{"id":"hs-73e080fbf6128d20","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20","title":"《偷窥狂》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-73e080fbf6128d20.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-73e080fbf6128d20-e6f59ef805f31ba4b2ca.md","markdownSha256":"e6f59ef805f31ba4b2cad7bf2a3ca305cbd43af6889d95223ebe4b27ec1fa4ce","markdownBytes":5413,"characters":1839,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《偷窥狂》作为 D/P/S 摄影机—窥视—观看暴力端口候选所需的基础事实与理论使用边界；不替代逐场景时码、鲍威尔研究、心理惊悚史或凝视理论史。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-1041ae3e607d4858","https://a.p4theater.top/research/hs-34a9058a38b1f698","https://a.p4theater.top/research/hs-3e74cb570b83d09b","https://a.p4theater.top/research/hs-546f8992aa4cdef1","https://a.p4theater.top/research/hs-6adb760b5466c816","https://a.p4theater.top/research/hs-74d45d53d165766e","https://a.p4theater.top/research/hs-74e266db9d57b0a5"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":44,"markdown":"# 《偷窥狂》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《偷窥狂》作为 D/P/S 摄影机—窥视—观看暴力端口候选所需的基础事实与理论使用边界；不替代逐场景时码、鲍威尔研究、心理惊悚史或凝视理论史。\n\n# 《偷窥狂》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）  \n返回 P1-G 报告：[递归指称机器融合重构版-来源卡补证P1G-小福尔摩斯偷窥狂不散装置放映影院递归-2026-07-07](/research/hs-1041ae3e607d4858)\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Michael Powell《偷窥狂》（Peeping Tom, 1960）的基础定位：它是 `D / P / S` 摄影机、窥视与观看暴力端口的关键候选。本文只使用公开资料确认影片基本事实、摄影机与谋杀结构、观看/恐惧被拍摄的设置和后续经典化位置，不在此页完成精神分析电影理论或 Powell 作者论裁决。\n\n## 已核对事实\n\n1. BFI 影片页将《偷窥狂》列为 Michael Powell 1960 年英国电影，并确认其基本题材围绕一个摄影师/摄影机使用者与谋杀、观看欲望相关的惊悚结构。\n2. Criterion 影片页将本片列为 Michael Powell 的重要作品，并概括其核心机制：杀手用摄影机记录受害者的恐惧，影片把窥视、电影拍摄和观看欲望绑在一起。\n3. BFI 修复介绍将本片置于电影史再评价语境中，强调它从争议之作被重新看作关于电影、窥视和观看机制的重要作品。\n4. 公开资料共同支持一个低风险事实：本片中的摄影机不是中性记录工具，而是与暴力、恐惧、欲望和观看位置直接相连的行动装置。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《偷窥狂》是 Michael Powell 1960 年英国电影，围绕摄影、窥视、谋杀和受害者恐惧被记录的结构展开。\n- 本片可作为 `D / P / S` 的“摄影机窥视暴力”样本：摄影机不只是显形道具，而成为人物行动、主体欲望和观众不安的装置。\n- 它适合补强装置端口的阴面：摄影机不只是让世界可见，也可能制造一种被看、被记录、被占有的暴力关系。\n- 它不能被简单归入“有摄影机的惊悚片”；理论关键在于摄影机如何承担行动因果和观看伦理。\n\n## 递归分析口径\n\n本片适合承担的功能是：让 `D` 端口从“机器显形”进入“机器欲望化/暴力化”的路径。\n\n最低限度的判别句为：\n\n> 《偷窥狂》的理论价值在于：摄影机不再是透明记录者，而是谋杀、窥视和观看欲望的执行装置；电影把“看”这件事本身变成危险结构。\n\n可暂定为：\n\n```text\nGen1 / Vis2 / View1\n```\n\n保守说明：`Vis` 较强，因为可见性被摄影机暴力组织；`View` 被牵动，因为观众无法完全停在安全的外部观看位置；但若要升级为强案例，需要补逐场景时码、凝视理论文献和反方解释。\n\n## 与《隐藏摄像机》《趣味游戏》的差异\n\n- [《隐藏摄像机》](/research/hs-546f8992aa4cdef1)偏向匿名录像污染解释，重点在影像痕迹和谜面。\n- [《趣味游戏》](/research/hs-74d45d53d165766e)偏向观众欲望被反向审判，重点在观看伦理。\n- 《偷窥狂》偏向摄影机欲望化：观看装置本身进入主体行为与暴力结构。\n\n因此，它不是简单补入 `S` 观看端口，而是把 `D` 与 `P / S` 缝合在一起。\n\n## 需要避免或谨慎处理\n\n- 不把所有“窥视题材”自动判为递归。\n- 不把摄影机入画自动等同于装置递归；必须说明摄影机如何改变行动和观看位置。\n- 不用本来源卡替代 Laura Mulvey 等凝视理论传统、Powell 作者研究或英国电影史材料。\n\n## 外部来源\n\n- BFI 影片页：`https://www.bfi.org.uk/film/6eac2dc8-f143-5927-bb99-c7f78f61c686/peeping-tom`\n- Criterion 影片页：`https://www.criterion.com/films/235-peeping-tom`\n- BFI 修复介绍：`https://www.bfi.org.uk/features/introducing-peeping-tom-4k-restoration`\n\n## 相关本地资料\n\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [2026-07-07-持摄影机的人基础事实来源卡](/research/hs-34a9058a38b1f698)\n- [2026-07-07-小福尔摩斯基础事实来源卡](/research/hs-3e74cb570b83d09b)\n- [2026-07-07-隐藏摄像机基础事实来源卡](/research/hs-546f8992aa4cdef1)\n- [2026-07-07-趣味游戏基础事实来源卡](/research/hs-74d45d53d165766e)\n- [2026-07-07-不散基础事实来源卡](/research/hs-74e266db9d57b0a5)\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-73e080fbf6128d20#p-72a57cac8a861cb9-1","anchor":"p-72a57cac8a861cb9-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-72a57cac8a861cb9-1","kind":"h2","headingPath":["《偷窥狂》基础事实来源卡"],"text":"《偷窥狂》基础事实来源卡","textSha256":"97d4ef2ee650c5c8169ff33f1118717135fd32d2cad1ac20132741646882316c","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-b2cce7fa6372c411-1","anchor":"p-b2cce7fa6372c411-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-b2cce7fa6372c411-1","kind":"p","headingPath":["《偷窥狂》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开） 返回 P1-G 报告： 递归指称机器融合重构版-来源卡补证P1G-小福尔摩斯偷窥狂不散装置放映影院递归-2026-07-07","textSha256":"96e332e5232738282919cf24122d66ddc7c93c927bf6f5afb4eb0e76d7c5869e","links":["https://a.p4theater.top/research/hs-1041ae3e607d4858","https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-73e080fbf6128d20#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-def286f25b345acb-1","anchor":"p-def286f25b345acb-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-def286f25b345acb-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Michael Powell《偷窥狂》（Peeping Tom, 1960）的基础定位：它是 D / P / S 摄影机、窥视与观看暴力端口的关键候选。本文只使用公开资料确认影片基本事实、摄影机与谋杀结构、观看/恐惧被拍摄的设置和后续经典化位置，不在此页完成精神分析电影理论或 Powell 作者论裁决。","textSha256":"fa55f8b85288feb0ea4eab1e40efbba307c86d24cb34820f175a95b183572450","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-56ecf7c7252f4c85-1","anchor":"p-56ecf7c7252f4c85-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-56ecf7c7252f4c85-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 影片页将《偷窥狂》列为 Michael Powell 1960 年英国电影，并确认其基本题材围绕一个摄影师/摄影机使用者与谋杀、观看欲望相关的惊悚结构。","textSha256":"20186e241b26f91b3ca5bc839ab4d3f0db624623d3b69608a5d6abc8b8513925","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-8ad2d4568d5cb15f-1","anchor":"p-8ad2d4568d5cb15f-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-8ad2d4568d5cb15f-1","kind":"li","headingPath":["已核对事实"],"text":"Criterion 影片页将本片列为 Michael Powell 的重要作品，并概括其核心机制：杀手用摄影机记录受害者的恐惧，影片把窥视、电影拍摄和观看欲望绑在一起。","textSha256":"2242d068629d5e3783b6e715c8524b7be5ccf4652f1a5140b0c96d1d0af1009a","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-c021509c301616b7-1","anchor":"p-c021509c301616b7-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-c021509c301616b7-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 修复介绍将本片置于电影史再评价语境中，强调它从争议之作被重新看作关于电影、窥视和观看机制的重要作品。","textSha256":"a48aee816510343b0a7d6e3f15f422865ac454331cd35eb2ade1e65df1e635c8","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-ff6e3dfe8599e0c3-1","anchor":"p-ff6e3dfe8599e0c3-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-ff6e3dfe8599e0c3-1","kind":"li","headingPath":["已核对事实"],"text":"公开资料共同支持一个低风险事实：本片中的摄影机不是中性记录工具，而是与暴力、恐惧、欲望和观看位置直接相连的行动装置。","textSha256":"e410f3c4ec7a7ef723f125928daac513361c269ec84faa02689199fe8c2d4b9b","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-8050d7f14dcbfcd6-1","anchor":"p-8050d7f14dcbfcd6-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-8050d7f14dcbfcd6-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《偷窥狂》是 Michael Powell 1960 年英国电影，围绕摄影、窥视、谋杀和受害者恐惧被记录的结构展开。","textSha256":"b5ebcdd82512d613ad7399e9ddd755791c16c53c9748a840e456600b4551dbde","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-cf67d2f46d8903a2-1","anchor":"p-cf67d2f46d8903a2-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-cf67d2f46d8903a2-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"本片可作为 D / P / S 的“摄影机窥视暴力”样本：摄影机不只是显形道具，而成为人物行动、主体欲望和观众不安的装置。","textSha256":"167676274cf33fa24cd7716fc04b9f9818038a161cdb4b7445c2b144f58a88db","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-d2a211dba2d2c27c-1","anchor":"p-d2a211dba2d2c27c-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-d2a211dba2d2c27c-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它适合补强装置端口的阴面：摄影机不只是让世界可见，也可能制造一种被看、被记录、被占有的暴力关系。","textSha256":"25783a8ce73ae6d6c3efb21f93a9a99657389b51f6142603c01e76137e577ef8","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-608da4de8435c38e-1","anchor":"p-608da4de8435c38e-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-608da4de8435c38e-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它不能被简单归入“有摄影机的惊悚片”；理论关键在于摄影机如何承担行动因果和观看伦理。","textSha256":"18e3deda9656cf4d8477cbe521cda5e3ccbc795efae1fd3a60ea7532fa78fb59","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-1779538cea55c3ae-1","anchor":"p-1779538cea55c3ae-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-1779538cea55c3ae-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：让 D 端口从“机器显形”进入“机器欲望化/暴力化”的路径。","textSha256":"6fc7bfe1a7d40a921096002e6107d99ca6b91f9ff94553c241852f2aeb77bf9a","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-4e4747b1fd25bb23-1","anchor":"p-4e4747b1fd25bb23-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-4e4747b1fd25bb23-1","kind":"p","headingPath":["递归分析口径"],"text":"《偷窥狂》的理论价值在于：摄影机不再是透明记录者，而是谋杀、窥视和观看欲望的执行装置；电影把“看”这件事本身变成危险结构。","textSha256":"70faef6750cab1eb74f072a0a013c0a4e706dca51be718cb4b6e019671e40313","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-536a1128663a38e6-1","anchor":"p-536a1128663a38e6-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-536a1128663a38e6-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen1 / Vis2 / View1","textSha256":"3c44551085a18f7e2413983829c8339ce24354b90bbe61bdd629d78362354747","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-5141ec4072b5ad66-1","anchor":"p-5141ec4072b5ad66-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-5141ec4072b5ad66-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明： Vis 较强，因为可见性被摄影机暴力组织； View 被牵动，因为观众无法完全停在安全的外部观看位置；但若要升级为强案例，需要补逐场景时码、凝视理论文献和反方解释。","textSha256":"1d08fb38adfe1d1088e475af2a24696b5acc8709e283a56e62b2b513619d192f","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-050a4a18a8994a98-1","anchor":"p-050a4a18a8994a98-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-050a4a18a8994a98-1","kind":"h2","headingPath":["与《隐藏摄像机》《趣味游戏》的差异"],"text":"与《隐藏摄像机》《趣味游戏》的差异","textSha256":"7cf94d0a54a00b561232b0a43cc4ecdca1b3a769400eaafacc887cf4820a60b0","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-09e964bac73a9e5d-1","anchor":"p-09e964bac73a9e5d-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-09e964bac73a9e5d-1","kind":"li","headingPath":["与《隐藏摄像机》《趣味游戏》的差异"],"text":"《隐藏摄像机》 偏向匿名录像污染解释，重点在影像痕迹和谜面。","textSha256":"1ded302c1dea93220d08f56f092c78fc1cfe2cf7a306123a7db893f3fa82b12f","links":["https://a.p4theater.top/research/hs-546f8992aa4cdef1"],"images":[]},{"id":"hs-73e080fbf6128d20#p-d2ef19e412d1c33e-1","anchor":"p-d2ef19e412d1c33e-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-d2ef19e412d1c33e-1","kind":"li","headingPath":["与《隐藏摄像机》《趣味游戏》的差异"],"text":"《趣味游戏》 偏向观众欲望被反向审判，重点在观看伦理。","textSha256":"0b4362172b028954fc46c16851f0bd5363412c0b645a2290ab783ae90c72cc49","links":["https://a.p4theater.top/research/hs-74d45d53d165766e"],"images":[]},{"id":"hs-73e080fbf6128d20#p-fa4d535ed6ec03f4-1","anchor":"p-fa4d535ed6ec03f4-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-fa4d535ed6ec03f4-1","kind":"li","headingPath":["与《隐藏摄像机》《趣味游戏》的差异"],"text":"《偷窥狂》偏向摄影机欲望化：观看装置本身进入主体行为与暴力结构。","textSha256":"127c3346b5c27828700f7ac3c64c06d9db717b9eb3b05cbef2a00fe475341608","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-f0034b5dec384162-1","anchor":"p-f0034b5dec384162-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-f0034b5dec384162-1","kind":"p","headingPath":["与《隐藏摄像机》《趣味游戏》的差异"],"text":"因此，它不是简单补入 S 观看端口，而是把 D 与 P / S 缝合在一起。","textSha256":"8d3006546ad77149c6abe6e06e289993f1cfdfa4447baad287d7a4bd80f56ffa","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-cedc36073bc4b07b-1","anchor":"p-cedc36073bc4b07b-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-cedc36073bc4b07b-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把所有“窥视题材”自动判为递归。","textSha256":"4f3c0a44434065543bd768bdb418317dccc0cea4b26fdd8e6b3a2003e5ac276e","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-8acb41d22517bd12-1","anchor":"p-8acb41d22517bd12-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-8acb41d22517bd12-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把摄影机入画自动等同于装置递归；必须说明摄影机如何改变行动和观看位置。","textSha256":"4208d8e1ab33bfbdb40878244340f2485d6eb0997c6a53e27beb4cd20b9f7026","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-cece78313d1e9098-1","anchor":"p-cece78313d1e9098-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-cece78313d1e9098-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不用本来源卡替代 Laura Mulvey 等凝视理论传统、Powell 作者研究或英国电影史材料。","textSha256":"405189f8bbe395b19dc85d904fc0e48f4bd9863205c7a71c57286efe68abc9bf","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-8dc68c5f3567d708-1","anchor":"p-8dc68c5f3567d708-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-8dc68c5f3567d708-1","kind":"li","headingPath":["外部来源"],"text":"BFI 影片页： https://www.bfi.org.uk/film/6eac2dc8-f143-5927-bb99-c7f78f61c686/peeping-tom","textSha256":"d9b8ad5d521014232ef04da0c1539e96d07d58cd23421ca2a8e4cc3e8a5f2b0a","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-3ddbdaf975fefd73-1","anchor":"p-3ddbdaf975fefd73-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-3ddbdaf975fefd73-1","kind":"li","headingPath":["外部来源"],"text":"Criterion 影片页： https://www.criterion.com/films/235-peeping-tom","textSha256":"06eee86e35bee81c3f31fd65ee0de8b680dc1e1eb0e9b6ff55751cf92c677c42","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-b2b09df5fff12b07-1","anchor":"p-b2b09df5fff12b07-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-b2b09df5fff12b07-1","kind":"li","headingPath":["外部来源"],"text":"BFI 修复介绍： https://www.bfi.org.uk/features/introducing-peeping-tom-4k-restoration","textSha256":"aea86f420436e2ef0d7e97372d7a9522541eb4407cba7d96f3871b8f297117b7","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-73e080fbf6128d20#p-c6686b1bef92dd9b-1","anchor":"p-c6686b1bef92dd9b-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-c6686b1bef92dd9b-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-持摄影机的人基础事实来源卡","textSha256":"8ca47d656be89e47874b1020fcd4cfb179761e80a98735772fbb09398406055c","links":["https://a.p4theater.top/research/hs-34a9058a38b1f698"],"images":[]},{"id":"hs-73e080fbf6128d20#p-25636f0f809f4302-1","anchor":"p-25636f0f809f4302-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-25636f0f809f4302-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-小福尔摩斯基础事实来源卡","textSha256":"807458adf53986100506274632add395f10c275d3e1f66ca214e59a62dc702c5","links":["https://a.p4theater.top/research/hs-3e74cb570b83d09b"],"images":[]},{"id":"hs-73e080fbf6128d20#p-e30d9d59453df0a7-1","anchor":"p-e30d9d59453df0a7-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-e30d9d59453df0a7-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-隐藏摄像机基础事实来源卡","textSha256":"0c70b8a437796f746c69462232b10469fc93867469691cdb66509b659ac0c75f","links":["https://a.p4theater.top/research/hs-546f8992aa4cdef1"],"images":[]},{"id":"hs-73e080fbf6128d20#p-a800a1f914f9cf97-1","anchor":"p-a800a1f914f9cf97-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-a800a1f914f9cf97-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-趣味游戏基础事实来源卡","textSha256":"0166fa0acd08a4cd0052052a07f8cc9ae5e296a78e7452d8128de1965663a276","links":["https://a.p4theater.top/research/hs-74d45d53d165766e"],"images":[]},{"id":"hs-73e080fbf6128d20#p-781b470e4867f7fb-1","anchor":"p-781b470e4867f7fb-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-781b470e4867f7fb-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-不散基础事实来源卡","textSha256":"2f757d1437d180c76979757942ba5a4386d5fca977a759e35d02724d4fafd93f","links":["https://a.p4theater.top/research/hs-74e266db9d57b0a5"],"images":[]},{"id":"hs-73e080fbf6128d20#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-73e080fbf6128d20#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-73e080fbf6128d20#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}