{"id":"hs-3e74cb570b83d09b","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b","title":"《小福尔摩斯》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-3e74cb570b83d09b.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-3e74cb570b83d09b-7833e5efa7f6b395e635.md","markdownSha256":"7833e5efa7f6b395e635e8a9abea9b945e626841c6328d63f3da11067b4caef6","markdownBytes":5255,"characters":1773,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《小福尔摩斯》作为 D/S 装置—放映—银幕边界端口候选所需的基础事实与理论使用边界；不替代逐镜头分析、基顿研究、默片史或梦境喜剧史。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-1041ae3e607d4858","https://a.p4theater.top/research/hs-34a9058a38b1f698","https://a.p4theater.top/research/hs-6506596444772a89","https://a.p4theater.top/research/hs-6adb760b5466c816","https://a.p4theater.top/research/hs-73e080fbf6128d20","https://a.p4theater.top/research/hs-74e266db9d57b0a5"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":42,"markdown":"# 《小福尔摩斯》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《小福尔摩斯》作为 D/S 装置—放映—银幕边界端口候选所需的基础事实与理论使用边界；不替代逐镜头分析、基顿研究、默片史或梦境喜剧史。\n\n# 《小福尔摩斯》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）  \n返回 P1-G 报告：[递归指称机器融合重构版-来源卡补证P1G-小福尔摩斯偷窥狂不散装置放映影院递归-2026-07-07](/research/hs-1041ae3e607d4858)\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Buster Keaton《小福尔摩斯》（Sherlock Jr., 1924）的基础定位：它是 `D / S` 装置与观看端口的银幕边界样本。本文只使用公开资料确认影片基本事实、放映员身份、梦境侦探结构、进入银幕空间等信息，不在此页完成基顿作者研究或默片喜剧史裁决。\n\n## 已核对事实\n\n1. BFI 影片页将《小福尔摩斯》列为 Buster Keaton 1924 年美国电影，并概括其基本设定：一个电影放映员想成为侦探，并在梦中进入电影/侦探情境。\n2. Library of Congress 国家电影保护委员会相关资料确认本片是 Keaton 的经典长片之一，核心结构包含放映员、梦境、侦探身份和进入银幕影像空间的段落。\n3. 公开资料共同支持一个低风险事实：本片不是单纯“角色去看电影”，而是把放映、银幕、影像空间和现实空间之间的边界做成喜剧与叙事机制。\n4. 本页不使用任何单一资料来裁定它的递归强度；只把它推进为 `D / S` 端口可引用锚点。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《小福尔摩斯》是 Buster Keaton 1924 年电影，主人公是影院放映员，并在梦中进入银幕侦探故事。\n- 本片可作为“银幕边界型”装置样本：银幕不只是被观看的表面，而成为现实空间与影像空间互相切换的阈限机器。\n- 它适合补强 `D / S`：放映装置改变可见性，观众/角色位置被拉进电影空间。\n- 它不能被简单归入“电影中出现电影院”的弱自反；关键在于银幕边界是否承担叙事和可见性组织功能。\n\n## 递归分析口径\n\n本片适合承担的功能是：说明 `D` 装置端口不只包括摄影机和剪辑，也包括放映、银幕和影像空间边界。\n\n最低限度的判别句为：\n\n> 《小福尔摩斯》的理论价值在于：银幕从观看对象变成边界机器，人物进入影像空间之后，电影让“放映/观看”这一条件直接改写现实与影像的关系。\n\n可暂定为：\n\n```text\nGen1 / Vis2 / View1\n```\n\n保守说明：`Vis` 较强，因为可见性由银幕边界组织；`View` 可以被牵动，因为观众位置和角色观看位置发生镜像；但若要升级为强递归案例，仍需逐场景时码和剪辑/空间分析。\n\n## 与《持摄影机的人》《搏击俱乐部》的差异\n\n- [《持摄影机的人》](/research/hs-34a9058a38b1f698)偏向记录、拍摄、剪辑、放映、观看链条显形。\n- 《小福尔摩斯》偏向银幕阈限：影像空间与现实空间被喜剧化地互相切换。\n- [《搏击俱乐部》](/research/hs-6506596444772a89)偏向不可见装置污染：插帧和放映员式污染进入观众视网膜。\n\n三者共同说明：`D` 不是“器材入镜”，而是装置改变可见性的方式。\n\n## 需要避免或谨慎处理\n\n- 不把“角色看电影”自动等同于装置递归。\n- 不把梦境结构本身自动等同于递归；必须说明银幕/放映机制如何改变空间和观看位置。\n- 不用本来源卡替代默片史、基顿作者研究或逐镜头喜剧调度分析。\n\n## 外部来源\n\n- BFI 影片页：`https://www.bfi.org.uk/film/4f7add12-c2af-5c5c-bb49-1647ce3240df/sherlock-jr`\n- Library of Congress / National Film Registry 资料：`https://www.loc.gov/static/programs/national-film-preservation-board/documents/Sherlock-Jr_Vance.pdf`\n\n## 相关本地资料\n\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [2026-07-07-持摄影机的人基础事实来源卡](/research/hs-34a9058a38b1f698)\n- [2026-07-07-搏击俱乐部基础事实来源卡](/research/hs-6506596444772a89)\n- [2026-07-07-偷窥狂基础事实来源卡](/research/hs-73e080fbf6128d20)\n- [2026-07-07-不散基础事实来源卡](/research/hs-74e266db9d57b0a5)\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-3e74cb570b83d09b#p-d7bf6b08753ea70a-1","anchor":"p-d7bf6b08753ea70a-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-d7bf6b08753ea70a-1","kind":"h2","headingPath":["《小福尔摩斯》基础事实来源卡"],"text":"《小福尔摩斯》基础事实来源卡","textSha256":"d6b6ffd3f887079c39362f71fb5abd3b9d91aa52ea3cf4048ef3579039d4c342","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-b2cce7fa6372c411-1","anchor":"p-b2cce7fa6372c411-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-b2cce7fa6372c411-1","kind":"p","headingPath":["《小福尔摩斯》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开） 返回 P1-G 报告： 递归指称机器融合重构版-来源卡补证P1G-小福尔摩斯偷窥狂不散装置放映影院递归-2026-07-07","textSha256":"96e332e5232738282919cf24122d66ddc7c93c927bf6f5afb4eb0e76d7c5869e","links":["https://a.p4theater.top/research/hs-1041ae3e607d4858","https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-1750cf5a9d67c280-1","anchor":"p-1750cf5a9d67c280-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-1750cf5a9d67c280-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Buster Keaton《小福尔摩斯》（Sherlock Jr., 1924）的基础定位：它是 D / S 装置与观看端口的银幕边界样本。本文只使用公开资料确认影片基本事实、放映员身份、梦境侦探结构、进入银幕空间等信息，不在此页完成基顿作者研究或默片喜剧史裁决。","textSha256":"6aab1230fa381fd3fa1a345cbd65de318e24b7d634575e1849deae1ea1f3dafe","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-1466be3138379b2e-1","anchor":"p-1466be3138379b2e-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-1466be3138379b2e-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 影片页将《小福尔摩斯》列为 Buster Keaton 1924 年美国电影，并概括其基本设定：一个电影放映员想成为侦探，并在梦中进入电影/侦探情境。","textSha256":"70aff44e1e7c8397383e9862bad3f5e9145fd3f30845b108933a7884a35a800c","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-9cab2ccb119dbd12-1","anchor":"p-9cab2ccb119dbd12-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-9cab2ccb119dbd12-1","kind":"li","headingPath":["已核对事实"],"text":"Library of Congress 国家电影保护委员会相关资料确认本片是 Keaton 的经典长片之一，核心结构包含放映员、梦境、侦探身份和进入银幕影像空间的段落。","textSha256":"cba6ed17b7cd37b6e2ec4b642a93883ef0280df50da12f7a94617e45b89afb0b","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-d2b34fdd7d1422e6-1","anchor":"p-d2b34fdd7d1422e6-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-d2b34fdd7d1422e6-1","kind":"li","headingPath":["已核对事实"],"text":"公开资料共同支持一个低风险事实：本片不是单纯“角色去看电影”，而是把放映、银幕、影像空间和现实空间之间的边界做成喜剧与叙事机制。","textSha256":"7833ed9bdbb3e84946c2e0bada0f89f777aae8b1e09c1cbd8bad69f33b8396af","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-6c7d87452bbc642d-1","anchor":"p-6c7d87452bbc642d-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-6c7d87452bbc642d-1","kind":"li","headingPath":["已核对事实"],"text":"本页不使用任何单一资料来裁定它的递归强度；只把它推进为 D / S 端口可引用锚点。","textSha256":"0f0c68800356e30c57ecd5d5db38ba7be004ecd1798d7562efbb45ed3aeea395","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-1b808e57865239c2-1","anchor":"p-1b808e57865239c2-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-1b808e57865239c2-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《小福尔摩斯》是 Buster Keaton 1924 年电影，主人公是影院放映员，并在梦中进入银幕侦探故事。","textSha256":"85101b6b11792d6c2a2e26d222776e844f522afa4a99675ebad33ca7b372c1c0","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-d1dc34788ce1ba85-1","anchor":"p-d1dc34788ce1ba85-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-d1dc34788ce1ba85-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"本片可作为“银幕边界型”装置样本：银幕不只是被观看的表面，而成为现实空间与影像空间互相切换的阈限机器。","textSha256":"89be2441bfb5850b4d72c0bb4a69ed364e6cb17154fbdc2120308d26ca630572","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-e38b26cfb230c5b8-1","anchor":"p-e38b26cfb230c5b8-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-e38b26cfb230c5b8-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它适合补强 D / S ：放映装置改变可见性，观众/角色位置被拉进电影空间。","textSha256":"df0a3b19c8ae511cbbc98118897f078c0117af1b20df91a985fe5e87ebff72d7","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-fb3fb198d9ccf49f-1","anchor":"p-fb3fb198d9ccf49f-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-fb3fb198d9ccf49f-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它不能被简单归入“电影中出现电影院”的弱自反；关键在于银幕边界是否承担叙事和可见性组织功能。","textSha256":"840c550ce6a490fca9971ce23870e402d56db9aaa47324d2c4e24285f455f715","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-ad740ff3f4339108-1","anchor":"p-ad740ff3f4339108-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-ad740ff3f4339108-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：说明 D 装置端口不只包括摄影机和剪辑，也包括放映、银幕和影像空间边界。","textSha256":"522ed758f850125288757b31b8bf1b8e609e86c01ebe8dc9502c1908794cd772","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-d400c0df21e1a4df-1","anchor":"p-d400c0df21e1a4df-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-d400c0df21e1a4df-1","kind":"p","headingPath":["递归分析口径"],"text":"《小福尔摩斯》的理论价值在于：银幕从观看对象变成边界机器，人物进入影像空间之后，电影让“放映/观看”这一条件直接改写现实与影像的关系。","textSha256":"e6ff3f49ddb48ac33534630e5889d873081ed2092d0eabd4746c7ae007e71b56","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-536a1128663a38e6-1","anchor":"p-536a1128663a38e6-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-536a1128663a38e6-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen1 / Vis2 / View1","textSha256":"3c44551085a18f7e2413983829c8339ce24354b90bbe61bdd629d78362354747","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-73a30ccf193d299d-1","anchor":"p-73a30ccf193d299d-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-73a30ccf193d299d-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明： Vis 较强，因为可见性由银幕边界组织； View 可以被牵动，因为观众位置和角色观看位置发生镜像；但若要升级为强递归案例，仍需逐场景时码和剪辑/空间分析。","textSha256":"760976fc347e8ec2ad81c59ac58250aff5c4116b79d4b7be2cd39d621ccc84c8","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-a1088648cd32d86e-1","anchor":"p-a1088648cd32d86e-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-a1088648cd32d86e-1","kind":"h2","headingPath":["与《持摄影机的人》《搏击俱乐部》的差异"],"text":"与《持摄影机的人》《搏击俱乐部》的差异","textSha256":"259191f86c5582aa5356d065a6e1240ec1a2527fb37fabc0e52255bc9bcedf7a","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-06de833beb002528-1","anchor":"p-06de833beb002528-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-06de833beb002528-1","kind":"li","headingPath":["与《持摄影机的人》《搏击俱乐部》的差异"],"text":"《持摄影机的人》 偏向记录、拍摄、剪辑、放映、观看链条显形。","textSha256":"7ce03224278312ac6d997b1cf166c3a0b45578b77622da3f15c30e989b7c4626","links":["https://a.p4theater.top/research/hs-34a9058a38b1f698"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-2dcf71cfeec11a31-1","anchor":"p-2dcf71cfeec11a31-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-2dcf71cfeec11a31-1","kind":"li","headingPath":["与《持摄影机的人》《搏击俱乐部》的差异"],"text":"《小福尔摩斯》偏向银幕阈限：影像空间与现实空间被喜剧化地互相切换。","textSha256":"fd277b788d2f13286c54a62314a12251b4c4503011837f755ab971020735270c","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-0ae3f74c2eb66f05-1","anchor":"p-0ae3f74c2eb66f05-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-0ae3f74c2eb66f05-1","kind":"li","headingPath":["与《持摄影机的人》《搏击俱乐部》的差异"],"text":"《搏击俱乐部》 偏向不可见装置污染：插帧和放映员式污染进入观众视网膜。","textSha256":"8bb5ae67175c1dee59905f7c9abe72654549648d25c8b1804b14c8d953df85b9","links":["https://a.p4theater.top/research/hs-6506596444772a89"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-c0b512ce1b29fb3d-1","anchor":"p-c0b512ce1b29fb3d-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-c0b512ce1b29fb3d-1","kind":"p","headingPath":["与《持摄影机的人》《搏击俱乐部》的差异"],"text":"三者共同说明： D 不是“器材入镜”，而是装置改变可见性的方式。","textSha256":"672b772e16059b8ca149aa03a5138fc6330987f3372514a662528adcc6493117","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-a27eb16a733d74e4-1","anchor":"p-a27eb16a733d74e4-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-a27eb16a733d74e4-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把“角色看电影”自动等同于装置递归。","textSha256":"890e7592c78a4b181360cba71ef3e2730e2e3d80bf592f203a5c38f5585ea8a3","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-4b6358b913a68c9b-1","anchor":"p-4b6358b913a68c9b-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-4b6358b913a68c9b-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把梦境结构本身自动等同于递归；必须说明银幕/放映机制如何改变空间和观看位置。","textSha256":"1fb693543d8212a403e01f07cfb9174651309ed9e3d9484c9ab18a003c507028","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-2036c09aa660003b-1","anchor":"p-2036c09aa660003b-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-2036c09aa660003b-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不用本来源卡替代默片史、基顿作者研究或逐镜头喜剧调度分析。","textSha256":"ed25c34241e5682ff2f886a8f8cc2d1d673b8acf54a1ffbb4db435bb284d00b8","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-a614626e97f523ae-1","anchor":"p-a614626e97f523ae-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-a614626e97f523ae-1","kind":"li","headingPath":["外部来源"],"text":"BFI 影片页： https://www.bfi.org.uk/film/4f7add12-c2af-5c5c-bb49-1647ce3240df/sherlock-jr","textSha256":"ba4fcd4c17f879e73fca3ee529b0760a403f1a0a2664f400fcf6dd708f310773","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-bb348d8aa5d054d6-1","anchor":"p-bb348d8aa5d054d6-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-bb348d8aa5d054d6-1","kind":"li","headingPath":["外部来源"],"text":"Library of Congress / National Film Registry 资料： https://www.loc.gov/static/programs/national-film-preservation-board/documents/Sherlock-Jr_Vance.pdf","textSha256":"133bd6282f23dabf9b9f6f96ef910ece3991cf450dc3c0c2658751ce802783eb","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-3e74cb570b83d09b#p-c6686b1bef92dd9b-1","anchor":"p-c6686b1bef92dd9b-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-c6686b1bef92dd9b-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-持摄影机的人基础事实来源卡","textSha256":"8ca47d656be89e47874b1020fcd4cfb179761e80a98735772fbb09398406055c","links":["https://a.p4theater.top/research/hs-34a9058a38b1f698"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-ac189de76a89d6ff-1","anchor":"p-ac189de76a89d6ff-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-ac189de76a89d6ff-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-搏击俱乐部基础事实来源卡","textSha256":"4cadb5e0c17a22f6a21d2eb39e622b186a69101e0c9f672dd2de5d144e3a7819","links":["https://a.p4theater.top/research/hs-6506596444772a89"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-11eadd917062f525-1","anchor":"p-11eadd917062f525-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-11eadd917062f525-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-偷窥狂基础事实来源卡","textSha256":"e2b6b6ed2e9cd089b333646f715a926fe70b781e784e5f9f53c71ee7b529f04e","links":["https://a.p4theater.top/research/hs-73e080fbf6128d20"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-781b470e4867f7fb-1","anchor":"p-781b470e4867f7fb-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-781b470e4867f7fb-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-不散基础事实来源卡","textSha256":"2f757d1437d180c76979757942ba5a4386d5fca977a759e35d02724d4fafd93f","links":["https://a.p4theater.top/research/hs-74e266db9d57b0a5"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-3e74cb570b83d09b#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-3e74cb570b83d09b#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}