{"id":"hs-5be722e56f52a0bc","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc","title":"理论冲撞章：证据脚注版","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"现场流论文工程-2026-05-12","sourceVersionDate":"2026-05-17","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-5be722e56f52a0bc.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-5be722e56f52a0bc-a2dcbee19d8dd494aaf8.md","markdownSha256":"a2dcbee19d8dd494aaf80f1072b7f69ff0a04e7a127b635e983c681cfb20f64f","markdownBytes":17767,"characters":5610,"sourceEvidenceTier":"T3_CHAPTER_WITH_T0_T1_T2_NOTES","sourceStatus":"draft_v1","evidenceBoundary":"本页为 11 理论冲撞章的证据脚注版；强事实回到 T0/T1，MiMo 仅为 T2 候选，理论综合为 T3。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-0727b7c30b0b7253","https://a.p4theater.top/research/hs-07a2752a2f17a60b","https://a.p4theater.top/research/hs-0c456321769d3b9a","https://a.p4theater.top/research/hs-1024f9236b469301","https://a.p4theater.top/research/hs-23c2dec5963ea385","https://a.p4theater.top/research/hs-2ce1756e3ba28da1","https://a.p4theater.top/research/hs-37cb0dfdcfa26012","https://a.p4theater.top/research/hs-3a1e1dce5a8bd50d","https://a.p4theater.top/research/hs-41eb6ee8d398d420","https://a.p4theater.top/research/hs-47c394654ff4e5f5","https://a.p4theater.top/research/hs-4f4f292534d93982","https://a.p4theater.top/research/hs-5b8fa4512d0e66ac","https://a.p4theater.top/research/hs-5eb16112fd3893c4","https://a.p4theater.top/research/hs-63f981fa135ea0ed","https://a.p4theater.top/research/hs-7608a77195a8abc8","https://a.p4theater.top/research/hs-7893428dadf170ed","https://a.p4theater.top/research/hs-7d3cfd2207b83cf7","https://a.p4theater.top/research/hs-7f8ff94839e8cb83","https://a.p4theater.top/research/hs-80bd59bd23cf0945","https://a.p4theater.top/research/hs-8953599206c601d3","https://a.p4theater.top/research/hs-8da157314ce025bd","https://a.p4theater.top/research/hs-a7e361fcc3ffbd9f","https://a.p4theater.top/research/hs-aac8dba4191295a1","https://a.p4theater.top/research/hs-b1599640e3360cef","https://a.p4theater.top/research/hs-b84647e37fd1a4c8","https://a.p4theater.top/research/hs-c0331a863aba509d","https://a.p4theater.top/research/hs-c4fc3806f0526349","https://a.p4theater.top/research/hs-c570553409367a7a","https://a.p4theater.top/research/hs-c6acf76c1b3c00bf","https://a.p4theater.top/research/hs-c8bf508be7798abe","https://a.p4theater.top/research/hs-ccd7ab2347905d12","https://a.p4theater.top/research/hs-dbcda70f0347709d","https://a.p4theater.top/research/hs-e54448ce829fb5c1","https://a.p4theater.top/research/hs-ea602728dd616deb","https://a.p4theater.top/research/hs-f1753922fc3d5068","https://a.p4theater.top/research/hs-f1bdd247982f4219"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":217,"markdown":"# 理论冲撞章：证据脚注版\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-17\n\n证据边界：本页为 11 理论冲撞章的证据脚注版；强事实回到 T0/T1，MiMo 仅为 T2 候选，理论综合为 T3。\n\n# 理论冲撞章：证据脚注版\n\n## 使用说明\n\n本页不是替代 [11-理论冲撞章-正文v1](/research/hs-aac8dba4191295a1)，而是给它加证据骨架。  \n格式为：\n\n```text\n正文压缩段\n证据脚注\n理论接口\n反读风险\n可并入概念\n```\n\n证据等级继续遵守：\n\n```text\nT0 人工确信/用户纠偏/Owner Review\nT1 本地可见可听事实/字幕骨架/抽帧\nT2 MiMo 复扫候选\nT3 理论综合和写作\n```\n\n## 一、发呆不是空无：公共绵延\n\n### 正文压缩段\n\n`01:44:03` 子丑说“我什么也没想”，`01:44:04` 又说“只是在发呆”。意识流传统会保护这段非线性内在时间，Bergson 会把它读作不可被钟表切割的绵延。但 `01:44:11-14` 黄蒙说“你不能发呆啊 / 如果你发呆大家看什么”，使这段绵延被现场接走。发呆不再只是一个人的内在漂移，而成为观众等待、他人追问、字幕固定和后续 Wiki 处理的共同时间。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| `01:44:03` 子丑：`我什么也没想` | T0/T2 | 支撑“内在空白/无对象意识”。 |\n| `01:44:04` 子丑：`只是在发呆` | T0/T2 | 支撑“发呆不是剧情空缺，而是现场状态”。 |\n| `01:44:11-14` 黄蒙：`你不能发呆啊 / 如果你发呆大家看什么` | T0/T2 | 支撑“发呆被公共观看接走”。 |\n\n### 理论接口\n\n- Bergson：绵延，保护发呆的非空间化时间。\n- Foucault：装置，追问谁把发呆变成观看义务。\n- Nancy：共在，说明一个人的发呆改变共同场域。\n\n### 反读风险\n\n- 可能只是忘词、疲惫或排练提示。\n- 只有当观众/流程/字幕接手这段空白时，才可升级为[现场流](/research/hs-f1753922fc3d5068)。\n\n### 概念链接\n\n- [公共绵延](/research/hs-5b8fa4512d0e66ac)\n- [共在现场](/research/hs-3a1e1dce5a8bd50d)\n- [空白被提交](/research/hs-ccd7ab2347905d12)\n- [主观时间公共化](/research/hs-dbcda70f0347709d)\n\n## 二、痛苦不是私产：感受主权与观看责任\n\n### 正文压缩段\n\n`01:54:02` 子丑说“看不见就不痛苦了”，像是在把痛苦和不可见绑定为一种撤退方式。但 `01:54:06-08` 黄蒙说“你看起来很痛苦啊”，使痛苦重新进入他人的可见性判断。到 `02:30:04` 和 `02:31:06`，黄蒙反复说“谁也看不见你”，不可见愿望被公开化。[现场流](/research/hs-f1753922fc3d5068)在这里不是暴露内心，而是让[感受主权](/research/hs-b84647e37fd1a4c8)被身体、他人、观看、字幕和研究分割。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| `01:54:02` 子丑：`看不见就不痛苦了` | T0/T2 | 支撑“不可见作为痛苦出口”。 |\n| `01:54:06-08` 黄蒙：`你看起来很痛苦啊` | T0/T2 | 支撑“痛苦判断从主体转向他人/现场”。 |\n| `02:30:04` 黄蒙：`因为什么也 谁也看不见你` | T0/T2 | 支撑“不可见愿望公开化”。 |\n| `02:31:06` 黄蒙：`谁也看不见你` | T0/T2 | 支撑“不可见被反复说出”。 |\n\n### 理论接口\n\n- Merleau-Ponty：身体可见性，痛苦不只是内心报告。\n- Ranciere：[感性分配](/research/hs-a7e361fcc3ffbd9f)，谁可见、谁不可见。\n- Butler：称呼生产主体位置，但不否认痛苦真实。\n- Levinas：[观看责任](/research/hs-ea602728dd616deb)，他者脆弱不能被理论占有。\n\n### 反读风险\n\n- 不能把人物诊断化。\n- 不能把“看起来痛苦”升级为主体内心的最终事实。\n- 不能把痛苦当作无主理论材料。\n\n### 概念链接\n\n- [感受主权](/research/hs-b84647e37fd1a4c8)\n- [观看责任](/research/hs-ea602728dd616deb)\n- [感受权外包](/research/hs-e54448ce829fb5c1)\n- [塑料布意识](/research/hs-37cb0dfdcfa26012)\n- [内在性外翻](/research/hs-2ce1756e3ba28da1)\n\n## 三、空白不能被独占：空白代管与身体能力\n\n### 正文压缩段\n\n`02:28:34` 黄蒙说“你不是脑子一片空白吗”，`02:28:37/43` 又说“需要我帮你说吗 / 你要我帮你说吗”。一个本应最难由他人确认的内部状态，被现场命名、被询问是否需要代说、被推进语言流程。这里的关键不是谁控制谁，而是空白如何被他人、流程、字幕和后续研究临时代管。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| `02:28:34` 黄蒙：`你不是脑子一片空白吗` | T0/T2 | 支撑“空白被他人命名”。 |\n| `02:28:37/43` 黄蒙：`需要我帮你说吗 / 你要我帮你说吗` | T0/T2 | 支撑“说话权/表达位置被代管”。 |\n\n### 理论接口\n\n- Simondon：个体化，主体在关联环境中生成。\n- Spinoza：身体能力，空白是表达/行动/被影响能力的重分配。\n- Arendt：公共行动，一旦在公演中发生就不可完全收回。\n- Zuboff / Couldry-Mejias：[感受提取](/research/hs-4f4f292534d93982)和数据殖民风险。\n\n### 反读风险\n\n- “帮说”不能被直接写成控制；也可能是照护、救援和共同承担。\n- “空白”不能被诊断成人格或心理本质。\n- MiMo 只能作为 T2 候选，不能替主体感受做判决。\n\n### 概念链接\n\n- [空白代管](/research/hs-1024f9236b469301)\n- [现场身体能力](/research/hs-7f8ff94839e8cb83)\n- [空白被提交](/research/hs-ccd7ab2347905d12)\n- [感受权外包](/research/hs-e54448ce829fb5c1)\n- [说话权被系统接管](/research/hs-23c2dec5963ea385)\n\n## 四、跳过不是省略：现场例外状态与事件忠诚\n\n### 正文压缩段\n\n`02:19:36` 子丑说“跳过”。随后 `02:19:47` 出现“不在这演”，`02:19:53/55` 出现“演过了 / 没必要演”。未演内容没有消失，而是以“被跳过”“不在这演”“演过了”的方式进入现场。这里的 `跳过` 是言语行为，是缺口痕迹，是现实生成契机，也是现场内部的微型例外状态。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| `02:16:37/44` `下一幕` | T0/V10 + 用户纠偏边界 | 支撑“场内流程声重锁定区 / 现场排程”。 |\n| `02:17:13-18` `你先说话 / 然后是我 / 然后是她` | T0/V10 + 待复核 | 支撑“说话顺序被现场排程”。 |\n| `02:19:36` 子丑：`跳过` | T0/V10 | 支撑“跳过作为流程按钮和言语行为”。 |\n| `02:19:47` 子丑：`不在这演` | T0/V10 | 支撑“未演内容被现场裁决”。 |\n| `02:19:53/55` 子丑：`演过了 / 没必要演` | T0/V10 | 支撑“伪过去 / 未演内容被改写为已演”。 |\n\n### 红线脚注\n\n```text\n`02:16-02:20` 是场内流程声重锁定区。\n不能写成“何发接管流程”的单点证据。\n何发保留为 `02:11-02:13` 硬导演介入和 `02:31:55` 后结束宣告/归档节点。\n```\n\n对应页面：\n\n- [2026-05-09-第四部分后段流程声归属校正](/research/hs-7d3cfd2207b83cf7)\n- 95-第二批证据账本-第四部分0216-0221流程声重锁定（馆内参考，未随本文公开）\n\n### 理论接口\n\n- Deleuze/Guattari：言语行为，`跳过` 在现场中做事。\n- Derrida：痕迹，被跳过的东西以缺口继续发生。\n- Whitehead：事件生成，缺口成为现实契机。\n- Badiou：[事件忠诚](/research/hs-0727b7c30b0b7253)，后续研究必须持续回应缺口。\n- Agamben：[现场例外状态](/research/hs-c6acf76c1b3c00bf)，常规演出秩序被暂停。\n- Virilio：速度政治，研究不能再次跳过证据。\n\n### 反读风险\n\n- 不能把普通流程词自动升级为[现场流](/research/hs-f1753922fc3d5068)。\n- 不能把流程声重新中心化给何发。\n- 不能把“演过了”写成事实性回忆；它是现场中的伪过去生成。\n\n### 概念链接\n\n- [现场例外状态](/research/hs-c6acf76c1b3c00bf)\n- [事件忠诚](/research/hs-0727b7c30b0b7253)\n- [迟滞证据](/research/hs-c570553409367a7a)\n- [现场剪辑](/research/hs-0c456321769d3b9a)\n- [组织权主权化](/research/hs-8953599206c601d3)\n\n## 五、装置不是背景：装置绵延与噪声伦理\n\n### 正文压缩段\n\n[现场流](/research/hs-f1753922fc3d5068)不只发生在人与人之间。摄影机、话筒、塑料布、地面、字幕、时间码、MiMo、人工核验和 Wiki 都改变事件的可见、可听、可保存、可纠错方式。尤其 `02:16-02:20` 的流程声重锁定说明：事件并不沿着纯净通道抵达研究者，而是穿过噪声、误听、字幕漂移、模型候选和人工纠偏。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| P4 公演观察机器本地复核 | T1 | 支撑“观众、空间、材料和流程构成装置”。 |\n| `02:16-02:20` 场内流程声重锁定区 | T0/T1/T2 综合边界 | 支撑“[噪声伦理](/research/hs-8da157314ce025bd) / 声源不确定性处理”。 |\n| 字幕、时间码、Wiki、MiMo、人工核验 | T1/T2/T3 | 支撑“[装置绵延](/research/hs-c4fc3806f0526349) / [递归现场流](/research/hs-5eb16112fd3893c4)”。 |\n\n### 理论接口\n\n- Foucault：装置，现场分配可见、可说、可听。\n- Latour：[非人行动者](/research/hs-7893428dadf170ed)，材料和设备参与事件。\n- Barad：观察装置参与现象生成，但不取消事实纪律。\n- Kittler：媒介分流，声、影、字、数据拆开又重连。\n- Serres：[噪声伦理](/research/hs-8da157314ce025bd)，传递误差必须被证据化处理。\n\n### 反读风险\n\n- 不能把不确定性浪漫化。\n- 不能把装置生成事实写成事实任意论。\n- 不能让 MiMo 候选覆盖 T0/T1。\n\n### 概念链接\n\n- [装置绵延](/research/hs-c4fc3806f0526349)\n- [噪声伦理](/research/hs-8da157314ce025bd)\n- [现场宇宙技术](/research/hs-7608a77195a8abc8)\n- [递归现场流](/research/hs-5eb16112fd3893c4)\n- [公开观察机器](/research/hs-c8bf508be7798abe)\n\n## 六、档案不是墓地：毒药档案与第二现场\n\n### 正文压缩段\n\n`02:31:57-59` 何发说“感谢各位 / 来看我们的演出”。这句话像是结束，却把现场推入片尾、字幕、名单、Wiki、MiMo 和人工纠偏构成的第二现场。档案既能保存、纠偏、复活现场，也可能误读、暴露、景观化和提取现场。因此档案不是墓地，也不是天堂，而是带毒性的第二现场。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| `02:31:57-59` 何发：`感谢各位 / 来看我们的演出` | T0/T1 | 支撑“结束宣告 / 归档切换”。 |\n| 片尾数字、名单、字幕 | T1 | 支撑“现场进入归档”。 |\n| Wiki、MiMo、人工纠偏 | T2/T3 + 人工边界 | 支撑“[递归现场流](/research/hs-5eb16112fd3893c4) / 第二现场”。 |\n\n### 理论接口\n\n- Benjamin：复制时代的第二灵光。\n- Derrida：档案不是中性保存，而是命名权和延异结构。\n- Stiegler：技术药性，档案既毒又药。\n- Debord：第二灵光可能重新景观化。\n- 许煜：归档技术属于[现场宇宙技术](/research/hs-7608a77195a8abc8)。\n\n### 反读风险\n\n- 片尾本身是常规流程，必须证明它回写现场关系。\n- 不能把 Wiki 写成纯善。\n- 不能把档案变成对痛苦和空白的无限提取。\n\n### 概念链接\n\n- [毒药档案](/research/hs-63f981fa135ea0ed)\n- [归档意识](/research/hs-41eb6ee8d398d420)\n- [递归现场流](/research/hs-5eb16112fd3893c4)\n- [现场宇宙技术](/research/hs-7608a77195a8abc8)\n- [观看责任](/research/hs-ea602728dd616deb)\n\n## 七、技术世界不是新主人：现场宇宙技术与分布式主权\n\n### 正文压缩段\n\n[现场流](/research/hs-f1753922fc3d5068)不是“有技术参与的现场”，而是一个技术世界开始组织事件。摄影机、字幕、Wiki、MiMo、人工核验、塑料、话筒、观众和身体共同决定什么可见、可说、可跳过、可保存、可纠错。但技术世界不能被写成一个新主人。组织权仍是分布式的，散在主体、设备、流程、材料、观众和档案之间。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| 摄影机、话筒、塑料布、字幕、片尾、Wiki、MiMo、人工核验 | T1/T2/T3 | 支撑“[现场宇宙技术](/research/hs-7608a77195a8abc8)”。 |\n| `02:16-02:20` 场内流程声重锁定区 | T0/T1 + 用户纠偏 | 支撑“组织权分布而非单点主权”。 |\n| `02:19:36-55` 跳过链 | T0/V10 | 支撑“[组织权主权化](/research/hs-8953599206c601d3)”。 |\n\n### 理论接口\n\n- 许煜：宇宙技术，技术不是工具，而是世界秩序。\n- Simondon：主体和技术对象共同个体化。\n- Latour：组织权不重新中心化，追踪[非人行动者](/research/hs-7893428dadf170ed)。\n- Stiegler：技术既会占有感受，也能保存和纠偏。\n\n### 反读风险\n\n- 不能变成技术决定论。\n- 不能把技术写成纯压迫或纯救援。\n- 不能让“技术世界”替代具体证据链。\n\n### 概念链接\n\n- [现场宇宙技术](/research/hs-7608a77195a8abc8)\n- [组织权主权化](/research/hs-8953599206c601d3)\n- [现场技术多样性](/research/hs-f1bdd247982f4219)\n- [递归现场流](/research/hs-5eb16112fd3893c4)\n- [毒药档案](/research/hs-63f981fa135ea0ed)\n\n## 八、失败需要重估：投降、空白和不能行动\n\n### 正文压缩段\n\n[现场流](/research/hs-f1753922fc3d5068)要求重新估值。发呆、空白、跳过、投降、不能说，不能被自动看作低等状态或失败姿态。在《人类投降派》中，这些状态反而成为事件发动机：发呆让内在时间被公共化，空白召唤帮说，跳过让缺口成为事实，投降迫使观看者承认控制权已经散开。\n\n### 证据脚注\n\n| 证据 | 层级 | 用途 |\n|---|---|---|\n| `01:44:03-14` 发呆链 | T0/T2 | 支撑“发呆不等于无”。 |\n| `02:28:34-43` 空白/帮说链 | T0/T2 | 支撑“空白成为事件发动机”。 |\n| `02:19:36-55` 跳过链 | T0/V10 | 支撑“跳过让缺口成为事实”。 |\n| 全片“投降”主题 | T3 over T0/T1/T2 | 支撑“[失败重估](/research/hs-47c394654ff4e5f5)”总论。 |\n\n### 理论接口\n\n- Nietzsche：重估，把失败从道德贬值中取出。\n- Spinoza：身体能力，不以成功行动定义身体。\n- Deleuze：行动失效后，时间与思想被迫显形。\n\n### 反读风险\n\n- 不要赞美失败本身。\n- 不要把人物的困难浪漫化。\n- “投降”必须回到影片结构，不可泛化成漂亮口号。\n\n### 概念链接\n\n- [失败重估](/research/hs-47c394654ff4e5f5)\n- [投降作为认识论行动](/research/hs-07a2752a2f17a60b)\n- [空白被提交](/research/hs-ccd7ab2347905d12)\n- [现场例外状态](/research/hs-c6acf76c1b3c00bf)\n- [现场身体能力](/research/hs-7f8ff94839e8cb83)\n\n## 九、理论冲撞后的定义：证据版\n\n### 正文压缩段\n\n[现场流](/research/hs-f1753922fc3d5068)不是一种解释，而是一场解释权的争夺。它不让 Bergson 单独占有发呆，也不让 Foucault 单独占有装置；不让 Benjamin 单独赞美档案，也不让 Debord 单独宣判景观；不让许煜把技术世界变成新主人，也不让人文主义把技术重新降级为工具。[现场流](/research/hs-f1753922fc3d5068)让这些理论互相限制，然后把我们带回影片本身：一句话怎样改变现场，一个沉默怎样改变观看，一次跳过怎样制造现实，一次归档怎样让现场在未来再次发生。\n\n### 总定义\n\n```text\n现场流，是内在绵延被公共装置接走，\n身体感受被可见性、称呼和观看责任重新分配，\n语言缺口被言语行为、痕迹、例外状态和事件忠诚做成现实，\n主体与技术对象在声、影、字、数据和噪声中共同个体化，\n档案在毒药双重性中让现场递归再发生，\n并由此迫使观看者学习条件视觉的过程。\n```\n\n### 证据底盘\n\n| 论点 | 核心时间码/证据 | 概念 |\n|---|---|---|\n| 内在绵延被公共装置接走 | `01:44:03-14` | [公共绵延](/research/hs-5b8fa4512d0e66ac) |\n| 感受被可见性重新分配 | `01:54:02-08`、`02:30:04`、`02:31:06` | [感受主权](/research/hs-b84647e37fd1a4c8) |\n| 空白被代管 | `02:28:34-43` | [空白代管](/research/hs-1024f9236b469301) |\n| 跳过制造现实 | `02:19:36-55` | [现场例外状态](/research/hs-c6acf76c1b3c00bf) / [事件忠诚](/research/hs-0727b7c30b0b7253) |\n| 装置和噪声生成证据条件 | P4、`02:16-02:20` | [装置绵延](/research/hs-c4fc3806f0526349) / [噪声伦理](/research/hs-8da157314ce025bd) |\n| 档案递归再发生 | `02:31:57-59`、片尾/Wiki/MiMo | [毒药档案](/research/hs-63f981fa135ea0ed) / [递归现场流](/research/hs-5eb16112fd3893c4) |\n\n## 十、脚注版红线清单\n\n```text\n1. 02:16-02:20 只写“场内流程声重锁定区”。\n2. 禁止写成“何发接管流程”。\n3. MiMo 只能作为 T2 候选。\n4. 任何强判断必须至少挂 T0/T1 时间码或来源页面。\n5. 理论只提供问题结构，不替代影片事实。\n6. 痛苦、空白、不可见和不能说不是无主资源。\n7. 档案、Wiki、字幕、MiMo 必须保留毒/药双重性。\n```\n\n## 相关页面\n\n- [00-论文工程中枢](/research/hs-c0331a863aba509d)\n- [13-现场流论文二稿-v2](/research/hs-80bd59bd23cf0945)\n- 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。","textSha256":"b51e0b6b722ec7c58d5dee733a5bb884f41a0657953c467576af4c0731f02e49","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-5be722e56f52a0bc#p-71289edf174f2d66-1","anchor":"p-71289edf174f2d66-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-71289edf174f2d66-1","kind":"h3","headingPath":["一、发呆不是空无：公共绵延","概念链接"],"text":"概念链接","textSha256":"50ce5fb11eb0f5dc2d7d45ff617528cab412fd180662fe0322fcd9246ba5012b","links":[],"images":[]},{"id":"hs-5be722e56f52a0bc#p-9cdda4eb0f7a9b0a-1","anchor":"p-9cdda4eb0f7a9b0a-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-9cdda4eb0f7a9b0a-1","kind":"li","headingPath":["一、发呆不是空无：公共绵延","概念链接"],"text":"公共绵延","textSha256":"522b3458ef028fe6135d9cae7616a3095cfd6b75220d28411a8472f81381ee8e","links":["https://a.p4theater.top/research/hs-5b8fa4512d0e66ac"],"images":[]},{"id":"hs-5be722e56f52a0bc#p-6920088775eb3525-1","anchor":"p-6920088775eb3525-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-6920088775eb3525-1","kind":"li","headingPath":["一、发呆不是空无：公共绵延","概念链接"],"text":"共在现场","textSha256":"f388f0d87b93bdd95257af896e546c0f05ab7f74f42b0d784fe9db4a9d93df26","links":["https://a.p4theater.top/research/hs-3a1e1dce5a8bd50d"],"images":[]},{"id":"hs-5be722e56f52a0bc#p-55d8983dd6bc1be7-1","anchor":"p-55d8983dd6bc1be7-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-55d8983dd6bc1be7-1","kind":"li","headingPath":["一、发呆不是空无：公共绵延","概念链接"],"text":"空白被提交","textSha256":"64234707a026cf759a8cc4452568d26f47c0633a8233511733334d9cde01fb7e","links":["https://a.p4theater.top/research/hs-ccd7ab2347905d12"],"images":[]},{"id":"hs-5be722e56f52a0bc#p-a5eb2cae068e9daf-1","anchor":"p-a5eb2cae068e9daf-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-a5eb2cae068e9daf-1","kind":"li","headingPath":["一、发呆不是空无：公共绵延","概念链接"],"text":"主观时间公共化","textSha256":"91045e50435274c3c4b1609ce645f901352688da1a3db3f1c7ee482c05c0ed10","links":["https://a.p4theater.top/research/hs-dbcda70f0347709d"],"images":[]},{"id":"hs-5be722e56f52a0bc#p-98a6637c96e4fdad-1","anchor":"p-98a6637c96e4fdad-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-98a6637c96e4fdad-1","kind":"h2","headingPath":["二、痛苦不是私产：感受主权与观看责任"],"text":"二、痛苦不是私产：感受主权与观看责任","textSha256":"d6b998db6f585296117fb490c8204c4cda2cbf051cdfafafe40e22105edcb07d","links":[],"images":[]},{"id":"hs-5be722e56f52a0bc#p-9d9bc537b8a8bb34-2","anchor":"p-9d9bc537b8a8bb34-2","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-9d9bc537b8a8bb34-2","kind":"h3","headingPath":["二、痛苦不是私产：感受主权与观看责任","正文压缩段"],"text":"正文压缩段","textSha256":"6993bd579e262edae9543a59b63c3d72a2490ed7aabe1b80cffafab2dc5f1bc2","links":[],"images":[]},{"id":"hs-5be722e56f52a0bc#p-17ee1c0600f1962a-1","anchor":"p-17ee1c0600f1962a-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-17ee1c0600f1962a-1","kind":"p","headingPath":["二、痛苦不是私产：感受主权与观看责任","正文压缩段"],"text":"01:54:02 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用途","textSha256":"cbc00ce17efc60b0791c2dbe27a2a2a5a6e7edd0de6aea3889b06f5d1169cb22","links":[],"images":[]},{"id":"hs-5be722e56f52a0bc#p-63189f10f22b86f6-1","anchor":"p-63189f10f22b86f6-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-63189f10f22b86f6-1","kind":"tr","headingPath":["二、痛苦不是私产：感受主权与观看责任","证据脚注"],"text":"01:54:02 子丑： 看不见就不痛苦了 T0/T2 支撑“不可见作为痛苦出口”。","textSha256":"80144fa34a0dfb8a4116f4e6b880a893c7f802d1a0eca754b48b75ce4eb69d9e","links":[],"images":[]},{"id":"hs-5be722e56f52a0bc#p-b3025c938452e513-1","anchor":"p-b3025c938452e513-1","url":"https://a.p4theater.top/research/hs-5be722e56f52a0bc#p-b3025c938452e513-1","kind":"tr","headingPath":["二、痛苦不是私产：感受主权与观看责任","证据脚注"],"text":"01:54:06-08 黄蒙： 你看起来很痛苦啊 T0/T2 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