{"id":"hs-1ff254b4563b8722","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722","title":"V10 引导 MiMo 全片声画证据总账","kind":"research_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"声画与理论笔记","series":"声画与理论笔记","sourceVersionDate":"2026-05-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-1ff254b4563b8722.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-1ff254b4563b8722-7b41a21d8b8c1cc3033f.md","markdownSha256":"7b41a21d8b8c1cc3033f42241862dd8e24d8db438f94b252e64261fe123b4558","markdownBytes":10571,"characters":4866,"sourceEvidenceTier":"T2_MIMO_AUDIOVISUAL_CANDIDATE","sourceStatus":"active","evidenceBoundary":"本页为历史研究资料的公开版本。原始文件未单列 source_rule；此说明仅补充公开阅读边界，不构成对原文事实、模型判断或人物解释的新认证。请结合原文来源、日期、校正与不确定性阅读。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-23c2dec5963ea385","https://a.p4theater.top/research/hs-3ece1db3a7e175d4","https://a.p4theater.top/research/hs-5178d3fce29ee8a6","https://a.p4theater.top/research/hs-551a251d8c92edd0","https://a.p4theater.top/research/hs-648c68ef46701f9b","https://a.p4theater.top/research/hs-91555ddaa6354c17","https://a.p4theater.top/research/hs-9326395a2b22a220","https://a.p4theater.top/research/hs-bda08145ee0ba578","https://a.p4theater.top/research/hs-bdc3e21c0c33b579","https://a.p4theater.top/research/hs-dd7167f92e4ce25e","https://a.p4theater.top/research/hs-e0e96b54e2ee762b","https://a.p4theater.top/research/hs-e7c58710be9aedd3"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":125,"markdown":"# V10 引导 MiMo 全片声画证据总账\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-07\n\n证据边界：本页为历史研究资料的公开版本。原始文件未单列 source_rule；此说明仅补充公开阅读边界，不构成对原文事实、模型判断或人物解释的新认证。请结合原文来源、日期、校正与不确定性阅读。\n\n# V10 引导 MiMo 全片声画证据总账\n\n这页是 V10 定轨之后的 MiMo 声画复扫总账。它只记录 T2 视听候选证据：镜头、声音、空间、动作、材质、观众、字幕和片尾系统如何在 V10 已确认台词之外继续说话。\n\n## 运行总览\n\n| 项目 | 数量 |\n| --- | --- |\n| 全片 V10 窗口 | 105 |\n| 成功报告 | 105 |\n| 失败/待跑 | 0/0 |\n| 原始 evidence cards | 1051 |\n| 报告模式 | deep-film 95, formal-safe 9, micro-composite 1 |\n\n## 章节密度\n\n| 章节 | 窗口 | 证据卡 | V10 台词角色前三 |\n| --- | --- | --- | --- |\n| 公演前游戏阈值 | 40 | 408 | 黄蒙/阿蒙 385, 子丑 231, 孙甲瑞 130 |\n| Part3 认出/水/剧场 | 17 | 176 | Ricky 120, 子丑 119, 孙甲瑞 71 |\n| 公演 I | 9 | 91 | Ricky 113, 黄蒙/阿蒙 91, 子丑 56 |\n| 公演 II | 8 | 82 | 黄蒙/阿蒙 63, 孙甲瑞 40, 子丑 27 |\n| Part2 月亮/颜色/第四幕 | 7 | 80 | 孙甲瑞 84, 黄蒙/阿蒙 50, 子丑 25 |\n| Part1 爱情修补/[漂亮链条](/research/hs-648c68ef46701f9b) | 8 | 75 | 子丑 40, 黄蒙/阿蒙 37, 孙甲瑞 33 |\n| 尾声/散场/归档 | 8 | 69 | 黄蒙/阿蒙 56, 子丑 31, 孙甲瑞 19 |\n| 开场排练三角 | 5 | 44 | 子丑 19, 黄蒙/阿蒙 5, 孙甲瑞 5 |\n| Part2-Part3 过桥 | 3 | 26 | 黄蒙/阿蒙 33, 孙甲瑞 14, 子丑 4 |\n\n## 证据类型\n\n| 类型 | 出现次数 |\n| --- | --- |\n| visual | 596 |\n| relation | 425 |\n| audio | 416 |\n| action | 413 |\n| space | 270 |\n| symbol | 166 |\n| text | 141 |\n| other | 13 |\n\n## 关键词热区\n\n| 关键词 | 证据卡命中 |\n| --- | --- |\n| 系统 | 258 |\n| 子丑 | 246 |\n| 身体 | 177 |\n| 空间 | 170 |\n| 阿蒙 | 165 |\n| 甲瑞 | 149 |\n| 镜头 | 140 |\n| 手 | 131 |\n| 声音 | 123 |\n| Ricky | 106 |\n| 剧场 | 91 |\n| 调度 | 87 |\n| 操作 | 65 |\n| 观众 | 64 |\n| 画外 | 62 |\n| 公演 | 60 |\n| 记录 | 58 |\n| 灯 | 42 |\n| 塑料布 | 42 |\n| 沉默 | 38 |\n\n## 角色台词底盘\n\n| V10 角色 | 全片台词行计数 |\n| --- | --- |\n| 黄蒙/阿蒙 | 751 |\n| 子丑 | 552 |\n| 孙甲瑞 | 429 |\n| Ricky | 278 |\n| 何发 | 23 |\n| 画外/装置声 | 21 |\n| 观众群 | 6 |\n| 恽剑辉 | 3 |\n| 多人重叠 | 1 |\n\n## 高密度窗口\n\n| 证据卡 | 时间码 | 章节 | 窗口 |\n| --- | --- | --- | --- |\n| 19 | 00:19:30.000-00:21:00.000 | Part2 月亮/颜色/第四幕 | `v10-014-0019m30s-0021m00s-part2-moon-color-fourth-act` |\n| 17 | 00:40:30.000-00:42:00.000 | Part3 认出/水/剧场 | `v10-028-0040m30s-0042m00s-part3-recognition-water-theatre` |\n| 16 | 01:16:30.000-01:18:00.000 | 公演前游戏阈值 | `v10-052-0076m30s-0078m00s-preperformance-game-threshold` |\n| 16 | 02:19:30.000-02:21:00.000 | 公演 II | `v10-094-0139m30s-0141m00s-public-performance-ii` |\n| 16 | 02:34:30.000-02:36:00.000 | 尾声/散场/归档 | `v10-104-0154m30s-0156m00s-final-performance-aftermath` |\n| 15 | 00:49:30.000-00:51:00.000 | Part3 认出/水/剧场 | `v10-034-0049m30s-0051m00s-part3-recognition-water-theatre` |\n| 15 | 01:00:00.000-01:01:30.000 | 公演前游戏阈值 | `v10-041-0060m00s-0061m30s-preperformance-game-threshold` |\n| 15 | 01:07:30.000-01:09:00.000 | 公演前游戏阈值 | `v10-046-0067m30s-0069m00s-preperformance-game-threshold` |\n| 15 | 01:30:00.000-01:31:30.000 | 公演前游戏阈值 | `v10-061-0090m00s-0091m30s-preperformance-game-threshold` |\n| 15 | 01:40:30.000-01:42:00.000 | 公演前游戏阈值 | `v10-068-0100m30s-0102m00s-preperformance-game-threshold` |\n| 15 | 02:15:00.000-02:16:30.000 | 公演 II | `v10-091-0135m00s-0136m30s-public-performance-ii` |\n| 13 | 00:09:00.000-00:10:30.000 | Part1 爱情修补/[漂亮链条](/research/hs-648c68ef46701f9b) | `v10-007-0009m00s-0010m30s-part1-love-repair-beauty` |\n\n## 初步判断\n\n1. 公演前阈值段是全片证据最密的区域。它不是公演前的“等待”，而是把身体、声音、塑料布、观众、游戏规则、情绪指令和装置空间安装成系统的阶段。\n2. 第三部分的水/鱼缸/剧场段是机制的概念化区域。这里的水、鱼缸、镜子、眼睛、身体触摸和剧场理论，让“人”开始被改写成可[被观看](/research/hs-bdc3e21c0c33b579)、可被验证、可被记录的介质。\n3. 公演段不是单纯高潮，而是一次公开运行测试。观众不是背景，而是让说话权失去私人性质的现场机器。\n4. 尾声把口语权移交给字幕、数字、名单、标志和低频声场。片尾不是结束，而是系统完成归档。\n\n## 证据样本\n\n| ID | 窗口时间码 | 章节 | 类型 | 证据卡 |\n| --- | --- | --- | --- | --- |\n| MIMO-V10-CARD-0001 | 00:00:00.000-00:01:30.000 | 开场排练三角 | visual/symbol | **00:00-00:03** \\| visual \\| 巨大静态数字“0”占据画面中心，背景全黑。 \\| **符号系统/初始状态** \\| 置信度：高 |\n| MIMO-V10-CARD-0015 | 00:01:30.000-00:03:00.000 | 开场排练三角 | visual/action/relation | Timecode: 01:37.900 / Type: action / Observation: 黄蒙身体前倾，头部微颤，喊出“你滚啊”，视觉上强化了拒绝的力度。 / Concept: 话语机制 - 操作 (Operating) / Confidence: High |\n| MIMO-V10-CARD-0007 | 00:00:00.000-00:01:30.000 | 开场排练三角 | audio | **00:50-01:30** \\| audio \\| 背景声音中逐渐加入有节奏的低沉电子嗡鸣/合成器音效。 \\| **声音设计/氛围强化** \\| 置信度：高 |\n| MIMO-V10-CARD-0032 | 00:03:00.000-00:04:30.000 | 开场排练三角 | visual/relation | **[00:04:00] Visual:** 画面中摄影机镜头的反光清晰可见，直接指向观众（主镜头）。**观察：** 打破第四堵墙的暗示，强调[被观看](/research/hs-bdc3e21c0c33b579)性。**支持概念：** 公演、元电影。**置信度：** 中。 |\n| MIMO-V10-CARD-0574 | 01:24:00.000-01:25:30.000 | 公演前游戏阈值 | audio/visual/space/action/relation/symbol | 01:24:00-01:25:30 \\| visual \\| 固定低机位，反光地面占据画面下半部，反射出前景人物和中景装置 \\| 视角/空间调度 \\| 高 / 01:24:00-01:25:30 \\| visual \\| 背景为透光白色塑料布，褶皱形成内部空间肌理 \\| 装置/材料 \\| 中 / 01:24:16… |\n| MIMO-V10-CARD-0392 | 00:58:30.000-01:00:00.000 | Part3 认出/水/剧场 | action/relation/symbol | \\| E-01 \\| 00:59:00 \\| Action \\| 子丑双手旋转一个红色的阀门/旋钮装置，而非调节灯光台。 \\| 仪器的操作/具象化指涉 \\| High \\| |\n| MIMO-V10-CARD-0017 | 00:01:30.000-00:03:00.000 | 开场排练三角 | audio/relation | Timecode: 02:04.566 / Type: audio / Observation: 孙甲瑞在沉默数秒后，以极低沉、平稳的语调说出“我爱你”，无情感起伏。 / Concept: 话语机制 - 判定 (Judging) / Confidence: High |\n| MIMO-V10-CARD-0002 | 00:00:00.000-00:01:30.000 | 开场排练三角 | audio/text | **00:03-00:04** \\| audio \\| 背景持续低频嗡嗡声中，出现清晰人声台词“你怎么来了”。 \\| **声场环境/说话权启动** \\| 置信度：高 |\n| MIMO-V10-CARD-0003 | 00:00:00.000-00:01:30.000 | 开场排练三角 | visual/action/symbol | **00:04-00:06** \\| visual/action \\| 数字“0”透明化，阿蒙面部影像从中浮现，位于画面中央，直视镜头。 \\| **人物与系统符号绑定/表演开始** \\| 置信度：高 |\n| MIMO-V10-CARD-0004 | 00:00:00.000-00:01:30.000 | 开场排练三角 | action/relation/text | **00:06-00:56** \\| action/relation \\| 阿蒙说完台词后，维持长达50秒的静止凝视，面部无明显表情变化。 \\| **表演性静止/受验状态** \\| 置信度：高 |\n\n## 使用纪律\n\n这些卡片可以支撑声画分析，但不能覆盖 V10/Owner 的人工说话人裁决。遇到身份、因果和创作意图判断时，必须回到人工确信、正片时间码和可复核材料。\n\n## 相关\n\n- - 2026-05-06-V10引导MiMo全片复扫工程（馆内参考，未随本文公开）\n- - [V10引导MiMo全片复扫合成-2026-05-06](/research/hs-9326395a2b22a220)\n- - [人工确信最高优先级](/research/hs-e0e96b54e2ee762b)\n- - 程序接手（馆内参考，未随本文公开）\n- - [说话权被系统接管](/research/hs-23c2dec5963ea385)\n\n## 相关页面\n\n- MiMo解释能力校准-2026-05-07（馆内参考，未随本文公开）\n- [从头到尾滚雪球式全片理解-2026-05-07](/research/hs-bda08145ee0ba578)\n- [全片90秒微时间线-好奇心重看底稿-2026-05-07](/research/hs-e7c58710be9aedd3)\n- [全片声音-沉默-画外装置图谱-2026-05-07](/research/hs-551a251d8c92edd0)\n- [公演I-II与尾声MiMo复扫合成](/research/hs-5178d3fce29ee8a6)\n- [公演前阈值106到120分钟复扫合成](/research/hs-dd7167f92e4ce25e)\n- 01-巴赞-现实没有被解释完（馆内参考，未随本文公开）\n- 02-凯尔-别急着把它供起来（馆内参考，未随本文公开）\n- 03-伊伯特-它懂人但不总是照顾观众（馆内参考，未随本文公开）\n- 04-萨里斯-作者不是一个人（馆内参考，未随本文公开）\n- 05-法伯-电影藏在脚边（馆内参考，未随本文公开）\n- 06-艾吉-看见不等于拥有（馆内参考，未随本文公开）\n- 07-达内-影像在传递中变形（馆内参考，未随本文公开）\n- 08-特吕弗-反优质电影的现场论战（馆内参考，未随本文公开）\n- 09-哈斯凯尔-照顾劳动与女性位置（馆内参考，未随本文公开）\n- 10-罗森鲍姆-谁能看见这部电影（馆内参考，未随本文公开）\n- 14-声画一手复扫与十篇重写底盘（馆内参考，未随本文公开）\n- 15-第一人称拟态与MiMo全片观看底盘（馆内参考，未随本文公开）\n- 2026-05-17-v1-接手前第一人称证据账本版（馆内参考，未随本文公开）\n- 2026-05-17-v2-发布版声画顺序稿（馆内参考，未随本文公开）\n- [复杂图表总集-2026-05-07](/research/hs-3ece1db3a7e175d4)\n- [镜头语言系统分析-2026-05-07](/research/hs-91555ddaa6354c17)","paragraphs":[{"id":"hs-1ff254b4563b8722#p-1a669144da35822c-1","anchor":"p-1a669144da35822c-1","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722#p-1a669144da35822c-1","kind":"h2","headingPath":["V10 引导 MiMo 全片声画证据总账"],"text":"V10 引导 MiMo 全片声画证据总账","textSha256":"9f42bd4e970898e8f177ce2c44019468af6b76ba1a86ce425c815e6d68e9a432","links":[],"images":[]},{"id":"hs-1ff254b4563b8722#p-4c3deb856306441b-1","anchor":"p-4c3deb856306441b-1","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722#p-4c3deb856306441b-1","kind":"p","headingPath":["V10 引导 MiMo 全片声画证据总账"],"text":"这页是 V10 定轨之后的 MiMo 声画复扫总账。它只记录 T2 视听候选证据：镜头、声音、空间、动作、材质、观众、字幕和片尾系统如何在 V10 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High","textSha256":"cdb28fd90999fe7ea91aad03acc85d4d3c0fe4b4bb25fbf00503440148691569","links":[],"images":[]},{"id":"hs-1ff254b4563b8722#p-d21d35e45da1a1a0-1","anchor":"p-d21d35e45da1a1a0-1","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722#p-d21d35e45da1a1a0-1","kind":"tr","headingPath":["证据样本"],"text":"MIMO-V10-CARD-0007 00:00:00.000-00:01:30.000 开场排练三角 audio 00:50-01:30 | audio | 背景声音中逐渐加入有节奏的低沉电子嗡鸣/合成器音效。 | 声音设计/氛围强化 | 置信度：高","textSha256":"b332121913d2690985b84ccd5ce827f506c94155ecef70e4bd44e44a40ca7ed0","links":[],"images":[]},{"id":"hs-1ff254b4563b8722#p-4ae60d5421df84cd-1","anchor":"p-4ae60d5421df84cd-1","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722#p-4ae60d5421df84cd-1","kind":"tr","headingPath":["证据样本"],"text":"MIMO-V10-CARD-0032 00:03:00.000-00:04:30.000 开场排练三角 visual/relation [00:04:00] Visual: 画面中摄影机镜头的反光清晰可见，直接指向观众（主镜头）。 观察： 打破第四堵墙的暗示，强调 被观看 性。 支持概念： 公演、元电影。 置信度： 中。","textSha256":"cd794551f3606b81897c25068a90710aaaec0579ee0c65edb1a58ba97392da36","links":["https://a.p4theater.top/research/hs-bdc3e21c0c33b579"],"images":[]},{"id":"hs-1ff254b4563b8722#p-10e738d44c44aa5c-1","anchor":"p-10e738d44c44aa5c-1","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722#p-10e738d44c44aa5c-1","kind":"tr","headingPath":["证据样本"],"text":"MIMO-V10-CARD-0574 01:24:00.000-01:25:30.000 公演前游戏阈值 audio/visual/space/action/relation/symbol 01:24:00-01:25:30 | visual | 固定低机位，反光地面占据画面下半部，反射出前景人物和中景装置 | 视角/空间调度 | 高 / 01:24:00-01:25:30 | visual | 背景为透光白色塑料布，褶皱形成内部空间肌理 | 装置/材料 | 中 / 01:24:16…","textSha256":"2947cef441b682a289884a6e8ae4ac9657e7d87d70b48dda7e72263087ede1f4","links":[],"images":[]},{"id":"hs-1ff254b4563b8722#p-76106714b6d1e3e3-1","anchor":"p-76106714b6d1e3e3-1","url":"https://a.p4theater.top/research/hs-1ff254b4563b8722#p-76106714b6d1e3e3-1","kind":"tr","headingPath":["证据样本"],"text":"MIMO-V10-CARD-0392 00:58:30.000-01:00:00.000 Part3 认出/水/剧场 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