{"id":"hs-46bd66dfc6555b38","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38","title":"招募式绝境-时间影像","kind":"concept_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"概念研究笔记","series":"概念研究笔记","sourceVersionDate":"2026-08-09","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-46bd66dfc6555b38.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-46bd66dfc6555b38-b9bdbec1290143320d40.md","markdownSha256":"b9bdbec1290143320d403f0e2ebf275be361804f889fa12061410932302d9e52","markdownBytes":5434,"characters":1563,"sourceEvidenceTier":"T2_CANDIDATE","sourceStatus":"active","evidenceBoundary":"本页记录本库针对《人类投降派》提出的派生工作假说，不是德勒兹原词，也不是已完成的电影史或类型裁决。概念仍为 T2_CANDIDATE；具体声画只回 T0/T1 来源，时间-影像分类保持 T3。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-2403a84e4071fd38","https://a.p4theater.top/research/hs-2615a8a19d3122e3","https://a.p4theater.top/research/hs-26183c1d66da96d2","https://a.p4theater.top/research/hs-a7280386b28a9aec","https://a.p4theater.top/research/hs-aa7d6607a5eaeae8","https://a.p4theater.top/research/hs-aa87fcc5153f335b","https://a.p4theater.top/research/hs-baab64954ed9a74b","https://a.p4theater.top/research/hs-d78da350719fe1d5","https://a.p4theater.top/research/hs-ef0aca126855d760"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":43,"markdown":"# 招募式绝境-时间影像\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-08-09\n\n证据边界：本页记录本库针对《人类投降派》提出的派生工作假说，不是德勒兹原词，也不是已完成的电影史或类型裁决。概念仍为 T2_CANDIDATE；具体声画只回 T0/T1 来源，时间-影像分类保持 T3。\n\n# 招募式绝境-时间影像\n\n## 定义\n\n`招募式绝境-时间影像` 是本库为《人类投降派》提出的派生工作假说，不是德勒兹已有概念。它试图命名一种项目性时间制度：招募、共处、排练、公演、观众介入、后台声场、字幕与档案不断把人重新叫入现场；行动能够让流程继续，却越来越不能让关系完成结清，未解决物因此以等待、重复、声画异质、身体残余和归档后生命继续存在。\n\n最短公式：\n\n```text\n招募人进入行动\n-> 行动产生局部流程效果\n-> 行动不能完成整体结清\n-> 未解决物转交给画面、声音、材料与档案\n-> 事件在下一层继续招募观看和解释\n```\n\n这里的“绝境”不是人物完全不能行动，而是 [感知行动图式危机](/research/hs-ef0aca126855d760) 所说的“局部有效、总体失效”；“时间-影像”也不能由这种失败自动推出，仍须逐段满足 [时间-影像](/research/hs-26183c1d66da96d2) 的形式判准。\n\n## 与德勒兹时间-影像的关系\n\n这个派生词包含两个不同层面，不能混写：\n\n1. **影像层**：某些段落的实际影像是否被切断运动延伸，并进一步由过去层、现在尖点、时间系列、声画时间差或实际—虚拟交换等时间关系直接组织。这是德勒兹意义上的时间-影像问题；其中实际—虚拟互逆专属于更窄的水晶判定。\n2. **项目层**：招募、排练、公演、观众、后台和归档怎样让未解决事件继续发生。这是《人类投降派》自身的生产机制问题。\n\n只有第一层获得具体声画证明，第二层才可以为它补充“为什么这部电影的时间是公开的、程序化的、可归档的”。不能反过来因为项目生命周期很长、参与者很多或 Wiki 持续研究，就宣布片内影像已经是时间-影像。\n\n## 当前最稳的影片关系\n\n- 第一、二部分仍以运动 / 行动影像为底。到场、说话、排练和重来都是真实动作；它们的危机只是后续时间阈值的条件。\n- 第三部分是 [纯视听情境](/research/hs-2615a8a19d3122e3) 的强区：感知介质增殖，实际行动越来越难重新统一声画。\n- 第四部分开场约 `01:21:18.233-01:23:34.666` 的公开等待，是当前最硬的局部候选；136.433 秒没有新清晰 T0 台词，但低频声床持续，画面没有被明确动作接走。\n- `skip / 不在这演 / 演过了` 首先是有效的流程言语行为：它注销继续演偶剧的必要，又把未在画面中发生的段落制造为“已经发生”的伪过去。它不是物理剪辑断口，也不能单凭一句 `skip` 升格为时间-影像。\n- 第五—第六部分把台前、后台和归档层压在一起；归档泄漏较稳，水晶影像仍是强候选而非已完成裁决。\n\n## 当前证据状态\n\n本概念仍保持 `T2_CANDIDATE`，原因有三：\n\n1. 名称来自本库/OpenClaw 的理论生成，不是德勒兹文本中的术语。\n2. 部分影像节点已有 T0/T1，但“招募—绝境—时间影像”这一整条因果链仍是 T3 综合。\n3. 项目史、参与者经验和招募机制不能仅从成片声画反推出，需要独立的 T0/T1 历史材料。\n\n因此本词目前适合做研究问题，不适合做宣传性定论或电影史分类。\n\n## 关联概念\n\n- [绝境电影](/research/hs-a7280386b28a9aec)\n- [项目性生成结构](/research/hs-d78da350719fe1d5)\n- [关系性真实生产制度](/research/hs-2403a84e4071fd38)\n- [感知行动图式危机](/research/hs-ef0aca126855d760)\n- [纯视听情境](/research/hs-2615a8a19d3122e3)\n- [时间-影像](/research/hs-26183c1d66da96d2)\n\n## 证据层级\n\n本概念当前证据层级为 T2_CANDIDATE。\n\n## 使用边界\n\n- 不把本词说成德勒兹本人的分类。\n- 不把整部电影粗暴归为纯时间-影像。\n- 不把招募、排练、长时项目或非线性结构本身当作时间-影像证据。\n- 不用“行动失败”跳过纯视听情境和实际—虚拟回路两个形式门槛。\n- 不把参与者、导演或观众的真实经验从 T3 影像分析中反推出来。\n\n## 证据来源\n\n- [2026-03-26-历史位置论文草稿与术语总校准](/research/hs-aa87fcc5153f335b)：命名来源与历史位置候选。\n- [德勒兹电影理论视角下的人类投降派-2026-05-09](/research/hs-aa7d6607a5eaeae8)：行动残余到时间阈值的全片综合。\n- [时间-影像](/research/hs-26183c1d66da96d2)：严格形式判准与当前六部分映射。\n- [2026-06-21-4K无字幕母文件开场81分18秒到83分40秒第924后长等待与第925装置声返回复核](/research/hs-baab64954ed9a74b)：第四部分公开等待的 T1 声画事实。","paragraphs":[{"id":"hs-46bd66dfc6555b38#p-cdb42a7aa6fd6b6c-1","anchor":"p-cdb42a7aa6fd6b6c-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-cdb42a7aa6fd6b6c-1","kind":"h2","headingPath":["招募式绝境-时间影像"],"text":"招募式绝境-时间影像","textSha256":"73332bfa14f5b62596e28b04e1d5055be36cb0b92e214688f2090f48d1d49212","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-4f7a45237d089b2f-1","anchor":"p-4f7a45237d089b2f-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-4f7a45237d089b2f-1","kind":"h2","headingPath":["定义"],"text":"定义","textSha256":"b4d7d450f617bcaec4e5dc0d4dd308357ae13a6599e2f3851d45e265a092a4bb","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-4a10690e68dbfd43-1","anchor":"p-4a10690e68dbfd43-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-4a10690e68dbfd43-1","kind":"p","headingPath":["定义"],"text":"招募式绝境-时间影像 是本库为《人类投降派》提出的派生工作假说，不是德勒兹已有概念。它试图命名一种项目性时间制度：招募、共处、排练、公演、观众介入、后台声场、字幕与档案不断把人重新叫入现场；行动能够让流程继续，却越来越不能让关系完成结清，未解决物因此以等待、重复、声画异质、身体残余和归档后生命继续存在。","textSha256":"4a0a43dc1c2512e7cd88ba7018efb1894ab3416117817d0013296ee61c2d3451","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-483a4202cd9d7311-1","anchor":"p-483a4202cd9d7311-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-483a4202cd9d7311-1","kind":"p","headingPath":["定义"],"text":"最短公式：","textSha256":"2a87fbf9229fec93a2bc116b8836c8dea4a7e55f91db7119da3011c0d89052e1","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-b015ec59b81f3f2e-1","anchor":"p-b015ec59b81f3f2e-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-b015ec59b81f3f2e-1","kind":"pre","headingPath":["定义"],"text":"招募人进入行动\n-> 行动产生局部流程效果\n-> 行动不能完成整体结清\n-> 未解决物转交给画面、声音、材料与档案\n-> 事件在下一层继续招募观看和解释","textSha256":"65791f5da8b9aba53beeeac241f0d2672c4c34a64cd566891908c13d603a7f8c","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-0b8fe1b3b4bf2fa2-1","anchor":"p-0b8fe1b3b4bf2fa2-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-0b8fe1b3b4bf2fa2-1","kind":"p","headingPath":["定义"],"text":"这里的“绝境”不是人物完全不能行动，而是 感知行动图式危机 所说的“局部有效、总体失效”；“时间-影像”也不能由这种失败自动推出，仍须逐段满足 时间-影像 的形式判准。","textSha256":"c83480f622ef7709a9242b4f56539e4cb8a0a813b1a76bbc59a1912ee76c3327","links":["https://a.p4theater.top/research/hs-26183c1d66da96d2","https://a.p4theater.top/research/hs-ef0aca126855d760"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-4442db8d3cdd97a5-1","anchor":"p-4442db8d3cdd97a5-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-4442db8d3cdd97a5-1","kind":"h2","headingPath":["与德勒兹时间-影像的关系"],"text":"与德勒兹时间-影像的关系","textSha256":"8e19bdebfc35a9488d5ccb60e2ce36ad711081b8d6abfaad93dd307248e53c9e","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-8c957471adfd54b4-1","anchor":"p-8c957471adfd54b4-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-8c957471adfd54b4-1","kind":"p","headingPath":["与德勒兹时间-影像的关系"],"text":"这个派生词包含两个不同层面，不能混写：","textSha256":"495126e22a2756a669e18f473af09fc6d302b0b270581a1a3abc7e5ea1a751b9","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-64f53ce1b750ba76-1","anchor":"p-64f53ce1b750ba76-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-64f53ce1b750ba76-1","kind":"li","headingPath":["与德勒兹时间-影像的关系"],"text":"影像层 ：某些段落的实际影像是否被切断运动延伸，并进一步由过去层、现在尖点、时间系列、声画时间差或实际—虚拟交换等时间关系直接组织。这是德勒兹意义上的时间-影像问题；其中实际—虚拟互逆专属于更窄的水晶判定。","textSha256":"1cbb2489e7d92400002ea2ae13ff1fd8bef6b7dde5d6a61baa8c44ba05dcd566","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-8ccbc9bed1b53b33-1","anchor":"p-8ccbc9bed1b53b33-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-8ccbc9bed1b53b33-1","kind":"li","headingPath":["与德勒兹时间-影像的关系"],"text":"项目层 ：招募、排练、公演、观众、后台和归档怎样让未解决事件继续发生。这是《人类投降派》自身的生产机制问题。","textSha256":"76bfb2b2e12a6cb71637d215d2cba65a5241cbc2f2018ccaa04ab0d76b04f6c1","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-838066e2cf338486-1","anchor":"p-838066e2cf338486-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-838066e2cf338486-1","kind":"p","headingPath":["与德勒兹时间-影像的关系"],"text":"只有第一层获得具体声画证明，第二层才可以为它补充“为什么这部电影的时间是公开的、程序化的、可归档的”。不能反过来因为项目生命周期很长、参与者很多或 Wiki 持续研究，就宣布片内影像已经是时间-影像。","textSha256":"137842824d82c931f7b1fd94f2a447562aae37270c5fcbd6e4bca9cf01b57d35","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-60738b7cac1c81c3-1","anchor":"p-60738b7cac1c81c3-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-60738b7cac1c81c3-1","kind":"h2","headingPath":["当前最稳的影片关系"],"text":"当前最稳的影片关系","textSha256":"1d0bb3246eafa7046ae400c5cc36fa6ceff78e38143082e7866a48efc60ea80c","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-908d4a2221874cab-1","anchor":"p-908d4a2221874cab-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-908d4a2221874cab-1","kind":"li","headingPath":["当前最稳的影片关系"],"text":"第一、二部分仍以运动 / 行动影像为底。到场、说话、排练和重来都是真实动作；它们的危机只是后续时间阈值的条件。","textSha256":"615cfb20f9349e15adc4d03b322d48f0ea92659fda85606fd0dd6f8d36cee64c","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-b0edbc99d3ef6ce9-1","anchor":"p-b0edbc99d3ef6ce9-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-b0edbc99d3ef6ce9-1","kind":"li","headingPath":["当前最稳的影片关系"],"text":"第三部分是 纯视听情境 的强区：感知介质增殖，实际行动越来越难重新统一声画。","textSha256":"76a9c8c721922275643ae3e14b92807a90d9db9bc901b1478b256c2b7f4b1708","links":["https://a.p4theater.top/research/hs-2615a8a19d3122e3"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-8e3988b004dbfa67-1","anchor":"p-8e3988b004dbfa67-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-8e3988b004dbfa67-1","kind":"li","headingPath":["当前最稳的影片关系"],"text":"第四部分开场约 01:21:18.233-01:23:34.666 的公开等待，是当前最硬的局部候选；136.433 秒没有新清晰 T0 台词，但低频声床持续，画面没有被明确动作接走。","textSha256":"bf33a27ced35619f094bf7e7a0a14b579d11681f22ecc60f426297690cbbd170","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-d11c4b023369d568-1","anchor":"p-d11c4b023369d568-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-d11c4b023369d568-1","kind":"li","headingPath":["当前最稳的影片关系"],"text":"skip / 不在这演 / 演过了 首先是有效的流程言语行为：它注销继续演偶剧的必要，又把未在画面中发生的段落制造为“已经发生”的伪过去。它不是物理剪辑断口，也不能单凭一句 skip 升格为时间-影像。","textSha256":"0917fdb18ccacb99342dddb78906d83453cf32ef85c38bfd3e58bed3191b369d","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-57f7cf943d8ddd70-1","anchor":"p-57f7cf943d8ddd70-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-57f7cf943d8ddd70-1","kind":"li","headingPath":["当前最稳的影片关系"],"text":"第五—第六部分把台前、后台和归档层压在一起；归档泄漏较稳，水晶影像仍是强候选而非已完成裁决。","textSha256":"ffd49cee97f40b5f2216e76a977e9374f5923f3e17250deaa4a2ae7b11308b83","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-3c84203f44ac530e-1","anchor":"p-3c84203f44ac530e-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-3c84203f44ac530e-1","kind":"h2","headingPath":["当前证据状态"],"text":"当前证据状态","textSha256":"3995d35cb57414a00318c9323fe8ff72ebfd65c696cd5007482c8fd05b950246","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-6650e78b24a7000c-1","anchor":"p-6650e78b24a7000c-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-6650e78b24a7000c-1","kind":"p","headingPath":["当前证据状态"],"text":"本概念仍保持 T2_CANDIDATE ，原因有三：","textSha256":"9fd2bf5246dcc6ff3af189188432f1c5e1c2776d63d17c3a1dba4a834314546f","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-5459db96a0232ae2-1","anchor":"p-5459db96a0232ae2-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-5459db96a0232ae2-1","kind":"li","headingPath":["当前证据状态"],"text":"名称来自本库/OpenClaw 的理论生成，不是德勒兹文本中的术语。","textSha256":"094963466be58c22347a43ec804a969774146398c7b0e1489ec5438ee897a85f","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-069f8cf65a42da6e-1","anchor":"p-069f8cf65a42da6e-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-069f8cf65a42da6e-1","kind":"li","headingPath":["当前证据状态"],"text":"部分影像节点已有 T0/T1，但“招募—绝境—时间影像”这一整条因果链仍是 T3 综合。","textSha256":"a2016264fcdb4829ee0447f3e15d66cabd7f4aac87e8ca587a5938edb280cf8e","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-44aadf83bab3deef-1","anchor":"p-44aadf83bab3deef-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-44aadf83bab3deef-1","kind":"li","headingPath":["当前证据状态"],"text":"项目史、参与者经验和招募机制不能仅从成片声画反推出，需要独立的 T0/T1 历史材料。","textSha256":"55668fcb92872d91ac2186cec10e976ec23a41b1c30db64e1b2df350aba00ca8","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-a72004bab962da11-1","anchor":"p-a72004bab962da11-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-a72004bab962da11-1","kind":"p","headingPath":["当前证据状态"],"text":"因此本词目前适合做研究问题，不适合做宣传性定论或电影史分类。","textSha256":"d8b2b0ef899c0d6ef33b279e53c33355b29b25bad01b245c00ef99db0c32add0","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-0a8eed9d94e66ff0-1","anchor":"p-0a8eed9d94e66ff0-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-0a8eed9d94e66ff0-1","kind":"h2","headingPath":["关联概念"],"text":"关联概念","textSha256":"ba85cd1510b2337a76d18a8778a7afe50d3c3dfcfbc719b1a80c6a5b54894037","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-ce1a3d6127f2023f-1","anchor":"p-ce1a3d6127f2023f-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-ce1a3d6127f2023f-1","kind":"li","headingPath":["关联概念"],"text":"绝境电影","textSha256":"8282fc2ba259a6b450fa8f9b86cb42e2387c99a941870ce884736a56fb16c949","links":["https://a.p4theater.top/research/hs-a7280386b28a9aec"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-3b11d5d61f2027a0-1","anchor":"p-3b11d5d61f2027a0-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-3b11d5d61f2027a0-1","kind":"li","headingPath":["关联概念"],"text":"项目性生成结构","textSha256":"2fc08a2ae98f1bdffbecdfdaebe8e1540b09b66d57267675770c7814c57e3920","links":["https://a.p4theater.top/research/hs-d78da350719fe1d5"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-beda17d37592e5b3-1","anchor":"p-beda17d37592e5b3-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-beda17d37592e5b3-1","kind":"li","headingPath":["关联概念"],"text":"关系性真实生产制度","textSha256":"a52d88e9bb81f138854c22a68523503d72bcc22ea5de58838a6040ab2f1cf143","links":["https://a.p4theater.top/research/hs-2403a84e4071fd38"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-bbd02b3dc381211e-1","anchor":"p-bbd02b3dc381211e-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-bbd02b3dc381211e-1","kind":"li","headingPath":["关联概念"],"text":"感知行动图式危机","textSha256":"27af8f9aa68bc6ea8958a2dee4e1a94837af9df039698836eecc55a3cf8051ff","links":["https://a.p4theater.top/research/hs-ef0aca126855d760"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-7abe01e02c396c73-1","anchor":"p-7abe01e02c396c73-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-7abe01e02c396c73-1","kind":"li","headingPath":["关联概念"],"text":"纯视听情境","textSha256":"dc8fe61e2b87a21e2da8238ca6ececd9e4885676a052738484ea17c3564bceb3","links":["https://a.p4theater.top/research/hs-2615a8a19d3122e3"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-e847da633f7d05cd-1","anchor":"p-e847da633f7d05cd-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-e847da633f7d05cd-1","kind":"li","headingPath":["关联概念"],"text":"时间-影像","textSha256":"42a3aacef18f93390a5ef1bf1a0795c46f6f8ef19eb29d6d01764c93d04c712a","links":["https://a.p4theater.top/research/hs-26183c1d66da96d2"],"images":[]},{"id":"hs-46bd66dfc6555b38#p-78af481700861df7-1","anchor":"p-78af481700861df7-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-78af481700861df7-1","kind":"h2","headingPath":["证据层级"],"text":"证据层级","textSha256":"0d7968aa584cdf7e7c4d502fc077bf277b1e08b41a061ebd68f14aeb3cb93f60","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-ce23d8ef7a2be0c2-1","anchor":"p-ce23d8ef7a2be0c2-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-ce23d8ef7a2be0c2-1","kind":"p","headingPath":["证据层级"],"text":"本概念当前证据层级为 T2_CANDIDATE。","textSha256":"f7e88afae8087a6820593bdf6b047f11cb9fadfb4bcfbc2ba7519028d3fc385a","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-92451817bc08e99a-1","anchor":"p-92451817bc08e99a-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-92451817bc08e99a-1","kind":"h2","headingPath":["使用边界"],"text":"使用边界","textSha256":"b59c77baa8ebe251c822c054dc5b72c3dd25e7b71802f9e7c5524181d74f4f71","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-f689fb0d05e3c38a-1","anchor":"p-f689fb0d05e3c38a-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-f689fb0d05e3c38a-1","kind":"li","headingPath":["使用边界"],"text":"不把本词说成德勒兹本人的分类。","textSha256":"bca088219b5206f6bfcf47741e39d1720f71b059f9a40090c7e9d05c5ef1afeb","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-22c4a1f2e012f8ad-1","anchor":"p-22c4a1f2e012f8ad-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-22c4a1f2e012f8ad-1","kind":"li","headingPath":["使用边界"],"text":"不把整部电影粗暴归为纯时间-影像。","textSha256":"65556a50b2a4ec38a03dcecc84667b844026d0743b8e6c63d410c7b5ffd8a881","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-beabfdf1c486e71d-1","anchor":"p-beabfdf1c486e71d-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-beabfdf1c486e71d-1","kind":"li","headingPath":["使用边界"],"text":"不把招募、排练、长时项目或非线性结构本身当作时间-影像证据。","textSha256":"3b3798470eba206306785814c9ee215e4cd1479219a11236de9b3b78d84ddca3","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-5bc676919a9abbbe-1","anchor":"p-5bc676919a9abbbe-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-5bc676919a9abbbe-1","kind":"li","headingPath":["使用边界"],"text":"不用“行动失败”跳过纯视听情境和实际—虚拟回路两个形式门槛。","textSha256":"34fb84779a03f294458186b5d85b2552e57e254498db0c6f76858cb1a09794fe","links":[],"images":[]},{"id":"hs-46bd66dfc6555b38#p-5685b1185f1f91d2-1","anchor":"p-5685b1185f1f91d2-1","url":"https://a.p4theater.top/research/hs-46bd66dfc6555b38#p-5685b1185f1f91d2-1","kind":"li","headingPath":["使用边界"],"text":"不把参与者、导演或观众的真实经验从 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