{"id":"hs-3172ba7d4688603c","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c","title":"附录 C：P4 生产史矩阵","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"博士论文-位置摄影-人类投降派-2026-05-12","sourceVersionDate":"2026-05-12","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-3172ba7d4688603c.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-3172ba7d4688603c-533d3b9d77cc9619ac3f.md","markdownSha256":"533d3b9d77cc9619ac3fa4052537d0e8cebe0890c92907a0e9a98ca993472b2d","markdownBytes":7574,"characters":2651,"sourceEvidenceTier":"T3_MATRIX_OVER_P4_PUBLIC_SOURCES","sourceStatus":"active","evidenceBoundary":"本附录只整理 P4 公开文本与 Wiki 已入库来源的生产史矩阵；它不能替代影片时间码、Owner/T0 或本地 T1 证据。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-095358ea70bd4e23","https://a.p4theater.top/research/hs-0c843d45ac19ebfc","https://a.p4theater.top/research/hs-1a3a6e790033b220","https://a.p4theater.top/research/hs-3c39da635bd4e8f7","https://a.p4theater.top/research/hs-bdc3e21c0c33b579","https://a.p4theater.top/research/hs-c1feea677cc227b2","https://a.p4theater.top/research/hs-c8bf508be7798abe","https://a.p4theater.top/research/hs-d919b577f0cd2ba9","https://a.p4theater.top/research/hs-deff90c3b2f3ba63","https://a.p4theater.top/research/hs-e6b016e6623dc65b"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":45,"markdown":"# 附录 C：P4 生产史矩阵\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-12\n\n证据边界：本附录只整理 P4 公开文本与 Wiki 已入库来源的生产史矩阵；它不能替代影片时间码、Owner/T0 或本地 T1 证据。\n\n# 附录 C：P4 生产史矩阵\n\n本附录把 P4 公开文本、项目链和《人类投降派》论文中的[位置摄影](/research/hs-d919b577f0cd2ba9)问题接起来。它服务第三章和第十一章：P4 不是背景资料，而是电影方法的生产母体。\n\n但边界必须清楚：P4 公开文本证明的是项目自我描述、历史脉络和方法环境；具体画面、台词、人物身份、声音归属仍回到影片时间码、Owner/T0、本地 T1 和模型 T2 辅证。\n\n## C.1 生产史总链\n\n```text\n实像 / 摄影戏剧\n-> P4 长期招募与关系工程\n-> 《人类投降派》招募文\n-> Last Rehearsal / 最后的排练\n-> 公演与 P4 终章\n-> 演后回响\n-> 十年回看与从位置到关系\n-> 位置摄影论文\n```\n\n这条链说明，《人类投降派》的电影性不是从电影工业内部自然长出，而是从 P4 长期处理现场、摄影、真实、关系、排练、观众和写作的实践中被逼出来。\n\n## C.2 关键公开文本矩阵\n\n| 日期 | 来源 | 节点 | 可支持的论文判断 | 证据边界 |\n|---|---|---|---|---|\n| 2020-04-08 | [2020-04-08-p4剧场-再见自己-来-p4剧场开启一场摄影戏剧“实像”之旅!-9e05ee92](/research/hs-3c39da635bd4e8f7) | 摄影戏剧 / 实像 | P4 早已把相机放进剧场，把摄影从记录工具变成关系行动者。 | 支持生产前史，不直接证明影片镜头。 |\n| 2020-04-19 | [2020-04-19-p4剧场-“实像”前史-遇见摄影,就像命运击中了我们-a48aa4ee](/research/hs-095358ea70bd4e23) | 摄影前史 | 摄影在 P4 中承担观看、[被观看](/research/hs-bdc3e21c0c33b579)、自我显影和命运触发功能。 | 作为方法前史。 |\n| 2023-06-03 | [2023-06-03-p4剧场-这是一篇关于《人类投降派》的招募文案-7e7a17a8](/research/hs-0c843d45ac19ebfc) | 招募文 | 电影被写成诗歌、戏剧、摄影、当代艺术之后的必要出口。 | 证明项目自我叙述，不替代成片分析。 |\n| 2023-06-04 | P4 入口号招募文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 招募承接 | 双账号分工：母体定义世界，入口号把人带进世界。 | 需后续逐篇 source card。 |\n| 2023-08-14 | [2023-08-14-p4剧场-Last-Rehearsal-人类投降派之《最后的排练》-fd7409a2](/research/hs-e6b016e6623dc65b) | Last Rehearsal | “不是戏剧/不是电影”的媒介宣言，支持[少数电影](/research/hs-1a3a6e790033b220)容器判断。 | 公开文本；不等于全部创作意图。 |\n| 2023-08-18 | P4 公演文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 公演始末 | 公演被描述为戏剧表演、行为艺术、声音现场、装置等复合现场。 | 待逐篇 source card。 |\n| 2023-08-19 至 2023-08-24 | B/C/A/R/K/S/D 系列，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 参与者文本 | 表演者、记录者、声音、摄影、角色经验共同进入项目文本层。 | 待逐篇抽取，不宜过度概括。 |\n| 2023-08-25 | P4 终章公演文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 终章 / 杀青演出 | P4 终章不是结束，而是把多年关系压进电影和公演节点。 | 公开文本；与片尾归档可类比。 |\n| 2023-09-02 | 演后回响文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 演后余震 | 现场失败、救场、献祭和感谢被写作保存，说明 P4 写作是生产层。 | 涉及个人经验时公开版需谨慎。 |\n| 2024-05-12 / 05-13 | “一所生成的大学”相关文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 十年结构回看 | 《人类投降派》被放回 P4 十年生成结构。 | 后见理论化，不能倒推成唯一意图。 |\n| 2025-03-08 / 03-10 | “p4剧场，十年”相关文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） | 十年档案化 | P4 把自己理解为长期实践和档案系统。 | 支持[水晶归档](/research/hs-deff90c3b2f3ba63)/硬盘机制类比。 |\n| 2025-08-01 | [2025-08-01-p4剧场-从位置到关系-p4剧场十年实践的行动者网络拓扑学研究-e15f97ea](/research/hs-c1feea677cc227b2) | 从位置到关系 / AGT | 可作为[位置摄影](/research/hs-d919b577f0cd2ba9)的后见理论支撑：位置变化生产关系变化。 | 后出理论工具，不能直接当作拍摄时意图。 |\n\n## C.3 705 篇语料的统计入口\n\n来源总页 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 已给出宏观统计：\n\n| 维度 | 数值 | 论文用途 |\n|---|---:|---|\n| 文章总数 | 705 | 证明 P4 是长期写作和行动系统，不是单一项目。 |\n| 理论与方法 | 304 | 证明 P4 写作承担方法生产功能。 |\n| 招募与转化 | 165 | 证明“招募”是 P4 的核心生产机制。 |\n| 人类投降派系列 | 23 | 证明该片有直接公开文本谱系。 |\n| 关系命中 | 239/240 左右 | 说明 P4 长期把关系作为处理对象。 |\n| 现场命中 | 133/135 左右 | 说明 P4 以现场为发生场。 |\n| 摄影/电影/纪录相关命中 | 摄影约 139，电影约 140，纪录片约 35 | 说明电影不是突发跨媒介，而是长期媒介转译结果。 |\n\n这些数字只能作为结构性语料证据。终稿如采用，应说明统计口径、来源文件、检索方法和不确定性，避免把它写成严格社会科学定量结论。\n\n## C.4 与位置摄影的关系\n\n| P4 方法 | 在影片中如何变成[位置摄影](/research/hs-d919b577f0cd2ba9) | 对应章节 |\n|---|---|---|\n| 招募 | 人被带入一个无法只以作品身份退出的关系现场。 | 第三章 / 第十一章 |\n| 摄影戏剧 | 相机不是记录工具，而是使人被看见、尴尬和自我显影的行动者。 | 第四章 / 第五章 |\n| 排练 | 失败、停顿和动作失效不再是准备阶段，而是作品材料。 | 第五章 |\n| 公演 | 观众、流程、身体标记和导演位组成[公开观察机器](/research/hs-c8bf508be7798abe)。 | 第八章 |\n| 写作 | 招募文、演后文和十年回看把现场延长为历史与档案。 | 第十一章 |\n| 归档 | 片尾、Wiki、source card 和概念页共同构成第二现场。 | 第九章 / 第十章 |\n\n## C.5 公开版边界\n\n1. P4 公开文章可作为公开版材料，但不应堆满后台证据。\n2. Owner/T0 生产史与未公开关系材料不能借 P4 公开文本偷渡公开。\n3. P4 统计适合放入脚注或附录，不适合压过影片声画分析。\n4. AGT 和“从位置到关系”适合写成后见理论工具，不写成 2023 拍摄时的唯一意图。\n5. P4 生产史的作用是解释《人类投降派》为什么会长成这个样子，而不是替每个镜头找外部答案。\n","paragraphs":[{"id":"hs-3172ba7d4688603c#p-6f1456cef9d19a96-1","anchor":"p-6f1456cef9d19a96-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-6f1456cef9d19a96-1","kind":"h2","headingPath":["附录 C：P4 生产史矩阵"],"text":"附录 C：P4 生产史矩阵","textSha256":"1a6891d67bc55d7605289c26742f73a4ebc9c56743288be3b7484db53595a531","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-ce22c1da5b701218-1","anchor":"p-ce22c1da5b701218-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-ce22c1da5b701218-1","kind":"p","headingPath":["附录 C：P4 生产史矩阵"],"text":"本附录把 P4 公开文本、项目链和《人类投降派》论文中的 位置摄影 问题接起来。它服务第三章和第十一章：P4 不是背景资料，而是电影方法的生产母体。","textSha256":"b1420f0d6548d994a4c0dfd7617742a3a4fd5a9c5d500ada6203798a337a3c0c","links":["https://a.p4theater.top/research/hs-d919b577f0cd2ba9"],"images":[]},{"id":"hs-3172ba7d4688603c#p-c42856501a002127-1","anchor":"p-c42856501a002127-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-c42856501a002127-1","kind":"p","headingPath":["附录 C：P4 生产史矩阵"],"text":"但边界必须清楚：P4 公开文本证明的是项目自我描述、历史脉络和方法环境；具体画面、台词、人物身份、声音归属仍回到影片时间码、Owner/T0、本地 T1 和模型 T2 辅证。","textSha256":"3005af03f7a679c0c04a3cd5157e957b06f3a34283507f5819010277cc3e1a1d","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-e14543d0cb6a3da5-1","anchor":"p-e14543d0cb6a3da5-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-e14543d0cb6a3da5-1","kind":"h2","headingPath":["C.1 生产史总链"],"text":"C.1 生产史总链","textSha256":"0d5a741dac601ce6e98bb31b3ed778dadbef57bf0962894ab55c8044eb28a25d","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-79ab4043ba83a9a0-1","anchor":"p-79ab4043ba83a9a0-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-79ab4043ba83a9a0-1","kind":"pre","headingPath":["C.1 生产史总链"],"text":"实像 / 摄影戏剧\n-> P4 长期招募与关系工程\n-> 《人类投降派》招募文\n-> Last Rehearsal / 最后的排练\n-> 公演与 P4 终章\n-> 演后回响\n-> 十年回看与从位置到关系\n-> 位置摄影论文","textSha256":"df1de68d38ae612793e4c26300c2be046c9559e93b7f568352ec5bc4257d3cfc","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-60f53a04b19224aa-1","anchor":"p-60f53a04b19224aa-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-60f53a04b19224aa-1","kind":"p","headingPath":["C.1 生产史总链"],"text":"这条链说明，《人类投降派》的电影性不是从电影工业内部自然长出，而是从 P4 长期处理现场、摄影、真实、关系、排练、观众和写作的实践中被逼出来。","textSha256":"9080ea10cb2507a1b3f672bd2b9ea69ac801a2030c45ae906a3dffc9baa86f47","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-022e3abbad32f646-1","anchor":"p-022e3abbad32f646-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-022e3abbad32f646-1","kind":"h2","headingPath":["C.2 关键公开文本矩阵"],"text":"C.2 关键公开文本矩阵","textSha256":"45345c615b85d01c6898d340e9f46cd7ea7a577b5cb903d44eb3d76a5c9cea4c","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-b04e22f59caec7b9-1","anchor":"p-b04e22f59caec7b9-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-b04e22f59caec7b9-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"日期 来源 节点 可支持的论文判断 证据边界","textSha256":"e369cd69056811690f95f47ba189920cd13a1fd56f355e616d92cf7892353921","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-317c9db458842355-1","anchor":"p-317c9db458842355-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-317c9db458842355-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2020-04-08 2020-04-08-p4剧场-再见自己-来-p4剧场开启一场摄影戏剧“实像”之旅!-9e05ee92 摄影戏剧 / 实像 P4 早已把相机放进剧场，把摄影从记录工具变成关系行动者。 支持生产前史，不直接证明影片镜头。","textSha256":"049ff3545cddf2d093705a667b6b6e3e9fd03122d3703588235bf5c71620f027","links":["https://a.p4theater.top/research/hs-3c39da635bd4e8f7"],"images":[]},{"id":"hs-3172ba7d4688603c#p-74eb39612a249d5a-1","anchor":"p-74eb39612a249d5a-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-74eb39612a249d5a-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2020-04-19 2020-04-19-p4剧场-“实像”前史-遇见摄影,就像命运击中了我们-a48aa4ee 摄影前史 摄影在 P4 中承担观看、 被观看 、自我显影和命运触发功能。 作为方法前史。","textSha256":"213619fdc7d075e27a50b7f9d3c4b1f07a4cf3e00f588ba3416d6679dda52700","links":["https://a.p4theater.top/research/hs-095358ea70bd4e23","https://a.p4theater.top/research/hs-bdc3e21c0c33b579"],"images":[]},{"id":"hs-3172ba7d4688603c#p-0c282a28b022fa5b-1","anchor":"p-0c282a28b022fa5b-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-0c282a28b022fa5b-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-06-03 2023-06-03-p4剧场-这是一篇关于《人类投降派》的招募文案-7e7a17a8 招募文 电影被写成诗歌、戏剧、摄影、当代艺术之后的必要出口。 证明项目自我叙述，不替代成片分析。","textSha256":"2e6136b886ef394a32aeea7f09cc5474e569ab532f2d3885cacfd806365f6254","links":["https://a.p4theater.top/research/hs-0c843d45ac19ebfc"],"images":[]},{"id":"hs-3172ba7d4688603c#p-db0d6b4d6f51e449-1","anchor":"p-db0d6b4d6f51e449-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-db0d6b4d6f51e449-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-06-04 P4 入口号招募文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 招募承接 双账号分工：母体定义世界，入口号把人带进世界。 需后续逐篇 source card。","textSha256":"759c0974e116c48e0938a335de46faedc0573bcbf703456d1b6dccfe3b0a69bf","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-4db00124d654d797-1","anchor":"p-4db00124d654d797-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-4db00124d654d797-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-08-14 2023-08-14-p4剧场-Last-Rehearsal-人类投降派之《最后的排练》-fd7409a2 Last Rehearsal “不是戏剧/不是电影”的媒介宣言，支持 少数电影 容器判断。 公开文本；不等于全部创作意图。","textSha256":"8897241b12492c2a2a5f8ceca09782140eed840c9be5e0b8ac2a8e6c2ab9a6ee","links":["https://a.p4theater.top/research/hs-1a3a6e790033b220","https://a.p4theater.top/research/hs-e6b016e6623dc65b"],"images":[]},{"id":"hs-3172ba7d4688603c#p-706545cea1a3fc83-1","anchor":"p-706545cea1a3fc83-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-706545cea1a3fc83-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-08-18 P4 公演文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 公演始末 公演被描述为戏剧表演、行为艺术、声音现场、装置等复合现场。 待逐篇 source card。","textSha256":"1331d6293a756844877685883cf62508005be13a96c249352cc3023fa0fd2622","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-672079be2d2c5ef8-1","anchor":"p-672079be2d2c5ef8-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-672079be2d2c5ef8-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-08-19 至 2023-08-24 B/C/A/R/K/S/D 系列，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 参与者文本 表演者、记录者、声音、摄影、角色经验共同进入项目文本层。 待逐篇抽取，不宜过度概括。","textSha256":"0a852c55e55f247754157e82f352afa5b32e96e1c778aa9fe80e0cd749eab1e7","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-a219dfa66ca243b7-1","anchor":"p-a219dfa66ca243b7-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-a219dfa66ca243b7-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-08-25 P4 终章公演文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 终章 / 杀青演出 P4 终章不是结束，而是把多年关系压进电影和公演节点。 公开文本；与片尾归档可类比。","textSha256":"eef101d30c9092456798eeb33e2cdf7bce1f47d771c888d15c82d3ed96dce6d9","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-072672a7c23b2943-1","anchor":"p-072672a7c23b2943-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-072672a7c23b2943-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2023-09-02 演后回响文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 演后余震 现场失败、救场、献祭和感谢被写作保存，说明 P4 写作是生产层。 涉及个人经验时公开版需谨慎。","textSha256":"bc6810db88a879cdd69d27da5fe1db4a2e7b957f42b1614f3d5e5a1764e942aa","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-1f8a5ea1b0741cf0-1","anchor":"p-1f8a5ea1b0741cf0-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-1f8a5ea1b0741cf0-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2024-05-12 / 05-13 “一所生成的大学”相关文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 十年结构回看 《人类投降派》被放回 P4 十年生成结构。 后见理论化，不能倒推成唯一意图。","textSha256":"62af30a145e7ca17effc57836a405fc7211697785da9a14776ef54ae549eca34","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-e7383e05ffff733d-1","anchor":"p-e7383e05ffff733d-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-e7383e05ffff733d-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2025-03-08 / 03-10 “p4剧场，十年”相关文，见 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 十年档案化 P4 把自己理解为长期实践和档案系统。 支持 水晶归档 /硬盘机制类比。","textSha256":"724d673d49b70faed3e84d83930e0c0a3a655c7936e7207e098c9eb0b19f6fde","links":["https://a.p4theater.top/research/hs-deff90c3b2f3ba63"],"images":[]},{"id":"hs-3172ba7d4688603c#p-2d328bd03ad68c17-1","anchor":"p-2d328bd03ad68c17-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-2d328bd03ad68c17-1","kind":"tr","headingPath":["C.2 关键公开文本矩阵"],"text":"2025-08-01 2025-08-01-p4剧场-从位置到关系-p4剧场十年实践的行动者网络拓扑学研究-e15f97ea 从位置到关系 / AGT 可作为 位置摄影 的后见理论支撑：位置变化生产关系变化。 后出理论工具，不能直接当作拍摄时意图。","textSha256":"99d3d6d8b23e4f7429048036facaca5142860da69a4a5cbc7e5f256fd4334441","links":["https://a.p4theater.top/research/hs-c1feea677cc227b2","https://a.p4theater.top/research/hs-d919b577f0cd2ba9"],"images":[]},{"id":"hs-3172ba7d4688603c#p-794fa724bb549567-1","anchor":"p-794fa724bb549567-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-794fa724bb549567-1","kind":"h2","headingPath":["C.3 705 篇语料的统计入口"],"text":"C.3 705 篇语料的统计入口","textSha256":"14bb99e4989876fb98e16d04a6b8f20ca0298e53cc8a23770d90bf7757b28431","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-a6416d98f45fe5bb-1","anchor":"p-a6416d98f45fe5bb-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-a6416d98f45fe5bb-1","kind":"p","headingPath":["C.3 705 篇语料的统计入口"],"text":"来源总页 P4剧场网站与705篇公众号语料库-20260505（馆内参考，未随本文公开） 已给出宏观统计：","textSha256":"f58ba194feddff7021ea65f5b62f70f0fca78667fcab1bdd50af2ae83dc9f327","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-a751446445bd60a3-1","anchor":"p-a751446445bd60a3-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-a751446445bd60a3-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"维度 数值 论文用途","textSha256":"d983785077c6aa6a215eed7c299cc507080a2b5575101c4c004efa0e9593e569","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-90606ef07e4be005-1","anchor":"p-90606ef07e4be005-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-90606ef07e4be005-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"文章总数 705 证明 P4 是长期写作和行动系统，不是单一项目。","textSha256":"c3a77fd6ae7185f5239c65f91885ced91c0ddde64c90d2633a980a28db2fe309","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-bbb7edcd5c8640de-1","anchor":"p-bbb7edcd5c8640de-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-bbb7edcd5c8640de-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"理论与方法 304 证明 P4 写作承担方法生产功能。","textSha256":"a13713caba93df7ce46d0c3f90271a454f9f10c087ade687fccff8dd33084dad","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-9a1e8aa04b2ab4d0-1","anchor":"p-9a1e8aa04b2ab4d0-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-9a1e8aa04b2ab4d0-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"招募与转化 165 证明“招募”是 P4 的核心生产机制。","textSha256":"14f8d1a5d8fca2d8b5b6e3e2982e6fbb19dee6f817e45b7c10cc7e1d0c335d49","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-9b47c583353ebc84-1","anchor":"p-9b47c583353ebc84-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-9b47c583353ebc84-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"人类投降派系列 23 证明该片有直接公开文本谱系。","textSha256":"a381b644cea71d3d64cd1c5bb879b14ebf2f09ab6bd0444f7ba62e2a50768e21","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-34173c0b23503f9f-1","anchor":"p-34173c0b23503f9f-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-34173c0b23503f9f-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"关系命中 239/240 左右 说明 P4 长期把关系作为处理对象。","textSha256":"f6cdd24e2f9c35c82c1758a92bb4acdaf3dabceecd87432e922e2c2a0a516d38","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-876bdce512b8b2dc-1","anchor":"p-876bdce512b8b2dc-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-876bdce512b8b2dc-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"现场命中 133/135 左右 说明 P4 以现场为发生场。","textSha256":"2efea84088dfb44b1f4e7699bcb067ffef8bfa9d241f5a495e7d4af9e148acdc","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-a6bc3e0c7e36549a-1","anchor":"p-a6bc3e0c7e36549a-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-a6bc3e0c7e36549a-1","kind":"tr","headingPath":["C.3 705 篇语料的统计入口"],"text":"摄影/电影/纪录相关命中 摄影约 139，电影约 140，纪录片约 35 说明电影不是突发跨媒介，而是长期媒介转译结果。","textSha256":"7089961685f997587c88a2358e7e225b3c2b05ed227fefaec89caba4b1e0bda2","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-308b3622c5261f5b-1","anchor":"p-308b3622c5261f5b-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-308b3622c5261f5b-1","kind":"p","headingPath":["C.3 705 篇语料的统计入口"],"text":"这些数字只能作为结构性语料证据。终稿如采用，应说明统计口径、来源文件、检索方法和不确定性，避免把它写成严格社会科学定量结论。","textSha256":"f18ec0c78c9e5b9813a0a41af03e088bc996028469da1064bec07ae1e415095f","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-34653dc424f9521b-1","anchor":"p-34653dc424f9521b-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-34653dc424f9521b-1","kind":"h2","headingPath":["C.4 与位置摄影的关系"],"text":"C.4 与位置摄影的关系","textSha256":"a983274eefbb9f88b609eecc1b247933286ea9ca786bdec303de564ec3e65cd0","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-2dd72fdf5693dd1b-1","anchor":"p-2dd72fdf5693dd1b-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-2dd72fdf5693dd1b-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"P4 方法 在影片中如何变成 位置摄影 对应章节","textSha256":"d30c913679170a1e989146f38168b19cf0351ac30f7b364dee1224a64c9d8a57","links":["https://a.p4theater.top/research/hs-d919b577f0cd2ba9"],"images":[]},{"id":"hs-3172ba7d4688603c#p-2dce329b82364b29-1","anchor":"p-2dce329b82364b29-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-2dce329b82364b29-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"招募 人被带入一个无法只以作品身份退出的关系现场。 第三章 / 第十一章","textSha256":"a1a324d38253cff751bfb44ab239278544beed47b2346caca4fb3dfe1a00919a","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-8296ba85d61484b5-1","anchor":"p-8296ba85d61484b5-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-8296ba85d61484b5-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"摄影戏剧 相机不是记录工具，而是使人被看见、尴尬和自我显影的行动者。 第四章 / 第五章","textSha256":"e6d67993091b028be6a0bb6f526b768eb2762eb3792624b0a371564b1d2b2324","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-8bb814045c6cf8c9-1","anchor":"p-8bb814045c6cf8c9-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-8bb814045c6cf8c9-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"排练 失败、停顿和动作失效不再是准备阶段，而是作品材料。 第五章","textSha256":"1a5ca85c228012bdefc3da0c3386f66925605835c3e1e3d0d36ba688a29a0cb0","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-ec013ce15bde6eb9-1","anchor":"p-ec013ce15bde6eb9-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-ec013ce15bde6eb9-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"公演 观众、流程、身体标记和导演位组成 公开观察机器 。 第八章","textSha256":"d2efc3321bfa1fd3a1373f1cb7df877e5573254f15493f5b8bee1467660c812f","links":["https://a.p4theater.top/research/hs-c8bf508be7798abe"],"images":[]},{"id":"hs-3172ba7d4688603c#p-4422e0cc551df3b7-1","anchor":"p-4422e0cc551df3b7-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-4422e0cc551df3b7-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"写作 招募文、演后文和十年回看把现场延长为历史与档案。 第十一章","textSha256":"281efa50c58af67175427e888280241944f58102aed5f653a0c427042ba377a4","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-d32e355f7aeb5f9c-1","anchor":"p-d32e355f7aeb5f9c-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-d32e355f7aeb5f9c-1","kind":"tr","headingPath":["C.4 与位置摄影的关系"],"text":"归档 片尾、Wiki、source card 和概念页共同构成第二现场。 第九章 / 第十章","textSha256":"e3656a1fe40a93de38914a92ff550ba06514dbbf5e49303fad295fd8cd82b6fc","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-50487353dfa78dd6-1","anchor":"p-50487353dfa78dd6-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-50487353dfa78dd6-1","kind":"h2","headingPath":["C.5 公开版边界"],"text":"C.5 公开版边界","textSha256":"f03ec63c23481df74d590bc68a1ac342d83a0a4dc11a22e9a5163f0f102b0b07","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-e119ce4c18eee7a9-1","anchor":"p-e119ce4c18eee7a9-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-e119ce4c18eee7a9-1","kind":"li","headingPath":["C.5 公开版边界"],"text":"P4 公开文章可作为公开版材料，但不应堆满后台证据。","textSha256":"35a3d832c819aa254e799f187d7a4d5cb1b3e92765effa79c0da5445f7974794","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-417d5a515e819e66-1","anchor":"p-417d5a515e819e66-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-417d5a515e819e66-1","kind":"li","headingPath":["C.5 公开版边界"],"text":"Owner/T0 生产史与未公开关系材料不能借 P4 公开文本偷渡公开。","textSha256":"1cbcc80da2bef380cd2c3a31cc5206706ba66a2b9626495f9b675d90585a2e80","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-e9457041dfe6da48-1","anchor":"p-e9457041dfe6da48-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-e9457041dfe6da48-1","kind":"li","headingPath":["C.5 公开版边界"],"text":"P4 统计适合放入脚注或附录，不适合压过影片声画分析。","textSha256":"fd7a534d5463d4939b1bfcf02275ef43c606350025dc96d44b5eca8035679a0f","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-a884f21fab3e8051-1","anchor":"p-a884f21fab3e8051-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-a884f21fab3e8051-1","kind":"li","headingPath":["C.5 公开版边界"],"text":"AGT 和“从位置到关系”适合写成后见理论工具，不写成 2023 拍摄时的唯一意图。","textSha256":"a4f4cb7db76da67923c15a596eba5bec8f4d6d5025d44cd328df8221f695d349","links":[],"images":[]},{"id":"hs-3172ba7d4688603c#p-7c60917851e82f69-1","anchor":"p-7c60917851e82f69-1","url":"https://a.p4theater.top/research/hs-3172ba7d4688603c#p-7c60917851e82f69-1","kind":"li","headingPath":["C.5 公开版边界"],"text":"P4 生产史的作用是解释《人类投降派》为什么会长成这个样子，而不是替每个镜头找外部答案。","textSha256":"7acb5503a9edd4a72cb442487ed41137a29c7d7a0a25a0921517daeb9c620f59","links":[],"images":[]}]}