{"id":"hs-2fdc9147813d9fa4","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4","title":"《特写》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-2fdc9147813d9fa4-e224264d1037459502e1.md","markdownSha256":"e224264d1037459502e1ce6a8ef703fc257a47f524070e65cf48960ef85ed231","markdownBytes":4600,"characters":1691,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《特写》作为真实污染/审判/重演型强候选所需的基础事实与理论使用边界；不替代逐场面分析、伊朗电影史研究或 Kiarostami 专题研究。外部来源以 BFI、Criterion、Harvard Film Archive 等公开资料为边界。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-6adb760b5466c816","https://a.p4theater.top/research/hs-6eb164b0f025d046"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":37,"markdown":"# 《特写》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《特写》作为真实污染/审判/重演型强候选所需的基础事实与理论使用边界；不替代逐场面分析、伊朗电影史研究或 Kiarostami 专题研究。外部来源以 BFI、Criterion、Harvard Film Archive 等公开资料为边界。\n\n# 《特写》基础事实来源卡\n\n返回谱系章：[10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)  \n返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）\n\n## 来源边界\n\n本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Abbas Kiarostami《特写》（Close-Up）的基础定位：它是“真实污染型”强候选。本文只使用公开资料确认影片基本事实、真实案件/审判/重演的关系和理论使用口径，不在此页做逐场面裁决。\n\n## 已核对事实\n\n1. BFI 影片页将《特写》列为 Abbas Kiarostami 作品，并确认其英语片名 Close-Up。\n2. Criterion 影片页把《特写》定位为 Abbas Kiarostami 的重要作品，并强调它把真实事件、人物扮演自己、纪录和重演混合在一起。\n3. Criterion 文章《Close-Up: A Film of Passage》可作为理论参照：它把影片放在身份、电影欲望、真实与表演互相穿透的语境中。\n4. Harvard Film Archive 资料说明，《特写》围绕 Hossain Sabzian 冒充电影导演 Mohsen Makhmalbaf 的事件展开，并把审判、采访和重演组织进同一电影结构。\n5. 这些公开来源共同支持一个低风险判断：本片不是单纯“根据真实案件改编”，而是让真实案件、司法场景、当事人重演、电影迷身份和导演介入互相改写。\n\n## 本论文可用的事实表述\n\n可以在谱系章或附录 B 中使用以下表述：\n\n- 《特写》是 Abbas Kiarostami 电影作品，围绕 Hossain Sabzian 冒充 Mohsen Makhmalbaf 的真实事件展开。\n- 影片把真实案件、审判、采访和重演组织在一起。\n- 影片中的人物与事件并非被简单虚构化，而是在电影介入后重新获得可见性和解释框架。\n- 本片可作为现实/纪录端口递归的关键案例：真实不是被电影“再现”完毕，而是在电影、审判、重演和影迷身份之间被重新生产。\n\n## 递归分析口径\n\n本片适合承担的功能是：说明“真实材料”如何不是先在素材，而是被电影介入重新组织为伦理、身份和观看事件。\n\n最低限度的判别句为：\n\n> 《特写》不是简单记录一个骗局，而是让骗局、审判、重演和电影迷身份互相回流；当事人通过电影重新被看见，真实也通过重演变成可争辩的伦理结构。\n\n可暂定为：\n\n```text\nGen2 / Vis2 / View2\n```\n\n保守说明：这是强候选区间，但正式进入正文强案例前仍需补逐场景证据，例如审判段落、重演段落、Sabzian 影迷身份和结尾相遇如何改变观看判断。\n\n## 需要避免或谨慎处理\n\n- 不把 Sabzian 简化为“骗子”或“影迷圣徒”；论文应保留法律、阶级、电影欲望和伦理复杂性。\n- 不把纪录/虚构混合自动判为递归；必须说明混合如何改变真实、身份和观看位置。\n- 不把 Kiarostami 的作者介入浪漫化为无问题的救赎；正式写作时应加入反方解释：电影是否也在重新占有 Sabzian 的处境。\n\n## 外部来源\n\n- BFI：`https://www.bfi.org.uk/film/3b863389-5735-5b97-86c2-7e52217a7517/close-up`\n- Criterion 影片页：`https://www.criterion.com/films/1092-close-up`\n- Criterion 文章：`https://www.criterion.com/current/posts/637-close-up-a-film-of-passage`\n- Harvard Film Archive：`https://harvardfilmarchive.org/calendar/close-up-2009-10`\n\n## 相关本地资料\n\n- [2026-07-11-特写制作介入法庭争议与递归回流证据卡](/research/hs-6eb164b0f025d046)\n- 2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）\n- [10-第九章-电影递归谱系-2026-07-07](/research/hs-6adb760b5466c816)\n- 14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","paragraphs":[{"id":"hs-2fdc9147813d9fa4#p-2819a1db8cced901-1","anchor":"p-2819a1db8cced901-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-2819a1db8cced901-1","kind":"h2","headingPath":["《特写》基础事实来源卡"],"text":"《特写》基础事实来源卡","textSha256":"5ee447ce4508a7116dfea1a78d2d85e20a45e3f57b835f259ae54d9d8c2e2aca","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-eee61ac3161eda28-1","anchor":"p-eee61ac3161eda28-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-eee61ac3161eda28-1","kind":"p","headingPath":["《特写》基础事实来源卡"],"text":"返回谱系章： 10-第九章-电影递归谱系-2026-07-07 返回附录 B：14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"43f735115e064d110f05c1dde7c8cbc7460c0c0066cd64d1de5b7232e6577ade","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-91b13009b1632aed-1","anchor":"p-91b13009b1632aed-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-91b13009b1632aed-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持《电影性的递归指称机器》谱系章和附录 B 对 Abbas Kiarostami《特写》（Close-Up）的基础定位：它是“真实污染型”强候选。本文只使用公开资料确认影片基本事实、真实案件/审判/重演的关系和理论使用口径，不在此页做逐场面裁决。","textSha256":"a1b8ce6f65324205e1c9f86a2be278fd12492b1260378c9199216af99dd822f5","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-4fad7bba462529cb-1","anchor":"p-4fad7bba462529cb-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-4fad7bba462529cb-1","kind":"li","headingPath":["已核对事实"],"text":"BFI 影片页将《特写》列为 Abbas Kiarostami 作品，并确认其英语片名 Close-Up。","textSha256":"4386108ee342233047cf67f6fbaa2ee83a52ab0bffefcacac95ba25bc7ae23f8","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-12b2fe4f18de18ca-1","anchor":"p-12b2fe4f18de18ca-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-12b2fe4f18de18ca-1","kind":"li","headingPath":["已核对事实"],"text":"Criterion 影片页把《特写》定位为 Abbas Kiarostami 的重要作品，并强调它把真实事件、人物扮演自己、纪录和重演混合在一起。","textSha256":"3d709284e0df598e5d0a54fd1d0e67ec4f9367b794a6827d960d716aa76c6ac9","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-af19089fd4eed3da-1","anchor":"p-af19089fd4eed3da-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-af19089fd4eed3da-1","kind":"li","headingPath":["已核对事实"],"text":"Criterion 文章《Close-Up: A Film of Passage》可作为理论参照：它把影片放在身份、电影欲望、真实与表演互相穿透的语境中。","textSha256":"5b408fd0ab7bf3645d99839cfb793241c8303408403e22853bdb88473995d7aa","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-3a289c64706f59af-1","anchor":"p-3a289c64706f59af-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-3a289c64706f59af-1","kind":"li","headingPath":["已核对事实"],"text":"Harvard Film Archive 资料说明，《特写》围绕 Hossain Sabzian 冒充电影导演 Mohsen Makhmalbaf 的事件展开，并把审判、采访和重演组织进同一电影结构。","textSha256":"169cc2d46db41e88a323ae13718e52eb03df4319396e263fca80d5cdd743e2de","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-97fbc250c675e175-1","anchor":"p-97fbc250c675e175-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-97fbc250c675e175-1","kind":"li","headingPath":["已核对事实"],"text":"这些公开来源共同支持一个低风险判断：本片不是单纯“根据真实案件改编”，而是让真实案件、司法场景、当事人重演、电影迷身份和导演介入互相改写。","textSha256":"824289a8c53a8bb63cea606a53655a4964b10c5743f80bbe122f1cbdd0dd8b0e","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-89ea622c0bf622a7-1","anchor":"p-89ea622c0bf622a7-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-89ea622c0bf622a7-1","kind":"h2","headingPath":["本论文可用的事实表述"],"text":"本论文可用的事实表述","textSha256":"9846ed67f7b2e1da8b6e51d18bb0ff484b7e8cd61cef35a21e80d5d00783f135","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-254a99cc0422b622-1","anchor":"p-254a99cc0422b622-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-254a99cc0422b622-1","kind":"p","headingPath":["本论文可用的事实表述"],"text":"可以在谱系章或附录 B 中使用以下表述：","textSha256":"8fba1dd2bcc746bddeedb3e0ad1744688d023372ee04d8fab424d5b410aeb038","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-450f6bdf526c6152-1","anchor":"p-450f6bdf526c6152-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-450f6bdf526c6152-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"《特写》是 Abbas Kiarostami 电影作品，围绕 Hossain Sabzian 冒充 Mohsen Makhmalbaf 的真实事件展开。","textSha256":"49a9c34ab82e49eec80ce4cf01e111dc0627d6d0e38945bc0a8f15711b68d073","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-089e779967e408c5-1","anchor":"p-089e779967e408c5-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-089e779967e408c5-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"影片把真实案件、审判、采访和重演组织在一起。","textSha256":"c590bcf704cd2488290eb824ee42886a02797f13f81654c8fdc0c171e34fb112","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-fb188d07991e8fbf-1","anchor":"p-fb188d07991e8fbf-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-fb188d07991e8fbf-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"影片中的人物与事件并非被简单虚构化，而是在电影介入后重新获得可见性和解释框架。","textSha256":"6bf1466bf75b9887a601b245ee6a0265cc814919cce294f40c47155be609b9d4","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-6fe8a7dd07a0d6c5-1","anchor":"p-6fe8a7dd07a0d6c5-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-6fe8a7dd07a0d6c5-1","kind":"li","headingPath":["本论文可用的事实表述"],"text":"本片可作为现实/纪录端口递归的关键案例：真实不是被电影“再现”完毕，而是在电影、审判、重演和影迷身份之间被重新生产。","textSha256":"ea2a38a99fb0ae2e7ddca53e132f79c87f256eeb8e9b2f26975abba5cf2bbf52","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-cb9b490f1e138bb1-1","anchor":"p-cb9b490f1e138bb1-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-cb9b490f1e138bb1-1","kind":"h2","headingPath":["递归分析口径"],"text":"递归分析口径","textSha256":"1069c2af6d13268d03d266206067b6f8087bf7f6bbf438b4120ba0baf096d52b","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-9b67fcee03035bd1-1","anchor":"p-9b67fcee03035bd1-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-9b67fcee03035bd1-1","kind":"p","headingPath":["递归分析口径"],"text":"本片适合承担的功能是：说明“真实材料”如何不是先在素材，而是被电影介入重新组织为伦理、身份和观看事件。","textSha256":"b89060e7a4c31dd7f5c6f91ca9beeff6c9f1378e637fe2610bac0a2cd9d78be9","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-0243eb1b26d29f9c-1","anchor":"p-0243eb1b26d29f9c-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-0243eb1b26d29f9c-1","kind":"p","headingPath":["递归分析口径"],"text":"最低限度的判别句为：","textSha256":"4c265dca5f0c659ff2b1aa932ac3f44e55aabc5267390be862fedac92087edd9","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-a2104ae07f804455-1","anchor":"p-a2104ae07f804455-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-a2104ae07f804455-1","kind":"p","headingPath":["递归分析口径"],"text":"《特写》不是简单记录一个骗局，而是让骗局、审判、重演和电影迷身份互相回流；当事人通过电影重新被看见，真实也通过重演变成可争辩的伦理结构。","textSha256":"93eca3e9a4457862209d10cc082a10920bd68abde85117b04b45e8699838c96d","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-a4f55de67f7abb2f-1","anchor":"p-a4f55de67f7abb2f-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-a4f55de67f7abb2f-1","kind":"p","headingPath":["递归分析口径"],"text":"可暂定为：","textSha256":"70f3bd03146dbca587cb85c8ca95b6c7f98aa8c05be4b56763d21a1672bdfc9d","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-55c2a6a8c2057133-1","anchor":"p-55c2a6a8c2057133-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-55c2a6a8c2057133-1","kind":"pre","headingPath":["递归分析口径"],"text":"Gen2 / Vis2 / View2","textSha256":"55131ce83280c5269a8d5d246c87aa552dd127e749b61496966b5537b1d07bed","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-d9fab9fb49e32ae1-1","anchor":"p-d9fab9fb49e32ae1-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-d9fab9fb49e32ae1-1","kind":"p","headingPath":["递归分析口径"],"text":"保守说明：这是强候选区间，但正式进入正文强案例前仍需补逐场景证据，例如审判段落、重演段落、Sabzian 影迷身份和结尾相遇如何改变观看判断。","textSha256":"493473700ccd05d85185409451fc7650c72f87560ba973371cc4a2677be651c7","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-b60406ea3d70f720-1","anchor":"p-b60406ea3d70f720-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-b60406ea3d70f720-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把 Sabzian 简化为“骗子”或“影迷圣徒”；论文应保留法律、阶级、电影欲望和伦理复杂性。","textSha256":"92a105ef28d5c80a23421f07b54e81f3e72d0f74ea740f957d71225a1924985c","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-2db0d307ead2b9af-1","anchor":"p-2db0d307ead2b9af-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-2db0d307ead2b9af-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把纪录/虚构混合自动判为递归；必须说明混合如何改变真实、身份和观看位置。","textSha256":"e4aef38ae0f08826a86306ae42ce94f6b47f981b6072282a764f5927d9ab53f1","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-e79f342fbd367e1c-1","anchor":"p-e79f342fbd367e1c-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-e79f342fbd367e1c-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把 Kiarostami 的作者介入浪漫化为无问题的救赎；正式写作时应加入反方解释：电影是否也在重新占有 Sabzian 的处境。","textSha256":"446068befdb771b6e8647eaedc93bcb6622902c7e3f65f774afadfac0fab6005","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-f3947e4194b7ef08-1","anchor":"p-f3947e4194b7ef08-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-f3947e4194b7ef08-1","kind":"li","headingPath":["外部来源"],"text":"BFI： https://www.bfi.org.uk/film/3b863389-5735-5b97-86c2-7e52217a7517/close-up","textSha256":"a695040c47a4135ee0c4688adbfe1a0fbcdbf8733f5890d3c9096c46759d0ca4","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-239c77a775b673ec-1","anchor":"p-239c77a775b673ec-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-239c77a775b673ec-1","kind":"li","headingPath":["外部来源"],"text":"Criterion 影片页： https://www.criterion.com/films/1092-close-up","textSha256":"5005fb4310696fdc274c776984aaccdfd83e861e4a141cca7caa658a5091a5d1","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-56bcb01a20a81537-1","anchor":"p-56bcb01a20a81537-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-56bcb01a20a81537-1","kind":"li","headingPath":["外部来源"],"text":"Criterion 文章： https://www.criterion.com/current/posts/637-close-up-a-film-of-passage","textSha256":"6bc51584caed07fb730a9e0803be46ba8c17631d1b3dbc28703c887fd758f207","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-02ea0e8827e29048-1","anchor":"p-02ea0e8827e29048-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-02ea0e8827e29048-1","kind":"li","headingPath":["外部来源"],"text":"Harvard Film Archive： https://harvardfilmarchive.org/calendar/close-up-2009-10","textSha256":"8363f69661dcf583577aa5c710b1447872229777c69fe5cce8423c3c41b18e98","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-0b4b1ba3fc5046f8-1","anchor":"p-0b4b1ba3fc5046f8-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-0b4b1ba3fc5046f8-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-11-特写制作介入法庭争议与递归回流证据卡","textSha256":"12704c46c05ae854b1b569889587b5619458f0999b5bc9c1e25738bfb1ee83b1","links":["https://a.p4theater.top/research/hs-6eb164b0f025d046"],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-2c1be2a89f5a5519-1","anchor":"p-2c1be2a89f5a5519-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-2c1be2a89f5a5519-1","kind":"li","headingPath":["相关本地资料"],"text":"2026-07-07-电影递归谱系参考来源索引（馆内参考，未随本文公开）","textSha256":"16e52830e95df62a6b451ca32bb07a6d62f83dd68e55de9ef68762f494817d0f","links":[],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-7359012f906c0f5a-1","anchor":"p-7359012f906c0f5a-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-7359012f906c0f5a-1","kind":"li","headingPath":["相关本地资料"],"text":"10-第九章-电影递归谱系-2026-07-07","textSha256":"8f852b9be6482e8f212f142689ec4f4ab2e65545858dfeb8a8d756d39cb3618b","links":["https://a.p4theater.top/research/hs-6adb760b5466c816"],"images":[]},{"id":"hs-2fdc9147813d9fa4#p-6d499ee373315dbc-1","anchor":"p-6d499ee373315dbc-1","url":"https://a.p4theater.top/research/hs-2fdc9147813d9fa4#p-6d499ee373315dbc-1","kind":"li","headingPath":["相关本地资料"],"text":"14-附录B-四十七部候选案例账本-2026-07-07（馆内参考，未随本文公开）","textSha256":"ca15b0e6c557260552590264a2bc899a528cee994d8ed24617a9eb208d8e407a","links":[],"images":[]}]}