{"id":"hs-4a9253bb19bcfba5","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5","title":"附录D：摄影师位置与拍摄姿态账本","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"博士论文-位置摄影-人类投降派-2026-05-12","sourceVersionDate":"2026-05-12","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-4a9253bb19bcfba5-db8e3c57cf69f1c5e170.md","markdownSha256":"db8e3c57cf69f1c5e170bc42769e8e4fa8f8c6d59a4515071fc1ba7bddafe0a0","markdownBytes":15990,"characters":5528,"sourceEvidenceTier":"T1_T2_T3_LEDGER","sourceStatus":"active","evidenceBoundary":"本附录只建立摄影师位置与拍摄姿态账本；身份归属必须回到 T0/T1，镜头方法判断为 T3。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-0c4668f80814ee2d","https://a.p4theater.top/research/hs-0f6eea833c078b9b","https://a.p4theater.top/research/hs-21066b61da531521","https://a.p4theater.top/research/hs-29d5c820f96906a9","https://a.p4theater.top/research/hs-3d819487004913f2","https://a.p4theater.top/research/hs-5982210a15c0fd56","https://a.p4theater.top/research/hs-5d3f75b8edfaf00d","https://a.p4theater.top/research/hs-79b467388e7dd22e","https://a.p4theater.top/research/hs-880ad64141635db1","https://a.p4theater.top/research/hs-8f66f901cf3025c7","https://a.p4theater.top/research/hs-9a8c484bab1944ba","https://a.p4theater.top/research/hs-9c1a2cec26afb149","https://a.p4theater.top/research/hs-bc63e64975799d27","https://a.p4theater.top/research/hs-c8bf508be7798abe","https://a.p4theater.top/research/hs-d5c1d8eb95c2a264","https://a.p4theater.top/research/hs-d91287aaea78fa66","https://a.p4theater.top/research/hs-d919b577f0cd2ba9","https://a.p4theater.top/research/hs-d9a66d7343d1ac41","https://a.p4theater.top/research/hs-e638d329622aee30"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":82,"markdown":"# 附录D：摄影师位置与拍摄姿态账本\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-12\n\n证据边界：本附录只建立摄影师位置与拍摄姿态账本；身份归属必须回到 T0/T1，镜头方法判断为 T3。\n\n# 附录D：摄影师位置与拍摄姿态账本\n\n本附录补足论文当前最容易抽象化的一层：摄影不是只有“摄影机站在哪里”，还包括谁把摄影机拿起来、怎样拿、怎样移动、怎样撤退、怎样低放、怎样在失败中继续拍，以及摄影师如何被现场看见、点名、打中、再拍。\n\n这里的核心概念是 [摄影师位置](/research/hs-79b467388e7dd22e) 和 [摄影身体工艺](/research/hs-d9a66d7343d1ac41)。前者不是把摄影师重新神化为作者中心，而是把[位置摄影](/research/hs-d919b577f0cd2ba9)压回具体工作姿态；后者继续把这些工作姿态压到手、脚、肩背、膝盖、呼吸、机身、键盘和版面。也就是说，本附录关心的是：手、脚、身体、距离、机身高度、镜头持续、现场压力和显影风险如何真正把机位做出来。\n\n## 使用规则\n\n1. 本附录不裁决全片摄影署名，只记录可复核的[摄影师位置](/research/hs-79b467388e7dd22e)锚点。\n2. 恽剑辉是战场内摄影师的贯穿锚点，但不是全片唯一摄影师。\n3. “持机者可转移”不能抹掉真实摄影劳动；“真实摄影劳动”也不能把分布式装置重新收回个人作者论。\n4. T0/T1 用于身份、时间码和画面事实；T2 用于模型候选；T3 用于论文方法判断。\n5. “怎样拍”在本附录记录；“谁拍/谁接管持机权”转入 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开） 记录。\n\n## A. 摄影师位置账本\n\n| 编号 | 时间码/范围 | 摄影动作 | 身体/机身姿态 | 关系效果 | 证据层 | 来源页 | 待复核 |\n|---|---|---|---|---|---|---|---|\n| D1 | `02:20 / 03:39` | 摄影者显影 | 眼镜/摄影者被画面纳入；身份由 Owner/T0 校正为恽剑辉。 | 摄影师从幕后进入片内关系，摄影机不再透明。 | T0/T1/T3 | [2026-05-05-Zero60-发哥确认与V3修正版](/research/hs-8f66f901cf3025c7)、[片头-摄影者显影与片名方法-2026-05-05](/research/hs-5d3f75b8edfaf00d) | 补精确帧与画面构图。 |\n| D2 | `03:45-04:15` 左右 | 持相机者与片名同段显影 | 摄影机/持机者与 `[Shoot self with you](/research/hs-7a803e314fcca8cf)` 进入同一观看链条。 | 片名从文字变成被摄影执行的方法。 | T0/T2/T3 | [片头-摄影者显影与片名方法-2026-05-05](/research/hs-5d3f75b8edfaf00d) | 补中文/英文片名起止帧。 |\n| D3 | `02:18-04:20` 左右 | 旋转与关系切开 | 镜头旋转打破二人近景幻觉，子丑和摄影者依次进入观看场域。 | 二人关系被改写为排练/评价/持机共同现场。 | T0/T2/T3 | [片头-摄影者显影与片名方法-2026-05-05](/research/hs-5d3f75b8edfaf00d) | 补旋转前后构图表。 |\n| D4 | 第二部分，`00:20:00-00:30:00` 局部候选，完整链条待定位 | 第一人称视角漂移 | T1 接触表已见近距离主观化观看、手部介入、多人排练场回收和持续漂移；新增 `00:22:20-00:23:10` 密集表可见阿蒙近身、空场装置、字幕 `Unlocked`、第三人返回与“第四幕”流程回收。T0 继续保留子丑抽烟、看到阿蒙、看到恽剑辉抽烟、窗内外转换、密码锁声后看到恽剑辉慌忙拿相机、再回头时子丑重新在镜头中的完整链条。 | 谁看、谁拍、谁被拍不断互换，摄影师成为第一人称漂移的关键在场者；但第一人称视角不能自动等同实际持机者。 | T0/T1候选/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D4D7候选本地复核](/research/hs-29d5c820f96906a9) | 继续定位恽剑辉抽烟、窗户、恽剑辉慌忙拿相机、子丑再入画等微切片；`Unlocked/第四幕` 已有局部 T1，不等于完整链条闭合。 |\n| D5 | `00:20:00-00:30:00` 局部候选 | 摄影机幽灵/关系切断 | 私密或近表白话语、手部进入画面、字幕 `Unlocked`、第三人返回、第四幕流程回收、命名错位和排练场回收同处长镜头漂移链；密码锁系统声源、恽剑辉慌忙拿相机与子丑再入画仍回到 T0/既有来源，尚未由本页抽帧闭合。 | 摄影机从记录者变为关系中断者，也成为失败、笑场和命名事故的扣押者。 | T0/T1候选/T3 | [2026-05-05-Zero60-20到30发哥逐句确认](/research/hs-bc63e64975799d27)、[2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D4D7候选本地复核](/research/hs-29d5c820f96906a9) | 与 D4 合并微切片复核，不能自动把所有幽灵镜头归给某一摄影者。 |\n| D6 | `00:20:00-00:30:00` | 不切与失败保存 | 长镜头继续保存笑场、命名事故、多时空排练状态。 | [摄影师位置](/research/hs-79b467388e7dd22e)承担“不替现场修复”的劳动。 | T0/T2/T3 | [2026-05-05-Zero60-发哥确认与V3修正版](/research/hs-8f66f901cf3025c7) | 建立动作表与声画连续表。 |\n| D7 | 第三部分，`01:07:30-01:09:00` 为床上亲密极近特写候选，踩床细节待定位 | 踩床拍摄/亲密现场内摄影 | T1 接触表确认床上亲密极近特写，画面几乎只容纳两张脸、嘴唇、鼻梁和少量床面/衣物边缘；T0 继续保留“恽剑辉在阿蒙床上拍摄阿蒙和子丑拥抱，脚直接踩在床上”。 | 摄影距离被压到亲密动作内部；但摄影师脚、机身和床面三点关系仍未由本轮 T1 闭合。 | T0/T1候选/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D4D7候选本地复核](/research/hs-29d5c820f96906a9) | 补准确踩床窗口、截图、脚/机身/床面位置。 |\n| D8 | `00:34:30-00:36:00` | 俯拍/抬升 | 床面、身体、手部和光线被从上方组织。 | 亲密被推上[取证桌](/research/hs-9a8c484bab1944ba)，面对面关系变成可检查界面。 | T1/T3 | 94-第一批证据账本（馆内参考，未随本文公开） | 与 D7 区分：D7 是摄影师身体踩床，D8 是机位俯拍/[取证桌](/research/hs-9a8c484bab1944ba)。 |\n| D9 | `01:56:18.733-01:56:19.566` | 被点名 | 第四部分公开游戏段字幕确认“谢谢 恽剑辉 / Thank you, Yun Jianhui”；说话人为甲瑞来自 T0 Owner 校正。 | 摄影师被角色语言直接拉入现场关系，从画外劳动变成片内被称呼对象。 | T0/T1/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-第四部分谢谢恽剑辉字幕与画面复核](/research/hs-d5c1d8eb95c2a264) | 继续复核说话人画面位置；不要把颜料击中自动并入此时间码。 |\n| D10 | 第四部分，`01:51:00-02:00:00` 候选窗口，`01:56:00-01:58:30` 为更窄搜索窗 | 公开游戏/低位材料界面 | 第四部分公开游戏段先把观众、台阶/斜面、白色塑料/布料空间和移动视角摆好；颜料击中与左臂入画仍待定位。 | 摄影师被[公开观察机器](/research/hs-c8bf508be7798abe)处理，但被击中的具体时刻尚未闭合。 | T0/T1候选/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D10D13候选本地复核](/research/hs-0f6eea833c078b9b) | 继续定位颜料甩到恽剑辉身上、左臂入画抓取后的精确帧位。 |\n| D11 | `01:21:26-01:32:00` | 低放/贴地 | 低机位、反光地面、脚步、塑料和观众进入同一界面。 | [摄影师位置](/research/hs-79b467388e7dd22e)把机器交给地面，形成 [地面摄影机](/research/hs-880ad64141635db1)。 | T1/T2/T3 | 94-第一批证据账本（馆内参考，未随本文公开） | 补第四部分低机位接触表。 |\n| D12 | `seg130_02h10m` / `02:10:10` | 仰视跟拍/低位观看 | 子丑黑裙跨越道路，镜头从低处仰视；用户确认由恽剑辉拍摄。 | 子丑从开场审判/纠错位置变成被低位观看、被门槛化身体；恽剑辉[摄影师位置](/research/hs-79b467388e7dd22e)在后段继续显影。 | T1/T3 | [2026-05-05-全域截图与人工校验](/research/hs-e638d329622aee30) | 补连续段落、前后运动和剪辑点。 |\n| D13 | 第五部分，`02:31:30-02:36:22` 候选窗口，`02:33:00-02:34:00` 为更窄搜索窗 | 固定机位/归档层二阶观察 | 片尾/归档层已可见数字 `5`、名单、角色、logo 与 `摄影 恽剑辉` 视觉文字，但固定倒放共场仍待定位。 | 摄影师被纳入片尾可见性分配，归档层开始接管摄影。 | T0/T1候选/T3 | [2026-05-12-恽剑辉摄影师在场五部分校正](/research/hs-3d819487004913f2)、[2026-05-12-摄影师位置D10D13候选本地复核](/research/hs-0f6eea833c078b9b) | 补固定倒放范围、恽剑辉与三位演员同场的精确时间码。 |\n| D14 | `02:31:30-02:36:22` | 光学摄影交给字幕摄影 | 散场影像、名单、角色、logo 和文字归档叠加；`摄影 恽剑辉` 在归档层显影。 | 真实摄影劳动交出现场，[字幕摄影机](/research/hs-0c4668f80814ee2d) 接管可见性。 | T1/T3 | [2026-05-11-片尾Casting角色O与阿蒙切换本地复核](/research/hs-21066b61da531521)、[2026-05-12-摄影师位置D10D13候选本地复核](/research/hs-0f6eea833c078b9b) | 补三层叠加时间表。 |\n\n## B. 拍摄姿态分类\n\n| 姿态 | 不是 | 是 | 本片入口 |\n|---|---|---|---|\n| 拿起 | 技术准备 | 进入关系的责任动作 | 片头持机者显影 |\n| 旋转 | 炫技运动 | 切开已有关系结构 | 片头二人近景到子丑/摄影者显影 |\n| 靠近 | 温柔亲密 | 对身体、沉默、迟疑的加压 | 开场近景、第三部分亲密段 |\n| 后退 | 退出现场 | 现场反噬或关系留白 | 幽灵摄影师/后撤线索，待复核 |\n| 不切 | 粗糙或失控 | 把失败保存为证据 | `20:00-30:00` 长镜头事故与排练状态 |\n| 踩入 | 越界花絮 | 摄影师身体直接进入亲密空间 | 恽剑辉在阿蒙床上拍摄拥抱，脚踩床 |\n| 被点名 | 偶然呼唤 | 摄影师被角色语言纳入现场 | 甲瑞说“谢谢你恽剑辉” |\n| 被击中 | 拍摄事故 | 摄影师身体被公演材料影响 | 颜料甩到恽剑辉身上、左臂入画 |\n| 被再拍 | 幕后记录 | 摄影现场成为另一个机位的对象 | 第五部分固定机位倒放 |\n| 俯拍 | 统治视角 | 把亲密抬到可检查位置 | 第三部分[取证桌](/research/hs-9a8c484bab1944ba) |\n| 低放 | 奇观角度 | 把身体拖入地面、塑料和反光材料 | 第四部分[地面摄影机](/research/hs-880ad64141635db1)、`seg130_02h10m` |\n| 显影 | 花絮 | 摄影师劳动被电影纳入事件 | 恽剑辉片头显影 |\n\n## C. 恽剑辉写作边界\n\n恽剑辉应作为[摄影师位置](/research/hs-79b467388e7dd22e)案例，而不是全片作者中心。\n\n可写：\n\n- 片头摄影者身份已由 T0 校正为恽剑辉。\n- 恽剑辉不是外部旁观工具人，而是电影内部[摄影机持有者](/research/hs-9c1a2cec26afb149)角色。\n- 恽剑辉在五个部分中以不同方式作为战场内摄影师在场。\n- 第三部分可写“恽剑辉脚踩在阿蒙床上拍摄阿蒙和子丑拥抱”，但需标注为 T0 Owner，待 T1 截图。\n- 第四部分可写 `01:56:18.733-01:56:19.566` 字幕/画面出现“谢谢 恽剑辉 / Thank you, Yun Jianhui”；说话人甲瑞来自 T0 Owner 校正。D10 的公开游戏窗口现已推进到 `01:51:00-02:00:00` 候选层，但颜料甩到恽剑辉身上、左臂入画抓取仍需标注待定位时间码。\n- 第五部分可写固定倒放机位中可见恽剑辉和三位演员共同在拍摄现场，待定位时间码。D13 的 `02:31:30-02:36:22` 候选层现已能看到 `摄影 恽剑辉` 进入归档界面，但固定倒放共场仍待定位。\n- 用户/截图确认 `seg130_02h10m` 中子丑黑裙跨越道路的仰视镜头由恽剑辉拍摄。\n- 这些锚点使“摄影师”成为《人类投降派》内部方法的一部分。\n\n不可写：\n\n- “整部片由恽剑辉一人拍完。”\n- “恽剑辉就是子丑。”\n- “所有幽灵摄影机段落都由恽剑辉拍摄。”\n- “持机者可转移，所以实际摄影师是谁不重要。”\n- 把“具体在哪忘了”的颜料场景补造成已锁定时间码。\n\n## D. 多持机者账本\n\n用户确认，全片摄影不是恽剑辉一人完成，还包括何发、子丑、甲瑞等人拿相机拍摄。\n\n多持机者的详细镜头清单已独立转入 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开）。本节仅保留写作边界：本附录负责摄影师身体姿态，附录E负责持机权归属与转移。\n\n| 持机者/拍摄者 | 状态 | 写作方式 | 待复核 |\n|---|---|---|---|\n| 恽剑辉 | T0 多部分在场；部分 T1 锚点已有。 | 战场内摄影师贯穿锚点。 | 五部分细帧位。 |\n| 何发 | 用户确认有部分镜头由何发拍摄。 | 导演/拍摄者/二阶证据制度节点，不能自动归给所有画外控制。 | 建立何发拍摄镜头清单。 |\n| 子丑 | 用户确认有拿相机拍摄的镜头。 | 角色/持机者切换案例。 | 建立子丑持机镜头清单。 |\n| 甲瑞 | 用户确认有拿相机拍摄的镜头。 | 被拍者/持机者互换案例。 | 建立甲瑞持机镜头清单。 |\n\n## E. 与论文正文的接口\n\n| 正文位置 | 调用方式 |\n|---|---|\n| 第一章 | 用本附录说明[位置摄影](/research/hs-d919b577f0cd2ba9)包含摄影师劳动层，不只是机位/装置层。 |\n| 第四章 | 用 D1-D5 说明片名方法、旋转显影、第一人称漂移和摄影机幽灵如何把恽剑辉推为战场内摄影师。 |\n| 第五章 | 用 D6 说明不切是[摄影师位置](/research/hs-79b467388e7dd22e)的伦理劳动。 |\n| 第六章 | 用 D7-D8 说明踩床拍摄与俯拍[取证桌](/research/hs-9a8c484bab1944ba)之间的差异：一个是摄影师身体进入亲密现场，一个是机位抬升亲密现场。 |\n| 第八章 | 用 D9-D13 说明[公开观察机器](/research/hs-c8bf508be7798abe)不只处理演员，也会点名、打中、再拍摄影师。 |\n| 第九章 | 用 D14 说明[字幕摄影机](/research/hs-0c4668f80814ee2d)不是取代摄影劳动，而是接过摄影劳动留下的现场。 |\n\n## F. 下一轮复核任务\n\n1. 为 D1-D3 建立片头局部帧表：摄影者首次显影、旋转、片名覆盖。\n2. 为 D4-D5 继续扩展第二部分第一人称漂移微切片账本；本轮已建 `00:20:00-00:30:00` 局部接触表，并新增 `00:22:20-00:23:10` 密集表确认 `Unlocked/第三人返回/第四幕回收`，但恽剑辉抽烟、窗户、恽剑辉慌忙拿相机和子丑再入画仍未闭合。\n3. 为 D7 继续搜索第三部分阿蒙床上踩床拍摄接触表；本轮 `01:07:30-01:09:00` 只作为床上亲密极近特写候选，不替代脚/床/机身证据。\n4. 为 D9 继续补说话人画面位置；为 D10 定位颜料甩到恽剑辉身上的准确时间码。\n5. 为 D12 建立 `seg130_02h10m` 连续段落接触表，确认恽剑辉拍摄前后镜头运动、道路位置和子丑身体姿态。\n6. 为 D13 定位第五部分固定倒放机位中恽剑辉与三位演员共同在场拍摄的时间码。\n7. 将本附录的 D1-D14 接入 [97-附录A-理论时间码矩阵](/research/hs-5982210a15c0fd56)，作为摄影方法维度。\n\n## 相关页面\n\n- [98F-附录F-位置摄影六操作镜头方法表](/research/hs-d91287aaea78fa66)","paragraphs":[{"id":"hs-4a9253bb19bcfba5#p-3de20d2b593c6cbd-1","anchor":"p-3de20d2b593c6cbd-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-3de20d2b593c6cbd-1","kind":"h2","headingPath":["附录D：摄影师位置与拍摄姿态账本"],"text":"附录D：摄影师位置与拍摄姿态账本","textSha256":"145f08facf0b00576c595d81e0dbda0b87f66c71e7b52ad1719cdfa97e0589ec","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-472dfe1dcd2b3434-1","anchor":"p-472dfe1dcd2b3434-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-472dfe1dcd2b3434-1","kind":"p","headingPath":["附录D：摄影师位置与拍摄姿态账本"],"text":"本附录补足论文当前最容易抽象化的一层：摄影不是只有“摄影机站在哪里”，还包括谁把摄影机拿起来、怎样拿、怎样移动、怎样撤退、怎样低放、怎样在失败中继续拍，以及摄影师如何被现场看见、点名、打中、再拍。","textSha256":"589e5cf5ed472fa0b68618a4a52798ab73cb96ad55a1e169d945e1a5e44e02c0","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-284fc655bcb561f4-1","anchor":"p-284fc655bcb561f4-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-284fc655bcb561f4-1","kind":"p","headingPath":["附录D：摄影师位置与拍摄姿态账本"],"text":"这里的核心概念是 摄影师位置 和 摄影身体工艺 。前者不是把摄影师重新神化为作者中心，而是把 位置摄影 压回具体工作姿态；后者继续把这些工作姿态压到手、脚、肩背、膝盖、呼吸、机身、键盘和版面。也就是说，本附录关心的是：手、脚、身体、距离、机身高度、镜头持续、现场压力和显影风险如何真正把机位做出来。","textSha256":"72d9d10e871cfd209f84fd412dc2c3fc885eb819abfc6f51fc12e896f48e8652","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e","https://a.p4theater.top/research/hs-d919b577f0cd2ba9","https://a.p4theater.top/research/hs-d9a66d7343d1ac41"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-6a1923f788423d4b-1","anchor":"p-6a1923f788423d4b-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-6a1923f788423d4b-1","kind":"h2","headingPath":["使用规则"],"text":"使用规则","textSha256":"da75498764cd0b1d6283f91ba3f23e04e0df5f3f7e93a48f68242abfe5ff819d","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-cd58098684fd7079-1","anchor":"p-cd58098684fd7079-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-cd58098684fd7079-1","kind":"li","headingPath":["使用规则"],"text":"本附录不裁决全片摄影署名，只记录可复核的 摄影师位置 锚点。","textSha256":"7ae2192cd39a701ee6a777494abfc192f76124ed665019ca4a7b231ef60ef2c6","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-9a1a953d318d7f37-1","anchor":"p-9a1a953d318d7f37-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-9a1a953d318d7f37-1","kind":"li","headingPath":["使用规则"],"text":"恽剑辉是战场内摄影师的贯穿锚点，但不是全片唯一摄影师。","textSha256":"7620d53f097b3bd703854ab0058743e2c0dfa9c225648cdc302889937984414a","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-ecd63d0f4828e78d-1","anchor":"p-ecd63d0f4828e78d-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-ecd63d0f4828e78d-1","kind":"li","headingPath":["使用规则"],"text":"“持机者可转移”不能抹掉真实摄影劳动；“真实摄影劳动”也不能把分布式装置重新收回个人作者论。","textSha256":"df3fead418408a2a5b112e4da730f46f2d497bf0bb0b074837d528b796e522dc","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-fc5e1911c0b19604-1","anchor":"p-fc5e1911c0b19604-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-fc5e1911c0b19604-1","kind":"li","headingPath":["使用规则"],"text":"T0/T1 用于身份、时间码和画面事实；T2 用于模型候选；T3 用于论文方法判断。","textSha256":"22a79dceef6f6c505e9d937d5337b120f5c24a467f000e9be458e212ea74a36e","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-d3f4e5385b758ede-1","anchor":"p-d3f4e5385b758ede-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-d3f4e5385b758ede-1","kind":"li","headingPath":["使用规则"],"text":"“怎样拍”在本附录记录；“谁拍/谁接管持机权”转入 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开） 记录。","textSha256":"94b89f961b5cb56a5164df07ee4dceb0a05b1ae5037f1b6f4babddd7efcaa1f7","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-ad22cc07b18d7ad6-1","anchor":"p-ad22cc07b18d7ad6-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-ad22cc07b18d7ad6-1","kind":"h2","headingPath":["A. 摄影师位置账本"],"text":"A. 摄影师位置账本","textSha256":"f39fbf1e60e56718419b8058ad53484588f932fd2f866d3dd1d7949f9db20f8b","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-53444b08414b6e03-1","anchor":"p-53444b08414b6e03-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-53444b08414b6e03-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"编号 时间码/范围 摄影动作 身体/机身姿态 关系效果 证据层 来源页 待复核","textSha256":"c3187768415d0c9827d68070f6f117836e4ad1f2d2af20dd0000146b79bbb50d","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-71eea79d84e8db85-1","anchor":"p-71eea79d84e8db85-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-71eea79d84e8db85-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D1 02:20 / 03:39 摄影者显影 眼镜/摄影者被画面纳入；身份由 Owner/T0 校正为恽剑辉。 摄影师从幕后进入片内关系，摄影机不再透明。 T0/T1/T3 2026-05-05-Zero60-发哥确认与V3修正版 、 片头-摄影者显影与片名方法-2026-05-05 补精确帧与画面构图。","textSha256":"a772bc0fff7a1f6212b3d71ddef1e4c5c741d4729ad52a5bb2a8d5b643e8869c","links":["https://a.p4theater.top/research/hs-5d3f75b8edfaf00d","https://a.p4theater.top/research/hs-8f66f901cf3025c7"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-7f7d85b8f06a66bb-1","anchor":"p-7f7d85b8f06a66bb-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-7f7d85b8f06a66bb-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D2 03:45-04:15 左右 持相机者与片名同段显影 摄影机/持机者与 [Shoot self with you](/research/hs-7a803e314fcca8cf) 进入同一观看链条。 片名从文字变成被摄影执行的方法。 T0/T2/T3 片头-摄影者显影与片名方法-2026-05-05 补中文/英文片名起止帧。","textSha256":"c7f777a39bc23edacd98d34838af8c1eae194a168db14f2f5a951d419abcfd54","links":["https://a.p4theater.top/research/hs-5d3f75b8edfaf00d"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-659329e1004b467e-1","anchor":"p-659329e1004b467e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-659329e1004b467e-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D3 02:18-04:20 左右 旋转与关系切开 镜头旋转打破二人近景幻觉，子丑和摄影者依次进入观看场域。 二人关系被改写为排练/评价/持机共同现场。 T0/T2/T3 片头-摄影者显影与片名方法-2026-05-05 补旋转前后构图表。","textSha256":"1679b317917b6d6c775617c1f72b462b7d8d47cb47ad85fbf50735e60b4b1501","links":["https://a.p4theater.top/research/hs-5d3f75b8edfaf00d"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-699fdab3f4afa709-1","anchor":"p-699fdab3f4afa709-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-699fdab3f4afa709-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D4 第二部分， 00:20:00-00:30:00 局部候选，完整链条待定位 第一人称视角漂移 T1 接触表已见近距离主观化观看、手部介入、多人排练场回收和持续漂移；新增 00:22:20-00:23:10 密集表可见阿蒙近身、空场装置、字幕 Unlocked 、第三人返回与“第四幕”流程回收。T0 继续保留子丑抽烟、看到阿蒙、看到恽剑辉抽烟、窗内外转换、密码锁声后看到恽剑辉慌忙拿相机、再回头时子丑重新在镜头中的完整链条。 谁看、谁拍、谁被拍不断互换，摄影师成为第一人称漂移的关键在场者；但第一人称视角不能自动等同实际持机者。 T0/T1候选/T3 2026-05-12-恽剑辉摄影师在场五部分校正 、 2026-05-12-摄影师位置D4D7候选本地复核 继续定位恽剑辉抽烟、窗户、恽剑辉慌忙拿相机、子丑再入画等微切片； Unlocked/第四幕 已有局部 T1，不等于完整链条闭合。","textSha256":"f8317a1ad29708f4d21992aea5443aa764d40e2485e9d60509fab720f0da34af","links":["https://a.p4theater.top/research/hs-29d5c820f96906a9","https://a.p4theater.top/research/hs-3d819487004913f2"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-d09f5398f7af2df8-1","anchor":"p-d09f5398f7af2df8-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-d09f5398f7af2df8-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D5 00:20:00-00:30:00 局部候选 摄影机幽灵/关系切断 私密或近表白话语、手部进入画面、字幕 Unlocked 、第三人返回、第四幕流程回收、命名错位和排练场回收同处长镜头漂移链；密码锁系统声源、恽剑辉慌忙拿相机与子丑再入画仍回到 T0/既有来源，尚未由本页抽帧闭合。 摄影机从记录者变为关系中断者，也成为失败、笑场和命名事故的扣押者。 T0/T1候选/T3 2026-05-05-Zero60-20到30发哥逐句确认 、 2026-05-12-恽剑辉摄影师在场五部分校正 、 2026-05-12-摄影师位置D4D7候选本地复核 与 D4 合并微切片复核，不能自动把所有幽灵镜头归给某一摄影者。","textSha256":"5bfe44d2275d3c85a7a2c19b2e243adf6da040dc0d543a167fb236af7be7e358","links":["https://a.p4theater.top/research/hs-29d5c820f96906a9","https://a.p4theater.top/research/hs-3d819487004913f2","https://a.p4theater.top/research/hs-bc63e64975799d27"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-81f131aae50fe5e2-1","anchor":"p-81f131aae50fe5e2-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-81f131aae50fe5e2-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D6 00:20:00-00:30:00 不切与失败保存 长镜头继续保存笑场、命名事故、多时空排练状态。 摄影师位置 承担“不替现场修复”的劳动。 T0/T2/T3 2026-05-05-Zero60-发哥确认与V3修正版 建立动作表与声画连续表。","textSha256":"7cd9e3df6bc0035a18ab954397932b434944d17a5a337e7cc30d18550cff9836","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e","https://a.p4theater.top/research/hs-8f66f901cf3025c7"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-ab92fe58b3e512ae-1","anchor":"p-ab92fe58b3e512ae-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-ab92fe58b3e512ae-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D7 第三部分， 01:07:30-01:09:00 为床上亲密极近特写候选，踩床细节待定位 踩床拍摄/亲密现场内摄影 T1 接触表确认床上亲密极近特写，画面几乎只容纳两张脸、嘴唇、鼻梁和少量床面/衣物边缘；T0 继续保留“恽剑辉在阿蒙床上拍摄阿蒙和子丑拥抱，脚直接踩在床上”。 摄影距离被压到亲密动作内部；但摄影师脚、机身和床面三点关系仍未由本轮 T1 闭合。 T0/T1候选/T3 2026-05-12-恽剑辉摄影师在场五部分校正 、 2026-05-12-摄影师位置D4D7候选本地复核 补准确踩床窗口、截图、脚/机身/床面位置。","textSha256":"142b2b20da103fc8ee3b7dfc8e34d678abb9885032aac60b9ef15ac81448f12a","links":["https://a.p4theater.top/research/hs-29d5c820f96906a9","https://a.p4theater.top/research/hs-3d819487004913f2"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-a1b2ca33c725acdd-1","anchor":"p-a1b2ca33c725acdd-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-a1b2ca33c725acdd-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D8 00:34:30-00:36:00 俯拍/抬升 床面、身体、手部和光线被从上方组织。 亲密被推上 取证桌 ，面对面关系变成可检查界面。 T1/T3 94-第一批证据账本（馆内参考，未随本文公开） 与 D7 区分：D7 是摄影师身体踩床，D8 是机位俯拍/ 取证桌 。","textSha256":"c525a5658fbc9bda3f4d3312dbfbddf2f14ea80c1d40c707742f73ccaad0d311","links":["https://a.p4theater.top/research/hs-9a8c484bab1944ba"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-6a25f46888c75182-1","anchor":"p-6a25f46888c75182-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-6a25f46888c75182-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D9 01:56:18.733-01:56:19.566 被点名 第四部分公开游戏段字幕确认“谢谢 恽剑辉 / Thank you, Yun Jianhui”；说话人为甲瑞来自 T0 Owner 校正。 摄影师被角色语言直接拉入现场关系，从画外劳动变成片内被称呼对象。 T0/T1/T3 2026-05-12-恽剑辉摄影师在场五部分校正 、 2026-05-12-第四部分谢谢恽剑辉字幕与画面复核 继续复核说话人画面位置；不要把颜料击中自动并入此时间码。","textSha256":"f77ac3fc5259cd9c5c79755fc365d9fa5209739a30107e9e1eba2c02b2c03ba4","links":["https://a.p4theater.top/research/hs-3d819487004913f2","https://a.p4theater.top/research/hs-d5c1d8eb95c2a264"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-2b816fcfb3f753de-1","anchor":"p-2b816fcfb3f753de-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-2b816fcfb3f753de-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D10 第四部分， 01:51:00-02:00:00 候选窗口， 01:56:00-01:58:30 为更窄搜索窗 公开游戏/低位材料界面 第四部分公开游戏段先把观众、台阶/斜面、白色塑料/布料空间和移动视角摆好；颜料击中与左臂入画仍待定位。 摄影师被 公开观察机器 处理，但被击中的具体时刻尚未闭合。 T0/T1候选/T3 2026-05-12-恽剑辉摄影师在场五部分校正 、 2026-05-12-摄影师位置D10D13候选本地复核 继续定位颜料甩到恽剑辉身上、左臂入画抓取后的精确帧位。","textSha256":"e44281b5152daf2ee1b95efafb18384efb37af45bc2bf20b42fe512ed63dd832","links":["https://a.p4theater.top/research/hs-0f6eea833c078b9b","https://a.p4theater.top/research/hs-3d819487004913f2","https://a.p4theater.top/research/hs-c8bf508be7798abe"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-9fc9d703af18e0ce-1","anchor":"p-9fc9d703af18e0ce-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-9fc9d703af18e0ce-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D11 01:21:26-01:32:00 低放/贴地 低机位、反光地面、脚步、塑料和观众进入同一界面。 摄影师位置 把机器交给地面，形成 地面摄影机 。 T1/T2/T3 94-第一批证据账本（馆内参考，未随本文公开） 补第四部分低机位接触表。","textSha256":"3b4825dedc18b8732cac298227432f631346c696bd3bb9fc334bf8c8bd5ad274","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e","https://a.p4theater.top/research/hs-880ad64141635db1"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-829f74c41aee7516-1","anchor":"p-829f74c41aee7516-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-829f74c41aee7516-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D12 seg130_02h10m / 02:10:10 仰视跟拍/低位观看 子丑黑裙跨越道路，镜头从低处仰视；用户确认由恽剑辉拍摄。 子丑从开场审判/纠错位置变成被低位观看、被门槛化身体；恽剑辉 摄影师位置 在后段继续显影。 T1/T3 2026-05-05-全域截图与人工校验 补连续段落、前后运动和剪辑点。","textSha256":"a5ef90880a82713f307b713401868e9adfd00f903f83c1ba13b3377697925fcc","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e","https://a.p4theater.top/research/hs-e638d329622aee30"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-d123d801aaab725c-1","anchor":"p-d123d801aaab725c-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-d123d801aaab725c-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D13 第五部分， 02:31:30-02:36:22 候选窗口， 02:33:00-02:34:00 为更窄搜索窗 固定机位/归档层二阶观察 片尾/归档层已可见数字 5 、名单、角色、logo 与 摄影 恽剑辉 视觉文字，但固定倒放共场仍待定位。 摄影师被纳入片尾可见性分配，归档层开始接管摄影。 T0/T1候选/T3 2026-05-12-恽剑辉摄影师在场五部分校正 、 2026-05-12-摄影师位置D10D13候选本地复核 补固定倒放范围、恽剑辉与三位演员同场的精确时间码。","textSha256":"bab2c00332a42513decb42f2a59bdd981acff950fc85e331d8397200c493eaf8","links":["https://a.p4theater.top/research/hs-0f6eea833c078b9b","https://a.p4theater.top/research/hs-3d819487004913f2"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-24fddda800e6bbd9-1","anchor":"p-24fddda800e6bbd9-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-24fddda800e6bbd9-1","kind":"tr","headingPath":["A. 摄影师位置账本"],"text":"D14 02:31:30-02:36:22 光学摄影交给字幕摄影 散场影像、名单、角色、logo 和文字归档叠加； 摄影 恽剑辉 在归档层显影。 真实摄影劳动交出现场， 字幕摄影机 接管可见性。 T1/T3 2026-05-11-片尾Casting角色O与阿蒙切换本地复核 、 2026-05-12-摄影师位置D10D13候选本地复核 补三层叠加时间表。","textSha256":"99295cd3ea06cfc036786770471d76b55ff4f27c4370c8075cf53015874d4b48","links":["https://a.p4theater.top/research/hs-0c4668f80814ee2d","https://a.p4theater.top/research/hs-0f6eea833c078b9b","https://a.p4theater.top/research/hs-21066b61da531521"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-233bc3c8a2e0efa5-1","anchor":"p-233bc3c8a2e0efa5-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-233bc3c8a2e0efa5-1","kind":"h2","headingPath":["B. 拍摄姿态分类"],"text":"B. 拍摄姿态分类","textSha256":"b7eeaf50ff19cece076c2c731db745c367c257a7e3ed58b7f7e01261b05a8cfc","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-dc7d3fd37a0f5590-1","anchor":"p-dc7d3fd37a0f5590-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-dc7d3fd37a0f5590-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"姿态 不是 是 本片入口","textSha256":"eca7846931b04927de991b5b0a8b4cbc8ba8116919358473e0b00aa0e907581e","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-3126355d27c4da68-1","anchor":"p-3126355d27c4da68-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-3126355d27c4da68-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"拿起 技术准备 进入关系的责任动作 片头持机者显影","textSha256":"92bd0cd012c6a0bb6956717fa2874387cc0b9186946a814e8ea0e0a8cc46f447","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-53749ebcdbe97190-1","anchor":"p-53749ebcdbe97190-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-53749ebcdbe97190-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"旋转 炫技运动 切开已有关系结构 片头二人近景到子丑/摄影者显影","textSha256":"6dc01c36f33992499868d69eab45a254849723675aeb5bf362346abd5a7f949b","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-2d9830a241ad89ca-1","anchor":"p-2d9830a241ad89ca-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-2d9830a241ad89ca-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"靠近 温柔亲密 对身体、沉默、迟疑的加压 开场近景、第三部分亲密段","textSha256":"7d9c971b0ec45b7ea463cbc5282daa231544eed874e4632da38fc89482f13a1c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-7fb2d5401242398e-1","anchor":"p-7fb2d5401242398e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-7fb2d5401242398e-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"后退 退出现场 现场反噬或关系留白 幽灵摄影师/后撤线索，待复核","textSha256":"1c6a99c85f5d29f1bdbcf9bf37e0b6ca68dbd5707aa65cb7e70ee671d2baa1fb","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-752b221351aaa6f5-1","anchor":"p-752b221351aaa6f5-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-752b221351aaa6f5-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"不切 粗糙或失控 把失败保存为证据 20:00-30:00 长镜头事故与排练状态","textSha256":"af53e09528de78d8b26be16de00eb87d994bd0cf57d3d94ea27da6ba9362ab46","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-d0add360ab2c33d2-1","anchor":"p-d0add360ab2c33d2-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-d0add360ab2c33d2-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"踩入 越界花絮 摄影师身体直接进入亲密空间 恽剑辉在阿蒙床上拍摄拥抱，脚踩床","textSha256":"e7189b117fbcbc205551958a982ca25f463ac1bce02fb988fa478f52dfa290f7","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-c8fcfbbb86d1d48d-1","anchor":"p-c8fcfbbb86d1d48d-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-c8fcfbbb86d1d48d-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"被点名 偶然呼唤 摄影师被角色语言纳入现场 甲瑞说“谢谢你恽剑辉”","textSha256":"8b5751f8036575fd815d9be59179cd53eb5e48aa2f733835cf9a659545e185a2","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-d321a1c30bb1228d-1","anchor":"p-d321a1c30bb1228d-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-d321a1c30bb1228d-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"被击中 拍摄事故 摄影师身体被公演材料影响 颜料甩到恽剑辉身上、左臂入画","textSha256":"99d098e097509e47c99672b0ac16750c51c173642e2557fc697a7204a149ab2f","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-65f93b49bafdac46-1","anchor":"p-65f93b49bafdac46-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-65f93b49bafdac46-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"被再拍 幕后记录 摄影现场成为另一个机位的对象 第五部分固定机位倒放","textSha256":"7b91e6e7d5504152a8d4109ca19e637e6c563fdedb2f28a634b2018de98250ae","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-34b8f83a62207d3b-1","anchor":"p-34b8f83a62207d3b-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-34b8f83a62207d3b-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"俯拍 统治视角 把亲密抬到可检查位置 第三部分 取证桌","textSha256":"e3926653c8a63529123ba1c927b2af6c667bae28e326fe6a418e37caf4d61c60","links":["https://a.p4theater.top/research/hs-9a8c484bab1944ba"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-2a4daddd8a03f31e-1","anchor":"p-2a4daddd8a03f31e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-2a4daddd8a03f31e-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"低放 奇观角度 把身体拖入地面、塑料和反光材料 第四部分 地面摄影机 、 seg130_02h10m","textSha256":"103be1d0534fb6d8bf49a6fd4283e6933511e8ec76dd21527080bdf99c840479","links":["https://a.p4theater.top/research/hs-880ad64141635db1"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-bb6cb422f6134bcf-1","anchor":"p-bb6cb422f6134bcf-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-bb6cb422f6134bcf-1","kind":"tr","headingPath":["B. 拍摄姿态分类"],"text":"显影 花絮 摄影师劳动被电影纳入事件 恽剑辉片头显影","textSha256":"8c5d552fd71be9536d5bb27061b8f6497e316ca78afd118f9c1311ccbfa70f7a","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-eb5745635f68ad6e-1","anchor":"p-eb5745635f68ad6e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-eb5745635f68ad6e-1","kind":"h2","headingPath":["C. 恽剑辉写作边界"],"text":"C. 恽剑辉写作边界","textSha256":"38e46cb9b11c3c05d4e607cc96d9fd489a1f43a9fe34e3cb8d8acaa229492d8c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-c24b3647c2acd1f1-1","anchor":"p-c24b3647c2acd1f1-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-c24b3647c2acd1f1-1","kind":"p","headingPath":["C. 恽剑辉写作边界"],"text":"恽剑辉应作为 摄影师位置 案例，而不是全片作者中心。","textSha256":"f00b702d684b2e107f2a73d7f56b1d645f58ba49ee6a296381caf69a930dab34","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-0bb4b3c90d5da31a-1","anchor":"p-0bb4b3c90d5da31a-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-0bb4b3c90d5da31a-1","kind":"p","headingPath":["C. 恽剑辉写作边界"],"text":"可写：","textSha256":"b3c42862e6fd8cef425b2cb8cb28772624841e9749553b54f38e690d71351160","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-f3eee7648ea77776-1","anchor":"p-f3eee7648ea77776-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-f3eee7648ea77776-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"片头摄影者身份已由 T0 校正为恽剑辉。","textSha256":"413e7881000d6347a215b5510b3b01273e0089e3a0f31a7bb94e5a5307979664","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-10dc77aec46fdcd7-1","anchor":"p-10dc77aec46fdcd7-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-10dc77aec46fdcd7-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"恽剑辉不是外部旁观工具人，而是电影内部 摄影机持有者 角色。","textSha256":"59853a71f092f5d940b04775976e981665af1369387c73e209c9e7b68a24f832","links":["https://a.p4theater.top/research/hs-9c1a2cec26afb149"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-8cddfe78305714ad-1","anchor":"p-8cddfe78305714ad-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-8cddfe78305714ad-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"恽剑辉在五个部分中以不同方式作为战场内摄影师在场。","textSha256":"dcd575efc0480687e2fe157162646c890a7943df88a01c77e586666d748f4dde","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-aa909e997b1b120e-1","anchor":"p-aa909e997b1b120e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-aa909e997b1b120e-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"第三部分可写“恽剑辉脚踩在阿蒙床上拍摄阿蒙和子丑拥抱”，但需标注为 T0 Owner，待 T1 截图。","textSha256":"36f325f98fb0b6734502f4bcfc361e3d47edb011a6321e2ce09763757a56329c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-278a9ae1ef8326a7-1","anchor":"p-278a9ae1ef8326a7-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-278a9ae1ef8326a7-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"第四部分可写 01:56:18.733-01:56:19.566 字幕/画面出现“谢谢 恽剑辉 / Thank you, Yun Jianhui”；说话人甲瑞来自 T0 Owner 校正。D10 的公开游戏窗口现已推进到 01:51:00-02:00:00 候选层，但颜料甩到恽剑辉身上、左臂入画抓取仍需标注待定位时间码。","textSha256":"6b6d0d098a1adbf705ba9c921482f9eabb837dd4c4567dd49640efbabe90c337","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-885097126e161947-1","anchor":"p-885097126e161947-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-885097126e161947-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"第五部分可写固定倒放机位中可见恽剑辉和三位演员共同在拍摄现场，待定位时间码。D13 的 02:31:30-02:36:22 候选层现已能看到 摄影 恽剑辉 进入归档界面，但固定倒放共场仍待定位。","textSha256":"081a60ed36bcd3390c4bd998ac67f0f23397ac8eb4aadf6e540dd09f1093ea1c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-19043f168614ce3e-1","anchor":"p-19043f168614ce3e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-19043f168614ce3e-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"用户/截图确认 seg130_02h10m 中子丑黑裙跨越道路的仰视镜头由恽剑辉拍摄。","textSha256":"b67afa6a9c3cf0aa554884af0371abf9e67ffb75e95a58ba452d27f8cb87e0c5","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-a61e8d97b4eae2b2-1","anchor":"p-a61e8d97b4eae2b2-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-a61e8d97b4eae2b2-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"这些锚点使“摄影师”成为《人类投降派》内部方法的一部分。","textSha256":"19eab80e895b96ac034b9f38237cca9933217410581e3460122e2b7d6bff1d33","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-81de9427d1e587e1-1","anchor":"p-81de9427d1e587e1-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-81de9427d1e587e1-1","kind":"p","headingPath":["C. 恽剑辉写作边界"],"text":"不可写：","textSha256":"a07937f7e34c9e780b92683f641cc9643ac627ce06b8a1fe7ab8c0cb8000d5e6","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-881e817d0d33ef60-1","anchor":"p-881e817d0d33ef60-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-881e817d0d33ef60-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"“整部片由恽剑辉一人拍完。”","textSha256":"950dc2f5bfc778376695c706487ab7bf2456d5e0a4cfec0c18ec3525d8e0d1b5","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-e9e673aade7c19f5-1","anchor":"p-e9e673aade7c19f5-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-e9e673aade7c19f5-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"“恽剑辉就是子丑。”","textSha256":"8a55089c89c72374a04927c903edef9f7025baa44ca637f5b5d4acbad33daf31","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-462425403cdfd15e-1","anchor":"p-462425403cdfd15e-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-462425403cdfd15e-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"“所有幽灵摄影机段落都由恽剑辉拍摄。”","textSha256":"557e27f6523d21acc81389424b87204e991c47a0c41d10ead1417664db364272","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-7f1fca18729743d7-1","anchor":"p-7f1fca18729743d7-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-7f1fca18729743d7-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"“持机者可转移，所以实际摄影师是谁不重要。”","textSha256":"5fa9c8e6ee7c19dab9d173e42980fe1a66bba3387097ec6c137b989cae65d299","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-bb4a9826159ddafa-1","anchor":"p-bb4a9826159ddafa-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-bb4a9826159ddafa-1","kind":"li","headingPath":["C. 恽剑辉写作边界"],"text":"把“具体在哪忘了”的颜料场景补造成已锁定时间码。","textSha256":"1aa9b6bcf90c7353aa029766708d194f9f2bd5cca1baac1ad71d29b7957d2ce4","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-551b9aaf80e0aeb9-1","anchor":"p-551b9aaf80e0aeb9-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-551b9aaf80e0aeb9-1","kind":"h2","headingPath":["D. 多持机者账本"],"text":"D. 多持机者账本","textSha256":"089fe5a50f07a93c4c8fe932166c6a193ba005a221faa731c3653696a7f7f5b9","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-4fe93d2c90d26bef-1","anchor":"p-4fe93d2c90d26bef-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-4fe93d2c90d26bef-1","kind":"p","headingPath":["D. 多持机者账本"],"text":"用户确认，全片摄影不是恽剑辉一人完成，还包括何发、子丑、甲瑞等人拿相机拍摄。","textSha256":"b1070f533d604cee7eb4476f93a315be9d206c62028eda7a9167d5c161e43a1e","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-21932b3cd86841ef-1","anchor":"p-21932b3cd86841ef-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-21932b3cd86841ef-1","kind":"p","headingPath":["D. 多持机者账本"],"text":"多持机者的详细镜头清单已独立转入 98E-附录E-分布式多持机者镜头清单（馆内参考，未随本文公开）。本节仅保留写作边界：本附录负责摄影师身体姿态，附录E负责持机权归属与转移。","textSha256":"845e5c96ad4c9354257e5bc5617ad333db40c0aa2a2faaef8a82f580d010d666","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-8aeae1fff1462001-1","anchor":"p-8aeae1fff1462001-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-8aeae1fff1462001-1","kind":"tr","headingPath":["D. 多持机者账本"],"text":"持机者/拍摄者 状态 写作方式 待复核","textSha256":"075b3472d42246875c859a25958573c635ab564b4858965592240f03f5b87c25","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-f99fad061543b1a5-1","anchor":"p-f99fad061543b1a5-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-f99fad061543b1a5-1","kind":"tr","headingPath":["D. 多持机者账本"],"text":"恽剑辉 T0 多部分在场；部分 T1 锚点已有。 战场内摄影师贯穿锚点。 五部分细帧位。","textSha256":"1e44f45ad644e4161d0ff7d8e07441c4869256da36076aaac5a7c80089ca2265","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-b46ba0f05942370b-1","anchor":"p-b46ba0f05942370b-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-b46ba0f05942370b-1","kind":"tr","headingPath":["D. 多持机者账本"],"text":"何发 用户确认有部分镜头由何发拍摄。 导演/拍摄者/二阶证据制度节点，不能自动归给所有画外控制。 建立何发拍摄镜头清单。","textSha256":"2632bd7bf7d99d953cac6553d16c33c77667c492dd509379e87fe2e66dbeeda6","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-6ac7cc2674b8f235-1","anchor":"p-6ac7cc2674b8f235-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-6ac7cc2674b8f235-1","kind":"tr","headingPath":["D. 多持机者账本"],"text":"子丑 用户确认有拿相机拍摄的镜头。 角色/持机者切换案例。 建立子丑持机镜头清单。","textSha256":"ad475c13eee24f36b760372161d01cb15a4a1ecc7eb776eb265abed55ddecf78","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-e5f472dfaddcc7ad-1","anchor":"p-e5f472dfaddcc7ad-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-e5f472dfaddcc7ad-1","kind":"tr","headingPath":["D. 多持机者账本"],"text":"甲瑞 用户确认有拿相机拍摄的镜头。 被拍者/持机者互换案例。 建立甲瑞持机镜头清单。","textSha256":"0917d626422d4d8bce0946b3245dffa0113531d522c0fca75c40d030ab39ba09","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-8ff6c07c18ddd4ed-1","anchor":"p-8ff6c07c18ddd4ed-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-8ff6c07c18ddd4ed-1","kind":"h2","headingPath":["E. 与论文正文的接口"],"text":"E. 与论文正文的接口","textSha256":"c43a21d9e015a1b95a15af69c71a98ede17bb24a0c51257c2cbf3368d8972090","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-b26ca634c95384ad-1","anchor":"p-b26ca634c95384ad-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-b26ca634c95384ad-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"正文位置 调用方式","textSha256":"17a4526d9e956ceeaaac96154b0243d7a5bcd8206767be49dbe04ed3b261fffc","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-f60ba1bed3227b47-1","anchor":"p-f60ba1bed3227b47-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-f60ba1bed3227b47-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"第一章 用本附录说明 位置摄影 包含摄影师劳动层，不只是机位/装置层。","textSha256":"4c7da4f2eded670253f036534a7a98bf72db77e03da57630b764c90f654930d4","links":["https://a.p4theater.top/research/hs-d919b577f0cd2ba9"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-4de768c3654f2299-1","anchor":"p-4de768c3654f2299-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-4de768c3654f2299-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"第四章 用 D1-D5 说明片名方法、旋转显影、第一人称漂移和摄影机幽灵如何把恽剑辉推为战场内摄影师。","textSha256":"3758af192f629ea1c1887685d2b5f729dabde78b6e637a7f06c7bb106ff5bc66","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-aece1c28859c0987-1","anchor":"p-aece1c28859c0987-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-aece1c28859c0987-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"第五章 用 D6 说明不切是 摄影师位置 的伦理劳动。","textSha256":"2a49091a019b9caa14e6b18511933e558708c70dd95d4c65c358ded608e034d1","links":["https://a.p4theater.top/research/hs-79b467388e7dd22e"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-3373402d337ec97b-1","anchor":"p-3373402d337ec97b-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-3373402d337ec97b-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"第六章 用 D7-D8 说明踩床拍摄与俯拍 取证桌 之间的差异：一个是摄影师身体进入亲密现场，一个是机位抬升亲密现场。","textSha256":"609c3f63bdf410488b3a490735eadc2343bf7999a13d343594eab996d81a9bc4","links":["https://a.p4theater.top/research/hs-9a8c484bab1944ba"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-28607243e511b7a1-1","anchor":"p-28607243e511b7a1-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-28607243e511b7a1-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"第八章 用 D9-D13 说明 公开观察机器 不只处理演员，也会点名、打中、再拍摄影师。","textSha256":"7ed326aa6e3a1aa6b69ca359d7fe1ffd79240820480709917d6e68c23bf3a977","links":["https://a.p4theater.top/research/hs-c8bf508be7798abe"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-e543ccaa7e462a67-1","anchor":"p-e543ccaa7e462a67-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-e543ccaa7e462a67-1","kind":"tr","headingPath":["E. 与论文正文的接口"],"text":"第九章 用 D14 说明 字幕摄影机 不是取代摄影劳动，而是接过摄影劳动留下的现场。","textSha256":"613506611169b702aa731866eea89fd7188503f25bfb558abe11606c4bc8a51f","links":["https://a.p4theater.top/research/hs-0c4668f80814ee2d"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-dd507d2d14958c2a-1","anchor":"p-dd507d2d14958c2a-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-dd507d2d14958c2a-1","kind":"h2","headingPath":["F. 下一轮复核任务"],"text":"F. 下一轮复核任务","textSha256":"5962a2b06e9db1e4d835dedfcfffd5344659d5ca1837c5639ed439aee6659a83","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-8df1e85abf9672de-1","anchor":"p-8df1e85abf9672de-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-8df1e85abf9672de-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"为 D1-D3 建立片头局部帧表：摄影者首次显影、旋转、片名覆盖。","textSha256":"79400b1ae9ed8d0439c340bc8e898fa00f4a551c43819a1085921f73f99b0f04","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-0be4e1e7ce8526cd-1","anchor":"p-0be4e1e7ce8526cd-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-0be4e1e7ce8526cd-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"为 D4-D5 继续扩展第二部分第一人称漂移微切片账本；本轮已建 00:20:00-00:30:00 局部接触表，并新增 00:22:20-00:23:10 密集表确认 Unlocked/第三人返回/第四幕回收 ，但恽剑辉抽烟、窗户、恽剑辉慌忙拿相机和子丑再入画仍未闭合。","textSha256":"73499da88cba0c27e5b8093999f4e835fea97d72c0d7d9139c5ddd121162957c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-31add426f2fab9cc-1","anchor":"p-31add426f2fab9cc-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-31add426f2fab9cc-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"为 D7 继续搜索第三部分阿蒙床上踩床拍摄接触表；本轮 01:07:30-01:09:00 只作为床上亲密极近特写候选，不替代脚/床/机身证据。","textSha256":"b2b9243153495c99a79ffb3396194e9b8c2c72fb5d8df681f483a1afae4bf26f","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-f719a1e198c152a9-1","anchor":"p-f719a1e198c152a9-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-f719a1e198c152a9-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"为 D9 继续补说话人画面位置；为 D10 定位颜料甩到恽剑辉身上的准确时间码。","textSha256":"0dcf144c28523513efae54357999c6cfe603fc5e6726436ad01e8778280644f5","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-beff5ada21cff4aa-1","anchor":"p-beff5ada21cff4aa-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-beff5ada21cff4aa-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"为 D12 建立 seg130_02h10m 连续段落接触表，确认恽剑辉拍摄前后镜头运动、道路位置和子丑身体姿态。","textSha256":"a74d66d489ca247d5aec62ceea5d674cffb34e2c5a36eed44c30996c41cb493a","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-c5cc3706cde32ba9-1","anchor":"p-c5cc3706cde32ba9-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-c5cc3706cde32ba9-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"为 D13 定位第五部分固定倒放机位中恽剑辉与三位演员共同在场拍摄的时间码。","textSha256":"05d589398b5acd68bcb3f98f405d55ad6c01dfd7e1c96558f579a99d886d655c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-5cb7d2ed02314c7c-1","anchor":"p-5cb7d2ed02314c7c-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-5cb7d2ed02314c7c-1","kind":"li","headingPath":["F. 下一轮复核任务"],"text":"将本附录的 D1-D14 接入 97-附录A-理论时间码矩阵 ，作为摄影方法维度。","textSha256":"fa29493019a398cabf87385ea91973a4d45ae08079df1d729ce702e566e89c9b","links":["https://a.p4theater.top/research/hs-5982210a15c0fd56"],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-38cc8282472e4c98-1","anchor":"p-38cc8282472e4c98-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-38cc8282472e4c98-1","kind":"h2","headingPath":["相关页面"],"text":"相关页面","textSha256":"81410268052e179aa1a59f2b64b2f153dc5fe3b28c87c74272db08f41036ec4c","links":[],"images":[]},{"id":"hs-4a9253bb19bcfba5#p-ed4ce22f23483d54-1","anchor":"p-ed4ce22f23483d54-1","url":"https://a.p4theater.top/research/hs-4a9253bb19bcfba5#p-ed4ce22f23483d54-1","kind":"li","headingPath":["相关页面"],"text":"98F-附录F-位置摄影六操作镜头方法表","textSha256":"fad54b79a0cbb9565917760a6a1b33eb19e97a9b7e9739c0d76ba3bf6062ab67","links":["https://a.p4theater.top/research/hs-d91287aaea78fa66"],"images":[]}]}