\n\n- 不把“发生在电影院里”自动判为影院递归。\n- 不把怀旧或影迷情感自动判为观看递归；必须说明影院空间如何改变观看结构。\n- 不用本来源卡替代蔡明亮作者研究、台湾电影史、胡金铨互文研究或影院文化史。\n\n## 外部来源\n\n- BFI 影片页：`https://www.bfi.org.uk/film/56a9d1f3-0e03-53e8-8b6f-bde3310bd63f/goodbye-dragon-inn`\n- MoMA 放映页：`https://www.moma.org/calendar/events/6643`\n- Second Run 发行页：`https://www.secondrundvd.com/release_goodbye_dragon_inn.php`\n\n## 相关本地资料\n\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [2026-07-07-小福尔摩斯基础事实来源卡](/research/hs-3e74cb570b83d09b)\n- [2026-07-07-偷窥狂基础事实来源卡](/research/hs-73e080fbf6128d20)\n- [2026-07-07-持摄影机的人基础事实来源卡](/research/hs-34a9058a38b1f698)\n- [2026-07-07-隐藏摄像机基础事实来源卡](/research/hs-546f8992aa4cdef1)\n- [2026-07-07-趣味游戏基础事实来源卡](/research/hs-74d45d53d165766e)\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-74e266db9d57b0a5#p-1c1b293f46152b81-1","anchor":"p-1c1b293f46152b81-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-1c1b293f46152b81-1","kind":"h2","headingPath":["《不散》基础事实来源卡"],"text":"《不散》基础事实来源卡","textSha256":"d660c3b6208f5bbe9cb35d5ba34e2abf6b356c8dc81dcc2788b0871fb7dd3780","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-b2cce7fa6372c411-1","anchor":"p-b2cce7fa6372c411-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-b2cce7fa6372c411-1","kind":"p","headingPath":["《不散》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开） 返回 P1-G 报告： 递归指称机器融合重构版-来源卡补证P1G-小福尔摩斯偷窥狂不散装置放映影院递归-2026-07-07","textSha256":"96e332e5232738282919cf24122d66ddc7c93c927bf6f5afb4eb0e76d7c5869e","links":["https://a.p4theater.top/research/hs-1041ae3e607d4858","https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-a1985f6c77b23d12-1","anchor":"p-a1985f6c77b23d12-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-a1985f6c77b23d12-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Tsai Ming-liang《不散》（Goodbye, Dragon Inn, 2003）的基础定位：它是 S / D 影院、放映、观众仪式与影院死亡端口的候选。本文只使用公开资料确认影片基本事实、放映《龙门客栈》的旧影院设置、最后一场/将要关闭的影院语境和观众稀少的空间结构，不在此页完成蔡明亮作者论或台湾影院文化史裁决。","textSha256":"6e4d06e9b364e28e08863c2d4375bb97f9363af335bed21c31228aabc8614377","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-687830fcb83981f6-1","anchor":"p-687830fcb83981f6-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-687830fcb83981f6-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 影片页将《不散》列为 Tsai Ming-liang 2003 年台湾电影，并提供本片作为公开片目入口。","textSha256":"004c654b59ca7cc9e8f0220a7dc1956244f5218c22a12a4bec1f5119db2c56f1","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-70379869402279e6-1","anchor":"p-70379869402279e6-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-70379869402279e6-1","kind":"li","headingPath":["已核对事实"],"text":"MoMA 放映页确认本片围绕老旧影院及其放映/观众空间展开，并将其放在蔡明亮作品的影院经验语境中理解。","textSha256":"0e1649cb656121ce05e7ab271d1564908384392fce5b16f6f0c3e2cfa9dca9cb","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-e058eea8f6263689-1","anchor":"p-e058eea8f6263689-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-e058eea8f6263689-1","kind":"li","headingPath":["已核对事实"],"text":"Second Run 发行页将本片概括为发生在即将关闭的老电影院里的作品，放映对象为 King Hu《龙门客栈》，观众、影院空间与电影记忆共同构成影片的核心条件。","textSha256":"0e8a16b6ebd2243a93bb34cd422c5e25e7bde5c6a9639e7e349f0f543c9d6bef","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-0aa44fcb03cabcce-1","anchor":"p-0aa44fcb03cabcce-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-0aa44fcb03cabcce-1","kind":"li","headingPath":["已核对事实"],"text":"公开资料共同支持一个低风险事实：本片不是一般“以电影院为背景”的电影，而是把影院空间、放映仪式、观众稀少和电影记忆做成自身显现方式。","textSha256":"9d895df41e3bc622f04a730f8556a6a6ae552806ace7a6e16138202f0efe002a","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-48e8705a9d344818-1","anchor":"p-48e8705a9d344818-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-48e8705a9d344818-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《不散》是 Tsai Ming-liang 2003 年电影，故事发生在一座老旧影院的放映空间中，并与 King Hu《龙门客栈》的放映记忆相连。","textSha256":"679e56a0c9553eb5e4c82699fddeb2fa6aa2336cb5fc21c39654f33fe4828d4f","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-35cb2a7138bc5c1a-1","anchor":"p-35cb2a7138bc5c1a-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-35cb2a7138bc5c1a-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"本片可作为 S / D 的“影院死亡/观看仪式”样本：影院不只是场景，而是影片的时间、空间、观看姿态和幽灵感的生成条件。","textSha256":"3015be616882e1042bf7f3f83a281d33b863a9eb6cbd78a8058655b8aaee44a2","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-3d1bf7b8832def1f-1","anchor":"p-3d1bf7b8832def1f-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-3d1bf7b8832def1f-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它适合补强观看端口的空间维度：观众不是抽象认知主体，而是在影院建筑、银幕、座位、通道、等待和离散中被组织出来。","textSha256":"06074d96b7d56c0fdc4d638d74253c72ac9f1db7e5a6eca08fd9414a28480c9f","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-5e4fdec7f2ee6166-1","anchor":"p-5e4fdec7f2ee6166-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-5e4fdec7f2ee6166-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它不能被简单归入“怀旧电影”或“电影史致敬”；理论关键在于影院空间本身如何决定影片的显现节奏和观看位置。","textSha256":"e4790c9848d29995fb15cb1933b2ec5a0c49efbdec1cca7ccc220bfd05ba8de5","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-cf9ed9e912e3c56c-1","anchor":"p-cf9ed9e912e3c56c-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-cf9ed9e912e3c56c-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：把 S 端口从“观众误判/欲望”扩展到“影院仪式/观众位置/放映空间”。","textSha256":"1334e85285ae0f4aa65474f2ad3515f7080a7fec7659a5f86103a477387d109a","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-4a78441aeb268256-1","anchor":"p-4a78441aeb268256-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-4a78441aeb268256-1","kind":"p","headingPath":["递归分析口径"],"text":"《不散》的理论价值在于：影院之死不是外在主题，而是影片显现的条件；空座、等待、银幕、放映和影迷幽灵共同规定了我们如何观看这部关于观看消逝的电影。","textSha256":"f50875590f64a2ea61bfc0daf07142537f50ac22b9f440e2c63c41701c21f924","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-79594664468e1124-1","anchor":"p-79594664468e1124-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-79594664468e1124-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen1 / Vis1 / View2","textSha256":"774531e3fe827a5b2a944df007a4f036ee001bc0140d77164c85e372e0e3b6b8","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-ed3ab3a4f213b33f-1","anchor":"p-ed3ab3a4f213b33f-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-ed3ab3a4f213b33f-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明： View 较强，因为影片直接组织观众对影院观看的感知； Vis 也被牵动，但若要升级为强案例，需要逐镜头节奏分析、放映空间研究和《龙门客栈》互文材料。","textSha256":"eca28ec5e2341e050f0cc06415f218d6ffa62a0af780a0088cf96003f1eb3eb6","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-af0b9fab2af070ae-1","anchor":"p-af0b9fab2af070ae-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-af0b9fab2af070ae-1","kind":"h2","headingPath":["与《小福尔摩斯》《天堂电影院》的差异"],"text":"与《小福尔摩斯》《天堂电影院》的差异","textSha256":"5d6c624bdd691a12b2a86c6810ebdd936ad0f97d8c9214b834d54fe937f4b406","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-083103aadf61f8c4-1","anchor":"p-083103aadf61f8c4-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-083103aadf61f8c4-1","kind":"li","headingPath":["与《小福尔摩斯》《天堂电影院》的差异"],"text":"《小福尔摩斯》 偏向银幕边界穿越：角色进入影像空间。","textSha256":"ee3a7f9f184757e220cacf9dcb788d71e4660534a93750d80693730671f9890a","links":["https://a.p4theater.top/research/hs-3e74cb570b83d09b"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-11de6b045bb9b77d-1","anchor":"p-11de6b045bb9b77d-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-11de6b045bb9b77d-1","kind":"li","headingPath":["与《小福尔摩斯》《天堂电影院》的差异"],"text":"《不散》偏向影院仪式退潮：影像、观众和影院建筑一起走向消散。","textSha256":"2d2fed9ddfe732618c0d064ec0c42c0993824cffba487321dc1d722621ef3e5c","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-f4163114365966a9-1","anchor":"p-f4163114365966a9-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-f4163114365966a9-1","kind":"li","headingPath":["与《小福尔摩斯》《天堂电影院》的差异"],"text":"《天堂电影院》更容易被读作怀旧/记忆电影；若使用它，必须另行证明影院空间是否成为显现条件，而不是只作为情感对象。","textSha256":"483b8cf30e00f59bc008458899af4052306f0a01a966803b9588813f7254c31a","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-a22b99e3d3c0abfe-1","anchor":"p-a22b99e3d3c0abfe-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-a22b99e3d3c0abfe-1","kind":"p","headingPath":["与《小福尔摩斯》《天堂电影院》的差异"],"text":"因此，《不散》在 P1-G 中承担的是 S / D 的空间仪式锚点，而不是电影怀旧的泛例。","textSha256":"a0aa0e14b8a39f9f27f28bbf5bc1a417d22eea01a19ebcd04b6f90d2bc5a1e82","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-a9cd4a76bc2a628e-1","anchor":"p-a9cd4a76bc2a628e-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-a9cd4a76bc2a628e-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把“发生在电影院里”自动判为影院递归。","textSha256":"5b899e00abfd07422774a89848e280ce4970f5d7296f5e477b3d3a58ac2a1410","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-c6e715371767114e-1","anchor":"p-c6e715371767114e-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-c6e715371767114e-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把怀旧或影迷情感自动判为观看递归；必须说明影院空间如何改变观看结构。","textSha256":"f6e860302346e1bc35abfa75a61d38c47ebe94293fd81eb3670fef8d7522b31a","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-285e6cfca12c3f63-1","anchor":"p-285e6cfca12c3f63-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-285e6cfca12c3f63-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不用本来源卡替代蔡明亮作者研究、台湾电影史、胡金铨互文研究或影院文化史。","textSha256":"79fca2db8718874907f8c8079f5de0dc04dc875e8c4024c6d62e5e8cc26819ff","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-9dfc2a1b0eecab77-1","anchor":"p-9dfc2a1b0eecab77-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-9dfc2a1b0eecab77-1","kind":"li","headingPath":["外部来源"],"text":"BFI 影片页： https://www.bfi.org.uk/film/56a9d1f3-0e03-53e8-8b6f-bde3310bd63f/goodbye-dragon-inn","textSha256":"be0152ef93929eed349c1ef64bd72b631902811a345946edf9f7aec3bf16b809","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-1f31489a60e197ee-1","anchor":"p-1f31489a60e197ee-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-1f31489a60e197ee-1","kind":"li","headingPath":["外部来源"],"text":"MoMA 放映页： https://www.moma.org/calendar/events/6643","textSha256":"dc29c41052d2edbdb7a62d19a87952a9ef87869faf998ff0793bc930974b5c26","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-2f6cc558cd44227d-1","anchor":"p-2f6cc558cd44227d-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-2f6cc558cd44227d-1","kind":"li","headingPath":["外部来源"],"text":"Second Run 发行页： https://www.secondrundvd.com/release_goodbye_dragon_inn.php","textSha256":"66f0139310c8137e8d1a0676f73840b0779aa34a97e97fee52858cfcf38a1d87","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-74e266db9d57b0a5#p-25636f0f809f4302-1","anchor":"p-25636f0f809f4302-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-25636f0f809f4302-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-小福尔摩斯基础事实来源卡","textSha256":"807458adf53986100506274632add395f10c275d3e1f66ca214e59a62dc702c5","links":["https://a.p4theater.top/research/hs-3e74cb570b83d09b"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-11eadd917062f525-1","anchor":"p-11eadd917062f525-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-11eadd917062f525-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-偷窥狂基础事实来源卡","textSha256":"e2b6b6ed2e9cd089b333646f715a926fe70b781e784e5f9f53c71ee7b529f04e","links":["https://a.p4theater.top/research/hs-73e080fbf6128d20"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-c6686b1bef92dd9b-1","anchor":"p-c6686b1bef92dd9b-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-c6686b1bef92dd9b-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-持摄影机的人基础事实来源卡","textSha256":"8ca47d656be89e47874b1020fcd4cfb179761e80a98735772fbb09398406055c","links":["https://a.p4theater.top/research/hs-34a9058a38b1f698"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-e30d9d59453df0a7-1","anchor":"p-e30d9d59453df0a7-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-e30d9d59453df0a7-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-隐藏摄像机基础事实来源卡","textSha256":"0c70b8a437796f746c69462232b10469fc93867469691cdb66509b659ac0c75f","links":["https://a.p4theater.top/research/hs-546f8992aa4cdef1"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-a800a1f914f9cf97-1","anchor":"p-a800a1f914f9cf97-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-a800a1f914f9cf97-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-趣味游戏基础事实来源卡","textSha256":"0166fa0acd08a4cd0052052a07f8cc9ae5e296a78e7452d8128de1965663a276","links":["https://a.p4theater.top/research/hs-74d45d53d165766e"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-74e266db9d57b0a5#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-74e266db9d57b0a5#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}