{"id":"hs-4492f6b95dc7dfdf","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf","title":"《日以作夜》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-4492f6b95dc7dfdf-9b8c7e46a3cd2d29c11a.md","markdownSha256":"9b8c7e46a3cd2d29c11a5474b9b0d8709271cb257acd2da4f62ea37fd9360aaa","markdownBytes":5655,"characters":2129,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《日以作夜》作为 A 作者/生产端口低阶边界样本所需的基础事实与理论使用边界；不把它直接升级为强递归案例，不替代逐场景时码、法国新浪潮史或特吕弗作者研究。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-1528cc35b00633e7","https://a.p4theater.top/research/hs-4c9b3c0414e87ad7","https://a.p4theater.top/research/hs-6adb760b5466c816","https://a.p4theater.top/research/hs-8a431a3548b71f0f","https://a.p4theater.top/research/hs-b3a4151f7fca773c"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":44,"markdown":"# 《日以作夜》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《日以作夜》作为 A 作者/生产端口低阶边界样本所需的基础事实与理论使用边界；不把它直接升级为强递归案例，不替代逐场景时码、法国新浪潮史或特吕弗作者研究。\n\n# 《日以作夜》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）  \n返回 P1-F 报告：[递归指称机器融合重构版-来源卡补证P1F-日以作夜改编剧本主竞赛作者生产递归-2026-07-07](/research/hs-1528cc35b00633e7)\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 François Truffaut《日以作夜》（Day for Night / La Nuit américaine, 1973）的基础定位：它是 `A` 作者/生产端口的关键边界样本。本文只使用公开资料确认影片基本事实、片中片结构、片场劳动与“关于拍电影”的元电影位置，不在此页完成特吕弗作者论或法国新浪潮史裁决。\n\n## 已核对事实\n\n1. Criterion 影片页将《日以作夜》列为 François Truffaut 作品，France / 1973 / 116 minutes，并说明 Truffaut 本人出演片中受困扰的导演，影片围绕一部轻浮情节剧的拍摄展开，拍摄过程被演员和剧组危机不断扰动。\n2. BFI Southbank Programme Notes 记录本片为 France/Italy 1973、116 分钟、导演 François Truffaut，并详细说明影片被限制在片中片《Meet Pamela》的拍摄周期内展开。\n3. BFI 节目说明指出，影片开场先呈现一段看似完整的戏，随即以“cut”暴露剧组与第二条拍摄准备；随后展开演员、剧组、制片、道具、台词遗忘、动物不配合等片场问题。\n4. Criterion Current 文章把本片概括为对《Meet Pamela》从第一天到最后一天拍摄过程的描绘，并强调影片一边显露表演和工艺层，一边保留电影魔力。\n5. TCM 文章把片名解释为电影技术术语，并说明本片从“cut”开始暴露剧组，主题在于电影制作的体力劳动和电影幻象之间的关系。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《日以作夜》是 François Truffaut 1973 年电影，围绕一部片中片《Meet Pamela》的拍摄过程展开。\n- Truffaut 在片中扮演导演 Ferrand，影片持续展示导演、演员、制片、道具、台词、动物、事故等片场劳动和危机。\n- 本片适合作为 `A / D / P` 作者/生产端口的低阶边界：生产被主题化、片场被显形，但这种显形大多仍停留在“关于拍电影”的元电影层。\n- 它的理论价值不是证明“拍片场就递归”，而恰恰是提醒：拍电影的电影未必就是强递归电影。\n\n## 递归分析口径\n\n本片适合承担的功能是：给作者/生产端口设置下限和边界。\n\n最低限度的判别句为：\n\n> 《日以作夜》把片场生产变成题材和可见结构，但它更像元电影标准型：电影展示生产，却未必让自身现实生产危机成为不可替代的生成发动机。\n\n可暂定为：\n\n```text\nGen1 / Vis1 / View1\n```\n\n保守说明：生产端口显著，但应谨慎避免把“生产被主题化”直接判为强递归。它在 P1-F 中的主要价值，是和《八部半》《改编剧本》形成对照：前者展示拍摄过程，后者把创作/写作失败铸成结构。\n\n## 与《改编剧本》《主竞赛》的差异\n\n- 《日以作夜》偏向片场劳动元电影：生产可见，但回流强度需保守。\n- 《改编剧本》偏向写作自噬：写不出改编剧本本身成为剧本结构。\n- 《主竞赛》偏向工业表演和声望仪式：导演、明星、资本和艺术声望互相操练。\n\n三片共同补强 `A` 作者/生产端口，但强度不能混同。\n\n## 需要避免或谨慎处理\n\n- 不把“拍电影的电影”自动等同于递归电影。\n- 不把特吕弗本人出演导演直接判成作者本体递归；必须说明该作者位置是否承担生成结构。\n- 不用本来源卡替代法国新浪潮史、特吕弗传记或片场制片史研究。\n\n## 外部来源\n\n- Criterion 影片页：`https://www.criterion.com/films/28698-day-for-night`\n- BFI Southbank Programme Notes：`https://bfidatadigipres.github.io/fran%C3%A7ois%20truffaut%3Cbr%3Efor%20the%20love%20of%20films/2022/01/02/day-for-night/`\n- Criterion Current 文章：`https://www.criterion.com/current/posts/3659-day-for-night-are-movies-magic`\n- TCM 文章：`https://www.tcm.com/articles/626496/day-for-night`\n\n## 相关本地资料\n\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [2026-07-07-改编剧本基础事实来源卡](/research/hs-b3a4151f7fca773c)\n- [2026-07-07-主竞赛基础事实来源卡](/research/hs-8a431a3548b71f0f)\n- [2026-07-07-八部半基础事实来源卡](/research/hs-4c9b3c0414e87ad7)\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-4492f6b95dc7dfdf#p-4ecab1515bb04bc5-1","anchor":"p-4ecab1515bb04bc5-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-4ecab1515bb04bc5-1","kind":"h2","headingPath":["《日以作夜》基础事实来源卡"],"text":"《日以作夜》基础事实来源卡","textSha256":"586219c5d36952e56757c13e1af91b425321bb1781d3f07edf5d78505b14b649","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-b315250591b830df-1","anchor":"p-b315250591b830df-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-b315250591b830df-1","kind":"p","headingPath":["《日以作夜》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开） 返回 P1-F 报告： 递归指称机器融合重构版-来源卡补证P1F-日以作夜改编剧本主竞赛作者生产递归-2026-07-07","textSha256":"c3cc85463117d8a370469e47d3161029f2bfd36306760bbf4886bf52a9c7d9e5","links":["https://a.p4theater.top/research/hs-1528cc35b00633e7","https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-9a8d8b403f0c073e-1","anchor":"p-9a8d8b403f0c073e-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-9a8d8b403f0c073e-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 François Truffaut《日以作夜》（Day for Night / La Nuit américaine, 1973）的基础定位：它是 A 作者/生产端口的关键边界样本。本文只使用公开资料确认影片基本事实、片中片结构、片场劳动与“关于拍电影”的元电影位置，不在此页完成特吕弗作者论或法国新浪潮史裁决。","textSha256":"f364ccd3abe8c9c6c35575bb4c93abb16e1b99937b5ecef9ad3e3f87903aec8a","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-73f6fd6602be77ed-1","anchor":"p-73f6fd6602be77ed-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-73f6fd6602be77ed-1","kind":"li","headingPath":["已核对事实"],"text":"Criterion 影片页将《日以作夜》列为 François Truffaut 作品，France / 1973 / 116 minutes，并说明 Truffaut 本人出演片中受困扰的导演，影片围绕一部轻浮情节剧的拍摄展开，拍摄过程被演员和剧组危机不断扰动。","textSha256":"c8943f7e1d4d40c59e455a7a20eebe565d941c2991fafe8315f08ba7937ebd37","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-e3a5f9e15f7a215a-1","anchor":"p-e3a5f9e15f7a215a-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-e3a5f9e15f7a215a-1","kind":"li","headingPath":["已核对事实"],"text":"BFI Southbank Programme Notes 记录本片为 France/Italy 1973、116 分钟、导演 François Truffaut，并详细说明影片被限制在片中片《Meet Pamela》的拍摄周期内展开。","textSha256":"78f3135a9979931c76d4b064c84caff751cd731cea9d480c676b7e2fd04f3b8d","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-38f52482ef4b2c8d-1","anchor":"p-38f52482ef4b2c8d-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-38f52482ef4b2c8d-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 节目说明指出，影片开场先呈现一段看似完整的戏，随即以“cut”暴露剧组与第二条拍摄准备；随后展开演员、剧组、制片、道具、台词遗忘、动物不配合等片场问题。","textSha256":"287e3465f4ff2d6c6516a83f1bf73a0724f0f35961db686420b7760b945a781c","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-81d6c90f80bb80fd-1","anchor":"p-81d6c90f80bb80fd-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-81d6c90f80bb80fd-1","kind":"li","headingPath":["已核对事实"],"text":"Criterion Current 文章把本片概括为对《Meet Pamela》从第一天到最后一天拍摄过程的描绘，并强调影片一边显露表演和工艺层，一边保留电影魔力。","textSha256":"fdae9f1c186053f67b22f5fc9c97b3f261ad8581cd4159148018ad7af936e1ea","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-edd656827d57e0ff-1","anchor":"p-edd656827d57e0ff-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-edd656827d57e0ff-1","kind":"li","headingPath":["已核对事实"],"text":"TCM 文章把片名解释为电影技术术语，并说明本片从“cut”开始暴露剧组，主题在于电影制作的体力劳动和电影幻象之间的关系。","textSha256":"2db2534f25697e3c5e16241f1523225281a6e38fcbb7c9009090ee089be1562c","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-c14efd27e68291fb-1","anchor":"p-c14efd27e68291fb-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-c14efd27e68291fb-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《日以作夜》是 François Truffaut 1973 年电影，围绕一部片中片《Meet Pamela》的拍摄过程展开。","textSha256":"4fab862aa8079e3e676751051cc1d7e24c29a38f97d28737946d9f47b45f68a6","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-95467a29f37af2a2-1","anchor":"p-95467a29f37af2a2-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-95467a29f37af2a2-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"Truffaut 在片中扮演导演 Ferrand，影片持续展示导演、演员、制片、道具、台词、动物、事故等片场劳动和危机。","textSha256":"dd2db7110d7e161f7fd5d71f1aad6ec2dbd1063af30c49643b02801a745ea2e6","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-7add5193014a5640-1","anchor":"p-7add5193014a5640-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-7add5193014a5640-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"本片适合作为 A / D / P 作者/生产端口的低阶边界：生产被主题化、片场被显形，但这种显形大多仍停留在“关于拍电影”的元电影层。","textSha256":"fb78be0f568e87676bfdabf90123624db107745a9ccb1c13547019534087a4cc","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-f1a50fd2353357bb-1","anchor":"p-f1a50fd2353357bb-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-f1a50fd2353357bb-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它的理论价值不是证明“拍片场就递归”，而恰恰是提醒：拍电影的电影未必就是强递归电影。","textSha256":"4a11d64c4e519d6390eb3f1f112ce8ddcd6530fb2994c4923667f7f9d89cdda3","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-b5b1d0e072ff93cb-1","anchor":"p-b5b1d0e072ff93cb-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-b5b1d0e072ff93cb-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：给作者/生产端口设置下限和边界。","textSha256":"6a3b8a6c051940414b469af71dd01bb9d1de936279cfde7cdcf312eeb05b4f40","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-fed0b2d7282da97a-1","anchor":"p-fed0b2d7282da97a-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-fed0b2d7282da97a-1","kind":"p","headingPath":["递归分析口径"],"text":"《日以作夜》把片场生产变成题材和可见结构，但它更像元电影标准型：电影展示生产，却未必让自身现实生产危机成为不可替代的生成发动机。","textSha256":"82e810b4225e7efd5c565b35402bdf8873b587276c6306035c2274d044232bcb","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-c1d7ebb72805c9ed-1","anchor":"p-c1d7ebb72805c9ed-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-c1d7ebb72805c9ed-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen1 / Vis1 / View1","textSha256":"f1d67145d4a61ea5fab2606c62c65a9f99a9bb32c5747975d86cadd8f86dfd13","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-45eaaf751da1eee8-1","anchor":"p-45eaaf751da1eee8-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-45eaaf751da1eee8-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明：生产端口显著，但应谨慎避免把“生产被主题化”直接判为强递归。它在 P1-F 中的主要价值，是和《八部半》《改编剧本》形成对照：前者展示拍摄过程，后者把创作/写作失败铸成结构。","textSha256":"0aacd76561699f33cb98073ada06584df30fbafd6703abadd2c6409f550833c2","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-eeb699e5c8404c48-1","anchor":"p-eeb699e5c8404c48-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-eeb699e5c8404c48-1","kind":"h2","headingPath":["与《改编剧本》《主竞赛》的差异"],"text":"与《改编剧本》《主竞赛》的差异","textSha256":"7bb409cd22e2ddf80ef9decb1a66a2597aa867f1c1b9eb101bff0c169aafc723","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-5fabe57c956894d7-1","anchor":"p-5fabe57c956894d7-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-5fabe57c956894d7-1","kind":"li","headingPath":["与《改编剧本》《主竞赛》的差异"],"text":"《日以作夜》偏向片场劳动元电影：生产可见，但回流强度需保守。","textSha256":"a4fc6013ae05957c937be1194d41815eadc9f6c5025aa0017b841035d6814969","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-23ba3c1bf5ed91ed-1","anchor":"p-23ba3c1bf5ed91ed-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-23ba3c1bf5ed91ed-1","kind":"li","headingPath":["与《改编剧本》《主竞赛》的差异"],"text":"《改编剧本》偏向写作自噬：写不出改编剧本本身成为剧本结构。","textSha256":"1b049851329f02792699b10e000b4ffbdc948098dae250eddd923c36794ff3ec","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-a917d085017138c0-1","anchor":"p-a917d085017138c0-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-a917d085017138c0-1","kind":"li","headingPath":["与《改编剧本》《主竞赛》的差异"],"text":"《主竞赛》偏向工业表演和声望仪式：导演、明星、资本和艺术声望互相操练。","textSha256":"66510a74dccd2c5b1dd924f01af4a589b4f9c6549dd102506b9e5fe5f70f6fb7","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-d0edfb56e4086cb7-1","anchor":"p-d0edfb56e4086cb7-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-d0edfb56e4086cb7-1","kind":"p","headingPath":["与《改编剧本》《主竞赛》的差异"],"text":"三片共同补强 A 作者/生产端口，但强度不能混同。","textSha256":"bb61f577cfab6796a3104c142cbe2a8f350715f208a88bfee6d0c058fdcf251d","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-d862405c32f5623f-1","anchor":"p-d862405c32f5623f-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-d862405c32f5623f-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把“拍电影的电影”自动等同于递归电影。","textSha256":"0a76da64c71cbcc92a63884e022ab1b1c36966d3784935208e61ef7c52c793e4","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-85dbc894e18ddf8c-1","anchor":"p-85dbc894e18ddf8c-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-85dbc894e18ddf8c-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把特吕弗本人出演导演直接判成作者本体递归；必须说明该作者位置是否承担生成结构。","textSha256":"5c5c3e0b30a96e09c5cd4949d411885260f1c235b0d2eba07df0aa3220c656d2","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-5a496132d7ef504e-1","anchor":"p-5a496132d7ef504e-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-5a496132d7ef504e-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不用本来源卡替代法国新浪潮史、特吕弗传记或片场制片史研究。","textSha256":"45a630f3a98f64b81757b8364285e48e0d38b726b24854beb28dc60645c5fb3b","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-42b264ac207fa66e-1","anchor":"p-42b264ac207fa66e-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-42b264ac207fa66e-1","kind":"li","headingPath":["外部来源"],"text":"Criterion 影片页： https://www.criterion.com/films/28698-day-for-night","textSha256":"4663811f3bea01feef031db96c3b87db3e9f7c33455c0413f5e8940a3bb64fe8","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-691a69c1fe044a2f-1","anchor":"p-691a69c1fe044a2f-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-691a69c1fe044a2f-1","kind":"li","headingPath":["外部来源"],"text":"BFI Southbank Programme Notes： https://bfidatadigipres.github.io/fran%C3%A7ois%20truffaut%3Cbr%3Efor%20the%20love%20of%20films/2022/01/02/day-for-night/","textSha256":"97e5dc10f7afb493306e0507c04a67288e632537a4038b9b873d71973429a414","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-1fd9e3e7961f1024-1","anchor":"p-1fd9e3e7961f1024-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-1fd9e3e7961f1024-1","kind":"li","headingPath":["外部来源"],"text":"Criterion Current 文章： https://www.criterion.com/current/posts/3659-day-for-night-are-movies-magic","textSha256":"7399aaf27fa9742e37e2df44eadd295c4b4d34f46a7f299ba96c211602984fd1","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-1348e762d37074c8-1","anchor":"p-1348e762d37074c8-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-1348e762d37074c8-1","kind":"li","headingPath":["外部来源"],"text":"TCM 文章： https://www.tcm.com/articles/626496/day-for-night","textSha256":"6988b4ae9a33bb512273a340f103acee5e02b368dd22fb945ba1f37d7c67a6b7","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-61964eafb0c10854-1","anchor":"p-61964eafb0c10854-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-61964eafb0c10854-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-改编剧本基础事实来源卡","textSha256":"6e9443ace7a1d9547d1f317752817a2c36b1448deccd5329c08d27811c3017ad","links":["https://a.p4theater.top/research/hs-b3a4151f7fca773c"],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-aac5291243cb0ef8-1","anchor":"p-aac5291243cb0ef8-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-aac5291243cb0ef8-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-主竞赛基础事实来源卡","textSha256":"bc857f98340ef40ec39c9ee7bbc4f0897bfb07d3eaf8e5ba4fff2fc28c69ba1f","links":["https://a.p4theater.top/research/hs-8a431a3548b71f0f"],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-90d8b11709cc15e6-1","anchor":"p-90d8b11709cc15e6-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-90d8b11709cc15e6-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-八部半基础事实来源卡","textSha256":"2fa272ba8c12b3e9183396b43225ffe6be61e77a4d6b89f582426e9207436ecd","links":["https://a.p4theater.top/research/hs-4c9b3c0414e87ad7"],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-4492f6b95dc7dfdf#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-4492f6b95dc7dfdf#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}