{"id":"hs-34a9058a38b1f698","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698","title":"《持摄影机的人》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-34a9058a38b1f698.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-34a9058a38b1f698-d8966c204efdcee0a6ac.md","markdownSha256":"d8966c204efdcee0a6ac301806be71fff4e22bd37a51b7d572b7a7a276bbcb5c","markdownBytes":4411,"characters":1530,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《持摄影机的人》作为装置/机器显形型强候选所需的基础事实与理论使用边界；不替代逐镜分析、版本考证或苏联电影史专题研究。外部来源以 BFI、MoMA、SFSFF 等公开资料为边界。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":36,"markdown":"# 《持摄影机的人》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《持摄影机的人》作为装置/机器显形型强候选所需的基础事实与理论使用边界；不替代逐镜分析、版本考证或苏联电影史专题研究。外部来源以 BFI、MoMA、SFSFF 等公开资料为边界。\n\n# 《持摄影机的人》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Dziga Vertov《持摄影机的人》（Man with a Movie Camera）的基础定位：它是“装置/机器显形型”强候选。本文只使用公开资料确认影片基本事实、装置显形特征和理论使用口径，不在此页做逐镜头裁决。\n\n## 已核对事实\n\n1. BFI 影片页将《持摄影机的人》列为 Dziga Vertov 导演的 1929 年作品，并提供英文片名 Man with a Movie Camera。\n2. BFI 简介把影片描述为以自我意识形式展开的纪录片：影片不仅呈现城市日常，也让电影制作、镜头、剪辑和观看本身成为被组织的对象。\n3. MoMA 放映页把 Vertov 的电影实践放在 Kino-Eye / 电影眼语境中，强调摄影机能够以不同于肉眼的方式组织现实，并把电影装置的能力本身变成影片论题。\n4. San Francisco Silent Film Festival 的节目说明把影片中的摄影师、剪辑、城市、机器劳动和观众经验放在同一个运动系统中，可作为“记录—剪辑—放映—观看”循环入画的公开参照。\n5. 这些公开来源共同支持一个低风险判断：本片不是单纯“拍摄城市”，而是把摄影机、摄影师、剪辑台、放映与观众位置共同纳入影像结构。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《持摄影机的人》是 Dziga Vertov 1929 年电影作品。\n- 影片可作为装置显形型递归电影的片史锚点。\n- 影片把摄影机、摄影者、剪辑、放映、观众和城市运动组织到同一影像系统中。\n- 它的关键不是“有摄影机出现”，而是电影制作链条本身成为影片显现的材料。\n- 在本论文的七端口中，本片主要激活 `D` 装置端口和 `S` 观看端口，并与城市/劳动的现实材料发生耦合。\n\n## 递归分析口径\n\n本片适合承担的功能是：说明“装置显形”如何从自反走向递归。\n\n最低限度的判别句为：\n\n> 《持摄影机的人》不是只让摄影机入画，而是让记录、剪辑、放映和观看形成一个回路；影片观看城市的同时，也观看电影如何把城市组织为可见对象。\n\n可暂定为：\n\n```text\nGen1-2 / Vis2 / View1-2\n```\n\n保守说明：本页先只给区间，不做最终定分。若正式写入正文强案例，需要补逐段场景证据：摄影师入画、剪辑台、放映/观众、城市机械运动之间的结构关系。\n\n## 需要避免或谨慎处理\n\n- 不把本片简单叫作“第一部元电影”或“第一部纪录片递归电影”；这种片史断言需要更大范围证据。\n- 不把 Vertov 的理论口号直接等同于影片每个镜头的结构功能。\n- 不把装置显形自动判为递归；必须继续说明装置如何组织影片显现和观看。\n\n## 外部来源\n\n- BFI：`https://www.bfi.org.uk/film/cacbb2df-be18-5e59-b5c3-f0eb9ea3a90d/man-with-a-movie-camera`\n- MoMA：`https://www.moma.org/calendar/events/10068`\n- San Francisco Silent Film Festival：`https://silentfilm.org/man-with-a-movie-camera`\n\n## 相关本地资料\n\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-34a9058a38b1f698#p-b4284c811c11d8ad-1","anchor":"p-b4284c811c11d8ad-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-b4284c811c11d8ad-1","kind":"h2","headingPath":["《持摄影机的人》基础事实来源卡"],"text":"《持摄影机的人》基础事实来源卡","textSha256":"ed32791fc340790bc4b6b1941363dbfff0bf53bd689e336dfe2c9884047416ba","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-eee61ac3161eda28-1","anchor":"p-eee61ac3161eda28-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-eee61ac3161eda28-1","kind":"p","headingPath":["《持摄影机的人》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"43f735115e064d110f05c1dde7c8cbc7460c0c0066cd64d1de5b7232e6577ade","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-34a9058a38b1f698#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-cfb40f311c5011b3-1","anchor":"p-cfb40f311c5011b3-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-cfb40f311c5011b3-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Dziga Vertov《持摄影机的人》（Man with a Movie Camera）的基础定位：它是“装置/机器显形型”强候选。本文只使用公开资料确认影片基本事实、装置显形特征和理论使用口径，不在此页做逐镜头裁决。","textSha256":"384b7de47b9ffda16e17d5ee3a6dcaa426a12105052023d80d722905fcd3d0b2","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-ad3c93770b7f2248-1","anchor":"p-ad3c93770b7f2248-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-ad3c93770b7f2248-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 影片页将《持摄影机的人》列为 Dziga Vertov 导演的 1929 年作品，并提供英文片名 Man with a Movie Camera。","textSha256":"10a8ed2719409c3d65d726823f76704f1dad0e2828acfa0f2ec5c434b31be445","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-66e5e2ac460102a2-1","anchor":"p-66e5e2ac460102a2-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-66e5e2ac460102a2-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 简介把影片描述为以自我意识形式展开的纪录片：影片不仅呈现城市日常，也让电影制作、镜头、剪辑和观看本身成为被组织的对象。","textSha256":"9635b1696e8f304b20c1ec8d8e2c6dd7b1585a0736eaedbf6e53972befa9beb6","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-43dad1aafb186e2f-1","anchor":"p-43dad1aafb186e2f-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-43dad1aafb186e2f-1","kind":"li","headingPath":["已核对事实"],"text":"MoMA 放映页把 Vertov 的电影实践放在 Kino-Eye / 电影眼语境中，强调摄影机能够以不同于肉眼的方式组织现实，并把电影装置的能力本身变成影片论题。","textSha256":"b8d9c721057c810f1bb4e4ca5efb2a3a403e7bdbd34896cca8ab57c3d8051715","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-a461d85cb18e1c44-1","anchor":"p-a461d85cb18e1c44-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-a461d85cb18e1c44-1","kind":"li","headingPath":["已核对事实"],"text":"San Francisco Silent Film Festival 的节目说明把影片中的摄影师、剪辑、城市、机器劳动和观众经验放在同一个运动系统中，可作为“记录—剪辑—放映—观看”循环入画的公开参照。","textSha256":"0eb8d301e041463f8d2a2fe7369aa7c39fbc61a44bd07344076cf4ecd47570ac","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-525d7b40e66403e6-1","anchor":"p-525d7b40e66403e6-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-525d7b40e66403e6-1","kind":"li","headingPath":["已核对事实"],"text":"这些公开来源共同支持一个低风险判断：本片不是单纯“拍摄城市”，而是把摄影机、摄影师、剪辑台、放映与观众位置共同纳入影像结构。","textSha256":"55af0f012c6edddc581d85877bf4a3e6b4344a1abf4c0ef609ea0d5674d4591b","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-306ea4f19032157d-1","anchor":"p-306ea4f19032157d-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-306ea4f19032157d-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《持摄影机的人》是 Dziga Vertov 1929 年电影作品。","textSha256":"ead107e17b14da7f65bf4a62ffc79a1d55a635a2fafbcdecf662f8aa05ba0cf7","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-35cb7351fe749593-1","anchor":"p-35cb7351fe749593-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-35cb7351fe749593-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"影片可作为装置显形型递归电影的片史锚点。","textSha256":"1a18d1a803406db623d7c63e9fa7a21b8b69a6517685292f45da5890c14601cf","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-3c75c4fa699d30d1-1","anchor":"p-3c75c4fa699d30d1-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-3c75c4fa699d30d1-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"影片把摄影机、摄影者、剪辑、放映、观众和城市运动组织到同一影像系统中。","textSha256":"b41437675aa19d48452fa6353f6d2f7e7e75499454d22704ee4439d2ccc84218","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-e09c293a4f0d9afc-1","anchor":"p-e09c293a4f0d9afc-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-e09c293a4f0d9afc-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"它的关键不是“有摄影机出现”，而是电影制作链条本身成为影片显现的材料。","textSha256":"e10d8755434f3bcc48ea2bb1804384063019af4baa05903d50280688691e0513","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-ee00ddf24be3ff59-1","anchor":"p-ee00ddf24be3ff59-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-ee00ddf24be3ff59-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"在本论文的七端口中，本片主要激活 D 装置端口和 S 观看端口，并与城市/劳动的现实材料发生耦合。","textSha256":"b88564932431045a01fb3d37444a326e90378305d9bd67abbbf275446fb63ade","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-99215b78d306ca91-1","anchor":"p-99215b78d306ca91-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-99215b78d306ca91-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：说明“装置显形”如何从自反走向递归。","textSha256":"b50c1d820b60b89ffa3dde28f791b8efaffb7eb94bb4d6cfe60a07a8cc1c1f0c","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-c8746c2847ed9b32-1","anchor":"p-c8746c2847ed9b32-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-c8746c2847ed9b32-1","kind":"p","headingPath":["递归分析口径"],"text":"《持摄影机的人》不是只让摄影机入画，而是让记录、剪辑、放映和观看形成一个回路；影片观看城市的同时，也观看电影如何把城市组织为可见对象。","textSha256":"7a95da587ed8b77a79730f67c091bc6704d62c8999c5d9f833b5f4883923c8a2","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-84db831955def745-1","anchor":"p-84db831955def745-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-84db831955def745-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen1-2 / Vis2 / View1-2","textSha256":"69d839b6253e1d5fb9ce1e732df394e6c2c56d65456c18c3efbc79a5a7b66941","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-32ae52b9448e10f0-1","anchor":"p-32ae52b9448e10f0-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-32ae52b9448e10f0-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明：本页先只给区间，不做最终定分。若正式写入正文强案例，需要补逐段场景证据：摄影师入画、剪辑台、放映/观众、城市机械运动之间的结构关系。","textSha256":"e3b056a61ec0c4316ff91c565b1354f3478fd926371ba120ed4bb82494e7632d","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-c95d939e9cfaf642-1","anchor":"p-c95d939e9cfaf642-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-c95d939e9cfaf642-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把本片简单叫作“第一部元电影”或“第一部纪录片递归电影”；这种片史断言需要更大范围证据。","textSha256":"8965a4b3f1d97829f8955c11827df2f1a42d2417bfd7c58701085a87b024cc45","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-b68b47f9fc76f27d-1","anchor":"p-b68b47f9fc76f27d-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-b68b47f9fc76f27d-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把 Vertov 的理论口号直接等同于影片每个镜头的结构功能。","textSha256":"b17b38d0b402ef434590424a67c25bccbe088417eb02fbaaac108ed16ee8d28c","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-a6e6d9fc173fa81b-1","anchor":"p-a6e6d9fc173fa81b-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-a6e6d9fc173fa81b-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把装置显形自动判为递归；必须继续说明装置如何组织影片显现和观看。","textSha256":"8e8c6351a62f43df980613a3d39ea97ac39e451f0db1f99c2a4ac9025fa23441","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-af9c9f0bad38ae82-1","anchor":"p-af9c9f0bad38ae82-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-af9c9f0bad38ae82-1","kind":"li","headingPath":["外部来源"],"text":"BFI： https://www.bfi.org.uk/film/cacbb2df-be18-5e59-b5c3-f0eb9ea3a90d/man-with-a-movie-camera","textSha256":"93eddbf0c0e75d3154caba9beabc397a11771aaadafbde20984c23cf7bd2a963","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-862008a0469a15c7-1","anchor":"p-862008a0469a15c7-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-862008a0469a15c7-1","kind":"li","headingPath":["外部来源"],"text":"MoMA： https://www.moma.org/calendar/events/10068","textSha256":"6fc3a38aa4ba6f4870441218d825115eb7fcde5ab1fc4cf2adb361341197eb5e","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-33970d6866afbcc6-1","anchor":"p-33970d6866afbcc6-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-33970d6866afbcc6-1","kind":"li","headingPath":["外部来源"],"text":"San Francisco Silent Film Festival： https://silentfilm.org/man-with-a-movie-camera","textSha256":"47f9e9c19125855b7c8472ebad943def3efc0515ccec4731e9b3db195ffed98f","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-34a9058a38b1f698#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-34a9058a38b1f698#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-34a9058a38b1f698#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}