{"id":"hs-4e3f801557129f20","url":"https://a.p4theater.top/research/hs-4e3f801557129f20","title":"P16：视觉艺术/行为艺术内部人称技术第六批入口","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"P16-视觉艺术行为艺术内部人称技术第六批","sourceVersionDate":"2026-06-18","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-4e3f801557129f20.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-4e3f801557129f20-650cfe27742901aa4523.md","markdownSha256":"650cfe27742901aa4523c21b6e07a4830356c8523d41ff3d0cd084747e7e9efe","markdownBytes":5630,"characters":1457,"sourceEvidenceTier":"T3_DEEP_RESEARCH_PACK_WITH_T4_VISUAL_PERFORMANCE_REFERENCES","sourceStatus":"active","evidenceBoundary":"本卡组承接 P15：专门分析视觉艺术、展览空间、装置艺术、行为艺术、参与式艺术和艺术档案内部的人称技术。外部艺术史资料只作 T4 形式参照；进入《人类投降派》时必须回到 T0/T1/T2/T3 声画证据、Owner 校正和证据层级，不得反向裁决片内事实、人物心理、真实关系、consent、现实伤害、作者意图、生产史或全片终极解释。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-040001538af27000","https://a.p4theater.top/research/hs-253d58496aa70708","https://a.p4theater.top/research/hs-3d546f9ba182bdcf","https://a.p4theater.top/research/hs-85ceb9f9db11fb0a","https://a.p4theater.top/research/hs-8be7ebc4e8b5f4d2","https://a.p4theater.top/research/hs-cfa3b89f03e5ad15","https://a.p4theater.top/research/hs-d397de3d299467b5","https://a.p4theater.top/research/hs-d94a033e11018d24","https://a.p4theater.top/research/hs-f665e6be33a53892","https://www.tate.org.uk/art/art-terms/i/installation-art","https://www.tate.org.uk/art/art-terms/p/performance-art","https://www.tate.org.uk/art/art-terms/r/readymade","https://www.tate.org.uk/art/art-terms/r/relational-aesthetics","https://www.tate.org.uk/art/art-terms/s/site-specific"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":51,"markdown":"# P16：视觉艺术/行为艺术内部人称技术第六批入口\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-06-18\n\n证据边界：本卡组承接 P15：专门分析视觉艺术、展览空间、装置艺术、行为艺术、参与式艺术和艺术档案内部的人称技术。外部艺术史资料只作 T4 形式参照；进入《人类投降派》时必须回到 T0/T1/T2/T3 声画证据、Owner 校正和证据层级，不得反向裁决片内事实、人物心理、真实关系、consent、现实伤害、作者意图、生产史或全片终极解释。\n\n# P16：视觉艺术/行为艺术内部人称技术第六批入口\n\n## 这一批补什么\n\nP15 说电影怎样用镜头、剪辑、声轨和字幕安排人称。\n\nP16 进入展厅、墙面、身体、物、路线和档案。\n\n视觉艺术和行为艺术最容易被误读成：\n\n```text\n一个艺术家表达了自己。\n一个观众看见了作品。\n一个物体被放在空间里。\n```\n\n这太浅。\n\n更底层的事实是：\n\n```text\n脸会被挂出来。\n眼睛会被镜子反送回来。\n画框会先画出观看位置。\n展签会替图像说第三人称。\n物会沉默，却逼人重新分配责任。\n空间会安排人的走法。\n身体一旦成为作品，就不再只是私人身体。\n被邀请参与，不等于拥有作品。\n作品结束以后，文件继续开口。\n```\n\n所以这一批的核心句是：\n\n```text\n作品不是等人来看。\n作品先把人放到位置上。\n```\n\n## 第六批九张\n\n- [01 肖像与自画像：脸被挂出来以后，不再只属于自己](/research/hs-040001538af27000)\n- [02 镜子与反射：看见自己，不等于重新拥有自己](/research/hs-253d58496aa70708)\n- [03 画框、展墙与白盒子：作品先把观众放到位置上](/research/hs-d94a033e11018d24)\n- [04 展签与说明文字：旁边的话替图像建立第三人称](/research/hs-8be7ebc4e8b5f4d2)\n- [05 现成品与物证：物不说我，却逼人重新分配责任](/research/hs-f665e6be33a53892)\n- [06 装置与路线：不是人在观看作品，是作品安排人的走法](/research/hs-d397de3d299467b5)\n- [07 行为艺术与在场：身体出现以后，就不再只是私人身体](/research/hs-cfa3b89f03e5ad15)\n- [08 参与式/关系艺术：被邀请，不等于拥有作品](/research/hs-3d546f9ba182bdcf)\n- [09 艺术档案与再展出：作品结束以后，文件继续开口](/research/hs-85ceb9f9db11fb0a)\n\n## 本批覆盖表\n\n| 形式 | 主人称动作 | 接入卷 |\n|---|---|---|\n| 肖像/自画像 | 第一人称的脸被第三人称化，并被未来观众继续观看。 | 卷一、卷四、卷五。 |\n| 镜子/反射 | 我看见自己时，也把自己变成被看的对象。 | 卷零、卷四。 |\n| 画框/展墙/白盒子 | 空间和边界先规定观众站位。 | 卷零、卷四。 |\n| 展签/说明文字 | 旁边的话替图像建立第三人称入口，也可能抢走观看。 | 卷三、卷六。 |\n| 现成品/物证 | 物不说我，却把责任、署名、制度和证据重新分配。 | 卷五、卷六。 |\n| 装置/路线 | 观众不是外部眼睛，而是被空间动线写出来的身体。 | 卷零、卷四。 |\n| 行为艺术/在场 | 身体成为作品时，第一人称被现场、观众和记录共同接走。 | 卷一、卷四、卷五。 |\n| 参与式/关系艺术 | 观众被邀请进入关系，但参与不是占有、授权也不是裁决。 | 卷四。 |\n| 艺术档案/再展出 | 现场结束后，照片、录像、清单、说明和数据库继续开口。 | 卷五、卷六。 |\n\n## 九条硬句\n\n```text\n脸被挂出来以后，不再只属于自己。\n看见自己，不等于重新拥有自己。\n画框不是边界，是观看位置的命令。\n旁边的话，常常比图像先开口。\n物不说我，却逼人重新分配责任。\n不是人在观看作品，是作品安排人的走法。\n身体一旦成为作品，就不再只是私人身体。\n被邀请，不等于拥有作品。\n作品结束以后，文件继续开口。\n```\n\n## 外部调研线索\n\n这些线索只作 T4 形式参照：\n\n- [Tate: performance art](https://www.tate.org.uk/art/art-terms/p/performance-art)\n- [Tate: installation art](https://www.tate.org.uk/art/art-terms/i/installation-art)\n- [Tate: readymade](https://www.tate.org.uk/art/art-terms/r/readymade)\n- [Tate: relational aesthetics](https://www.tate.org.uk/art/art-terms/r/relational-aesthetics)\n- [Tate: site-specific](https://www.tate.org.uk/art/art-terms/s/site-specific)\n\n## 本批给总目标补上的东西\n\nP16 把“人称”从语言、仪式、文学和电影继续推进到图像、物、空间、身体和档案。\n\n这一步很重要。\n\n因为《人类投降派》要写的不是一个人在表达思想。\n\n它要写的是：\n\n```text\n人被空间摆出来。\n人被镜头摆出来。\n人被名字摆出来。\n人被文件摆出来。\n人被未来观看者摆出来。\n```\n\n视觉艺术和行为艺术给我们的最大提醒是：\n\n```text\n出现不是拥有。\n在场不是主权。\n被看见不是被理解。\n参与不是被授权。\n保存不是结案。\n```\n\n回到《人类投降派》，这能帮助我们继续压实一个底层判断：\n\n```text\n人不是作品的主人。\n人是作品发生时被摆到现场里的临时位置。\n```","paragraphs":[{"id":"hs-4e3f801557129f20#p-c48761e477562df7-1","anchor":"p-c48761e477562df7-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-c48761e477562df7-1","kind":"h2","headingPath":["P16：视觉艺术/行为艺术内部人称技术第六批入口"],"text":"P16：视觉艺术/行为艺术内部人称技术第六批入口","textSha256":"041b3542b67147aac57f77ebed79179340359a1b48368710a9cd2fb6ca2a4e24","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-6ba754c98b0dacca-1","anchor":"p-6ba754c98b0dacca-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-6ba754c98b0dacca-1","kind":"h2","headingPath":["这一批补什么"],"text":"这一批补什么","textSha256":"12b950a938738fe82b3b63cc88612ee715fbc7866603a75ef5818ec318fc270f","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-037c3f78f069c0af-1","anchor":"p-037c3f78f069c0af-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-037c3f78f069c0af-1","kind":"p","headingPath":["这一批补什么"],"text":"P15 说电影怎样用镜头、剪辑、声轨和字幕安排人称。","textSha256":"358f17c29d5226304c53f6c18728fc3d1fc0a844f3d3859183293f2a5a465c02","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-0c4f4057ac06dfc1-1","anchor":"p-0c4f4057ac06dfc1-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-0c4f4057ac06dfc1-1","kind":"p","headingPath":["这一批补什么"],"text":"P16 进入展厅、墙面、身体、物、路线和档案。","textSha256":"8d0156f384dc85653889e6535fd18ecaa416b258b39bc93cfd0fbf3e6969c84a","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-a378c743cd85a8c8-1","anchor":"p-a378c743cd85a8c8-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-a378c743cd85a8c8-1","kind":"p","headingPath":["这一批补什么"],"text":"视觉艺术和行为艺术最容易被误读成：","textSha256":"926186b2e806eef1e5bd34a53b0f16e1ba4c0338e98e521a103cfabd390db61d","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-9e72ad65c5c492d4-1","anchor":"p-9e72ad65c5c492d4-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-9e72ad65c5c492d4-1","kind":"pre","headingPath":["这一批补什么"],"text":"一个艺术家表达了自己。\n一个观众看见了作品。\n一个物体被放在空间里。","textSha256":"a1e3c008569b0b9208dc53616206883d62ae7c5edb1d9896f753a01026938ac5","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-1281204f387ef9b3-1","anchor":"p-1281204f387ef9b3-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-1281204f387ef9b3-1","kind":"p","headingPath":["这一批补什么"],"text":"这太浅。","textSha256":"d9eeccc4e45dccf86572719c1e58425b78a9d517082db1d21cc51365b72f1828","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-6d763c2654a5a25d-1","anchor":"p-6d763c2654a5a25d-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-6d763c2654a5a25d-1","kind":"p","headingPath":["这一批补什么"],"text":"更底层的事实是：","textSha256":"418369248b26d717ce168fb8113b5b6c8d28d87c4487bceae51c66e320618801","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-40df2c3840070869-1","anchor":"p-40df2c3840070869-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-40df2c3840070869-1","kind":"pre","headingPath":["这一批补什么"],"text":"脸会被挂出来。\n眼睛会被镜子反送回来。\n画框会先画出观看位置。\n展签会替图像说第三人称。\n物会沉默，却逼人重新分配责任。\n空间会安排人的走法。\n身体一旦成为作品，就不再只是私人身体。\n被邀请参与，不等于拥有作品。\n作品结束以后，文件继续开口。","textSha256":"b67ff5116287cf8a4393a8623dedecfc301efd55dbcb6288fc32c38838f61388","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-ca92030695fd5930-1","anchor":"p-ca92030695fd5930-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-ca92030695fd5930-1","kind":"p","headingPath":["这一批补什么"],"text":"所以这一批的核心句是：","textSha256":"34d06481ec0e557a9ee5697b33a6fda3f9bf22fb8022d39c2adcf7f014e16dca","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-2735376cc5e10636-1","anchor":"p-2735376cc5e10636-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-2735376cc5e10636-1","kind":"pre","headingPath":["这一批补什么"],"text":"作品不是等人来看。\n作品先把人放到位置上。","textSha256":"b7931bd5f5b086365671b2d56f3841608a837ba346afb6ee8d4b22f9ff42efb2","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-2c3b59390c65b6b0-1","anchor":"p-2c3b59390c65b6b0-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-2c3b59390c65b6b0-1","kind":"h2","headingPath":["第六批九张"],"text":"第六批九张","textSha256":"236e215d16e03c00aa3b2c3aef167ad84e4b721db16111959bc19fb6ac8a798c","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-33803ac22ce9a274-1","anchor":"p-33803ac22ce9a274-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-33803ac22ce9a274-1","kind":"li","headingPath":["第六批九张"],"text":"01 肖像与自画像：脸被挂出来以后，不再只属于自己","textSha256":"df14f442042fdb893074475c0b2a8d945121b6741bcbee03ef0ad6bba2ff70bd","links":["https://a.p4theater.top/research/hs-040001538af27000"],"images":[]},{"id":"hs-4e3f801557129f20#p-b94a85d18695088e-1","anchor":"p-b94a85d18695088e-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-b94a85d18695088e-1","kind":"li","headingPath":["第六批九张"],"text":"02 镜子与反射：看见自己，不等于重新拥有自己","textSha256":"13da702dbeb813d4ea84edac67f60c02b78e921e45082c9e0a4663138de1d4e8","links":["https://a.p4theater.top/research/hs-253d58496aa70708"],"images":[]},{"id":"hs-4e3f801557129f20#p-6a470e2a66a42c74-1","anchor":"p-6a470e2a66a42c74-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-6a470e2a66a42c74-1","kind":"li","headingPath":["第六批九张"],"text":"03 画框、展墙与白盒子：作品先把观众放到位置上","textSha256":"bc2f033f48d30530727a58533d498a041240ff8391cd401b794afb480f89cd50","links":["https://a.p4theater.top/research/hs-d94a033e11018d24"],"images":[]},{"id":"hs-4e3f801557129f20#p-c86f40ef23b08a6b-1","anchor":"p-c86f40ef23b08a6b-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-c86f40ef23b08a6b-1","kind":"li","headingPath":["第六批九张"],"text":"04 展签与说明文字：旁边的话替图像建立第三人称","textSha256":"e5860144a7ac2e670631fe9c0af29553e1962a4ddaf37cc0948f5fb075eabe5d","links":["https://a.p4theater.top/research/hs-8be7ebc4e8b5f4d2"],"images":[]},{"id":"hs-4e3f801557129f20#p-40786440995acc50-1","anchor":"p-40786440995acc50-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-40786440995acc50-1","kind":"li","headingPath":["第六批九张"],"text":"05 现成品与物证：物不说我，却逼人重新分配责任","textSha256":"46b22b2f2b844cc1533cb798e56a20d842df74b71d8ea27cf55726fca22d83cc","links":["https://a.p4theater.top/research/hs-f665e6be33a53892"],"images":[]},{"id":"hs-4e3f801557129f20#p-a61279b0bc9ea16f-1","anchor":"p-a61279b0bc9ea16f-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-a61279b0bc9ea16f-1","kind":"li","headingPath":["第六批九张"],"text":"06 装置与路线：不是人在观看作品，是作品安排人的走法","textSha256":"45117b519b2b8837e17cb85a124d3284e240001d5daecba006ee7b52bfbd36ca","links":["https://a.p4theater.top/research/hs-d397de3d299467b5"],"images":[]},{"id":"hs-4e3f801557129f20#p-9c761866c9467190-1","anchor":"p-9c761866c9467190-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-9c761866c9467190-1","kind":"li","headingPath":["第六批九张"],"text":"07 行为艺术与在场：身体出现以后，就不再只是私人身体","textSha256":"a4e49e65e63ecfbe369859e8a56661196bfc4d0b8da55db560a535955fc8cbfb","links":["https://a.p4theater.top/research/hs-cfa3b89f03e5ad15"],"images":[]},{"id":"hs-4e3f801557129f20#p-af0d1e4c1b55e90e-1","anchor":"p-af0d1e4c1b55e90e-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-af0d1e4c1b55e90e-1","kind":"li","headingPath":["第六批九张"],"text":"08 参与式/关系艺术：被邀请，不等于拥有作品","textSha256":"eb8cbc414ac9f3e9e853cdc4fa1dadbf37587e191c130211649f164c3cd9da93","links":["https://a.p4theater.top/research/hs-3d546f9ba182bdcf"],"images":[]},{"id":"hs-4e3f801557129f20#p-7b1ab9c63c953566-1","anchor":"p-7b1ab9c63c953566-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-7b1ab9c63c953566-1","kind":"li","headingPath":["第六批九张"],"text":"09 艺术档案与再展出：作品结束以后，文件继续开口","textSha256":"eeb001df796e86dc1872f1af6b9ff2c35f3ccaf5ce069cf2a7810b0c464110be","links":["https://a.p4theater.top/research/hs-85ceb9f9db11fb0a"],"images":[]},{"id":"hs-4e3f801557129f20#p-7ebe276b9038f9cb-1","anchor":"p-7ebe276b9038f9cb-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-7ebe276b9038f9cb-1","kind":"h2","headingPath":["本批覆盖表"],"text":"本批覆盖表","textSha256":"86b2c0c9661249aca443349876260098ebee5c6524729c57ec106cd7773cdc89","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-85ebf7bf7f33fcf1-1","anchor":"p-85ebf7bf7f33fcf1-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-85ebf7bf7f33fcf1-1","kind":"tr","headingPath":["本批覆盖表"],"text":"形式 主人称动作 接入卷","textSha256":"83a7ae1b6d0599b941f1db905607ec294694158c3a03a2ccb6fd854f69719830","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-e3b433067ad4a4b0-1","anchor":"p-e3b433067ad4a4b0-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-e3b433067ad4a4b0-1","kind":"tr","headingPath":["本批覆盖表"],"text":"肖像/自画像 第一人称的脸被第三人称化，并被未来观众继续观看。 卷一、卷四、卷五。","textSha256":"bdf2f83cedbf02c088fd167574744c4e88e23c0d6fba657b24cd3f3502ebbba7","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-2bb1a31c65fe4d5d-1","anchor":"p-2bb1a31c65fe4d5d-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-2bb1a31c65fe4d5d-1","kind":"tr","headingPath":["本批覆盖表"],"text":"镜子/反射 我看见自己时，也把自己变成被看的对象。 卷零、卷四。","textSha256":"cb476da244b4dad6ddf3f420a29b919e0d216a1cd1bbdf35fc2aa9c6f002167f","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-7c8d46994520ae98-1","anchor":"p-7c8d46994520ae98-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-7c8d46994520ae98-1","kind":"tr","headingPath":["本批覆盖表"],"text":"画框/展墙/白盒子 空间和边界先规定观众站位。 卷零、卷四。","textSha256":"73cfa64decf053ebea4a85ee561a1023af2869edb8a39a1cb03b96e590b9cbda","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-542644dc69753d88-1","anchor":"p-542644dc69753d88-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-542644dc69753d88-1","kind":"tr","headingPath":["本批覆盖表"],"text":"展签/说明文字 旁边的话替图像建立第三人称入口，也可能抢走观看。 卷三、卷六。","textSha256":"2c0ad9550d8bf4bae47a25d9d1eda5e3522ee902c676f991903b7f3015555649","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-61b4d5fc9e87de80-1","anchor":"p-61b4d5fc9e87de80-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-61b4d5fc9e87de80-1","kind":"tr","headingPath":["本批覆盖表"],"text":"现成品/物证 物不说我，却把责任、署名、制度和证据重新分配。 卷五、卷六。","textSha256":"b1ef501917b70f84508dc2505d83ac8c1aca7234d3f1eec29a53bfc929d7a8c8","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-354ae00b6e0b485b-1","anchor":"p-354ae00b6e0b485b-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-354ae00b6e0b485b-1","kind":"tr","headingPath":["本批覆盖表"],"text":"装置/路线 观众不是外部眼睛，而是被空间动线写出来的身体。 卷零、卷四。","textSha256":"3a124ef9ac5fddb13163be0fbd27eee522d894ea54978845ccd1bbd9be93a596","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-c1169e005d4bbc14-1","anchor":"p-c1169e005d4bbc14-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-c1169e005d4bbc14-1","kind":"tr","headingPath":["本批覆盖表"],"text":"行为艺术/在场 身体成为作品时，第一人称被现场、观众和记录共同接走。 卷一、卷四、卷五。","textSha256":"2f2034d35aaccc00cb2629e6413e9c49dea7aa57a227b798a05d8cacf5de95a2","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-63fe6bc2659bc624-1","anchor":"p-63fe6bc2659bc624-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-63fe6bc2659bc624-1","kind":"tr","headingPath":["本批覆盖表"],"text":"参与式/关系艺术 观众被邀请进入关系，但参与不是占有、授权也不是裁决。 卷四。","textSha256":"b17e157a02ac37ac66e8946a8b4bb4a0e5d0d783afe2cd6d0cbd01c50d7ea489","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-29902147a0f8cf87-1","anchor":"p-29902147a0f8cf87-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-29902147a0f8cf87-1","kind":"tr","headingPath":["本批覆盖表"],"text":"艺术档案/再展出 现场结束后，照片、录像、清单、说明和数据库继续开口。 卷五、卷六。","textSha256":"e3cc8a3c5b0a2bdd5310cf3cf059e2057f5b0ca13cc255622d38882c46c8d6c2","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-b1eb5d10a341b562-1","anchor":"p-b1eb5d10a341b562-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-b1eb5d10a341b562-1","kind":"h2","headingPath":["九条硬句"],"text":"九条硬句","textSha256":"c4f229463389c88024216e1cd45f48fcdb531d778df127e1d99cccb3e87cd702","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-9585f9c9df0fe296-1","anchor":"p-9585f9c9df0fe296-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-9585f9c9df0fe296-1","kind":"pre","headingPath":["九条硬句"],"text":"脸被挂出来以后，不再只属于自己。\n看见自己，不等于重新拥有自己。\n画框不是边界，是观看位置的命令。\n旁边的话，常常比图像先开口。\n物不说我，却逼人重新分配责任。\n不是人在观看作品，是作品安排人的走法。\n身体一旦成为作品，就不再只是私人身体。\n被邀请，不等于拥有作品。\n作品结束以后，文件继续开口。","textSha256":"4e184750ed3396b75c76410dd9a4ca1ccbcb2afae807d33514b086c83007527b","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-0e36754b7d6aeb25-1","anchor":"p-0e36754b7d6aeb25-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-0e36754b7d6aeb25-1","kind":"h2","headingPath":["外部调研线索"],"text":"外部调研线索","textSha256":"a15f7f422551dcd37e2444bf7cc8eeea7204e6fd2bc144247567b4f9d125d623","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-08e86013efd0c6c3-1","anchor":"p-08e86013efd0c6c3-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-08e86013efd0c6c3-1","kind":"p","headingPath":["外部调研线索"],"text":"这些线索只作 T4 形式参照：","textSha256":"7bbfeb854dcbb53b90b44f4c864516c956d979273491a91f7db5eadd0cb50d1d","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-5386c995baf84bf4-1","anchor":"p-5386c995baf84bf4-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-5386c995baf84bf4-1","kind":"li","headingPath":["外部调研线索"],"text":"Tate: performance art","textSha256":"83810714ad010dafdb799de85f727e4c87ced86c86e5edd8657270f8ff127331","links":["https://www.tate.org.uk/art/art-terms/p/performance-art"],"images":[]},{"id":"hs-4e3f801557129f20#p-e23584b3c6c0d503-1","anchor":"p-e23584b3c6c0d503-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-e23584b3c6c0d503-1","kind":"li","headingPath":["外部调研线索"],"text":"Tate: installation art","textSha256":"9d93937bfb3976f03de2f346f8da48a27a4115c24a22a53c7251ef3a9f584c09","links":["https://www.tate.org.uk/art/art-terms/i/installation-art"],"images":[]},{"id":"hs-4e3f801557129f20#p-53ef609ea3ed40fc-1","anchor":"p-53ef609ea3ed40fc-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-53ef609ea3ed40fc-1","kind":"li","headingPath":["外部调研线索"],"text":"Tate: readymade","textSha256":"3bd6728b160ce3f2faad5190e9efed8b489ee4a0329beac6cfae8fa168102fd3","links":["https://www.tate.org.uk/art/art-terms/r/readymade"],"images":[]},{"id":"hs-4e3f801557129f20#p-1da5651274781370-1","anchor":"p-1da5651274781370-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-1da5651274781370-1","kind":"li","headingPath":["外部调研线索"],"text":"Tate: relational aesthetics","textSha256":"b4ef06c35787feac9eda75f428ebb59bc7bc2eda93ede70fbddd5c03c50a6fc2","links":["https://www.tate.org.uk/art/art-terms/r/relational-aesthetics"],"images":[]},{"id":"hs-4e3f801557129f20#p-dd5f6d78316e4078-1","anchor":"p-dd5f6d78316e4078-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-dd5f6d78316e4078-1","kind":"li","headingPath":["外部调研线索"],"text":"Tate: site-specific","textSha256":"2162e4aa51ce4588a74a2e51ce3fa531670d395b8fc69c2b9c79bdc279b28c23","links":["https://www.tate.org.uk/art/art-terms/s/site-specific"],"images":[]},{"id":"hs-4e3f801557129f20#p-af14f41af4d34429-1","anchor":"p-af14f41af4d34429-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-af14f41af4d34429-1","kind":"h2","headingPath":["本批给总目标补上的东西"],"text":"本批给总目标补上的东西","textSha256":"972c6a4ba033cc9eb22499374a67a587d3e6a88fe5fb32179370d74a498ca623","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-023b6fb9f53ca89a-1","anchor":"p-023b6fb9f53ca89a-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-023b6fb9f53ca89a-1","kind":"p","headingPath":["本批给总目标补上的东西"],"text":"P16 把“人称”从语言、仪式、文学和电影继续推进到图像、物、空间、身体和档案。","textSha256":"f6035b055f46142763272abccb167ec8f85c35eb4adc648883127ac2b0be17d8","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-da64e5265e9ec8e5-1","anchor":"p-da64e5265e9ec8e5-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-da64e5265e9ec8e5-1","kind":"p","headingPath":["本批给总目标补上的东西"],"text":"这一步很重要。","textSha256":"87525d7cc1aea29ccdcb4b5d1e0a0826771eb76dfb7cb85274fde87948d3f0c4","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-34a2e98c36362cf4-1","anchor":"p-34a2e98c36362cf4-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-34a2e98c36362cf4-1","kind":"p","headingPath":["本批给总目标补上的东西"],"text":"因为《人类投降派》要写的不是一个人在表达思想。","textSha256":"d3cf0a1f0541b3a329c5d56879ea82e3f9ebcef078fdc105ce3c71c62eed4221","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-15d05ae3c8efb0de-1","anchor":"p-15d05ae3c8efb0de-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-15d05ae3c8efb0de-1","kind":"p","headingPath":["本批给总目标补上的东西"],"text":"它要写的是：","textSha256":"6f227d0ab736c1f1cb0c3887b591ddb662df0440b22afa1ad9bc1bd25462ae02","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-b33a6fe2e15398a6-1","anchor":"p-b33a6fe2e15398a6-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-b33a6fe2e15398a6-1","kind":"pre","headingPath":["本批给总目标补上的东西"],"text":"人被空间摆出来。\n人被镜头摆出来。\n人被名字摆出来。\n人被文件摆出来。\n人被未来观看者摆出来。","textSha256":"b4ff0ea47526e82e90e1ec0f17e20730853ec47d1ad8570b06cb0e453e66691a","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-8a66a21b09ac25e8-1","anchor":"p-8a66a21b09ac25e8-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-8a66a21b09ac25e8-1","kind":"p","headingPath":["本批给总目标补上的东西"],"text":"视觉艺术和行为艺术给我们的最大提醒是：","textSha256":"9ccddbc44836d89e49ab145949565d5c7dac222f1f5cdd7a30248508117e1097","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-8e00efdd767d360f-1","anchor":"p-8e00efdd767d360f-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-8e00efdd767d360f-1","kind":"pre","headingPath":["本批给总目标补上的东西"],"text":"出现不是拥有。\n在场不是主权。\n被看见不是被理解。\n参与不是被授权。\n保存不是结案。","textSha256":"ed37b1bc3b41e1ba8323e8d784762988b8d3ab216f4d72802a4eca2ef7227497","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-f69e95aa57f7290d-1","anchor":"p-f69e95aa57f7290d-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-f69e95aa57f7290d-1","kind":"p","headingPath":["本批给总目标补上的东西"],"text":"回到《人类投降派》，这能帮助我们继续压实一个底层判断：","textSha256":"d5a822761982baa8c7fb021eb43d17847c9add0054ea6bbd250cafcdf79ee3d7","links":[],"images":[]},{"id":"hs-4e3f801557129f20#p-a91700a1cd81f3d1-1","anchor":"p-a91700a1cd81f3d1-1","url":"https://a.p4theater.top/research/hs-4e3f801557129f20#p-a91700a1cd81f3d1-1","kind":"pre","headingPath":["本批给总目标补上的东西"],"text":"人不是作品的主人。\n人是作品发生时被摆到现场里的临时位置。","textSha256":"6ad4fefeb3416872d173c494de4454efa837b6e42df8b68f4a277bdc9adcafaf","links":[],"images":[]}]}