{"id":"hs-69e97f58c2a5e933","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933","title":"高欲望母题论文书集 v1","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-06-18","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-69e97f58c2a5e933.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-69e97f58c2a5e933-98734b4e5b8874c541b7.md","markdownSha256":"98734b4e5b8874c541b705917fd0ada06df7237abb2cceedd1f01c022f690b9c","markdownBytes":15411,"characters":7146,"sourceEvidenceTier":"T3_METHOD","sourceStatus":"active","evidenceBoundary":"本页是 2026-06-18 为用户的高欲望公共视频方向建立的第一批论文书集。它是选题研究入口，不等于具体事实裁决。所有条目进入脚本前，仍需为单篇/单书建立来源卡，追一手材料入口，并做反证轮。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://anthrosource.onlinelibrary.wiley.com/","https://archive.org/","https://ctext.org/","https://hanchi.ihp.sinica.edu.tw/","https://hraf.yale.edu/ehraf-world-cultures/","https://www.bfi.org.uk/bfi-reuben-library","https://www.britishmuseum.org/collection","https://www.ebsco.com/products/research-databases/atla-religion-database","https://www.metmuseum.org/art/collection","https://www.perseus.tufts.edu/","https://www.sefaria.org/","https://www.si.edu/openaccess"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":224,"markdown":"# 高欲望母题论文书集 v1\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-06-18\n\n证据边界：本页是 2026-06-18 为用户的高欲望公共视频方向建立的第一批论文书集。它是选题研究入口，不等于具体事实裁决。所有条目进入脚本前，仍需为单篇/单书建立来源卡，追一手材料入口，并做反证轮。\n\n# 高欲望母题论文书集 v1\n\n## 使用方式\n\n这不是普通书单，而是给视频研究用的“证据弹药库”。每个选题至少从这里拿：\n\n```text\n1 个一手材料入口\n2 本核心书\n2 篇论文/章节\n1 个反证或争议来源\n1 个可转成视频隐喻的概念\n```\n\n不要在视频里堆书名。书和论文的作用，是让观众看到：这个看似猎奇的题，其实有深厚的材料、学科和争议。\n\n## 一、甲骨文、占卜、古代中国与非人接口\n\n适合题目：\n\n- `甲骨文不是文字，是人类最早的提问机器`\n- `占卜是古代的人机交互界面`\n- `为什么人类总想把决定交给非人系统`\n\n### 必读底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| David N. Keightley | *Sources of Shang History: The Oracle-Bone Inscriptions of Bronze Age China* | 商代甲骨材料的基础入口，适合支撑“甲骨不是普通文字材料，而是占卜档案”。 |\n| David N. Keightley | *The Ancestral Landscape: Time, Space, and Community in Late Shang China* | 祖先、空间、时间和共同体，适合把甲骨文从字形扩展到社会宇宙。 |\n| K. C. Chang | *Art, Myth, and Ritual: The Path to Political Authority in Ancient China* | 把艺术、神话、仪式和政治权力接在一起，适合做“仪式系统”大框架。 |\n| Sarah Allan | *The Shape of the Turtle: Myth, Art, and Cosmos in Early China* | 早期中国神话、图像和宇宙结构，适合连接甲骨、图像和宇宙想象。 |\n| Li Feng | *Early China: A Social and Cultural History* | 建立早期中国社会文化背景，适合给视频补历史地板。 |\n| Qiu Xigui 裘锡圭 | *Chinese Writing* / 《文字学概要》 | 文字学底座，防止把字形解释讲飞。 |\n\n### 扩展燃料\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Michael Puett | *To Become a God: Cosmology, Sacrifice, and Self-Divinization in Early China* | 适合把祭祀、宇宙论、自我神化接入“人如何与非人系统连接”。 |\n| Mark Edward Lewis | *Sanctioned Violence in Early China* | 暴力、祭祀、政治秩序，适合“献祭/权力”方向。 |\n| Robert Eno | *The Confucian Creation of Heaven* | 礼、天、儒家合法性，适合从商周/礼制滚到道德内化。 |\n| Lothar von Falkenhausen | *Chinese Society in the Age of Confucius* | 礼器、社会结构、考古背景。 |\n\n### 一手材料入口\n\n- 殷契文渊、甲骨文合集、甲骨拓片数据库。\n- 中国国家博物馆、台北故宫、中央研究院相关甲骨/金文数据库。\n- [Chinese Text Project](https://ctext.org/)。\n- [中央研究院汉籍电子文献](https://hanchi.ihp.sinica.edu.tw/)。\n\n## 二、仪式、巫术、宗教、人类学\n\n适合题目：\n\n- `仪式是不是人类最早的游戏`\n- `巫术为什么总要用道具`\n- `人类为什么需要献祭`\n- `鬼为什么总是回来`\n\n### 必读底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Arnold van Gennep | *The Rites of Passage* | 通过仪式、阈限、身份转化的基本框架。 |\n| Victor Turner | *The Ritual Process* | 阈限、共同体、仪式转化，适合所有“仪式像游戏/剧场”的选题。 |\n| Catherine Bell | *Ritual Theory, Ritual Practice* | 防止把仪式讲成单纯迷信，理解仪式如何生产身体和权力。 |\n| Mary Douglas | *Purity and Danger* | 污秽、禁忌、分类系统，适合性、尸体、怪物、边界。 |\n| Marcel Mauss | *A General Theory of Magic* | 巫术、社会信念、技术性动作，适合“巫术不是迷信而是一套操作”。 |\n| Clifford Geertz | “Religion as a Cultural System” | 宗教如何作为象征系统工作，适合给宗教选题补理论地板。 |\n\n### 扩展燃料\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Stanley J. Tambiah | “The Magical Power of Words” / *Magic, Science, Religion, and the Scope of Rationality* | 咒语、语言行为、巫术和理性。 |\n| Mircea Eliade | *Shamanism: Archaic Techniques of Ecstasy* | 萨满经典入口；使用时要注明年代和争议。 |\n| Carlo Ginzburg | *Ecstasies: Deciphering the Witches' Sabbath* | 女巫、民间信仰、欧洲想象史。 |\n| Keith Thomas | *Religion and the Decline of Magic* | 近代早期宗教、巫术、科学转型。 |\n| Tanya Luhrmann | *Persuasions of the Witch's Craft* / *When God Talks Back* | 现代巫术和现代宗教经验，适合把古代滚到今天。 |\n\n### 一手材料入口\n\n- [eHRAF World Cultures](https://hraf.yale.edu/ehraf-world-cultures/)。\n- [ATLA Religion Database](https://www.ebsco.com/products/research-databases/atla-religion-database)。\n- [AnthroSource](https://anthrosource.onlinelibrary.wiley.com/)。\n- [Sefaria](https://www.sefaria.org/)。\n- [Perseus Digital Library](https://www.perseus.tufts.edu/)。\n\n## 三、性、死亡、精神分析、禁忌\n\n适合题目：\n\n- `性为什么总是和死亡绑在一起`\n- `婚礼为什么像一场驯服欲望的剧场`\n- `女巫为什么总是女人`\n- `恐怖片为什么惩罚越界身体`\n\n### 必读底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Sigmund Freud | *Totem and Taboo* | 图腾、禁忌、父亲、原始社会想象；适合作为精神分析入口，但不能当人类学事实终审。 |\n| Sigmund Freud | “The Uncanny” | 鬼魅、熟悉中的陌生，适合恐怖、外星、图像和死亡回返。 |\n| Sigmund Freud | *Three Essays on the Theory of Sexuality* | 性欲结构和现代性心理学入口。 |\n| Sigmund Freud | *Beyond the Pleasure Principle* | 死亡驱力、重复、创伤回返。 |\n| Georges Bataille | *Erotism: Death and Sensuality* | 性与死亡的核心书，适合把“生命冲动和死亡边界”讲得高级。 |\n| Julia Kristeva | *Powers of Horror* | 污秽、排斥、母体、恐怖片和身体边界。 |\n\n### 扩展燃料\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Ernest Becker | *The Denial of Death* | 死亡恐惧如何组织文化和自我。 |\n| Philippe Ariès | *Western Attitudes toward Death* / *The Hour of Our Death* | 死亡观念史，适合从葬礼和鬼滚到现代死亡管理。 |\n| Michel Foucault | *The History of Sexuality, Vol. 1* | 性话语、规训、现代权力。 |\n| Judith Butler | “Performative Acts and Gender Constitution” | 身体、性别和表演性的桥。 |\n| Elisabeth Bronfen | *Over Her Dead Body* | 女性、死亡、艺术再现。 |\n| Barbara Creed | *The Monstrous-Feminine* | 恐怖电影、女性身体、怪物和污秽。 |\n\n### 论文/方向\n\n- Terror Management Theory：死亡焦虑如何影响文化、身份和防御机制。\n- Abjection / the uncanny / taboo：适合恐怖片、尸体、性禁忌和鬼魂。\n- Psychoanalysis and religion：适合外星人、神、父亲位置和大他者。\n\n## 四、戏剧、表演、面具、游戏\n\n适合题目：\n\n- `面具为什么比真脸更真实`\n- `剧场为什么像一次召魂`\n- `仪式是不是人类最早的游戏`\n- `游戏里的复活为什么像宗教`\n\n### 必读底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Richard Schechner | *Between Theater and Anthropology* | 戏剧和仪式的桥梁，非常适合你的账号方向。 |\n| Richard Schechner | *Performance Theory* | 表演作为行为、仪式、游戏和社会行动。 |\n| Victor Turner | *From Ritual to Theatre* | 从仪式到剧场的核心桥。 |\n| Erika Fischer-Lichte | *The Transformative Power of Performance* | 表演如何改变身体、观众和现场。 |\n| Hans-Thies Lehmann | *Postdramatic Theatre* | 现代剧场、后戏剧、现场性。 |\n| Antonin Artaud | *The Theater and Its Double* | 残酷剧场、巫术性剧场想象；适合做风格和冲击力。 |\n\n### 游戏研究底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Johan Huizinga | *Homo Ludens* | 游戏和文化起源，适合“仪式是游戏”母题。 |\n| Roger Caillois | *Man, Play and Games* | 游戏分类：竞争、机会、模仿、眩晕。 |\n| Brian Sutton-Smith | *The Ambiguity of Play* | 游戏意义的多重性。 |\n| Katie Salen & Eric Zimmerman | *Rules of Play* | 游戏设计和规则系统。 |\n| Jesper Juul | *Half-Real* | 游戏规则与虚构世界。 |\n\n### 一手材料入口\n\n- 剧场影像、演出文本、剧照、排练记录。\n- 游戏文本、规则书、玩家论坛、开发者访谈。\n- 民俗仪式影像、民族志记录。\n\n## 五、图像、艺术、电影、现代巫术\n\n适合题目：\n\n- `电影是不是现代巫术`\n- `图像是人类制造的第二具身体`\n- `为什么人类害怕图像，也崇拜图像`\n- `AI 图像是不是古老摄魂恐惧的回归`\n\n### 必读底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| David Freedberg | *The Power of Images* | 图像为什么会被崇拜、恐惧、攻击。 |\n| Alfred Gell | *Art and Agency* | 艺术对象如何像行动者一样发挥作用。 |\n| W. J. T. Mitchell | *What Do Pictures Want?* | 图像欲望、观看和主体性。 |\n| Hans Belting | *An Anthropology of Images* | 图像、身体、媒介三角。 |\n| Aby Warburg | *The Renewal of Pagan Antiquity* / *Mnemosyne Atlas* | 图像迁移、姿势、古代余生。 |\n| Roland Barthes | *Camera Lucida* | 摄影、死亡、刺点。 |\n\n### 电影研究底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| André Bazin | *What Is Cinema?* | 摄影影像本体论，适合“电影保存死者/现代巫术”。 |\n| Susan Sontag | *On Photography* | 摄影、占有、观看伦理。 |\n| Laura Mulvey | “Visual Pleasure and Narrative Cinema” | 凝视、欲望、性别和电影。 |\n| Tom Gunning | “The Cinema of Attractions” | 早期电影、奇观、观看冲击。 |\n| Vivian Sobchack | *The Address of the Eye* / *Carnal Thoughts* | 身体化观看和电影经验。 |\n| Jeffrey Sconce | *Haunted Media* | 媒介、幽灵、电子通信和死亡想象。 |\n\n### 一手材料入口\n\n- [The Met Collection](https://www.metmuseum.org/art/collection)。\n- [British Museum Collection](https://www.britishmuseum.org/collection)。\n- [Smithsonian Open Access](https://www.si.edu/openaccess)。\n- [Internet Archive](https://archive.org/)。\n- [BFI Reuben Library](https://www.bfi.org.uk/bfi-reuben-library)。\n\n## 六、外星人、现代神话、UFO、科技宗教\n\n适合题目：\n\n- `外星人为什么像现代人的神`\n- `外星绑架故事为什么这么像精神分析`\n- `现代人为什么需要相信更高文明在看我们`\n\n### 必读底座\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| C. G. Jung | *Flying Saucers: A Modern Myth of Things Seen in the Skies* | UFO 作为现代神话和心理投射的经典入口。 |\n| Diana Walsh Pasulka | *American Cosmic* | UFO、宗教经验、科技文化。 |\n| David J. Halperin | *Intimate Alien* | 外星人想象、神话、身体和现代文化。 |\n| Susan Lepselter | *The Resonance of Unseen Things* | UFO 叙事、民俗、不可见事物的回声。 |\n| Michael Barkun | *A Culture of Conspiracy* | UFO、阴谋论、现代政治神话。 |\n| Wouter Hanegraaff | *New Age Religion and Western Culture* | 新时代宗教、现代神秘主义。 |\n\n### 扩展燃料\n\n| 作者 | 书/文 | 用途 |\n|---|---|---|\n| Jeffrey J. Kripal | *Authors of the Impossible* | 异常经验、宗教研究和现代神秘经验。 |\n| Christopher Partridge | *The Re-Enchantment of the West* | 西方再附魅、新宗教和流行文化。 |\n| Jacques Vallée | *Passport to Magonia* | UFO 民俗想象的重要材料；使用时标注其非主流学术位置。 |\n| Brenda Denzler | *The Lure of the Edge* | UFO 信仰、科学激情和宗教信念。 |\n\n### 使用边界\n\n外星人题目不做“证明外星人存在”。稳的做法是：\n\n```text\n外星人作为现代神话、宗教替身、科技大他者和身体焦虑的叙事容器。\n```\n\n## 七、第一批可开工检索包\n\n### 包 1：甲骨文不是文字，是提问机器\n\n最低配置：\n\n- Keightley：甲骨资料底座。\n- K. C. Chang：艺术、神话、仪式、政治权力。\n- Qiu Xigui：文字学刹车。\n- 甲骨拓片/数据库：一手材料。\n- 一篇近年甲骨/商代祭祀论文：更新口径。\n\n视频功能：\n\n```text\n甲骨不是“古文字课”，而是人类向非人系统提问的界面。\n```\n\n### 包 2：外星人为什么像现代人的神\n\n最低配置：\n\n- Jung：UFO 现代神话。\n- Pasulka：UFO 与科技宗教。\n- Halperin：亲密外星人/身体叙事。\n- Barkun：阴谋论刹车。\n- 一个 UFO 叙事一手材料或访谈文本。\n\n视频功能：\n\n```text\n神没有消失，只是换成更高文明、更远天空和科技外壳。\n```\n\n### 包 3：性为什么总是和死亡绑在一起\n\n最低配置：\n\n- Bataille：性与死亡核心。\n- Freud：禁忌/死亡驱力。\n- Kristeva：污秽和身体边界。\n- Ariès：死亡史。\n- Creed：恐怖电影身体。\n\n视频功能：\n\n```text\n性不是纯粹私人欲望，而是生命、禁忌、死亡和秩序交叉的门。\n```\n\n### 包 4：面具为什么比真脸更真实\n\n最低配置：\n\n- Turner：仪式和阈限。\n- Schechner：戏剧与人类学。\n- Fischer-Lichte：表演转化力。\n- Huizinga / Caillois：游戏与角色。\n- 一个具体面具/仪式/戏剧图像一手材料。\n\n视频功能：\n\n```text\n面具不是遮住真实，而是给真实一个可以出现的位置。\n```\n\n### 包 5：电影是不是现代巫术\n\n最低配置：\n\n- Bazin：摄影影像本体论。\n- Barthes：摄影与死亡。\n- Freedberg / Gell：图像力量。\n- Sconce：幽灵媒介。\n- 一个早期电影或摄影摄魂材料。\n\n视频功能：\n\n```text\n电影让已经不在的人，在另一个时间继续出现。\n```\n\n## 采购/获取优先级\n\n先不要买一堆书。按这个顺序：\n\n1. 先用 Google Scholar / OpenAlex 找种子论文。\n2. 用 Unpaywall / CORE / 作者主页找开放全文。\n3. 用 WorldCat 查本地图书馆或电子馆藏。\n4. 中文材料走知网、万方、维普、国家哲社中心。\n5. 古籍和一手文本走 CText、汉籍、CBETA、馆藏数据库。\n6. 真正反复用到的核心书，再买纸书或电子书。\n\n## 前 10 本最值得先拿下\n\n如果只能先读 10 本：\n\n1. David N. Keightley, *Sources of Shang History*\n2. K. C. Chang, *Art, Myth, and Ritual*\n3. Victor Turner, *The Ritual Process*\n4. Catherine Bell, *Ritual Theory, Ritual Practice*\n5. Mary Douglas, *Purity and Danger*\n6. Georges Bataille, *Erotism*\n7. Sigmund Freud, *Totem and Taboo*\n8. Richard Schechner, *Between Theater and Anthropology*\n9. David Freedberg, *The Power of Images*\n10. C. G. Jung, *Flying Saucers*\n\n这 10 本能支撑你第一阶段最核心的四条线：甲骨/仪式、性/死亡、戏剧/表演、图像/外星现代神话。","paragraphs":[{"id":"hs-69e97f58c2a5e933#p-52ef0f8dc7bf1e08-1","anchor":"p-52ef0f8dc7bf1e08-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-52ef0f8dc7bf1e08-1","kind":"h2","headingPath":["高欲望母题论文书集 v1"],"text":"高欲望母题论文书集 v1","textSha256":"8c4076e55984104890fb3eaf9bff285f5df389be53660553d170a64a20254ae7","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-fa70c95a2ab3e3b1-1","anchor":"p-fa70c95a2ab3e3b1-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-fa70c95a2ab3e3b1-1","kind":"h2","headingPath":["使用方式"],"text":"使用方式","textSha256":"14b2da2d58f38a436b5fa5046fe20b76fa8990f205c1e47b364dc4170354be7d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-63ca5e1dafed6baf-1","anchor":"p-63ca5e1dafed6baf-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-63ca5e1dafed6baf-1","kind":"p","headingPath":["使用方式"],"text":"这不是普通书单，而是给视频研究用的“证据弹药库”。每个选题至少从这里拿：","textSha256":"96f98845e5d266e853aa3fc2853036a405dddb9fa9f3ab778ac40ecadc1fd3a0","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-15290faff0c7e762-1","anchor":"p-15290faff0c7e762-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-15290faff0c7e762-1","kind":"pre","headingPath":["使用方式"],"text":"1 个一手材料入口\n2 本核心书\n2 篇论文/章节\n1 个反证或争议来源\n1 个可转成视频隐喻的概念","textSha256":"480443cd00631b67163cee3d444f5adc2f386d444a2f82dc40288d04ff82f60b","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-1e1c7850f8c31b7e-1","anchor":"p-1e1c7850f8c31b7e-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-1e1c7850f8c31b7e-1","kind":"p","headingPath":["使用方式"],"text":"不要在视频里堆书名。书和论文的作用，是让观众看到：这个看似猎奇的题，其实有深厚的材料、学科和争议。","textSha256":"80ed5eb7a6680dbc0a62f88a42668c19a0b3122002cb2b0341d29008287ca154","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-31ba04fd7482ed40-1","anchor":"p-31ba04fd7482ed40-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-31ba04fd7482ed40-1","kind":"h2","headingPath":["一、甲骨文、占卜、古代中国与非人接口"],"text":"一、甲骨文、占卜、古代中国与非人接口","textSha256":"4fb57d0e4e90c67f7926973a84d79ea083fe7444422a7a82d1d5de54e68d74d0","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-bdb18faa620646c5-1","anchor":"p-bdb18faa620646c5-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-bdb18faa620646c5-1","kind":"p","headingPath":["一、甲骨文、占卜、古代中国与非人接口"],"text":"适合题目：","textSha256":"684f82b8e12e3339d56cce34c67df32d05c3af855f38f2a43bdff3540cfca6a7","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-27aa8f2cade99568-1","anchor":"p-27aa8f2cade99568-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-27aa8f2cade99568-1","kind":"li","headingPath":["一、甲骨文、占卜、古代中国与非人接口"],"text":"甲骨文不是文字，是人类最早的提问机器","textSha256":"3364c94b755135ce3b797164ef44d97783ad81cca0decef0fee75bc81a3ffd30","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-6717b59eb463cd6b-1","anchor":"p-6717b59eb463cd6b-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-6717b59eb463cd6b-1","kind":"li","headingPath":["一、甲骨文、占卜、古代中国与非人接口"],"text":"占卜是古代的人机交互界面","textSha256":"10e1a4c6b6be236105d0a7146b4822dfaa148706cbc0f477f7300be0190cf1d0","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-dbee4df1e685b98d-1","anchor":"p-dbee4df1e685b98d-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-dbee4df1e685b98d-1","kind":"li","headingPath":["一、甲骨文、占卜、古代中国与非人接口"],"text":"为什么人类总想把决定交给非人系统","textSha256":"f82d79fc6420ea4b871857a5064aacd297b9427bc74dbcfce2eb6fd9269b9c0b","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b17a0d4180e1cb0e-1","anchor":"p-b17a0d4180e1cb0e-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b17a0d4180e1cb0e-1","kind":"h3","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"必读底座","textSha256":"032e54be8a9dcacead2c754263b71c403e88daac6fe237bc6111feb8bf29ec70","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-18748f95ff4f3661-1","anchor":"p-18748f95ff4f3661-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-18748f95ff4f3661-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"作者 书/文 用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-75fa7a20aef8df27-1","anchor":"p-75fa7a20aef8df27-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-75fa7a20aef8df27-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"David N. Keightley Sources of Shang History: The Oracle-Bone Inscriptions of Bronze Age China 商代甲骨材料的基础入口，适合支撑“甲骨不是普通文字材料，而是占卜档案”。","textSha256":"3257388ea60a772bb7c74625829fb623b480920a652373935568e90051cb170f","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-264c5c4568b849d0-1","anchor":"p-264c5c4568b849d0-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-264c5c4568b849d0-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"David N. Keightley The Ancestral Landscape: Time, Space, and Community in Late Shang China 祖先、空间、时间和共同体，适合把甲骨文从字形扩展到社会宇宙。","textSha256":"4d1514737dbe55f3bbb2ed055ad412ae3515e1c3dc21bc2ac8ebc13a886be5c2","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-12290975aa0eecd3-1","anchor":"p-12290975aa0eecd3-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-12290975aa0eecd3-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"K. C. Chang Art, Myth, and Ritual: The Path to Political Authority in Ancient China 把艺术、神话、仪式和政治权力接在一起，适合做“仪式系统”大框架。","textSha256":"7c50ea6c0c00a23fc4772a8448ff5230a10ce7165ab16349cb65794a9caaacf6","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-7baba331c7d49fee-1","anchor":"p-7baba331c7d49fee-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-7baba331c7d49fee-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"Sarah Allan The Shape of the Turtle: Myth, Art, and Cosmos in Early China 早期中国神话、图像和宇宙结构，适合连接甲骨、图像和宇宙想象。","textSha256":"eb03dc83ffeb381a36df0ea5585082d52d98a2356a77219ccd1f634107397a3c","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-98581d9481bf5e40-1","anchor":"p-98581d9481bf5e40-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-98581d9481bf5e40-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"Li Feng Early China: A Social and Cultural History 建立早期中国社会文化背景，适合给视频补历史地板。","textSha256":"5f2b52b57ed8ac92dbdad0897fc1bf1ecf4cab57c508a9406e8297c7c70cbee8","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-35fe146cbca574fd-1","anchor":"p-35fe146cbca574fd-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-35fe146cbca574fd-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","必读底座"],"text":"Qiu Xigui 裘锡圭 Chinese Writing / 《文字学概要》 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暴力、祭祀、政治秩序，适合“献祭/权力”方向。","textSha256":"98124e856fd4ce3019d0ab38e2a7ff95ee9ab1665a830d0810be5e535b5a469d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-9f921b554a2308c4-1","anchor":"p-9f921b554a2308c4-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-9f921b554a2308c4-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","扩展燃料"],"text":"Robert Eno The Confucian Creation of Heaven 礼、天、儒家合法性，适合从商周/礼制滚到道德内化。","textSha256":"23d247fdb206bae3de7be8d5749679420005731304a1e5bf7a3bf76935a33909","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-df37f99a2b03f978-1","anchor":"p-df37f99a2b03f978-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-df37f99a2b03f978-1","kind":"tr","headingPath":["一、甲骨文、占卜、古代中国与非人接口","扩展燃料"],"text":"Lothar von Falkenhausen Chinese Society in the Age of Confucius 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Tambiah “The Magical Power of Words” / Magic, Science, Religion, and the Scope of Rationality 咒语、语言行为、巫术和理性。","textSha256":"12a9a819b4ccdae0b09898d3f3965e21c7bc133130c82e8181d9f17f390f11fe","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-212f8f6155cf9840-1","anchor":"p-212f8f6155cf9840-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-212f8f6155cf9840-1","kind":"tr","headingPath":["二、仪式、巫术、宗教、人类学","扩展燃料"],"text":"Mircea Eliade Shamanism: Archaic Techniques of Ecstasy 萨满经典入口；使用时要注明年代和争议。","textSha256":"a29125dfa04989186aacdca1cfaffec5ae7c5f282e64cc50a0fe05d9a4e6aba4","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-1e3e93397990475b-1","anchor":"p-1e3e93397990475b-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-1e3e93397990475b-1","kind":"tr","headingPath":["二、仪式、巫术、宗教、人类学","扩展燃料"],"text":"Carlo Ginzburg Ecstasies: Deciphering the Witches' Sabbath 女巫、民间信仰、欧洲想象史。","textSha256":"192599ea46b9f9f94d05c5166fe9225685415ade1769471bf40644d4d1ad3e95","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-69dc9e15c5f50a62-1","anchor":"p-69dc9e15c5f50a62-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-69dc9e15c5f50a62-1","kind":"tr","headingPath":["二、仪式、巫术、宗教、人类学","扩展燃料"],"text":"Keith Thomas Religion and the Decline of Magic 近代早期宗教、巫术、科学转型。","textSha256":"86e2312ec9747e14bd9c83f63aa14d6567c2437b259eb80619445a01743e2c12","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-9d6446f09c36ea6c-1","anchor":"p-9d6446f09c36ea6c-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-9d6446f09c36ea6c-1","kind":"tr","headingPath":["二、仪式、巫术、宗教、人类学","扩展燃料"],"text":"Tanya Luhrmann Persuasions of the Witch's Craft / When God Talks Back 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。","textSha256":"126774a1939bfab2552b13d3fa666f70aa447d9046b1dcdc5ddd0a88e2550d87","links":["https://hraf.yale.edu/ehraf-world-cultures/"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-e2889665a42c7287-1","anchor":"p-e2889665a42c7287-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-e2889665a42c7287-1","kind":"li","headingPath":["二、仪式、巫术、宗教、人类学","一手材料入口"],"text":"ATLA Religion Database 。","textSha256":"83e8b09f22b80e87325dc5d1077c8b1572a9d16147dbeb89243c08e294e72c36","links":["https://www.ebsco.com/products/research-databases/atla-religion-database"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-ad7f142c614fa9cd-1","anchor":"p-ad7f142c614fa9cd-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-ad7f142c614fa9cd-1","kind":"li","headingPath":["二、仪式、巫术、宗教、人类学","一手材料入口"],"text":"AnthroSource 。","textSha256":"15a0cd9e59d002ee22dd22957640fa32e328aca66f88349af6cdc74f9234fb19","links":["https://anthrosource.onlinelibrary.wiley.com/"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-d2bd48aaab9bbbae-1","anchor":"p-d2bd48aaab9bbbae-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-d2bd48aaab9bbbae-1","kind":"li","headingPath":["二、仪式、巫术、宗教、人类学","一手材料入口"],"text":"Sefaria 。","textSha256":"63ecc4f61eea873da7962cba51550b7735e8c70c9c9237f48da3fb3cdf49c649","links":["https://www.sefaria.org/"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-4a0ebc8de3060d12-1","anchor":"p-4a0ebc8de3060d12-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-4a0ebc8de3060d12-1","kind":"li","headingPath":["二、仪式、巫术、宗教、人类学","一手材料入口"],"text":"Perseus Digital Library 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书/文 用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-fcee5cf430546f13-1","anchor":"p-fcee5cf430546f13-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-fcee5cf430546f13-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","必读底座"],"text":"Sigmund Freud Totem and Taboo 图腾、禁忌、父亲、原始社会想象；适合作为精神分析入口，但不能当人类学事实终审。","textSha256":"5ad9e3054811c54575290cf2b0bc656040eb4e3592fe94bf53e34af9fc50f72d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-ba043df8334f613d-1","anchor":"p-ba043df8334f613d-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-ba043df8334f613d-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","必读底座"],"text":"Sigmund Freud “The Uncanny” 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用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-c4ec461b90d48102-1","anchor":"p-c4ec461b90d48102-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-c4ec461b90d48102-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","扩展燃料"],"text":"Ernest Becker The Denial of Death 死亡恐惧如何组织文化和自我。","textSha256":"f0bb9366a2ee9db934e7ada419acbe401f911c31465692ac655b94fe0519bfd0","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-37c364d3671580da-1","anchor":"p-37c364d3671580da-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-37c364d3671580da-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","扩展燃料"],"text":"Philippe Ariès Western Attitudes toward Death / The Hour of Our Death 死亡观念史，适合从葬礼和鬼滚到现代死亡管理。","textSha256":"0cd5f2c15537bee01ee7df066e9a1e8672cff1f0c1f5210982d0deab47b1bc0e","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-d1d515741e05988c-1","anchor":"p-d1d515741e05988c-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-d1d515741e05988c-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","扩展燃料"],"text":"Michel Foucault The History of Sexuality, Vol. 1 性话语、规训、现代权力。","textSha256":"b29a929487e35c875e416cff1de79316b5b0cd081c8ca95c33cc9657fc9e5960","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-5bb6d4ade65af2dc-1","anchor":"p-5bb6d4ade65af2dc-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-5bb6d4ade65af2dc-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","扩展燃料"],"text":"Judith Butler “Performative Acts and Gender Constitution” 身体、性别和表演性的桥。","textSha256":"e6d6a5e8d3dff07fbb4d2825b19b4de4433350b4b46e843202f4ccef636f01ca","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-d88d979c7e498fcd-1","anchor":"p-d88d979c7e498fcd-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-d88d979c7e498fcd-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","扩展燃料"],"text":"Elisabeth Bronfen Over Her Dead Body 女性、死亡、艺术再现。","textSha256":"aa292e95088e4f739590125fc9bbe37e57e2b9ae51ae8d95d2bca3a80e47df9f","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-bc520876bdfaac40-1","anchor":"p-bc520876bdfaac40-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-bc520876bdfaac40-1","kind":"tr","headingPath":["三、性、死亡、精神分析、禁忌","扩展燃料"],"text":"Barbara Creed The Monstrous-Feminine 恐怖电影、女性身体、怪物和污秽。","textSha256":"b95384fc625474d74acf8b226f7bbf89c9bcdfb71f130a361c78c13dfffc24b8","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-a428b296f8dea987-1","anchor":"p-a428b296f8dea987-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-a428b296f8dea987-1","kind":"h3","headingPath":["三、性、死亡、精神分析、禁忌","论文/方向"],"text":"论文/方向","textSha256":"55d11da863a628e2147613499e27fea31679044c6340cfe3449322bdf7fcf6d5","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b837167b5689a0c6-1","anchor":"p-b837167b5689a0c6-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b837167b5689a0c6-1","kind":"li","headingPath":["三、性、死亡、精神分析、禁忌","论文/方向"],"text":"Terror Management 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用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-6a7c676bf33586cb-1","anchor":"p-6a7c676bf33586cb-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-6a7c676bf33586cb-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","必读底座"],"text":"David Freedberg The Power of Images 图像为什么会被崇拜、恐惧、攻击。","textSha256":"0d980853f2b3f8592bb7e88af4667b139b27c7a2cc580fd001050d6924e79798","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-3f9e86a7820bdf27-1","anchor":"p-3f9e86a7820bdf27-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-3f9e86a7820bdf27-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","必读底座"],"text":"Alfred Gell Art and Agency 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J. T. Mitchell What Do Pictures Want? 图像欲望、观看和主体性。","textSha256":"78f0b9ef0d90f73e5ff8a79395d97815c6c1665bc576f5e86370529d75b13c00","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-70659e817cd31d08-1","anchor":"p-70659e817cd31d08-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-70659e817cd31d08-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","必读底座"],"text":"Hans Belting An Anthropology of Images 图像、身体、媒介三角。","textSha256":"cf9fef6f192cb25287c28254790ee8bfc55fa50e5e172b472498a0689740d2ab","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-64e41b286a60d2f6-1","anchor":"p-64e41b286a60d2f6-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-64e41b286a60d2f6-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","必读底座"],"text":"Aby Warburg The Renewal of Pagan Antiquity / Mnemosyne Atlas 图像迁移、姿势、古代余生。","textSha256":"c9c3b497fa395ae730f1aef73f04807cd28d3eb47bf495d71135330b284f23ae","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-c31f2596ac3dd5f4-1","anchor":"p-c31f2596ac3dd5f4-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-c31f2596ac3dd5f4-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","必读底座"],"text":"Roland Barthes Camera Lucida 摄影、死亡、刺点。","textSha256":"9071c5ccb42f85e4c872e70b013fb8f3ff0dad0f56ff3dc81cfb36ed0ba1ed6e","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-1ed40879fc172002-1","anchor":"p-1ed40879fc172002-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-1ed40879fc172002-1","kind":"h3","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"电影研究底座","textSha256":"b949f8f12ce8cb58cddf390e5046cd9b970e3ee1103b0aa03024f80e3ff4d34b","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-18748f95ff4f3661-10","anchor":"p-18748f95ff4f3661-10","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-18748f95ff4f3661-10","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"作者 书/文 用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-c6019d97fee4bf99-1","anchor":"p-c6019d97fee4bf99-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-c6019d97fee4bf99-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"André Bazin What Is Cinema? 摄影影像本体论，适合“电影保存死者/现代巫术”。","textSha256":"b007c748b5f5f6e1c0e9b2314b7ae67f9144156476308a7d8ed5aa1188cc3d2c","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-05092b5d5c68a4bd-1","anchor":"p-05092b5d5c68a4bd-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-05092b5d5c68a4bd-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"Susan Sontag On Photography 摄影、占有、观看伦理。","textSha256":"cd8ef70c83705d932490a1fd24ebe3ab85d0a7586598b5a081635142431c04ec","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-9628dd53e588eae2-1","anchor":"p-9628dd53e588eae2-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-9628dd53e588eae2-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"Laura Mulvey “Visual Pleasure and Narrative Cinema” 凝视、欲望、性别和电影。","textSha256":"7a463c977e380c3a96321c677ae46efdfed729cc75dfea921d55df6fc2df9f0e","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-97adca76ad744e62-1","anchor":"p-97adca76ad744e62-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-97adca76ad744e62-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"Tom Gunning “The Cinema of Attractions” 早期电影、奇观、观看冲击。","textSha256":"e320d06ef236437c7d82faead54c726edc374e65cc0934940ee197f531bbfe44","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-7611947f97460abf-1","anchor":"p-7611947f97460abf-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-7611947f97460abf-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"Vivian Sobchack The Address of the Eye / Carnal Thoughts 身体化观看和电影经验。","textSha256":"62f4d3ea99689b227e73cd14a7b45b8e468d30c4310102beef2a5773cdc75732","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-1c9038ae18987f30-1","anchor":"p-1c9038ae18987f30-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-1c9038ae18987f30-1","kind":"tr","headingPath":["五、图像、艺术、电影、现代巫术","电影研究底座"],"text":"Jeffrey Sconce Haunted Media 媒介、幽灵、电子通信和死亡想象。","textSha256":"7ccb49bd7e79d7e1830f866d52179d9143bdd15cac76bfcb1be3b8bd81a4eb3b","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-dba2cc17f7f5f3ab-4","anchor":"p-dba2cc17f7f5f3ab-4","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-dba2cc17f7f5f3ab-4","kind":"h3","headingPath":["五、图像、艺术、电影、现代巫术","一手材料入口"],"text":"一手材料入口","textSha256":"ff6bc6a9d932b901e83c8e97b2a97e48a8fc7a737e8e6dbaa7db73921af17d6d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-4ec7320abf841d2b-1","anchor":"p-4ec7320abf841d2b-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-4ec7320abf841d2b-1","kind":"li","headingPath":["五、图像、艺术、电影、现代巫术","一手材料入口"],"text":"The Met Collection 。","textSha256":"2d291f5cac68ee226964d1d7d4b40d6244506ebab0aef529995b7b2dc2c3e930","links":["https://www.metmuseum.org/art/collection"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-90d75d7a5ec011c7-1","anchor":"p-90d75d7a5ec011c7-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-90d75d7a5ec011c7-1","kind":"li","headingPath":["五、图像、艺术、电影、现代巫术","一手材料入口"],"text":"British Museum Collection 。","textSha256":"76987e88496e637a24cae92e7fc3a297187a3645a7be644d86c7cef328c931fe","links":["https://www.britishmuseum.org/collection"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-e84028e27f8c9c4d-1","anchor":"p-e84028e27f8c9c4d-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-e84028e27f8c9c4d-1","kind":"li","headingPath":["五、图像、艺术、电影、现代巫术","一手材料入口"],"text":"Smithsonian Open Access 。","textSha256":"1684af9d8f0f6f1eb9e4bd536af58f37d29ae7189308662a0ea723ef75d111b4","links":["https://www.si.edu/openaccess"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-f5f3ebe526c45393-1","anchor":"p-f5f3ebe526c45393-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-f5f3ebe526c45393-1","kind":"li","headingPath":["五、图像、艺术、电影、现代巫术","一手材料入口"],"text":"Internet Archive 。","textSha256":"b8b0304ed568fe5e40b092f8bebf4ce36facdf07410e14f51835eea4561a8fed","links":["https://archive.org/"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-07968a475f21ee94-1","anchor":"p-07968a475f21ee94-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-07968a475f21ee94-1","kind":"li","headingPath":["五、图像、艺术、电影、现代巫术","一手材料入口"],"text":"BFI Reuben Library 。","textSha256":"97dc4524c3970894b85b2d896b42d5b63256a3544f90d1228dd7f95f6acd3c5e","links":["https://www.bfi.org.uk/bfi-reuben-library"],"images":[]},{"id":"hs-69e97f58c2a5e933#p-8a0599c8ff105138-1","anchor":"p-8a0599c8ff105138-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-8a0599c8ff105138-1","kind":"h2","headingPath":["六、外星人、现代神话、UFO、科技宗教"],"text":"六、外星人、现代神话、UFO、科技宗教","textSha256":"e1541cf75115fb85e105712dbae069f0274768f735149d83979480073d190538","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-bdb18faa620646c5-6","anchor":"p-bdb18faa620646c5-6","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-bdb18faa620646c5-6","kind":"p","headingPath":["六、外星人、现代神话、UFO、科技宗教"],"text":"适合题目：","textSha256":"684f82b8e12e3339d56cce34c67df32d05c3af855f38f2a43bdff3540cfca6a7","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-c75f14895ecd8d54-1","anchor":"p-c75f14895ecd8d54-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-c75f14895ecd8d54-1","kind":"li","headingPath":["六、外星人、现代神话、UFO、科技宗教"],"text":"外星人为什么像现代人的神","textSha256":"b6c7754fb1b20c54aa8e7f49a369954972978622ee2df3484199a121b986911b","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-dec009499836b94a-1","anchor":"p-dec009499836b94a-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-dec009499836b94a-1","kind":"li","headingPath":["六、外星人、现代神话、UFO、科技宗教"],"text":"外星绑架故事为什么这么像精神分析","textSha256":"369769a1828499fcf7d11cb1efcdda8d6dd78a500ef72b1fba5b30134a5fe9b4","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b328af141cbbe786-1","anchor":"p-b328af141cbbe786-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b328af141cbbe786-1","kind":"li","headingPath":["六、外星人、现代神话、UFO、科技宗教"],"text":"现代人为什么需要相信更高文明在看我们","textSha256":"ab46ceb13dc65c9be65dd408f1cbbce8c0031f8d7a359698fde3b1fd21376623","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b17a0d4180e1cb0e-6","anchor":"p-b17a0d4180e1cb0e-6","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b17a0d4180e1cb0e-6","kind":"h3","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"必读底座","textSha256":"032e54be8a9dcacead2c754263b71c403e88daac6fe237bc6111feb8bf29ec70","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-18748f95ff4f3661-11","anchor":"p-18748f95ff4f3661-11","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-18748f95ff4f3661-11","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"作者 书/文 用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-4f1ea27cad290940-1","anchor":"p-4f1ea27cad290940-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-4f1ea27cad290940-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"C. G. Jung Flying Saucers: A Modern Myth of Things Seen in the Skies UFO 作为现代神话和心理投射的经典入口。","textSha256":"d0629775f532810b954343d50aec02caf34527536654956743743ad2fa2bd49d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-2f3392cd6ff3d37e-1","anchor":"p-2f3392cd6ff3d37e-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-2f3392cd6ff3d37e-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"Diana Walsh Pasulka American Cosmic UFO、宗教经验、科技文化。","textSha256":"b6feb612765cddbe57ca129d48a8cc77c8d39ece8dce3302c60dfc41aec7dd3d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-22b46c693ba78861-1","anchor":"p-22b46c693ba78861-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-22b46c693ba78861-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"David J. Halperin Intimate Alien 外星人想象、神话、身体和现代文化。","textSha256":"7aa14f269cfbdbed647cf49fb7b887af2506e55573bbca5aa8300c313b7ff923","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-05f911f4a171d3a0-1","anchor":"p-05f911f4a171d3a0-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-05f911f4a171d3a0-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"Susan Lepselter The Resonance of Unseen Things UFO 叙事、民俗、不可见事物的回声。","textSha256":"9db14b5860e5b9cb24ed966541b1ddf2dcd5e1a4e880918754906c40c3bd04ba","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-11917735d405ea66-1","anchor":"p-11917735d405ea66-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-11917735d405ea66-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"Michael Barkun A Culture of Conspiracy UFO、阴谋论、现代政治神话。","textSha256":"7bf28a9b104c27363d6319929895928aac1b0c495b35adbac824fd740eeba6b1","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-59b3151f4df281d5-1","anchor":"p-59b3151f4df281d5-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-59b3151f4df281d5-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","必读底座"],"text":"Wouter Hanegraaff New Age Religion and Western Culture 新时代宗教、现代神秘主义。","textSha256":"83d20ec1ab07e59bb33b9ddd9f408b1ec3df0ba7289473c2f7d23922a1275e50","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-a83071ae09caeadf-4","anchor":"p-a83071ae09caeadf-4","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-a83071ae09caeadf-4","kind":"h3","headingPath":["六、外星人、现代神话、UFO、科技宗教","扩展燃料"],"text":"扩展燃料","textSha256":"0243b5edb77e3d06ff73dbb463d10b6637f754f4efecb22fa49851a06e99afdd","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-18748f95ff4f3661-12","anchor":"p-18748f95ff4f3661-12","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-18748f95ff4f3661-12","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","扩展燃料"],"text":"作者 书/文 用途","textSha256":"e0d1af51f3ac03d7f96402aa98d02328223ffd259001b358c053300b991ff1ef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-d37e90a7061756d0-1","anchor":"p-d37e90a7061756d0-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-d37e90a7061756d0-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","扩展燃料"],"text":"Jeffrey J. Kripal Authors of the Impossible 异常经验、宗教研究和现代神秘经验。","textSha256":"5154df309d390e6c6007c35a13ba14f2d6d6309f187ae396f7a0f4c77f166c9a","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-fd6c8ae70ad499f6-1","anchor":"p-fd6c8ae70ad499f6-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-fd6c8ae70ad499f6-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","扩展燃料"],"text":"Christopher Partridge The Re-Enchantment of the West 西方再附魅、新宗教和流行文化。","textSha256":"2c55f332ec3b092cec3d006cd2e8a869b8f4ab94d7cbb40e7f54963a8a75530d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-8cafd3b7f7babadc-1","anchor":"p-8cafd3b7f7babadc-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-8cafd3b7f7babadc-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","扩展燃料"],"text":"Jacques Vallée Passport to Magonia UFO 民俗想象的重要材料；使用时标注其非主流学术位置。","textSha256":"9b730de3907a2bb9f6afd20e063f0b7084227cbafe564299e9da01f5d46084fc","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b67758faa1a9df8e-1","anchor":"p-b67758faa1a9df8e-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b67758faa1a9df8e-1","kind":"tr","headingPath":["六、外星人、现代神话、UFO、科技宗教","扩展燃料"],"text":"Brenda Denzler The Lure of the Edge UFO 信仰、科学激情和宗教信念。","textSha256":"80337e8ed5903580e5262e54cd5f85bb0dfd6df5c110c4332ce1e6274109563e","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-97d043527ab8c12a-1","anchor":"p-97d043527ab8c12a-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-97d043527ab8c12a-1","kind":"h3","headingPath":["六、外星人、现代神话、UFO、科技宗教","使用边界"],"text":"使用边界","textSha256":"b59c77baa8ebe251c822c054dc5b72c3dd25e7b71802f9e7c5524181d74f4f71","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-8d806214d1ed4eb4-1","anchor":"p-8d806214d1ed4eb4-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-8d806214d1ed4eb4-1","kind":"p","headingPath":["六、外星人、现代神话、UFO、科技宗教","使用边界"],"text":"外星人题目不做“证明外星人存在”。稳的做法是：","textSha256":"fae752ff85515ad6e8cf68183037bcb5b6f72644193c9aed3a4d344ee2212329","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-a697da7cd967144e-1","anchor":"p-a697da7cd967144e-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-a697da7cd967144e-1","kind":"pre","headingPath":["六、外星人、现代神话、UFO、科技宗教","使用边界"],"text":"外星人作为现代神话、宗教替身、科技大他者和身体焦虑的叙事容器。","textSha256":"8829ec151e350902a3d234ca12ae300d802f77b79246496d138e56c62db05678","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-154a0345302cdeae-1","anchor":"p-154a0345302cdeae-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-154a0345302cdeae-1","kind":"h2","headingPath":["七、第一批可开工检索包"],"text":"七、第一批可开工检索包","textSha256":"03ed1a98a44252670f0cc83981ef87be2b82ba3843c9c9f54fcc49cc5eb98f6b","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-d3bd6cde604adb8c-1","anchor":"p-d3bd6cde604adb8c-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-d3bd6cde604adb8c-1","kind":"h3","headingPath":["七、第一批可开工检索包","包 1：甲骨文不是文字，是提问机器"],"text":"包 1：甲骨文不是文字，是提问机器","textSha256":"0243eec1fe444963efc63aed527e3bbe67ba58a359cbaefb0b1bace5a8c65658","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-fba803d5ff268f11-1","anchor":"p-fba803d5ff268f11-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-fba803d5ff268f11-1","kind":"p","headingPath":["七、第一批可开工检索包","包 1：甲骨文不是文字，是提问机器"],"text":"最低配置：","textSha256":"8670ae89750341f8c6f1b5b4f3b5dde64499626a8d48c5640486ebe9a3c3b525","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-0979601da98a6db1-1","anchor":"p-0979601da98a6db1-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-0979601da98a6db1-1","kind":"li","headingPath":["七、第一批可开工检索包","包 1：甲骨文不是文字，是提问机器"],"text":"Keightley：甲骨资料底座。","textSha256":"6eb28b02c4448c9511f45138671ecbe2c14889397aa1149efc829b5a1ed3ed37","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-fe220f68f2d510e1-1","anchor":"p-fe220f68f2d510e1-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-fe220f68f2d510e1-1","kind":"li","headingPath":["七、第一批可开工检索包","包 1：甲骨文不是文字，是提问机器"],"text":"K. C. Chang：艺术、神话、仪式、政治权力。","textSha256":"c6df9ed6881a95f844f1ed4f5dbbba5f0c1428cfac7172562bdd7bc80c818bef","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-19fef01d3bf4a93c-1","anchor":"p-19fef01d3bf4a93c-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-19fef01d3bf4a93c-1","kind":"li","headingPath":["七、第一批可开工检索包","包 1：甲骨文不是文字，是提问机器"],"text":"Qiu Xigui：文字学刹车。","textSha256":"a4df00f87d1c461f543b0d5518582e87482430fc8b6ee52ca9f8e5f5428e49fb","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b0f95661b7f82ea5-1","anchor":"p-b0f95661b7f82ea5-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b0f95661b7f82ea5-1","kind":"li","headingPath":["七、第一批可开工检索包","包 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现代神话。","textSha256":"a2e790b29faefa8ed1ba8770442b675b29c0f0eae3eba3afe392b4526cfa0395","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-0728e597fa3b90fe-1","anchor":"p-0728e597fa3b90fe-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-0728e597fa3b90fe-1","kind":"li","headingPath":["七、第一批可开工检索包","包 2：外星人为什么像现代人的神"],"text":"Pasulka：UFO 与科技宗教。","textSha256":"961c016b65ade73b38f093372f832b3e71ecb045963a6a15a5f0e65a530ec121","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-068d9f6a2925a1bd-1","anchor":"p-068d9f6a2925a1bd-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-068d9f6a2925a1bd-1","kind":"li","headingPath":["七、第一批可开工检索包","包 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CText、汉籍、CBETA、馆藏数据库。","textSha256":"61828b131f50552d03fdd8149f61b0180990318daae3e952e477507014b84d98","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-bd27045fd34eb057-1","anchor":"p-bd27045fd34eb057-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-bd27045fd34eb057-1","kind":"li","headingPath":["采购/获取优先级"],"text":"真正反复用到的核心书，再买纸书或电子书。","textSha256":"7046373cc4d99a42d74e50befcdf2478621d0021b75a505feaa30fc89d98bc2d","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-f86cbb6edc98e15d-1","anchor":"p-f86cbb6edc98e15d-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-f86cbb6edc98e15d-1","kind":"h2","headingPath":["前 10 本最值得先拿下"],"text":"前 10 本最值得先拿下","textSha256":"17d244c4111a16f863294b22d8de4f0827a9e2dcd400183fd464436606f0fae9","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-b903b288ed511950-1","anchor":"p-b903b288ed511950-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-b903b288ed511950-1","kind":"p","headingPath":["前 10 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G. Jung, Flying Saucers","textSha256":"0ba49fef0283047f3d836d4c8097ce62f49abf32b8b942c4d6fa5dbdd0624c9f","links":[],"images":[]},{"id":"hs-69e97f58c2a5e933#p-d66343b97e4ad110-1","anchor":"p-d66343b97e4ad110-1","url":"https://a.p4theater.top/research/hs-69e97f58c2a5e933#p-d66343b97e4ad110-1","kind":"p","headingPath":["前 10 本最值得先拿下"],"text":"这 10 本能支撑你第一阶段最核心的四条线：甲骨/仪式、性/死亡、戏剧/表演、图像/外星现代神话。","textSha256":"e23a55c2290b1a02dd7d27814066f00d76187874b33e0084f4ee81e622cdd33d","links":[],"images":[]}]}