{"id":"hs-6a4619d7d6ad5f55","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55","title":"开场 image2 材料绑定协议：从 T1 帧到生成图","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-07-01","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-6a4619d7d6ad5f55-be0aeeb154447c1d2237.md","markdownSha256":"be0aeeb154447c1d2237461990b26bc13c5122ce0cab4cd4007b3607da698980","markdownBytes":12946,"characters":4830,"sourceEvidenceTier":"T3_VISUAL_PROTOCOL_OVER_T1_T2","sourceStatus":"active","evidenceBoundary":"本页只建立视觉生成方法和 T3 材料转写判断，不新增片内事实裁决。时间码、人物身份、说话人、口型、道具名、声源和方位仍回到 T0/T1 来源；image2 产物只作视觉候选，不作事实证据。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 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links and image references in the public edition; no inferred semantic support","paragraphCount":72,"markdown":"# 开场 image2 材料绑定协议：从 T1 帧到生成图\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-01\n\n证据边界：本页只建立视觉生成方法和 T3 材料转写判断，不新增片内事实裁决。时间码、人物身份、说话人、口型、道具名、声源和方位仍回到 T0/T1 来源；image2 产物只作视觉候选，不作事实证据。\n\n# 开场 image2 材料绑定协议：从 T1 帧到生成图\n\n## 为什么前两组 image2 仍然不够\n\n前两组 image2 的主要问题不是丑，也不是方向完全错，而是它们绕开了电影自己的材料摩擦。\n\n它们画出了“地址机器”“观看入档”“无主声音”“第二现场”这些概念，却没有足够画出《人类投降派》开场真正给出的东西：深灰数字 `0` 压在人脸上，红暗脸从黑里显影，黑色竖向带把人物切开，低位桌面/软包/瓶状物/线缆在人退场后继续留在画面里，恽剑辉持机被片名压住，数字 `1` 不是章节卡而是压在三人低位排练空间上。\n\n所以后续 image2 不能先从概念出发。必须先从材料出发。\n\n## 新规则\n\n每张 image2 图必须先通过五个问题：\n\n1. 它绑定哪个时间窗。\n2. 它绑定哪一张或哪一组 T1 帧。\n3. 它绑定哪些可见材料：数字、黑幕、低位物件、线缆、相机、片名、光位、身体位置。\n4. 它绑定哪些声音事实：持续声床、RMS 高点、静默门槛、评价声场。\n5. 它禁止生成什么：外部人脸、干净象征、泛化剧场、无来源物件、提前理论化的纸张/王位/银幕。\n\n一张图如果不能回答这五个问题，就不要生成。\n\n## 开场材料矩阵\n\n| 图像任务 | 时间窗 | T1 材料锚 | 声音锚 | 应画什么 | 不能画什么 |\n|---|---|---|---|---|---|\n| `0` 的地址装配 | `00:00-00:12` | 深灰 `0`、红暗脸/身体显影、低位小瓶/橙红物候选、黑底 | `00:00` 极低声床，`00:07` 后声能抬升 | 数字压在人脸和黑场上，声音不是背景，而是把脸叫出来的压力 | 不画空房间；不把 `0` 画成干净符号；不造清晰外部脸 |\n| 黑幕交接 | `01:00-02:07` | 甲瑞竖纹衬衫、阿蒙/黄蒙红暗吊带、黑色竖向带、低位桌面/垫面、瓶/透明器皿候选 | `01:33`、`01:38` 拒绝句声峰，`02:04` 我爱你 | 黑幕怎样切开人，低位物件怎样在两人之间保持连续 | 不再写完全闭口；不画声音离身的纯抽象；不把瓶/线命名成确定道具 |\n| 爱语被转送 | `02:07-03:15` | 甲瑞退到画缘，白色凳/框形物，低位软包/桌面，子丑红暗脸和眼镜反光，白色线缆，蓝紫低面 | 全窗无技术静音，`02:36`、`03:02`、`03:05` 有活动高点 | `我爱你` 之后，不画回应，而画物件、黑幕、子丑观察位和线缆如何接走这句话 | 不画拥抱；不画干净黑场；不把子丑画成裁判或摄影者 |\n| 持机与片名压画 | `03:15-04:20` | 阿蒙/黄蒙蓝紫红位置、低位桌面/器具、瓶状物/小容器/线缆候选、恽剑辉手持相机、片名压在相机和手上 | `04:03-04:07` 片名峰值，`04:13-04:19` 断续静默，`04:20` 极低声门槛 | 低位材料把人物送到持机者，片名不是外加卡，而是压在持机者身上 | 不画 POV；不画纯标题卡；不让摄影者变成主人 |\n| `1` 的排练重启 | `04:20-05:15` | 数字 `1` 半透明压住三人，阿蒙/黄蒙左前景，孙甲瑞右前景，子丑后景中央，黄绿评价光 | `04:20` 低声门，`04:46` 我爱你复演峰，`04:54` 评价开关，`05:00-05:02` 与 `05:09-05:11` 强声区 | 同一句关系对白怎样变成可复演、可评价、可纠错的材料 | 不画审判台；不画旁白；不把 `1` 画成干净章节号 |\n\n## 对已有 image2 图的处理\n\n- `image2-05-room-legislation.png`：氛围成立，但太泛。它缺少 `0`、脸、低位物件、声床这些开场第一秒的材料，应降为“空间方向参考”，不能当开场主图。\n- `image2-06-viewer-registered.png`：观看者入档是后续理论方向，但不属于 `00:00-05:15` 的 T1 开场材料，应暂时移出开场 image2 主线。\n- `image2-07-ownerless-voice.png`：方向较好，但麦克风不是开场 T1 确认证据。下一版应改成黑幕、低位桌面/软包、线缆、瓶状物和声波，而不是剧场麦克风。\n- `image2-08-second-scene-paper-debt.png`：适合“写作/第二现场”卷，不适合开场材料图。开场里更硬的纸/物锚应回到 `04:20` 后低位纸张/垫面候选，不能提前变成“纸是债据”。\n\n## 下一轮 image2 的生成原则\n\n下一轮不再生成四张抽象海报，而生成五张“材料转写图”：\n\n1. `0 压脸`：数字、红暗脸、黑底、声床、低位候选物同场。\n2. `黑幕切人`：甲瑞/阿蒙之间不是情绪切换，而是黑色竖向带和低位物件完成交接。\n3. `爱语无回应`：`我爱你` 后画面不找脸，先找白色凳/框形物、软包、子丑眼镜反光和线缆。\n4. `片名压设备`：持机者不是主人，片名压住手、相机和低位器具。\n5. `1 压三人`：数字压住排练构图，子丑先在后景，再成为评价声场中心。\n\n这些图可以继续用 image2，但提示词必须写成“电影材料转写”，不是“哲学概念视觉化”。\n\n## 第三组 image2 质检\n\n第三组已按本协议生成并归档到 `raw/assets/visual-probes/opening-image2-20260620/`：\n\n| 文件 | 判断 |\n|---|---|\n| `image2-09-zero-presses-face.png` | 可保留。它把灰色 `0`、红暗身体、低位候选物和声波放在同一画面里，比第一组“地址机器”更贴 `00:00-00:12`。 |\n| `image2-10-black-band-cuts-people.png` | 可保留。它抓到了黑色竖向带切人、两侧身体边缘和底部低位物件连续，这是目前最接近 `01:00-02:07` 材料逻辑的一张。 |\n| `image2-11-love-object-transfer.png` | 可保留但需审慎。白色凳/框形物、软包、线缆、边缘条纹身体都更贴材料；但右侧眼镜/反光物容易被读成过度装置化。 |\n| `image2-12-title-presses-camera.png` | 只作候选。它抓住了手、相机、低位瓶/线和标题压画，但伪文字过重，后续应改成更接近片名压画的不可读色块，而非文字纹理。 |\n| `image2-13-one-presses-rehearsal-triangle.png` | 可保留。它把 `1`、左粉色、右条纹、中间黄绿评价位和低位空间放在同一张图里，方向明显优于前两组。 |\n\n本组的进步不在“更漂亮”，而在它开始画出材料传递：\n\n```text\n数字压脸\n-> 黑幕切人\n-> 低位物件接场\n-> 片名压设备\n-> 1 压三人\n```\n\n这条链应成为后续所有开场图像生成的最低标准。\n\n## 第四组 image2 片名门槛修正\n\n第四组不是继续扩展概念，而是回头修 `image2-12`。问题很具体：`image2-12` 抓到了“片名压设备”，但伪文字太重，容易滑成概念海报。修正版必须让片名成为画面压力，而不是可读装饰。\n\n| 文件 | 判断 |\n|---|---|\n| `image2-14-low-object-camera-transfer.png` | 可保留。它把低位桌面、软垫、瓶、碗、线缆、小设备、边缘身体和持机手放回同一空间，适合承接 `03:34-03:46` 的“低位材料把人送到相机”。 |\n| `image2-15-title-presses-camera-v2.png` | 当前主候选。红紫压画块不可读，手和相机被压在下方，比 `image2-12` 更接近“片名压设备”而不是“标题卡”。 |\n| `image2-16-title-silence-gate.png` | 可保留为门槛图。它不再强调片名，而是画出片名退场后的黑场、低位残物、相机边缘和断续声痕，接向 `04:13-04:19` 断续静默与 `04:20` 低声门槛。 |\n\n这组三张把原先一张图拆成一条更细的链：\n\n```text\n低位物件接场\n-> 持机手进入\n-> 片名压住设备\n-> 压力退入黑\n-> 断续声门槛把画面送给 1\n```\n\n以后处理片名段，不要只问“片名是什么意思”。要先问：片名压住了什么，退场后留下了什么，下一秒由什么接管。\n\n## 第五组 image2 复演评价修正\n\n第五组从 `04:20-05:15` 继续推进。这里不能只画“数字 1 压三人”，因为片内发生的是一条更细的声画链：数字覆盖空间，前段对白被复演，`我爱你` 在后景观察位面前重新出现，子丑从后景光位变成评价/命令声场中心。\n\n| 文件 | 判断 |\n|---|---|\n| `image2-17-one-over-rehearsal-floor.png` | 可保留。数字 `1` 没有成为干净标题卡，而是半透明压在三人低位空间上；左右身体、后景观察位、垫面、纸张和低位物件仍可见。 |\n| `image2-18-love-rehearsed-under-witness.png` | 可保留但需审慎。它抓住了右侧条纹身体向左靠近、爱语声带穿过后景观察位的结构；红声带略重，仍只作 T3 视觉候选。 |\n| `image2-19-evaluation-sound-field.png` | 降级为候选/反例。它的评价声场、左右边缘和黄绿中心成立，但中心脸太清楚，违反“不能凭空生成具体人物脸”的规则。 |\n| `image2-20-evaluation-field-no-face.png` | 当前主候选。它用黄绿光位、眼镜光点、手影、低位物件和强声波表现评价/命令声场，避免了 `image2-19` 的人物脸问题。 |\n\n这一组的最低链条是：\n\n```text\n片名低声门\n-> 数字 1 覆盖三人空间\n-> 前段台词被复演\n-> 我爱你在后景观察位面前重新出现\n-> 评价声从黄绿光位里起来\n-> 左右二人被推成边缘材料\n```\n\n以后画评价段，要避免两种错误：不要把 `1` 画成纯章节卡；不要把子丑画成准确人脸。这里要画的是位置如何开口，声场如何接管，而不是某张脸如何成为主人。\n\n## 可直接使用的硬提示词骨架\n\n```text\nCreate a dark cinematic visual probe based on the opening material of 《人类投降派》.\nDo not make a generic concept poster.\nThe image must be a material transcription of this time window: <timecode>.\nVisible anchors: <T1 frame objects>.\nSound anchors: <waveform/RMS/silence facts>.\nComposition must show transfer, not symbolism: <A is carried into B by C>.\nNo clear invented faces. No external characters. No clean symbolic throne, church, scripture, generic cinema screen, or decorative abstract diagram.\nIf a human body is needed, use partial silhouette, back edge, cropped shoulder, hands, or dark profile only.\nThe image should feel like it grew from black curtain, low objects, cables, camera, title text pressure, and rehearsal floor.\n```\n\n## 当前判断\n\n开场 image2 真正要画的不是“人失去主权”这个结论。\n\n要画的是主权怎样在材料里一步一步被拿走：\n\n```text\n0 先压住脸。\n黑幕切开人。\n低位物件接住退场。\n相机被另一台相机拍到。\n片名压住持机者。\n1 把三个人重新放成排练。\n评价声从后景身体里起来。\n后景身体不能被生成模型误造成人物脸。\n```\n\n这条链比任何单独概念都重要。后续图如果不能画出这条链，就还是在自说自话。\n\n## 文中引用的图像资料\n\n以下图像由本篇已有文件引用对应；保留历史引用范围，图像展示不增加新的事实判断。\n\n![image2-05-room-legislation.png](/research/images/667dca34a5762a98d35f.webp)\n\n![image2-06-viewer-registered.png](/research/images/8b0d7402cb5ff7087db6.webp)\n\n![image2-07-ownerless-voice.png](/research/images/05b0f23549252e8b3b43.webp)\n\n![image2-08-second-scene-paper-debt.png](/research/images/0d10dd90c037024b4bad.webp)\n\n![image2-09-zero-presses-face.png](/research/images/bcb738078144bc9f0ca3.webp)\n\n![image2-10-black-band-cuts-people.png](/research/images/3c416868f7247d413416.webp)\n\n![image2-11-love-object-transfer.png](/research/images/cecd5d71098ef46232f5.webp)\n\n![image2-12-title-presses-camera.png](/research/images/ca632e80bb03a7c54d48.webp)\n\n![image2-13-one-presses-rehearsal-triangle.png](/research/images/15d04294199c1108e1a4.webp)\n\n![image2-14-low-object-camera-transfer.png](/research/images/a6a5a2e0629d880528d3.webp)\n\n![image2-15-title-presses-camera-v2.png](/research/images/1f9ad52d2b1115d114be.webp)\n\n![image2-16-title-silence-gate.png](/research/images/9e1c828571cc0a31f93c.webp)\n\n![image2-17-one-over-rehearsal-floor.png](/research/images/54ad6a6bb9cecab9acb6.webp)\n\n![image2-18-love-rehearsed-under-witness.png](/research/images/52576e415b7a6e0b6b5f.webp)\n\n![image2-19-evaluation-sound-field.png](/research/images/ad5ebfc616de3cfe96b1.webp)\n\n![image2-20-evaluation-field-no-face.png](/research/images/df7c266ab74ed6d267d6.webp)","paragraphs":[{"id":"hs-6a4619d7d6ad5f55#p-24f225b7a618c9f0-1","anchor":"p-24f225b7a618c9f0-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-24f225b7a618c9f0-1","kind":"h2","headingPath":["开场 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的主要问题不是丑，也不是方向完全错，而是它们绕开了电影自己的材料摩擦。","textSha256":"e39c2816d710cf8514281b7f8e59df2f43ea155794fa49f2ccc2c2c91ea1bb9d","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-abb1ee659df81cf9-1","anchor":"p-abb1ee659df81cf9-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-abb1ee659df81cf9-1","kind":"p","headingPath":["为什么前两组 image2 仍然不够"],"text":"它们画出了“地址机器”“观看入档”“无主声音”“第二现场”这些概念，却没有足够画出《人类投降派》开场真正给出的东西：深灰数字 0 压在人脸上，红暗脸从黑里显影，黑色竖向带把人物切开，低位桌面/软包/瓶状物/线缆在人退场后继续留在画面里，恽剑辉持机被片名压住，数字 1 不是章节卡而是压在三人低位排练空间上。","textSha256":"d82c6969d0a6ecd681f0378ace5ae1a9729fbbac732776d65f3701e1570dde3f","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-2410d76d3d638eed-1","anchor":"p-2410d76d3d638eed-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-2410d76d3d638eed-1","kind":"p","headingPath":["为什么前两组 image2 仍然不够"],"text":"所以后续 image2 不能先从概念出发。必须先从材料出发。","textSha256":"ad1442067eb6d72db2a55f7a83afda914aaea7c298ccce18284d4507b143f759","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-4d327a1b3918f241-1","anchor":"p-4d327a1b3918f241-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-4d327a1b3918f241-1","kind":"h2","headingPath":["新规则"],"text":"新规则","textSha256":"186f031e88d19d307a2217e521885f9ca10d06327404f0148a4e8415122a26b2","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-69b7a4f30a05e3c0-1","anchor":"p-69b7a4f30a05e3c0-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-69b7a4f30a05e3c0-1","kind":"p","headingPath":["新规则"],"text":"每张 image2 图必须先通过五个问题：","textSha256":"7287a05d771f6c632d87db7c8472b82a9c2941e529bf5082dcf78416118db5ef","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-1d0d1be5d15d0f67-1","anchor":"p-1d0d1be5d15d0f67-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-1d0d1be5d15d0f67-1","kind":"li","headingPath":["新规则"],"text":"它绑定哪个时间窗。","textSha256":"a88ec2534149324654d0ee6ddab089abf0e54bfcb6d46498a60be2c24adffd38","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-9199cbaa60ce9413-1","anchor":"p-9199cbaa60ce9413-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-9199cbaa60ce9413-1","kind":"li","headingPath":["新规则"],"text":"它绑定哪一张或哪一组 T1 帧。","textSha256":"bc8ee7268c00bff626ba8351a816416b72a5cba3d6913685bc126aed3dcdfd37","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-fad2b8a84318f54a-1","anchor":"p-fad2b8a84318f54a-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-fad2b8a84318f54a-1","kind":"li","headingPath":["新规则"],"text":"它绑定哪些可见材料：数字、黑幕、低位物件、线缆、相机、片名、光位、身体位置。","textSha256":"131eef64c9c89aa01f5244529e25684e983b42565583a63ebcb154161aad869d","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-afea4193936fbdd2-1","anchor":"p-afea4193936fbdd2-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-afea4193936fbdd2-1","kind":"li","headingPath":["新规则"],"text":"它绑定哪些声音事实：持续声床、RMS 高点、静默门槛、评价声场。","textSha256":"c2895213cd4ee975cc9ef16e4bc9fc663980013df89cb69a477581529a63d9f7","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-7fe4569e99a3bc4b-1","anchor":"p-7fe4569e99a3bc4b-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-7fe4569e99a3bc4b-1","kind":"li","headingPath":["新规则"],"text":"它禁止生成什么：外部人脸、干净象征、泛化剧场、无来源物件、提前理论化的纸张/王位/银幕。","textSha256":"c1491940bbf4758995c6e84171ec43f3e5e26a23f139ea9d7cbde37f7be8d3df","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-b373ea7619e66524-1","anchor":"p-b373ea7619e66524-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-b373ea7619e66524-1","kind":"p","headingPath":["新规则"],"text":"一张图如果不能回答这五个问题，就不要生成。","textSha256":"18d5bf0c7ea6195b29cd13de5a0920326ba04f091d38d95a8a4a8063b00bf0cb","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-c8329de8fcd3bae3-1","anchor":"p-c8329de8fcd3bae3-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-c8329de8fcd3bae3-1","kind":"h2","headingPath":["开场材料矩阵"],"text":"开场材料矩阵","textSha256":"baf965f29bb2d2d31335103ae05045691ce1920c732168a92de27c7880b6cdd4","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f9439ddaa8034d25-1","anchor":"p-f9439ddaa8034d25-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f9439ddaa8034d25-1","kind":"tr","headingPath":["开场材料矩阵"],"text":"图像任务 时间窗 T1 材料锚 声音锚 应画什么 不能画什么","textSha256":"bf31145cb5c6489a3254133e0bb7685cbe75cb178790e4482b81294b8a2dcc8e","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-651791c9c9cc6144-1","anchor":"p-651791c9c9cc6144-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-651791c9c9cc6144-1","kind":"tr","headingPath":["开场材料矩阵"],"text":"0 的地址装配 00:00-00:12 深灰 0 、红暗脸/身体显影、低位小瓶/橙红物候选、黑底 00:00 极低声床， 00:07 后声能抬升 数字压在人脸和黑场上，声音不是背景，而是把脸叫出来的压力 不画空房间；不把 0 画成干净符号；不造清晰外部脸","textSha256":"0543365c5d5e598299dfde3499285daa0267adc637bd5089d69a4559c3e847e2","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-8354def89c2d6254-1","anchor":"p-8354def89c2d6254-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-8354def89c2d6254-1","kind":"tr","headingPath":["开场材料矩阵"],"text":"黑幕交接 01:00-02:07 甲瑞竖纹衬衫、阿蒙/黄蒙红暗吊带、黑色竖向带、低位桌面/垫面、瓶/透明器皿候选 01:33 、 01:38 拒绝句声峰， 02:04 我爱你 黑幕怎样切开人，低位物件怎样在两人之间保持连续 不再写完全闭口；不画声音离身的纯抽象；不把瓶/线命名成确定道具","textSha256":"ecf47046daa92b61994ba2beab5bc4456ce1a8b7cad9628d0cbb08d027da45a0","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-c78b252676c16e0c-1","anchor":"p-c78b252676c16e0c-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-c78b252676c16e0c-1","kind":"tr","headingPath":["开场材料矩阵"],"text":"爱语被转送 02:07-03:15 甲瑞退到画缘，白色凳/框形物，低位软包/桌面，子丑红暗脸和眼镜反光，白色线缆，蓝紫低面 全窗无技术静音， 02:36 、 03:02 、 03:05 有活动高点 我爱你 之后，不画回应，而画物件、黑幕、子丑观察位和线缆如何接走这句话 不画拥抱；不画干净黑场；不把子丑画成裁判或摄影者","textSha256":"cf7b95232d75784f552e9d8f9b1a58d73e9097da83eb5d094a383e8e990004c6","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-6dfe03537a87a0d8-1","anchor":"p-6dfe03537a87a0d8-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-6dfe03537a87a0d8-1","kind":"tr","headingPath":["开场材料矩阵"],"text":"持机与片名压画 03:15-04:20 阿蒙/黄蒙蓝紫红位置、低位桌面/器具、瓶状物/小容器/线缆候选、恽剑辉手持相机、片名压在相机和手上 04:03-04:07 片名峰值， 04:13-04:19 断续静默， 04:20 极低声门槛 低位材料把人物送到持机者，片名不是外加卡，而是压在持机者身上 不画 POV；不画纯标题卡；不让摄影者变成主人","textSha256":"133e18d5a7827c762674441afbf36052b872360342cf1203353dad647e92a7d9","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-fa62da2e37d04b6a-1","anchor":"p-fa62da2e37d04b6a-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-fa62da2e37d04b6a-1","kind":"tr","headingPath":["开场材料矩阵"],"text":"1 的排练重启 04:20-05:15 数字 1 半透明压住三人，阿蒙/黄蒙左前景，孙甲瑞右前景，子丑后景中央，黄绿评价光 04:20 低声门， 04:46 我爱你复演峰， 04:54 评价开关， 05:00-05:02 与 05:09-05:11 强声区 同一句关系对白怎样变成可复演、可评价、可纠错的材料 不画审判台；不画旁白；不把 1 画成干净章节号","textSha256":"21bdcc41cd68e31ebe99739f02973bb27d075f7d35984e27f084ed9360400add","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-1164d87795cf6ba3-1","anchor":"p-1164d87795cf6ba3-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-1164d87795cf6ba3-1","kind":"h2","headingPath":["对已有 image2 图的处理"],"text":"对已有 image2 图的处理","textSha256":"d7d4114b04c4072fbc553c8a29286c3471ac7c0787575e2120f547c533bcceb7","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-e01f2c2e3b767e0c-1","anchor":"p-e01f2c2e3b767e0c-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-e01f2c2e3b767e0c-1","kind":"li","headingPath":["对已有 image2 图的处理"],"text":"image2-05-room-legislation.png ：氛围成立，但太泛。它缺少 0 、脸、低位物件、声床这些开场第一秒的材料，应降为“空间方向参考”，不能当开场主图。","textSha256":"1f4c03a2882b55386b31e114b788e9d39470f64e3bb89db4b7f3fcae5098eaf3","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-6a8fedd16b300b42-1","anchor":"p-6a8fedd16b300b42-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-6a8fedd16b300b42-1","kind":"li","headingPath":["对已有 image2 图的处理"],"text":"image2-06-viewer-registered.png ：观看者入档是后续理论方向，但不属于 00:00-05:15 的 T1 开场材料，应暂时移出开场 image2 主线。","textSha256":"697df9eb6dc4dc6fa0e05d06cda9eadbea12444b61a44afaac94f0ddd0352b4a","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f222b7910c1ebea7-1","anchor":"p-f222b7910c1ebea7-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f222b7910c1ebea7-1","kind":"li","headingPath":["对已有 image2 图的处理"],"text":"image2-07-ownerless-voice.png ：方向较好，但麦克风不是开场 T1 确认证据。下一版应改成黑幕、低位桌面/软包、线缆、瓶状物和声波，而不是剧场麦克风。","textSha256":"67fa5d36e1d616812b9196aa3cb4da6169d30c880e6167a8e93df64472168341","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-6055b065b859a679-1","anchor":"p-6055b065b859a679-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-6055b065b859a679-1","kind":"li","headingPath":["对已有 image2 图的处理"],"text":"image2-08-second-scene-paper-debt.png ：适合“写作/第二现场”卷，不适合开场材料图。开场里更硬的纸/物锚应回到 04:20 后低位纸张/垫面候选，不能提前变成“纸是债据”。","textSha256":"8439f83404c42fadf5f067b137dea5e798525467e556164b9e50d96a3a6c2f17","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-cf0461167c946ca1-1","anchor":"p-cf0461167c946ca1-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-cf0461167c946ca1-1","kind":"h2","headingPath":["下一轮 image2 的生成原则"],"text":"下一轮 image2 的生成原则","textSha256":"b30062d7e2dcf636e6dc128cd4c33d43e9b79e85a2519539da13acedfd4ed20b","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-3a0b9a054e4bbe6f-1","anchor":"p-3a0b9a054e4bbe6f-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-3a0b9a054e4bbe6f-1","kind":"p","headingPath":["下一轮 image2 的生成原则"],"text":"下一轮不再生成四张抽象海报，而生成五张“材料转写图”：","textSha256":"0f522bcf35269af688a4663df459e7081ae4ec52f6020664f54a6d14c53de670","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-ce83e6e9be2fba59-1","anchor":"p-ce83e6e9be2fba59-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-ce83e6e9be2fba59-1","kind":"li","headingPath":["下一轮 image2 的生成原则"],"text":"0 压脸 ：数字、红暗脸、黑底、声床、低位候选物同场。","textSha256":"dc49fc218ad4879c05d8989b028f4b8ce1f4c3f935237b60672d60889fcda0eb","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-26afa9242daa8993-1","anchor":"p-26afa9242daa8993-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-26afa9242daa8993-1","kind":"li","headingPath":["下一轮 image2 的生成原则"],"text":"黑幕切人 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image2，但提示词必须写成“电影材料转写”，不是“哲学概念视觉化”。","textSha256":"c4f71a9f7003c75b02f16f4a6db970a400cf5e4f37631420b75b0af9fb60c3f4","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-472610256a4d4a02-1","anchor":"p-472610256a4d4a02-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-472610256a4d4a02-1","kind":"h2","headingPath":["第三组 image2 质检"],"text":"第三组 image2 质检","textSha256":"c8679821ec40aa303377f3a25bc3a349fd6d2a6d4bda0611583fca243c23e425","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-a06b88bd9ed09b5f-1","anchor":"p-a06b88bd9ed09b5f-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-a06b88bd9ed09b5f-1","kind":"p","headingPath":["第三组 image2 质检"],"text":"第三组已按本协议生成并归档到 raw/assets/visual-probes/opening-image2-20260620/ ：","textSha256":"06afa9fb444f68d67e4b9e79d871623ebd7f48bd17cd008ab5db599edc14295d","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f4741196875a8e23-1","anchor":"p-f4741196875a8e23-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f4741196875a8e23-1","kind":"tr","headingPath":["第三组 image2 质检"],"text":"文件 判断","textSha256":"7d0a77d05520992ac17f70a5baabbd50d2b601207e86a91b67d62b8181bfeb22","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-d18c983c39069452-1","anchor":"p-d18c983c39069452-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-d18c983c39069452-1","kind":"tr","headingPath":["第三组 image2 质检"],"text":"image2-09-zero-presses-face.png 可保留。它把灰色 0 、红暗身体、低位候选物和声波放在同一画面里，比第一组“地址机器”更贴 00:00-00:12 。","textSha256":"75c8038e63d8c84aa3fce8595275674b15e7b78eceec06416bc2ad77eea2f4bd","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-fd45c9366836bd6e-1","anchor":"p-fd45c9366836bd6e-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-fd45c9366836bd6e-1","kind":"tr","headingPath":["第三组 image2 质检"],"text":"image2-10-black-band-cuts-people.png 可保留。它抓到了黑色竖向带切人、两侧身体边缘和底部低位物件连续，这是目前最接近 01:00-02:07 材料逻辑的一张。","textSha256":"f4c838a932a18d2588bfcedb9852844d218e74b3ed757e1e477a464b230aa8ed","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-badaba603f6555ca-1","anchor":"p-badaba603f6555ca-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-badaba603f6555ca-1","kind":"tr","headingPath":["第三组 image2 质检"],"text":"image2-11-love-object-transfer.png 可保留但需审慎。白色凳/框形物、软包、线缆、边缘条纹身体都更贴材料；但右侧眼镜/反光物容易被读成过度装置化。","textSha256":"f41f76ae92efe4301ac99f7efeff988b116679d61993c9e895432a45ac74c43d","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-26b60a04d65cdff0-1","anchor":"p-26b60a04d65cdff0-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-26b60a04d65cdff0-1","kind":"tr","headingPath":["第三组 image2 质检"],"text":"image2-12-title-presses-camera.png 只作候选。它抓住了手、相机、低位瓶/线和标题压画，但伪文字过重，后续应改成更接近片名压画的不可读色块，而非文字纹理。","textSha256":"0bad5112ab77de526d4f36b6dd1de7e48c41592ae199bfc2835f2cbd1e64b429","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-66176c5388205c53-1","anchor":"p-66176c5388205c53-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-66176c5388205c53-1","kind":"tr","headingPath":["第三组 image2 质检"],"text":"image2-13-one-presses-rehearsal-triangle.png 可保留。它把 1 、左粉色、右条纹、中间黄绿评价位和低位空间放在同一张图里，方向明显优于前两组。","textSha256":"f2e80078b8a2a92b17f3a2e0b55a14b49302ddac0ee6654c5f7a20ebaf5a8146","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-99d39cae3709bb08-1","anchor":"p-99d39cae3709bb08-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-99d39cae3709bb08-1","kind":"p","headingPath":["第三组 image2 质检"],"text":"本组的进步不在“更漂亮”，而在它开始画出材料传递：","textSha256":"3f5e3b8414cf04cc5594be7f65740271035cc651a6ba08e8a26e72a6d76ba74a","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-988210ebd322bcdf-1","anchor":"p-988210ebd322bcdf-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-988210ebd322bcdf-1","kind":"pre","headingPath":["第三组 image2 质检"],"text":"数字压脸\n-> 黑幕切人\n-> 低位物件接场\n-> 片名压设备\n-> 1 压三人","textSha256":"5aff6be17f81d4371c8b0caa5afb30a6fab37511cea799e0885b2e7a391b0a9e","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-6e8576c8c8fe080b-1","anchor":"p-6e8576c8c8fe080b-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-6e8576c8c8fe080b-1","kind":"p","headingPath":["第三组 image2 质检"],"text":"这条链应成为后续所有开场图像生成的最低标准。","textSha256":"3f9d33778ac4e5a5371b374cdf54889bb2b54a4f9eddc7ecee60d5f86c19dd5e","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-d468b70534d09185-1","anchor":"p-d468b70534d09185-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-d468b70534d09185-1","kind":"h2","headingPath":["第四组 image2 片名门槛修正"],"text":"第四组 image2 片名门槛修正","textSha256":"a163568c748074ed76c52c2ea2d77f7f319f5b978334f675c6c701cd608f17d2","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-58d5641a2586a17e-1","anchor":"p-58d5641a2586a17e-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-58d5641a2586a17e-1","kind":"p","headingPath":["第四组 image2 片名门槛修正"],"text":"第四组不是继续扩展概念，而是回头修 image2-12 。问题很具体： image2-12 抓到了“片名压设备”，但伪文字太重，容易滑成概念海报。修正版必须让片名成为画面压力，而不是可读装饰。","textSha256":"11338c0334eb4139d60fa6e5ab5e18af830aa2491430a263a061f03124e12779","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f4741196875a8e23-2","anchor":"p-f4741196875a8e23-2","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f4741196875a8e23-2","kind":"tr","headingPath":["第四组 image2 片名门槛修正"],"text":"文件 判断","textSha256":"7d0a77d05520992ac17f70a5baabbd50d2b601207e86a91b67d62b8181bfeb22","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-9a423eaf16d1edb1-1","anchor":"p-9a423eaf16d1edb1-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-9a423eaf16d1edb1-1","kind":"tr","headingPath":["第四组 image2 片名门槛修正"],"text":"image2-14-low-object-camera-transfer.png 可保留。它把低位桌面、软垫、瓶、碗、线缆、小设备、边缘身体和持机手放回同一空间，适合承接 03:34-03:46 的“低位材料把人送到相机”。","textSha256":"cf72374a2125ad3cd233d3b186e9bbdc003214f5cf8bfe5f5e422b340876b201","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f8ef0b2ade240f84-1","anchor":"p-f8ef0b2ade240f84-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f8ef0b2ade240f84-1","kind":"tr","headingPath":["第四组 image2 片名门槛修正"],"text":"image2-15-title-presses-camera-v2.png 当前主候选。红紫压画块不可读，手和相机被压在下方，比 image2-12 更接近“片名压设备”而不是“标题卡”。","textSha256":"0165991b1a0138c445227f4350cf53e1d9fc1b5ade824dafcb89f0bec25a70c9","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-fb3e21a9fbc0e89d-1","anchor":"p-fb3e21a9fbc0e89d-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-fb3e21a9fbc0e89d-1","kind":"tr","headingPath":["第四组 image2 片名门槛修正"],"text":"image2-16-title-silence-gate.png 可保留为门槛图。它不再强调片名，而是画出片名退场后的黑场、低位残物、相机边缘和断续声痕，接向 04:13-04:19 断续静默与 04:20 低声门槛。","textSha256":"59451dc1aaf244ac43ca763dbbb694a0ce2f4e5b61a124fa834839075f5d0fb2","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-0e7423dfa07b93be-1","anchor":"p-0e7423dfa07b93be-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-0e7423dfa07b93be-1","kind":"p","headingPath":["第四组 image2 片名门槛修正"],"text":"这组三张把原先一张图拆成一条更细的链：","textSha256":"fc84d6ae07443a0dd23e0e27f27e7ffb60b9b9a2856ddb38a27d7c86894cadd1","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-d1b6542c4f932ed0-1","anchor":"p-d1b6542c4f932ed0-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-d1b6542c4f932ed0-1","kind":"pre","headingPath":["第四组 image2 片名门槛修正"],"text":"低位物件接场\n-> 持机手进入\n-> 片名压住设备\n-> 压力退入黑\n-> 断续声门槛把画面送给 1","textSha256":"4ddfc4b7a1fac5588d7d9cf1912ceb177f08b27ade93a75b5832faa95a822f76","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-d94e53fc018af5a9-1","anchor":"p-d94e53fc018af5a9-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-d94e53fc018af5a9-1","kind":"p","headingPath":["第四组 image2 片名门槛修正"],"text":"以后处理片名段，不要只问“片名是什么意思”。要先问：片名压住了什么，退场后留下了什么，下一秒由什么接管。","textSha256":"9ef6b487b2dc27f505e4a0cec340223843224f87a2a8e039c8ff178765691d81","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f6ce5ed4ddc75a10-1","anchor":"p-f6ce5ed4ddc75a10-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f6ce5ed4ddc75a10-1","kind":"h2","headingPath":["第五组 image2 复演评价修正"],"text":"第五组 image2 复演评价修正","textSha256":"b5279db4b4e062857d258d522d2357ea9c5c52297dd11707f8ecb49c3aa16aab","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-b39ad537366e925e-1","anchor":"p-b39ad537366e925e-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-b39ad537366e925e-1","kind":"p","headingPath":["第五组 image2 复演评价修正"],"text":"第五组从 04:20-05:15 继续推进。这里不能只画“数字 1 压三人”，因为片内发生的是一条更细的声画链：数字覆盖空间，前段对白被复演， 我爱你 在后景观察位面前重新出现，子丑从后景光位变成评价/命令声场中心。","textSha256":"7da033b0bd22fdff456a61b2b4d0c24c227e80d803454d0b4247ecef68520214","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f4741196875a8e23-3","anchor":"p-f4741196875a8e23-3","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f4741196875a8e23-3","kind":"tr","headingPath":["第五组 image2 复演评价修正"],"text":"文件 判断","textSha256":"7d0a77d05520992ac17f70a5baabbd50d2b601207e86a91b67d62b8181bfeb22","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-ca8550cba794e719-1","anchor":"p-ca8550cba794e719-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-ca8550cba794e719-1","kind":"tr","headingPath":["第五组 image2 复演评价修正"],"text":"image2-17-one-over-rehearsal-floor.png 可保留。数字 1 没有成为干净标题卡，而是半透明压在三人低位空间上；左右身体、后景观察位、垫面、纸张和低位物件仍可见。","textSha256":"d42f96768472c170422f3701eb721e1e13fc54e07f99cfa50ddc086b2726cef9","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-c74c755dd1aab0a7-1","anchor":"p-c74c755dd1aab0a7-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-c74c755dd1aab0a7-1","kind":"tr","headingPath":["第五组 image2 复演评价修正"],"text":"image2-18-love-rehearsed-under-witness.png 可保留但需审慎。它抓住了右侧条纹身体向左靠近、爱语声带穿过后景观察位的结构；红声带略重，仍只作 T3 视觉候选。","textSha256":"c431a95a0832e542370206ffd2327682e5f357cb23a255169d992d1210207fbb","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-03016352a59be67c-1","anchor":"p-03016352a59be67c-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-03016352a59be67c-1","kind":"tr","headingPath":["第五组 image2 复演评价修正"],"text":"image2-19-evaluation-sound-field.png 降级为候选/反例。它的评价声场、左右边缘和黄绿中心成立，但中心脸太清楚，违反“不能凭空生成具体人物脸”的规则。","textSha256":"d42c8e9129f19c3e9a6891cf9fb8d4e8fa022158bb9b1c748bb3aca7cc4e5638","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-4d63ee5cbf05bf88-1","anchor":"p-4d63ee5cbf05bf88-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-4d63ee5cbf05bf88-1","kind":"tr","headingPath":["第五组 image2 复演评价修正"],"text":"image2-20-evaluation-field-no-face.png 当前主候选。它用黄绿光位、眼镜光点、手影、低位物件和强声波表现评价/命令声场，避免了 image2-19 的人物脸问题。","textSha256":"db4f9d6d51857ea7439089f6c38b66546459c119808b1d6bfb16f6ce1c492f1a","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-a2ee93feb8f8adf1-1","anchor":"p-a2ee93feb8f8adf1-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-a2ee93feb8f8adf1-1","kind":"p","headingPath":["第五组 image2 复演评价修正"],"text":"这一组的最低链条是：","textSha256":"7220023fc0a3b550a4afafda15df3ed0d76778b8c001ffff157afe731d8ce724","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-8c9ce45c86f25bf8-1","anchor":"p-8c9ce45c86f25bf8-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-8c9ce45c86f25bf8-1","kind":"pre","headingPath":["第五组 image2 复演评价修正"],"text":"片名低声门\n-> 数字 1 覆盖三人空间\n-> 前段台词被复演\n-> 我爱你在后景观察位面前重新出现\n-> 评价声从黄绿光位里起来\n-> 左右二人被推成边缘材料","textSha256":"a84129423bed85562c6426d4cde634ba3ab633fc7d15934155b7b8847e467115","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-efa56d2ef44487f1-1","anchor":"p-efa56d2ef44487f1-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-efa56d2ef44487f1-1","kind":"p","headingPath":["第五组 image2 复演评价修正"],"text":"以后画评价段，要避免两种错误：不要把 1 画成纯章节卡；不要把子丑画成准确人脸。这里要画的是位置如何开口，声场如何接管，而不是某张脸如何成为主人。","textSha256":"fe08846391cd8a48d5adabc15a92bad7f182f11bef2f9904820c7e491f581e17","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-213a34b9ebf0b16c-1","anchor":"p-213a34b9ebf0b16c-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-213a34b9ebf0b16c-1","kind":"h2","headingPath":["可直接使用的硬提示词骨架"],"text":"可直接使用的硬提示词骨架","textSha256":"b208785251c87f77cbb56e99c7546eda386108ebfc01adf1d2e3b415ca97c6c3","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-c88fbed1931cf5f3-1","anchor":"p-c88fbed1931cf5f3-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-c88fbed1931cf5f3-1","kind":"pre","headingPath":["可直接使用的硬提示词骨架"],"text":"Create a dark cinematic visual probe based on the opening material of 《人类投降派》.\nDo not make a generic concept poster.\nThe image must be a material transcription of this time window: <timecode>.\nVisible anchors: <T1 frame objects>.\nSound anchors: <waveform/RMS/silence facts>.\nComposition must show transfer, not symbolism: <A is carried into B by C>.\nNo clear invented faces. No external characters. No clean symbolic throne, church, scripture, generic cinema screen, or decorative abstract diagram.\nIf a human body is needed, use partial silhouette, back edge, cropped shoulder, hands, or dark profile only.\nThe image should feel like it grew from black curtain, low objects, cables, camera, title text pressure, and rehearsal floor.","textSha256":"7e9a6233865d447ef56eb778d2ab8af49c0ffa2bffd1b01b6c1d5200991e9b19","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-cfa11c79c6bd4b24-1","anchor":"p-cfa11c79c6bd4b24-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-cfa11c79c6bd4b24-1","kind":"h2","headingPath":["当前判断"],"text":"当前判断","textSha256":"6b7de96f9fc2821ce0fcd7a5249e3e359648fdd717d8945ffc3398dc78407c0b","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-f932fde92a87c16e-1","anchor":"p-f932fde92a87c16e-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-f932fde92a87c16e-1","kind":"p","headingPath":["当前判断"],"text":"开场 image2 真正要画的不是“人失去主权”这个结论。","textSha256":"e8539bf3bb610defd281c05f1e951d10cdfee326e0feba3afecd289edd20a640","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-77173a0a469e54fc-1","anchor":"p-77173a0a469e54fc-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-77173a0a469e54fc-1","kind":"p","headingPath":["当前判断"],"text":"要画的是主权怎样在材料里一步一步被拿走：","textSha256":"e76df662fcf097ca35a438b23b010d2bf704c7a51f405aed6548e540fd16c482","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-a0565d2225833346-1","anchor":"p-a0565d2225833346-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-a0565d2225833346-1","kind":"pre","headingPath":["当前判断"],"text":"0 先压住脸。\n黑幕切开人。\n低位物件接住退场。\n相机被另一台相机拍到。\n片名压住持机者。\n1 把三个人重新放成排练。\n评价声从后景身体里起来。\n后景身体不能被生成模型误造成人物脸。","textSha256":"2f1ecc2200b1ed7d6b046eeed2c3e21036c739b28edfbd57822d79d6c3063d4f","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-3e4009bcebb4ad1e-1","anchor":"p-3e4009bcebb4ad1e-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-3e4009bcebb4ad1e-1","kind":"p","headingPath":["当前判断"],"text":"这条链比任何单独概念都重要。后续图如果不能画出这条链，就还是在自说自话。","textSha256":"fb5db124918a2000f2780972faec9b178c044ec373891dbbb84b39b2e7164432","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-436269b0ace309e5-1","anchor":"p-436269b0ace309e5-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-436269b0ace309e5-1","kind":"h2","headingPath":["文中引用的图像资料"],"text":"文中引用的图像资料","textSha256":"60a8e8dcb2ec4c5787e572c62d0e82b91a14f76e7cc77a0b3c153f147b480683","links":[],"images":[]},{"id":"hs-6a4619d7d6ad5f55#p-95be68489ce80f9b-1","anchor":"p-95be68489ce80f9b-1","url":"https://a.p4theater.top/research/hs-6a4619d7d6ad5f55#p-95be68489ce80f9b-1","kind":"p","headingPath":["文中引用的图像资料"],"text":"以下图像由本篇已有文件引用对应；保留历史引用范围，图像展示不增加新的事实判断。","textSha256":"5f46e1ef45e1654c0217986f34695a401b04e1b705c954cb6ad16f3b75a3d9e0","links":[],"images":[]}]}