{"id":"hs-1bd90d0039cf37d2","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2","title":"《这不是一部电影》基础事实来源卡","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"来源与校正记录","series":"FilmTheory","sourceVersionDate":"2026-07-07","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-1bd90d0039cf37d2-50d36f980fa19a7e9946.md","markdownSha256":"50d36f980fa19a7e99467d646692dc9fbb9f95b1b824e6700a6f2f3d42f4a5bf","markdownBytes":4436,"characters":1723,"sourceEvidenceTier":"T1_PUBLIC_SOURCE_SUMMARY","sourceStatus":"active","evidenceBoundary":"本页只沉淀《这不是一部电影》案例章所需的基础事实来源；不替代正式逐镜/逐场景文本证据。外部来源以 Cannes / AFI / BFI 等公开资料为主，避免未经核实的轶事细节进入正文。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-0401a7b2038ad50e","https://a.p4theater.top/research/hs-210b1e85e4263dbe","https://a.p4theater.top/research/hs-46f2710736b4a496","https://a.p4theater.top/research/hs-5e4c58b85359491a","https://a.p4theater.top/research/hs-d50347645791033b","https://a.p4theater.top/research/hs-dd5334beb2affa1d","https://a.p4theater.top/research/hs-fed2079f3179f156"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":32,"markdown":"# 《这不是一部电影》基础事实来源卡\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-07-07\n\n证据边界：本页只沉淀《这不是一部电影》案例章所需的基础事实来源；不替代正式逐镜/逐场景文本证据。外部来源以 Cannes / AFI / BFI 等公开资料为主，避免未经核实的轶事细节进入正文。\n\n# 《这不是一部电影》基础事实来源卡\n\n返回案例章：[07-第六章-案例一-这不是一部电影-2026-07-06](/research/hs-dd5334beb2affa1d)  \n返回融合重构版案例章：[07-第六章-案例一-这不是一部电影-2026-07-07](/research/hs-fed2079f3179f156)\n\n返回融合重构版结论：[11-结论-电影性的递归指称机器-2026-07-07](/research/hs-0401a7b2038ad50e)\n\n## 来源边界\n\n本页用于支持论文第六章对《这不是一部电影》（In Film Nist / This Is Not a Film）的基础事实说明。它只沉淀案例分析必要事实，不做影片逐镜头事实裁决。\n\n## 已核对事实\n\n1. Festival de Cannes 2011 官方页面将《这不是一部电影》列为 Jafar Panahi 与 Mojtaba Mirtahmasb 相关作品，并称其为 Special Screening；该页说明影片记录一位伊朗电影人在等待判决期间的日常处境。\n2. Cannes 页面说明：Panahi 与 Mohammad Rasoulof 于 2010 年 3 月被捕；随后被判六年监禁，并被禁止拍电影和出国二十年；二人均已上诉。\n3. Cannes 页面还记录了影片自身的悖论：Panahi 被禁止拍电影，但这部作品正是在这个条件下出现；该页引用两位电影人给 Cannes 的信，强调电影的揭示性力量能够把限制转化为艺术材料。\n4. AFI Silver / Kino Lorber 说明页称该片部分由 iPhone 拍摄，并以 flash drive 方式被带到法国，作为 2011 Cannes Film Festival 的临时提交；影片呈现 Panahi 在德黑兰公寓中处于 house arrest 期间的日常生活。\n5. AFI 页面列出影片为 Iran, 2011，并标注 Jafar Panahi 与 Mojtaba Mirtahmasb 的导演关系，片长约 78 分钟。\n6. BFI / Sight and Sound 2025 访谈背景页把该片放入 Panahi 在禁令期间持续创作的序列中，称 2010 年 house arrest 与二十年电影制作/剧本写作禁令直接启发了 2011 年《这不是一部电影》。\n\n## 本章可用的事实表述\n\n可以在论文正文中使用以下低风险表述：\n\n- 《这不是一部电影》由 Jafar Panahi 与 Mojtaba Mirtahmasb 共同完成 / 相关署名。\n- 影片产生于 Panahi 被禁拍、被限制行动并等待上诉结果的处境中。\n- 影片主要围绕 Panahi 在德黑兰公寓中的等待、通话、讨论创作与日常行动展开。\n- 影片以数字摄像 / 手机影像等轻便记录方式构成自己的显现条件。\n- 影片被送至 Cannes 2011 放映；正文可说“以 flash drive 方式被带到法国 / Cannes”，但暂不把“藏在蛋糕里”写成确定事实。\n\n## 需要避免或谨慎处理\n\n- “藏在蛋糕里”是流传很广的说法，但不同资料存在口径差异；论文正文除非另建专门证据页，不把它当作核心事实。\n- 不把影片政治事实展开成伊朗政治史综述；本章只使用它来分析电影条件如何回流。\n- 不把影片等同于单纯抗议文本；本章重点是电影形式如何把禁令、作者处境、数字装置和观看判断转化为结构。\n\n## 外部来源\n\n- Festival de Cannes：`https://www.festival-cannes.com/en/2011/in-film-nist-this-is-not-a-film-by-jafar-panahi/`\n- AFI Silver：`https://silver.afi.com/movies/detail/0100005401/`\n- BFI / Sight and Sound：`https://www.bfi.org.uk/sight-and-sound/interviews/enemy-state-jafar-panahi-it-was-just-accident`\n\n## 相关本地资料\n\n- [递归指称机器符号系统与概念阶梯修订-2026-07-06](/research/hs-5e4c58b85359491a)\n- [递归电影三轴九格矩阵-2026-07-06](/research/hs-210b1e85e4263dbe)\n- [递归电影判别法2-条件显现与观看闭合-2026-07-06](/research/hs-d50347645791033b)\n- [递归指称机器论文电影本位收束-2026-07-06](/research/hs-46f2710736b4a496)","paragraphs":[{"id":"hs-1bd90d0039cf37d2#p-6d44b858f2816812-1","anchor":"p-6d44b858f2816812-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-6d44b858f2816812-1","kind":"h2","headingPath":["《这不是一部电影》基础事实来源卡"],"text":"《这不是一部电影》基础事实来源卡","textSha256":"8cd1e7aceb6a5cf0abd3c42ebd4bedbf5d08336037e626d5fe66119ca400a80f","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-ff1615128b393788-1","anchor":"p-ff1615128b393788-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-ff1615128b393788-1","kind":"p","headingPath":["《这不是一部电影》基础事实来源卡"],"text":"返回案例章： 07-第六章-案例一-这不是一部电影-2026-07-06 返回融合重构版案例章： 07-第六章-案例一-这不是一部电影-2026-07-07","textSha256":"65501ec9ebef36ee58a59271b4ca46ac5fb0763e444b7b5b29fb3f9a43065923","links":["https://a.p4theater.top/research/hs-dd5334beb2affa1d","https://a.p4theater.top/research/hs-fed2079f3179f156"],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-a910feea64408579-1","anchor":"p-a910feea64408579-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-a910feea64408579-1","kind":"p","headingPath":["《这不是一部电影》基础事实来源卡"],"text":"返回融合重构版结论： 11-结论-电影性的递归指称机器-2026-07-07","textSha256":"5952df0babd4b964f29c750c82fbfd1008c77be9f57324c4c30a49caea9bfe27","links":["https://a.p4theater.top/research/hs-0401a7b2038ad50e"],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-9bfbbce9ab305ab1-1","anchor":"p-9bfbbce9ab305ab1-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-9bfbbce9ab305ab1-1","kind":"h2","headingPath":["来源边界"],"text":"来源边界","textSha256":"374b920f7149a8831007810500a17b3a659321e2f4f5ad4243430b7aeac211d6","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-3e7712b7f48d5933-1","anchor":"p-3e7712b7f48d5933-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-3e7712b7f48d5933-1","kind":"p","headingPath":["来源边界"],"text":"本页用于支持论文第六章对《这不是一部电影》（In Film Nist / This Is Not a Film）的基础事实说明。它只沉淀案例分析必要事实，不做影片逐镜头事实裁决。","textSha256":"9c6d9d16f3c33b121d60e1525c4ea480a4862926262143eaf6a0d888216a8e5c","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-1021fb0d4b45520e-1","anchor":"p-1021fb0d4b45520e-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-1021fb0d4b45520e-1","kind":"h2","headingPath":["已核对事实"],"text":"已核对事实","textSha256":"b8e11c88e2716f6457288eee4e2460464a284462a2019a03ad0b529b8626c657","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-cf00b567f1d21571-1","anchor":"p-cf00b567f1d21571-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-cf00b567f1d21571-1","kind":"li","headingPath":["已核对事实"],"text":"Festival de Cannes 2011 官方页面将《这不是一部电影》列为 Jafar Panahi 与 Mojtaba Mirtahmasb 相关作品，并称其为 Special Screening；该页说明影片记录一位伊朗电影人在等待判决期间的日常处境。","textSha256":"befbec2de4ac8617d039df6073923ba58d43abc7af8563318cc5775f9d5de314","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-bd7926ee140ae109-1","anchor":"p-bd7926ee140ae109-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-bd7926ee140ae109-1","kind":"li","headingPath":["已核对事实"],"text":"Cannes 页面说明：Panahi 与 Mohammad Rasoulof 于 2010 年 3 月被捕；随后被判六年监禁，并被禁止拍电影和出国二十年；二人均已上诉。","textSha256":"4a315fe5471ccebd8e0abe3dd19f6bbbc3cca33b88088c35efc62f3254894675","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-a2098f6368876e31-1","anchor":"p-a2098f6368876e31-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-a2098f6368876e31-1","kind":"li","headingPath":["已核对事实"],"text":"Cannes 页面还记录了影片自身的悖论：Panahi 被禁止拍电影，但这部作品正是在这个条件下出现；该页引用两位电影人给 Cannes 的信，强调电影的揭示性力量能够把限制转化为艺术材料。","textSha256":"aec79c27f4bf1431f2981908b18e637257dc4e1ff8c72219fc49e3800e09d396","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-bff4be36d439b51f-1","anchor":"p-bff4be36d439b51f-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-bff4be36d439b51f-1","kind":"li","headingPath":["已核对事实"],"text":"AFI Silver / Kino Lorber 说明页称该片部分由 iPhone 拍摄，并以 flash drive 方式被带到法国，作为 2011 Cannes Film Festival 的临时提交；影片呈现 Panahi 在德黑兰公寓中处于 house arrest 期间的日常生活。","textSha256":"81aecdea0a8e0ef2e136e3bebc5753e8c8ee8ca19c5085808a1550466f5b7b12","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-9cd1528f488efbe1-1","anchor":"p-9cd1528f488efbe1-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-9cd1528f488efbe1-1","kind":"li","headingPath":["已核对事实"],"text":"AFI 页面列出影片为 Iran, 2011，并标注 Jafar Panahi 与 Mojtaba Mirtahmasb 的导演关系，片长约 78 分钟。","textSha256":"15c931c878ec135502dcd85b791528600897d7937f7434c2f6ad2a7fd62b965c","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-5fa00eeb74d79504-1","anchor":"p-5fa00eeb74d79504-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-5fa00eeb74d79504-1","kind":"li","headingPath":["已核对事实"],"text":"BFI / Sight and Sound 2025 访谈背景页把该片放入 Panahi 在禁令期间持续创作的序列中，称 2010 年 house arrest 与二十年电影制作/剧本写作禁令直接启发了 2011 年《这不是一部电影》。","textSha256":"1926d951ad75a89c49252bfcaef3a216b2e21cc9b57ae728a7a4d67f6fb4a697","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-3fb2784159bab70c-1","anchor":"p-3fb2784159bab70c-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-3fb2784159bab70c-1","kind":"h2","headingPath":["本章可用的事实表述"],"text":"本章可用的事实表述","textSha256":"49cdf50e2d0670924505bfbd6da26d0375812c4ff45a6720c58b24c94397c40d","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-71503c09bc850eb1-1","anchor":"p-71503c09bc850eb1-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-71503c09bc850eb1-1","kind":"p","headingPath":["本章可用的事实表述"],"text":"可以在论文正文中使用以下低风险表述：","textSha256":"76a287b0b66f67fb725324dcaf76dd4f87757f147b9ab96788fb224128112986","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-2158ebe33783303c-1","anchor":"p-2158ebe33783303c-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-2158ebe33783303c-1","kind":"li","headingPath":["本章可用的事实表述"],"text":"《这不是一部电影》由 Jafar Panahi 与 Mojtaba Mirtahmasb 共同完成 / 相关署名。","textSha256":"63753c75a270d94bdf7a3e2b74979130790e00221f29225e0ee55b69f27a2ee4","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-61f9a01944ace0ad-1","anchor":"p-61f9a01944ace0ad-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-61f9a01944ace0ad-1","kind":"li","headingPath":["本章可用的事实表述"],"text":"影片产生于 Panahi 被禁拍、被限制行动并等待上诉结果的处境中。","textSha256":"2527e1423785a80323d8b8ad1f3199b1684b7a5a9e1470197cee086d950d12be","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-517ad9dba589ae37-1","anchor":"p-517ad9dba589ae37-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-517ad9dba589ae37-1","kind":"li","headingPath":["本章可用的事实表述"],"text":"影片主要围绕 Panahi 在德黑兰公寓中的等待、通话、讨论创作与日常行动展开。","textSha256":"b938a5056ff96bbbf7e5729e215641cf00496b37a1cc6c1e12d48f0004e32f14","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-0af123aa1d7bcdf6-1","anchor":"p-0af123aa1d7bcdf6-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-0af123aa1d7bcdf6-1","kind":"li","headingPath":["本章可用的事实表述"],"text":"影片以数字摄像 / 手机影像等轻便记录方式构成自己的显现条件。","textSha256":"9104cdbe408fcccbb93ed0977746cfea1eb81a0690507f328ce24cd86be233ff","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-4e73927a802fdf57-1","anchor":"p-4e73927a802fdf57-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-4e73927a802fdf57-1","kind":"li","headingPath":["本章可用的事实表述"],"text":"影片被送至 Cannes 2011 放映；正文可说“以 flash drive 方式被带到法国 / Cannes”，但暂不把“藏在蛋糕里”写成确定事实。","textSha256":"7cc5c8e626872f875bd88181f2743842ccf3d87796e158bf78d3b42d586aaaac","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-2d73aa9d384366ed-1","anchor":"p-2d73aa9d384366ed-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-2d73aa9d384366ed-1","kind":"h2","headingPath":["需要避免或谨慎处理"],"text":"需要避免或谨慎处理","textSha256":"fe63b455f34e98297389cb01bd6e58a25d244596d1f77d976c64bc1511866e08","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-92f4ac46184dd3c7-1","anchor":"p-92f4ac46184dd3c7-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-92f4ac46184dd3c7-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"“藏在蛋糕里”是流传很广的说法，但不同资料存在口径差异；论文正文除非另建专门证据页，不把它当作核心事实。","textSha256":"15aebd57e519a397b00f07016cf52aeddc26397ddf0569da8b91fb6345a8192d","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-00740fbb079be47c-1","anchor":"p-00740fbb079be47c-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-00740fbb079be47c-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把影片政治事实展开成伊朗政治史综述；本章只使用它来分析电影条件如何回流。","textSha256":"2823c16528ab5c17be932d3091a02f7190c7b0dd1ba4ddc128de225c490a04af","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-22cc123c30810f82-1","anchor":"p-22cc123c30810f82-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-22cc123c30810f82-1","kind":"li","headingPath":["需要避免或谨慎处理"],"text":"不把影片等同于单纯抗议文本；本章重点是电影形式如何把禁令、作者处境、数字装置和观看判断转化为结构。","textSha256":"f37da5816f536b38f2266c8d9f06a7b59039a6fd276ac23bf1ed04ffdc59296d","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-382febaace061446-1","anchor":"p-382febaace061446-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-382febaace061446-1","kind":"h2","headingPath":["外部来源"],"text":"外部来源","textSha256":"4cf19dc7a88a59c1ef6b5c5a2ccfa37372ab0030ffa31bd1ae9c4903b2d74b04","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-a51321956478b0d3-1","anchor":"p-a51321956478b0d3-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-a51321956478b0d3-1","kind":"li","headingPath":["外部来源"],"text":"Festival de Cannes： https://www.festival-cannes.com/en/2011/in-film-nist-this-is-not-a-film-by-jafar-panahi/","textSha256":"e4aa72c5b0a0dd6ede2bb9c58bb4e197bd971b3b9a9312d1ee8412247cc865a4","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-72b21ea9ef9dcc2b-1","anchor":"p-72b21ea9ef9dcc2b-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-72b21ea9ef9dcc2b-1","kind":"li","headingPath":["外部来源"],"text":"AFI Silver： https://silver.afi.com/movies/detail/0100005401/","textSha256":"5734b529a25023e6c8347124c87abc37dfcc1abe712d6ccbc31940edebbaf448","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-0871d56ceaaf87bf-1","anchor":"p-0871d56ceaaf87bf-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-0871d56ceaaf87bf-1","kind":"li","headingPath":["外部来源"],"text":"BFI / Sight and Sound： https://www.bfi.org.uk/sight-and-sound/interviews/enemy-state-jafar-panahi-it-was-just-accident","textSha256":"798025865897ba751bc97e1e90d2c9d0f931f5cbdad2166a6154fd94237ebb7d","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-b3a15d5ab4a90438-1","anchor":"p-b3a15d5ab4a90438-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-b3a15d5ab4a90438-1","kind":"h2","headingPath":["相关本地资料"],"text":"相关本地资料","textSha256":"6a5ea980d1bc3b8484a32c37acf15e403f144926437763519bea7cf312d3e3b4","links":[],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-e6a024585bee084b-1","anchor":"p-e6a024585bee084b-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-e6a024585bee084b-1","kind":"li","headingPath":["相关本地资料"],"text":"递归指称机器符号系统与概念阶梯修订-2026-07-06","textSha256":"68521715edc29d1aa768aa8a700ab442ab9c5c8ef47a329a9a4c0ba920a1bda7","links":["https://a.p4theater.top/research/hs-5e4c58b85359491a"],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-278b4fa55d178ce6-1","anchor":"p-278b4fa55d178ce6-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-278b4fa55d178ce6-1","kind":"li","headingPath":["相关本地资料"],"text":"递归电影三轴九格矩阵-2026-07-06","textSha256":"eb9050592c441d4e3b7ea50c95c01caa2dc2f98fd28c28bb37157831a21f612c","links":["https://a.p4theater.top/research/hs-210b1e85e4263dbe"],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-f90c557d4f4a6d1f-1","anchor":"p-f90c557d4f4a6d1f-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-f90c557d4f4a6d1f-1","kind":"li","headingPath":["相关本地资料"],"text":"递归电影判别法2-条件显现与观看闭合-2026-07-06","textSha256":"58b4506be62be0b066b2f3d67c7e78f0c92439fccbdac124e2d98d7ce635a399","links":["https://a.p4theater.top/research/hs-d50347645791033b"],"images":[]},{"id":"hs-1bd90d0039cf37d2#p-b4c894d0e4398690-1","anchor":"p-b4c894d0e4398690-1","url":"https://a.p4theater.top/research/hs-1bd90d0039cf37d2#p-b4c894d0e4398690-1","kind":"li","headingPath":["相关本地资料"],"text":"递归指称机器论文电影本位收束-2026-07-06","textSha256":"3e0db4eab093514ae80e884d8ce4d126e4a612300289b8ff1c5d2bf934d67c79","links":["https://a.p4theater.top/research/hs-46f2710736b4a496"],"images":[]}]}