{"id":"hs-5982210a15c0fd56","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56","title":"附录 A：理论-时间码矩阵","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"博士论文-位置摄影-人类投降派-2026-05-12","sourceVersionDate":"2026-05-12","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-5982210a15c0fd56.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-5982210a15c0fd56-0d36a0eff763464792f0.md","markdownSha256":"0d36a0eff763464792f08d23140bcc5b86d3cd810c3ec2cf13279a0221c9beb4","markdownBytes":10060,"characters":3542,"sourceEvidenceTier":"T3_MATRIX_OVER_T0_T1_T2","sourceStatus":"active","evidenceBoundary":"本附录只做理论-时间码导航，不能替代逐镜头账本或本地复核。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-3d819487004913f2","https://a.p4theater.top/research/hs-4a9253bb19bcfba5","https://a.p4theater.top/research/hs-880ad64141635db1","https://a.p4theater.top/research/hs-bdb26079577d4572"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":57,"markdown":"# 附录 A：理论-时间码矩阵\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-12\n\n证据边界：本附录只做理论-时间码导航，不能替代逐镜头账本或本地复核。\n\n# 附录 A：理论-时间码矩阵\n\n本附录从 [电影理论类比时间码矩阵-人类投降派-2026-05-12](/research/hs-bdb26079577d4572) 中抽出博士论文最核心的 12 个锚点，作为后续正文扩写和截图/接触表补证的工作表。\n\n## A.1 核心矩阵\n\n| 组 | 时间码/范围 | 位置摄影问题 | 理论接口 | 论文使用章 | 证据层 |\n|---|---|---|---|---|---|\n| A1 | `00:02:20 / 00:03:39` | 摄影者显影，透明镜头被取消。 | 电影眼、装置理论、摄影机持有者。 | 第四章 | T0/T1/T3 |\n| A2 | `00:02:30-00:03:00` | 沉默被长镜头扣押，失败不能被剪掉。 | Bazin、Direct Cinema、行动影像危机。 | 第五章 | T1/T3 |\n| A3 | `00:06:00-00:07:00` | 手腕、地面和排练事故被连续保存。 | Dogme 95、长镜头、身体电影。 | 第五章 | T0/T1/T2 |\n| A4 | `00:34:30-00:36:00` | 床面俯拍把亲密抬成可检查界面。 | 凝视理论、装置理论、位置摄影。 | 第六章 | T1/T3 |\n| A5 | `00:39:49` 前后 | 白光与剧场容器把卧室关系推向公共证明。 | cinema verite、第三电影、剧场装置。 | 第六章 | T1/T2/T3 |\n| A6 | `00:40:47-00:45:40/48` | O 的无声身体持续在场，台词系统不能删除她。 | Trinh T. Minh-ha、无声关系端点。 | 第七章 | T0/T1/T3 |\n| A7 | `00:44:30-00:44:46` | 动态影像层污染现场，证明危机转给影像。 | 蒙太奇、档案影像、纯视听情境。 | 第六章 | T1/T2/T3 |\n| A8 | `00:45:44-00:45:56.5` | 从 O 的见证端点切到阿蒙/黄蒙身体状态端点。 | 位置剪辑、视觉锚点追踪。 | 第七章 | T0/T1/T3 |\n| A9 | `01:00:05-01:07:30` | 眼镜、LED、风扇和设备让观看参数化。 | 装置理论、纯视听情境。 | 第六章 | T1/T2/T3 |\n| A10 | `01:24:00-01:30:47` | 低机位、反光地面和塑料形成地面摄影机。 | Dogme、Bazin、装置理论。 | 第八章 | T1/T2/T3 |\n| A11 | `02:13:30-02:25:30` | 下一幕、跳过、说话顺序把痛苦流程化。 | speech act、纪录反身模式。 | 第八章 / 第十章 | T0/T1/T3 |\n| A12 | `02:31:30-02:36:22` | 片尾字幕接管可见性和角色锁定。 | 档案电影、贫穷影像、字幕摄影机。 | 第九章 | T1/T3 |\n\n## A.2 章节使用方式\n\n```text\n理论接口\n-> 时间码锚点\n-> 可见/可听事实\n-> 位置变化\n-> 关系变化\n-> 证据层级\n-> 正文论证\n```\n\n每个锚点进入正文时，至少要补两种材料：一是 T1 可见/可听事实，二是 T3 概念功能。涉及人物身份、说话人、片尾角色和敏感生产史时，必须补 T0 或明确写成待复核。\n\n## A.2.1 摄影方法维度\n\n本附录的 A1、A2、A3、A4、A10 与 A12 需要接入 [98D-附录D-摄影师位置与拍摄姿态账本](/research/hs-4a9253bb19bcfba5) 与 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开）。同一时间码不只回答“摄影机站在哪里”，还要回答“摄影师位置如何执行这个站位”和“谁在这一刻接管持机权”。2026-05-12 的恽剑辉 T0 校正已把附录D 从 D1-D9 扩展为 D1-D14，并新增 E1-E12 多持机者账本，后续正文引用摄影方法时应优先成对回链 D/E 编号。\n\n```text\n时间码锚点\n-> 摄影动作：拿起 / 旋转 / 靠近 / 后退 / 换手 / 不切 / 低放 / 显影\n-> 身体或机身姿态\n-> 持机者/观看权归属\n-> 关系效果\n-> 证据等级\n```\n\n## A.2.2 战场内摄影师补充矩阵\n\n这一补充矩阵不替代 A.1 的 12 个理论锚点，而是把 [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2) 接入理论矩阵。它回答的问题更窄也更硬：摄影师如何在场，摄影师的身体如何被电影处理。\n\n| D编号 | 片段/部分 | 摄影方法问题 | 理论接口 | 论文使用章 | 证据层 |\n|---|---|---|---|---|---|\n| D1-D3 | 第一部分 | 镜头旋转到恽剑辉，持机者显影，片名方法启动。 | 电影眼、装置理论、摄影机持有者。 | 第一章 / 第四章 | T0/T1/T3 |\n| D4-D5 | 第二部分 | 第一人称视角漂移中看到恽剑辉抽烟、慌忙拿相机；密码锁声切断关系。当前 T1 已确认 `00:20:00-00:30:00` 的主观化近景、手部介入、排练场回收和持续漂移，`00:22:20-00:23:10` 的 `Unlocked/第三人返回/第四幕回收`；恽剑辉慌忙拿相机仍待定位。 | cinéma vérité、反身纪录、视点不稳定。 | 第四章 / 第五章 | T0/T1候选/T3 |\n| D7-D8 | 第三部分 | 恽剑辉踩在阿蒙床上拍摄拥抱；俯拍把亲密抬成取证界面。当前 T1 只确认 `01:07:30-01:09:00` 床上亲密极近特写，脚/床/机身尚未闭合。 | 凝视理论、装置理论、身体电影。 | 第六章 | T0/T1候选/T3 |\n| D9 | 第四部分，`01:56:18.733-01:56:19.566` | 被点名 | 第四部分公开游戏段字幕确认“谢谢 恽剑辉 / Thank you, Yun Jianhui”；说话人为甲瑞来自 T0 Owner 校正。 | 摄影师被角色语言直接拉入现场关系，从画外劳动变成片内被称呼对象。 | T0/T1/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-第四部分谢谢恽剑辉字幕与画面复核](/research/hs-d5c1d8eb95c2a264) | 继续复核说话人画面位置；不要把颜料击中自动并入此时间码。 |\n| D10 | 第四部分，`01:51:00-02:00:00` 候选窗口，`01:56:00-01:58:30` 为更窄搜索窗 | 公开游戏/低位材料界面 | 第四部分公开游戏段先把观众、台阶/斜面、白色塑料/布料空间和移动视角摆好；颜料击中与左臂入画仍待定位。 | 摄影师被公开观察机器处理，但被击中的具体时刻尚未闭合。 | T0/T1候选/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D10D13候选本地复核](/research/hs-0f6eea833c078b9b) | 继续定位颜料甩到恽剑辉身上、左臂入画抓取后的精确帧位。 |\n| D11 | 第四部分，`01:24:00-01:30:47` | 低放/贴地 | 低机位、反光地面、脚步、塑料和观众进入同一界面。 | 摄影师位置把机器交给地面，形成 [地面摄影机](/research/hs-880ad64141635db1)。 | T1/T2/T3 | 94-第一批证据账本（馆内参考，未随本文公开） | 补第四部分低机位接触表。 |\n| D12 | `seg130_02h10m` / `02:10:10` | 仰视跟拍/低位观看 | 子丑黑裙跨越道路，镜头从低处仰视；用户确认由恽剑辉拍摄。 | 子丑从开场审判/纠错位置变成被低位观看、被门槛化身体；恽剑辉摄影师位置在后段继续显影。 | T1/T3 | [2026-05-05-全域截图与人工校验](/research/hs-e638d329622aee30) | 补连续段落、道路位置、镜头高度和前后剪辑点。 |\n| D13 | 第五部分，`02:31:30-02:36:22` 候选窗口，`02:33:00-02:34:00` 为更窄搜索窗 | 固定机位/归档层二阶观察 | 片尾/归档层已可见数字 `5`、名单、角色、logo 与 `摄影 恽剑辉` 视觉文字，但固定倒放共场仍待定位。 | 摄影师被纳入片尾可见性分配，归档层开始接管摄影。 | T0/T1候选/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D10D13候选本地复核](/research/hs-0f6eea833c078b9b) | 补固定倒放范围、恽剑辉与三位演员同场的精确时间码。 |\n| D14 | 片尾 | 字幕摄影机接管现场摄影之后的命名和归档。 | 档案电影、贫穷影像、字幕摄影机。 | 第九章 | T1/T3 |\n\n## A.3 截图/接触表优先级\n\n| 优先级 | 锚点 | 待补材料 |\n|---|---|---|\n| P0 | D4-D5 / D7 / D10 / D13 | 恽剑辉五部分战场内摄影师接触表：第一人称漂移、踩床拍摄、颜料击中、固定倒放再拍。D9 点名已先有字幕/画面锚点。 |\n| P0 | A6 / A8 / A12 | O、阿蒙/黄蒙切换和片尾 casting 的三联图；这是身份边界和字幕摄影机的核心证据。 |\n| P1 | A4 / A7 / A9 | 第三部分取证桌、动态影像层、LED/风扇/眼镜的接触表。 |\n| P1 | A10 / A11 | 第四部分低机位、塑料、观众、流程声和跳过的逐镜头动作链。 |\n| P2 | A1 / A2 / A3 | 片头持机者显影与前 40 分钟长镜头失败保存动作表。 |\n\n## A.4 公开稿压缩线\n\n公开文章可从 12 个锚点压成七段：\n\n1. 摄影者显影：机器眼被关系污染。\n2. 长镜头：失败被扣押而不是修复。\n3. 取证桌：亲密被抬到可检查位置。\n4. O：无声身体不能被台词系统删除。\n5. 地面摄影机：公演被材料和低机位公开化。\n6. 跳过与说话顺序：语言成为流程命令。\n7. 字幕摄影机：片尾成为最后一次位置摄影。\n\n## A.5 待复核问题\n\n1. `00:44:30-00:44:46` 动态影像层需补帧级描述，避免过度解释来源。\n2. `02:13:30-02:25:30` 流程声需按最新 T0/T1 重锁说话人。\n3. 第四部分地面摄影机应补接触表，避免只停留在风格判断。\n4. 片尾字幕摄影机需要建立三层时间表：散场影像、字幕名单、logo/机构标志。\n5. D4-D13 的恽剑辉战场内摄影师链条必须补 T1 时间码；其中 D9 已锁定 `01:56:18.733-01:56:19.566`，D10 颜料场景仍不得补造时间码。\n6. 何发、子丑、甲瑞的持机镜头已由 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开） 承接，后续需补 T1 时间码、截图和持机归属置信度，避免把“分布式多持机者”重新写成恽剑辉个人摄影神话。","paragraphs":[{"id":"hs-5982210a15c0fd56#p-3c4687bfcafc405e-1","anchor":"p-3c4687bfcafc405e-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-3c4687bfcafc405e-1","kind":"h2","headingPath":["附录 A：理论-时间码矩阵"],"text":"附录 A：理论-时间码矩阵","textSha256":"7c45ad0e108d2bb91b3b00bbe4e46082602ef59f6d29ea8de4f691e16968193b","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-36a48e07aeefc20f-1","anchor":"p-36a48e07aeefc20f-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-36a48e07aeefc20f-1","kind":"p","headingPath":["附录 A：理论-时间码矩阵"],"text":"本附录从 电影理论类比时间码矩阵-人类投降派-2026-05-12 中抽出博士论文最核心的 12 个锚点，作为后续正文扩写和截图/接触表补证的工作表。","textSha256":"6320f450a98048af886390eae93a42038e65fa67b8c169dad8dca7f5e75b6515","links":["https://a.p4theater.top/research/hs-bdb26079577d4572"],"images":[]},{"id":"hs-5982210a15c0fd56#p-857fb8b6fcff8203-1","anchor":"p-857fb8b6fcff8203-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-857fb8b6fcff8203-1","kind":"h2","headingPath":["A.1 核心矩阵"],"text":"A.1 核心矩阵","textSha256":"b215ea92cad23fa789549a1a251f2b169d6d0fa8e1e31309b9125f45846f7e97","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-6861bcd31e45eb7d-1","anchor":"p-6861bcd31e45eb7d-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-6861bcd31e45eb7d-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"组 时间码/范围 位置摄影问题 理论接口 论文使用章 证据层","textSha256":"5477eb1073bd69b65ca1d7e27f98ed39a9cf54d0729fe748ab882b8e1c74f005","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-1468dbabcca0d198-1","anchor":"p-1468dbabcca0d198-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-1468dbabcca0d198-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A1 00:02:20 / 00:03:39 摄影者显影，透明镜头被取消。 电影眼、装置理论、摄影机持有者。 第四章 T0/T1/T3","textSha256":"38937482810b13d744039a574fa409763203335f2d797b274bb8f96dc505ae20","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-07498b02b3c00cfc-1","anchor":"p-07498b02b3c00cfc-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-07498b02b3c00cfc-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A2 00:02:30-00:03:00 沉默被长镜头扣押，失败不能被剪掉。 Bazin、Direct Cinema、行动影像危机。 第五章 T1/T3","textSha256":"f4761a56e47575b6575c5b7c27f3fe1b3770ca25cb0b451429ecb25b84698e6c","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-6574be04d78ea854-1","anchor":"p-6574be04d78ea854-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-6574be04d78ea854-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A3 00:06:00-00:07:00 手腕、地面和排练事故被连续保存。 Dogme 95、长镜头、身体电影。 第五章 T0/T1/T2","textSha256":"7d4758aac1664e91397837c567a88a8233e670d025f51648d180df46e56b9369","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-ab52938afdd8dda5-1","anchor":"p-ab52938afdd8dda5-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-ab52938afdd8dda5-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A4 00:34:30-00:36:00 床面俯拍把亲密抬成可检查界面。 凝视理论、装置理论、位置摄影。 第六章 T1/T3","textSha256":"7703678f423edcb65160b31aa8c68053fc64102fc2f12d065b06d8c9682ebe43","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-b1d094670348e882-1","anchor":"p-b1d094670348e882-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-b1d094670348e882-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A5 00:39:49 前后 白光与剧场容器把卧室关系推向公共证明。 cinema verite、第三电影、剧场装置。 第六章 T1/T2/T3","textSha256":"2a55383b6e00ba28f47527d36693041d07e1c63bc15955edbdaf1743b32adf0c","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-771e3116d9ece25a-1","anchor":"p-771e3116d9ece25a-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-771e3116d9ece25a-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A6 00:40:47-00:45:40/48 O 的无声身体持续在场，台词系统不能删除她。 Trinh T. Minh-ha、无声关系端点。 第七章 T0/T1/T3","textSha256":"36d4821f31f23e4b07e4d8e49804390c8e2c1dfd8ba648d51eba3b812126f732","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-9a3a443e22e43e37-1","anchor":"p-9a3a443e22e43e37-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-9a3a443e22e43e37-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A7 00:44:30-00:44:46 动态影像层污染现场，证明危机转给影像。 蒙太奇、档案影像、纯视听情境。 第六章 T1/T2/T3","textSha256":"cc615575072da51ec7a69b1d7368141e73628317b577980c1b740bfb66e70b3f","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-ce238d9c1cc863a7-1","anchor":"p-ce238d9c1cc863a7-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-ce238d9c1cc863a7-1","kind":"tr","headingPath":["A.1 核心矩阵"],"text":"A8 00:45:44-00:45:56.5 从 O 的见证端点切到阿蒙/黄蒙身体状态端点。 位置剪辑、视觉锚点追踪。 第七章 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接入理论矩阵。它回答的问题更窄也更硬：摄影师如何在场，摄影师的身体如何被电影处理。","textSha256":"fc4035ba7d23774b1d65693b4b5a98090f7598af6fa151f86acfb8a80c6613ff","links":["https://a.p4theater.top/research/hs-3d819487004913f2"],"images":[]},{"id":"hs-5982210a15c0fd56#p-e037f4aa48935929-1","anchor":"p-e037f4aa48935929-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-e037f4aa48935929-1","kind":"tr","headingPath":["A.2.2 战场内摄影师补充矩阵"],"text":"D编号 片段/部分 摄影方法问题 理论接口 论文使用章 证据层","textSha256":"5343a97549c6456099cfcd9640a2439d61fbab8998caac679b9c5e12acbd10c5","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-9112086d88898970-1","anchor":"p-9112086d88898970-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-9112086d88898970-1","kind":"tr","headingPath":["A.2.2 战场内摄影师补充矩阵"],"text":"D1-D3 第一部分 镜头旋转到恽剑辉，持机者显影，片名方法启动。 电影眼、装置理论、摄影机持有者。 第一章 / 第四章 T0/T1/T3","textSha256":"6faa96cd547da1ad37ad8dcb174b44cac968eed72142a091f7e8c005ff195670","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-388b8ce3be4a25ed-1","anchor":"p-388b8ce3be4a25ed-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-388b8ce3be4a25ed-1","kind":"tr","headingPath":["A.2.2 战场内摄影师补充矩阵"],"text":"D4-D5 第二部分 第一人称视角漂移中看到恽剑辉抽烟、慌忙拿相机；密码锁声切断关系。当前 T1 已确认 00:20:00-00:30:00 的主观化近景、手部介入、排练场回收和持续漂移， 00:22:20-00:23:10 的 Unlocked/第三人返回/第四幕回收 ；恽剑辉慌忙拿相机仍待定位。 cinéma vérité、反身纪录、视点不稳定。 第四章 / 第五章 T0/T1候选/T3","textSha256":"94a5fc05da623e8cdb9924237a73ca469c5fec4e58169de46df75b954583e659","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-39ba37e7ddc3b56c-1","anchor":"p-39ba37e7ddc3b56c-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-39ba37e7ddc3b56c-1","kind":"tr","headingPath":["A.2.2 战场内摄影师补充矩阵"],"text":"D7-D8 第三部分 恽剑辉踩在阿蒙床上拍摄拥抱；俯拍把亲密抬成取证界面。当前 T1 只确认 01:07:30-01:09:00 床上亲密极近特写，脚/床/机身尚未闭合。 凝视理论、装置理论、身体电影。 第六章 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T1/T3","textSha256":"a785a4caef00fa9609d28fe61c8983e9afe68f9fc1cc85022d814f1b364be7ee","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-726175e4c97f4ce7-1","anchor":"p-726175e4c97f4ce7-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-726175e4c97f4ce7-1","kind":"tr","headingPath":["A.2.2 战场内摄影师补充矩阵"],"text":"D13 第五部分， 02:31:30-02:36:22 候选窗口， 02:33:00-02:34:00 为更窄搜索窗 固定机位/归档层二阶观察 片尾/归档层已可见数字 5 、名单、角色、logo 与 摄影 恽剑辉 视觉文字，但固定倒放共场仍待定位。 摄影师被纳入片尾可见性分配，归档层开始接管摄影。 T0/T1候选/T3","textSha256":"fd801a10a7a30a3ee16f4fb7993d9a133539b8884cef7dd44b4161310a894e53","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-1cdcf6ef2984ad50-1","anchor":"p-1cdcf6ef2984ad50-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-1cdcf6ef2984ad50-1","kind":"tr","headingPath":["A.2.2 战场内摄影师补充矩阵"],"text":"D14 片尾 字幕摄影机接管现场摄影之后的命名和归档。 档案电影、贫穷影像、字幕摄影机。 第九章 T1/T3","textSha256":"2c54535ed774ea99abc6c2b2f7e7d01361ddc944781b52bfdb17aae443da2f16","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-510cafdfc76dde14-1","anchor":"p-510cafdfc76dde14-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-510cafdfc76dde14-1","kind":"h2","headingPath":["A.3 截图/接触表优先级"],"text":"A.3 截图/接触表优先级","textSha256":"080d46ce84e1cf206bffe62c19edbe5d0d163b027458d4c6c4fe8059ea128839","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-a16ba84a51b62bf5-1","anchor":"p-a16ba84a51b62bf5-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-a16ba84a51b62bf5-1","kind":"tr","headingPath":["A.3 截图/接触表优先级"],"text":"优先级 锚点 待补材料","textSha256":"f95fc1c9fa119f1554abfb21a73330655ed985e32c641601a0ff826a46dd19ca","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-1ac292e39e7861a0-1","anchor":"p-1ac292e39e7861a0-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-1ac292e39e7861a0-1","kind":"tr","headingPath":["A.3 截图/接触表优先级"],"text":"P0 D4-D5 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公开稿压缩线"],"text":"摄影者显影：机器眼被关系污染。","textSha256":"80706f90faed8f63e14543f89249bf05637722e2312574940e0d32ae7f2d29a3","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-ac518485a1c6b6ea-1","anchor":"p-ac518485a1c6b6ea-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-ac518485a1c6b6ea-1","kind":"li","headingPath":["A.4 公开稿压缩线"],"text":"长镜头：失败被扣押而不是修复。","textSha256":"a87ed68df346feaab2c8ae53e8977b4f1737ffa2fa9cc963215c3953d986bcea","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-f7273d80f9a36241-1","anchor":"p-f7273d80f9a36241-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-f7273d80f9a36241-1","kind":"li","headingPath":["A.4 公开稿压缩线"],"text":"取证桌：亲密被抬到可检查位置。","textSha256":"6f1c3edfb5d9dce7878e36342b75b88e2d6514f978da477d9aae0a08208d4abe","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-ae14af63077a24fb-1","anchor":"p-ae14af63077a24fb-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-ae14af63077a24fb-1","kind":"li","headingPath":["A.4 公开稿压缩线"],"text":"O：无声身体不能被台词系统删除。","textSha256":"5a017aeb4991165781ab1af2d08fe1d9ef7c0d2cd555aa4b8e9b81f8c73dd848","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-8959997b5a7dd4dc-1","anchor":"p-8959997b5a7dd4dc-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-8959997b5a7dd4dc-1","kind":"li","headingPath":["A.4 公开稿压缩线"],"text":"地面摄影机：公演被材料和低机位公开化。","textSha256":"74c0e3d51daefc1df489bfc80239a73fb668d448b3128678bf5ad7d87897d79c","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-70241cb15cd4fbf3-1","anchor":"p-70241cb15cd4fbf3-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-70241cb15cd4fbf3-1","kind":"li","headingPath":["A.4 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待复核问题"],"text":"00:44:30-00:44:46 动态影像层需补帧级描述，避免过度解释来源。","textSha256":"363c204a8513f2ebb9e9e6244a5b9b181238d915962c15c91a263fb30b327809","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-3cd81d976d928e86-1","anchor":"p-3cd81d976d928e86-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-3cd81d976d928e86-1","kind":"li","headingPath":["A.5 待复核问题"],"text":"02:13:30-02:25:30 流程声需按最新 T0/T1 重锁说话人。","textSha256":"76c6ffafb07d8add21ad7f12674097ee158a5cb378815ed50de9faeb9278cdd0","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-27ed28b2496a2764-1","anchor":"p-27ed28b2496a2764-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-27ed28b2496a2764-1","kind":"li","headingPath":["A.5 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颜料场景仍不得补造时间码。","textSha256":"a6b72e48dddc7f245648ff66c3f86182f865482a921ddeaeccd7e7fcf824fb44","links":[],"images":[]},{"id":"hs-5982210a15c0fd56#p-5263948eb9278295-1","anchor":"p-5263948eb9278295-1","url":"https://a.p4theater.top/research/hs-5982210a15c0fd56#p-5263948eb9278295-1","kind":"li","headingPath":["A.5 待复核问题"],"text":"何发、子丑、甲瑞的持机镜头已由 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开） 承接，后续需补 T1 时间码、截图和持机归属置信度，避免把“分布式多持机者”重新写成恽剑辉个人摄影神话。","textSha256":"8cf2fda78a4141a1274c0e032e9c1f07219d9e131b74692075975b75232eb180","links":[],"images":[]}]}