{"id":"hs-534864fb3c25994f","url":"https://a.p4theater.top/research/hs-534864fb3c25994f","title":"Deleuze/Guattari x 现场流：装配体不是结构，而是现场开始生产主体","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-05-17","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-534864fb3c25994f.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-534864fb3c25994f-9c2f056c0c754a741b36.md","markdownSha256":"9c2f056c0c754a741b36f6598529efaa7e7545ea009a71582e31edb34ecdff8e","markdownBytes":4394,"characters":1223,"sourceEvidenceTier":"T3_THEORY_DIALOGUE_OVER_T0_T1_T2","sourceStatus":"active","evidenceBoundary":"本页是哲学对话；Deleuze/Guattari 线索用于分析装配体、时间影像、言语行为和伪之力量，不替代具体片段证据。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-0c456321769d3b9a","https://a.p4theater.top/research/hs-16daa15c156575d6","https://a.p4theater.top/research/hs-23c2dec5963ea385","https://a.p4theater.top/research/hs-43b1b1ea821559f7","https://a.p4theater.top/research/hs-4869c6d00b723a0b","https://a.p4theater.top/research/hs-832b004e1a182278","https://a.p4theater.top/research/hs-8e87420b9a3b4cb8","https://a.p4theater.top/research/hs-9c74a921b3b0ecc8","https://a.p4theater.top/research/hs-aa7d6607a5eaeae8","https://a.p4theater.top/research/hs-ccd7ab2347905d12","https://a.p4theater.top/research/hs-ec88335ff038b35d","https://a.p4theater.top/research/hs-f1753922fc3d5068"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":41,"markdown":"# Deleuze/Guattari x 现场流：装配体不是结构，而是现场开始生产主体\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-17\n\n证据边界：本页是哲学对话；Deleuze/Guattari 线索用于分析装配体、时间影像、言语行为和伪之力量，不替代具体片段证据。\n\n# Deleuze/Guattari x 现场流：装配体不是结构，而是现场开始生产主体\n\n## 思想刀口\n\nDeleuze 和 Guattari 对[现场流](/research/hs-f1753922fc3d5068)最关键的不是术语，而是一组操作：看力如何通过身体、声音、机器、群体和符号流动；看主体如何被装配出来；看语言如何不只是表达，而是行动；看“假”如何生产新的真实效果。\n\n`assemblage / 装配体` 不是一个漂亮的总称。它指人、物、声音、空间、制度和欲望临时组成的工作机器。装配体不解释主体，它生产主体。\n\n对[现场流](/research/hs-f1753922fc3d5068)来说，他们的刀口是：\n\n```text\n不要问人物真正想表达什么。\n要问什么装配体正在替他们生产欲望、语言、行动和真实。\n```\n\n## 撞到电影\n\n《人类投降派》第四部分就是一个装配体公开运行的时刻。\n\n`下一幕` 不是描述，它是按钮。  \n`跳过` 不是说明，它是剪辑。  \n`演过了` 不是回忆，它制造伪过去。  \n`需要我帮你说吗` 不是单纯关心，它重新分配语言资格。  \n`感谢各位 / 来看我们的演出` 不是普通礼貌，它把现场推入片尾和归档。\n\n这里的语言不是内心的外壳，而是言语行为机器。它们让现场进入下一步，让身体换位置，让观众获得新的等待方式，让字幕和 Wiki 得到可索引材料。\n\nDeleuze 的 `powers of the false / 伪之力量` 在 `演过了 / 没必要演` 里尤其锋利。问题不是这句话真假如何，而是它产生了什么真实效果：没演的段落以“已演”的形式进入现场，现场时间被改写，观众和后续归档都必须面对这个伪过去。\n\n## 撞到方法\n\n我们的研究本身也是装配体。\n\n人眼观看、MiMo 复扫、字幕、Owner Review、source card、ledger、概念页、Graph、用户纠偏一起生产分析主体。不是“一个解释者”在解释电影，而是一套研究装配体在让电影的未解部分继续工作。\n\n这要求我们谨慎使用 Deleuze/Guattari：他们不是术语库，而是方法纪律。\n\n- 先看可见/可听事实。\n- 再找行动失效的位置。\n- 再问语言做了什么。\n- 再看非人部件如何参与。\n- 最后才命名概念。\n\n## 生成现场流句子\n\n```text\n现场流是身体、声音、物、观众、流程和档案组成的装配体开始生产主体、时间和真实效果。\n```\n\n更短：\n\n```text\n现场流是装配体取得发言权。\n```\n\n## 反读\n\n不能把 Deleuze/Guattari 变成万能烟雾。装配体必须能指出具体部件，言语行为必须能说明一句话做了什么，伪之力量必须能证明它改变了现场现实。否则宁可不用这些词。\n\n\n## 相关\n\n- - [分布式公演控制](/research/hs-8e87420b9a3b4cb8)\n- - [强迫思想的公演机器](/research/hs-9c74a921b3b0ecc8)\n- - [现场剪辑](/research/hs-0c456321769d3b9a)\n- - [现场流](/research/hs-f1753922fc3d5068)\n- - 真从假里发生（馆内参考，未随本文公开）\n- - [空白被提交](/research/hs-ccd7ab2347905d12)\n- - [说话权被系统接管](/research/hs-23c2dec5963ea385)\n- - [2026-05-12-现场流哲学家对话源卡](/research/hs-16daa15c156575d6)\n- - [德勒兹-加塔利精神分析视角下的人类投降派-2026-05-10](/research/hs-ec88335ff038b35d)\n- - [德勒兹十重机器下的人类投降派-2026-05-10](/research/hs-832b004e1a182278)\n- - [德勒兹电影理论视角下的人类投降派-2026-05-09](/research/hs-aa7d6607a5eaeae8)\n- - [现场流哲学家对话矩阵-2026-05-12](/research/hs-4869c6d00b723a0b)\n\n## 相关页面\n\n- [35-言语行为与伪之力量-一句话怎样改变现实](/research/hs-43b1b1ea821559f7)","paragraphs":[{"id":"hs-534864fb3c25994f#p-c152c2cf6c3d646c-1","anchor":"p-c152c2cf6c3d646c-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-c152c2cf6c3d646c-1","kind":"h2","headingPath":["Deleuze/Guattari x 现场流：装配体不是结构，而是现场开始生产主体"],"text":"Deleuze/Guattari x 现场流：装配体不是结构，而是现场开始生产主体","textSha256":"a68e91ff27307c061ab5dbd458e15c90a2dace2979c19fee5abbcc959e5b61e6","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-e6c1c3149826c1f3-1","anchor":"p-e6c1c3149826c1f3-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-e6c1c3149826c1f3-1","kind":"h2","headingPath":["思想刀口"],"text":"思想刀口","textSha256":"e62da0d576d9a3a9a0a885e381ae04580adc0c0031e215c1207b5bbabeb1d5fa","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-58d5d873811121c6-1","anchor":"p-58d5d873811121c6-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-58d5d873811121c6-1","kind":"p","headingPath":["思想刀口"],"text":"Deleuze 和 Guattari 对 现场流 最关键的不是术语，而是一组操作：看力如何通过身体、声音、机器、群体和符号流动；看主体如何被装配出来；看语言如何不只是表达，而是行动；看“假”如何生产新的真实效果。","textSha256":"a27c4336cf6a50fba9df65a175096e97ecfc0150362153476981c2fb5e29d1c6","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-534864fb3c25994f#p-4315db5057169630-1","anchor":"p-4315db5057169630-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-4315db5057169630-1","kind":"p","headingPath":["思想刀口"],"text":"assemblage / 装配体 不是一个漂亮的总称。它指人、物、声音、空间、制度和欲望临时组成的工作机器。装配体不解释主体，它生产主体。","textSha256":"a88dce1bd61b9cc27c686417a347ef6733a953f726c4ed93028c62309f65a748","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-c67e8a0261287a11-1","anchor":"p-c67e8a0261287a11-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-c67e8a0261287a11-1","kind":"p","headingPath":["思想刀口"],"text":"对 现场流 来说，他们的刀口是：","textSha256":"9d6ecf1dd4dd37fad93c2cf7546e5253411c4bdacc0fcdb24be0110f3248ad4a","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-534864fb3c25994f#p-23684d50757479db-1","anchor":"p-23684d50757479db-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-23684d50757479db-1","kind":"pre","headingPath":["思想刀口"],"text":"不要问人物真正想表达什么。\n要问什么装配体正在替他们生产欲望、语言、行动和真实。","textSha256":"dff87792c4bc136c1c1819902f026ea5af93af3e7529beffedf2843fafd5d748","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-dd005903f9966503-1","anchor":"p-dd005903f9966503-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-dd005903f9966503-1","kind":"h2","headingPath":["撞到电影"],"text":"撞到电影","textSha256":"53fc706adec27ac3b460041e744e50087bf993302e1d0e65c40805d137d25dfd","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-4cc758c7a2f75d13-1","anchor":"p-4cc758c7a2f75d13-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-4cc758c7a2f75d13-1","kind":"p","headingPath":["撞到电影"],"text":"《人类投降派》第四部分就是一个装配体公开运行的时刻。","textSha256":"62674d4f8ee6fc81ed0bcf1c16bdd018c315049b4bed8d101cbc13e924f60d8b","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-6b96a2680e9d665f-1","anchor":"p-6b96a2680e9d665f-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-6b96a2680e9d665f-1","kind":"p","headingPath":["撞到电影"],"text":"下一幕 不是描述，它是按钮。 跳过 不是说明，它是剪辑。 演过了 不是回忆，它制造伪过去。 需要我帮你说吗 不是单纯关心，它重新分配语言资格。 感谢各位 / 来看我们的演出 不是普通礼貌，它把现场推入片尾和归档。","textSha256":"95eb141fa6bdb3eccfdc4c97724f00102beae49bb0094c475616c9aebc91929f","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-0382b062364ba098-1","anchor":"p-0382b062364ba098-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-0382b062364ba098-1","kind":"p","headingPath":["撞到电影"],"text":"这里的语言不是内心的外壳，而是言语行为机器。它们让现场进入下一步，让身体换位置，让观众获得新的等待方式，让字幕和 Wiki 得到可索引材料。","textSha256":"c5e216b515012c16f335affed084fdb5d315c53ce8571d2b8740667124d8fabf","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-4c68136e34fe93c6-1","anchor":"p-4c68136e34fe93c6-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-4c68136e34fe93c6-1","kind":"p","headingPath":["撞到电影"],"text":"Deleuze 的 powers of the false / 伪之力量 在 演过了 / 没必要演 里尤其锋利。问题不是这句话真假如何，而是它产生了什么真实效果：没演的段落以“已演”的形式进入现场，现场时间被改写，观众和后续归档都必须面对这个伪过去。","textSha256":"5bfb5fad7e85270e6ed292c2690e0d2d18f82f36940854b2eb17cfc2f8d1c3b0","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-4b03495929614781-1","anchor":"p-4b03495929614781-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-4b03495929614781-1","kind":"h2","headingPath":["撞到方法"],"text":"撞到方法","textSha256":"03f6df5f254a22a3b4a7cc8f6cba2fbfd2c6a6ab16874d0f3abb5c63eedfcb54","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-f9362787dbaa4c3e-1","anchor":"p-f9362787dbaa4c3e-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-f9362787dbaa4c3e-1","kind":"p","headingPath":["撞到方法"],"text":"我们的研究本身也是装配体。","textSha256":"ba4faa1d2837b1f97a15a479dddb4972df9b354a6dc1d7fb7b0990bdf72b265b","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-27f0d1c5ffcae218-1","anchor":"p-27f0d1c5ffcae218-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-27f0d1c5ffcae218-1","kind":"p","headingPath":["撞到方法"],"text":"人眼观看、MiMo 复扫、字幕、Owner Review、source card、ledger、概念页、Graph、用户纠偏一起生产分析主体。不是“一个解释者”在解释电影，而是一套研究装配体在让电影的未解部分继续工作。","textSha256":"8b20cb2d3ca0f2f25321a0038e10b96396df1adf19bb016b932348a3127f6281","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-6c898dbddfb41269-1","anchor":"p-6c898dbddfb41269-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-6c898dbddfb41269-1","kind":"p","headingPath":["撞到方法"],"text":"这要求我们谨慎使用 Deleuze/Guattari：他们不是术语库，而是方法纪律。","textSha256":"57ba165d64dc0bedb0eb3a9afc1986797977407eb6286c7083904daae16702cd","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-e2708faf500da659-1","anchor":"p-e2708faf500da659-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-e2708faf500da659-1","kind":"li","headingPath":["撞到方法"],"text":"先看可见/可听事实。","textSha256":"0ec13f1287fead3329886ba569b71476bcba6012c42e0dd5960b701d8fe06508","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-8744dc2cb8999631-1","anchor":"p-8744dc2cb8999631-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-8744dc2cb8999631-1","kind":"li","headingPath":["撞到方法"],"text":"再找行动失效的位置。","textSha256":"9162d30174ea49116ccae4ed81fdd1e8e10540db2f8b8938a222f522d95caa78","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-a74f2082eb011ffe-1","anchor":"p-a74f2082eb011ffe-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-a74f2082eb011ffe-1","kind":"li","headingPath":["撞到方法"],"text":"再问语言做了什么。","textSha256":"fc9e4db4bc794723532f77bf5b5c5fd63bc2c8a08959e670440c95a7d53a9f18","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-49924ac8b0d86079-1","anchor":"p-49924ac8b0d86079-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-49924ac8b0d86079-1","kind":"li","headingPath":["撞到方法"],"text":"再看非人部件如何参与。","textSha256":"10a619b2013aad904c5d8e21d4aa49998763f0c845fa679ced8236f2a6b45474","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-9ff46b3903bc719c-1","anchor":"p-9ff46b3903bc719c-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-9ff46b3903bc719c-1","kind":"li","headingPath":["撞到方法"],"text":"最后才命名概念。","textSha256":"f2f90a27ed096d4c33b170b0a8d63f54a369127090a8e80354babbb185349275","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-2264074df02a1320-1","anchor":"p-2264074df02a1320-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-2264074df02a1320-1","kind":"h2","headingPath":["生成现场流句子"],"text":"生成现场流句子","textSha256":"64cfde938963261fb411f3f5309f7909444449d3c1162f48725e0a3acbd415aa","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-ebccf894ea1a5656-1","anchor":"p-ebccf894ea1a5656-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-ebccf894ea1a5656-1","kind":"pre","headingPath":["生成现场流句子"],"text":"现场流是身体、声音、物、观众、流程和档案组成的装配体开始生产主体、时间和真实效果。","textSha256":"6b3bc71a6ba2b5bbdd8afe26727a9e14dc07a789968fbe4a34ef8c477e8a12b0","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-484c21c997aa2a58-1","anchor":"p-484c21c997aa2a58-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-484c21c997aa2a58-1","kind":"p","headingPath":["生成现场流句子"],"text":"更短：","textSha256":"ad892b415d4f296c18046b045d601c5707a318b5d4761c8caeec6932de1e3f2b","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-0f09902e6ec03ca9-1","anchor":"p-0f09902e6ec03ca9-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-0f09902e6ec03ca9-1","kind":"pre","headingPath":["生成现场流句子"],"text":"现场流是装配体取得发言权。","textSha256":"cbde72884129c7a24d6f59f024c36883c07505ec77c19109545d3b15dabeb02e","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-5b34a643890de5a8-1","anchor":"p-5b34a643890de5a8-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-5b34a643890de5a8-1","kind":"h2","headingPath":["反读"],"text":"反读","textSha256":"90585c484b229d6befae88da3f4ef0845a7d08ddc4526ac69a22a83f53a7d1be","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-37d11a142902440a-1","anchor":"p-37d11a142902440a-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-37d11a142902440a-1","kind":"p","headingPath":["反读"],"text":"不能把 Deleuze/Guattari 变成万能烟雾。装配体必须能指出具体部件，言语行为必须能说明一句话做了什么，伪之力量必须能证明它改变了现场现实。否则宁可不用这些词。","textSha256":"05189eb973cdaf4ebc02157bb85adfcbb437ce7baf3533dce0f16893809a6d62","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-5652116cc8203236-1","anchor":"p-5652116cc8203236-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-5652116cc8203236-1","kind":"h2","headingPath":["相关"],"text":"相关","textSha256":"7dfa43a32757b9c5007ad75470455a0c6c100a1ad366f2ba604724b6a4bad75e","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-2847620edcb3641f-1","anchor":"p-2847620edcb3641f-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-2847620edcb3641f-1","kind":"li","headingPath":["相关"],"text":"分布式公演控制","textSha256":"c056a52850ae5ab26391f56c6791a067967c86eba05adbee30395b516a3abf8f","links":["https://a.p4theater.top/research/hs-8e87420b9a3b4cb8"],"images":[]},{"id":"hs-534864fb3c25994f#p-4200b18983282699-1","anchor":"p-4200b18983282699-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-4200b18983282699-1","kind":"li","headingPath":["相关"],"text":"强迫思想的公演机器","textSha256":"45f324a639e8903227020e0d07c0101bb4ed8e7c8b8951596bbcd8ac29a7ce6c","links":["https://a.p4theater.top/research/hs-9c74a921b3b0ecc8"],"images":[]},{"id":"hs-534864fb3c25994f#p-efb99bc656bd2fb0-1","anchor":"p-efb99bc656bd2fb0-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-efb99bc656bd2fb0-1","kind":"li","headingPath":["相关"],"text":"现场剪辑","textSha256":"9ae638a8945d10aa86dda74dd9ecd4499b2f23b6af1b9b99d8ade904e15a45a5","links":["https://a.p4theater.top/research/hs-0c456321769d3b9a"],"images":[]},{"id":"hs-534864fb3c25994f#p-953631e5e7e1cbaa-1","anchor":"p-953631e5e7e1cbaa-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-953631e5e7e1cbaa-1","kind":"li","headingPath":["相关"],"text":"现场流","textSha256":"bbbcf12f21f2d098d81dc557427403b4c69b5d7a684b8752d8044f45081f4f56","links":["https://a.p4theater.top/research/hs-f1753922fc3d5068"],"images":[]},{"id":"hs-534864fb3c25994f#p-df843e3c1d1c7322-1","anchor":"p-df843e3c1d1c7322-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-df843e3c1d1c7322-1","kind":"li","headingPath":["相关"],"text":"真从假里发生（馆内参考，未随本文公开）","textSha256":"9c9c9e4f31137c5853ec81bb816a6af57a140bf32464dbcf4ea3595ad8cd9919","links":[],"images":[]},{"id":"hs-534864fb3c25994f#p-55d8983dd6bc1be7-1","anchor":"p-55d8983dd6bc1be7-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-55d8983dd6bc1be7-1","kind":"li","headingPath":["相关"],"text":"空白被提交","textSha256":"64234707a026cf759a8cc4452568d26f47c0633a8233511733334d9cde01fb7e","links":["https://a.p4theater.top/research/hs-ccd7ab2347905d12"],"images":[]},{"id":"hs-534864fb3c25994f#p-6d41c92a52334e83-1","anchor":"p-6d41c92a52334e83-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-6d41c92a52334e83-1","kind":"li","headingPath":["相关"],"text":"说话权被系统接管","textSha256":"2629e2e882d1f1fb26d4e3ccfbe1bf5579d160e07e79a4a08815ba949e0e7d0d","links":["https://a.p4theater.top/research/hs-23c2dec5963ea385"],"images":[]},{"id":"hs-534864fb3c25994f#p-20cc9263053c51eb-1","anchor":"p-20cc9263053c51eb-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-20cc9263053c51eb-1","kind":"li","headingPath":["相关"],"text":"2026-05-12-现场流哲学家对话源卡","textSha256":"6a570c5d4f0b22fce56b1b351cdbc9b30ef6b5bcbe85c2b01e0197d8010fed33","links":["https://a.p4theater.top/research/hs-16daa15c156575d6"],"images":[]},{"id":"hs-534864fb3c25994f#p-5f56ff663b762188-1","anchor":"p-5f56ff663b762188-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-5f56ff663b762188-1","kind":"li","headingPath":["相关"],"text":"德勒兹-加塔利精神分析视角下的人类投降派-2026-05-10","textSha256":"2c68dd730a6e69244271c1dec3a2737444ae9c23474c11c1f51c517dad1449cf","links":["https://a.p4theater.top/research/hs-ec88335ff038b35d"],"images":[]},{"id":"hs-534864fb3c25994f#p-9aba7ed27e742523-1","anchor":"p-9aba7ed27e742523-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-9aba7ed27e742523-1","kind":"li","headingPath":["相关"],"text":"德勒兹十重机器下的人类投降派-2026-05-10","textSha256":"7af2ab93ca89d9c9e358b4ff06323f9f820e55bc47306e15ae6779f18b514e2c","links":["https://a.p4theater.top/research/hs-832b004e1a182278"],"images":[]},{"id":"hs-534864fb3c25994f#p-1fe4fa2fec2da4f1-1","anchor":"p-1fe4fa2fec2da4f1-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-1fe4fa2fec2da4f1-1","kind":"li","headingPath":["相关"],"text":"德勒兹电影理论视角下的人类投降派-2026-05-09","textSha256":"e1d168ef934bf338e7a08ce78057ac91c29e1f98e685112c0e9bfd1c42966f89","links":["https://a.p4theater.top/research/hs-aa7d6607a5eaeae8"],"images":[]},{"id":"hs-534864fb3c25994f#p-8d1619528897c636-1","anchor":"p-8d1619528897c636-1","url":"https://a.p4theater.top/research/hs-534864fb3c25994f#p-8d1619528897c636-1","kind":"li","headingPath":["相关"],"text":"现场流哲学家对话矩阵-2026-05-12","textSha256":"f5be92a97dcad5685c2d3c1173341275a7667591210b51660e16ae61c3b63a2c","links":["https://a.p4theater.top/research/hs-4869c6d00b723a0b"],"images":[]},{"id":"hs-534864fb3c259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