{"id":"hs-1763d605fcf3b651","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651","title":"4K 无字幕母文件 P6 三次慢扫：20 到 30 分钟","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"本地声画取证记录","series":"本地声画取证记录","sourceVersionDate":"2026-06-25","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-1763d605fcf3b651.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-1763d605fcf3b651-2e7ac9ee3781f407f28a.md","markdownSha256":"2e7ac9ee3781f407f28a3c579d27a8e62197c9ff308202a5016a8cdcb4c37c42","markdownBytes":17556,"characters":7185,"sourceEvidenceTier":"T1_LOCAL_AV_PHYSICAL_MEASUREMENT","sourceStatus":"active","evidenceBoundary":"本页是 P6 全片三次慢扫第三窗来源页，只支撑 4K 无字幕母文件在 00:20:00-00:30:00 的可见事实、声音指标、T0 台词锚和与 P3/P4/P5 既有本地证据的接续关系；不新增人物心理、同意状态、触碰力度、声源归属、说话人裁决、具体控灯设备、自然月亮、真实出门、实体画具、颜料事实、配乐类型或设备声裁决。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":["https://a.p4theater.top/research/images/0cd48716a420fe489b7f.webp","https://a.p4theater.top/research/images/45fb3e33af421f5e0f7b.webp","https://a.p4theater.top/research/images/6e70664f5d7e0f8cd233.webp","https://a.p4theater.top/research/images/7c23fd76de78c8e79f9d.webp","https://a.p4theater.top/research/images/907984af9810ad9941cd.webp","https://a.p4theater.top/research/images/a9a985b7f73cbeff63f8.webp","https://a.p4theater.top/research/images/b55fc91b3c520eb7de42.webp"],"links":["https://a.p4theater.top/research/hs-0a1255f7dac733fa","https://a.p4theater.top/research/hs-46dcab39e9abbde8","https://a.p4theater.top/research/hs-578344fc7b11e963","https://a.p4theater.top/research/hs-769ade0a3e0f3474","https://a.p4theater.top/research/hs-ff236fb9d88116fc"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":132,"markdown":"# 4K 无字幕母文件 P6 三次慢扫：20 到 30 分钟\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-06-25\n\n证据边界：本页是 P6 全片三次慢扫第三窗来源页，只支撑 4K 无字幕母文件在 00:20:00-00:30:00 的可见事实、声音指标、T0 台词锚和与 P3/P4/P5 既有本地证据的接续关系；不新增人物心理、同意状态、触碰力度、声源归属、说话人裁决、具体控灯设备、自然月亮、真实出门、实体画具、颜料事实、配乐类型或设备声裁决。\n\n# 4K 无字幕母文件 P6 三次慢扫：20 到 30 分钟\n\n## 来源信息\n\n- 母文件：`〔本地资料路径省略〕 无字幕 28g 4k.mov`\n- 技术参数：HEVC Main10，`3840x2160`，`24fps`，AAC stereo，`48000Hz`，全片约 `02:36:32.49`。\n- 本窗范围：`00:20:00-00:30:00`。\n- 本轮身份：P6 全片三次慢扫第三窗。\n- 资产目录：`inspool-wiki-zh/raw/assets/local-forensics-20260625-p6-third-rescan-2000-3000/`\n\n本页接续 P6 第二窗末尾的“夜景硬地回到后台”。重点不是重述 `徐锦江`、吻戏、第四幕、控灯、月亮和 `我画它` 曾经出现，而是确认：`这个事` 如何在本窗被改写为名字槽、剧本流程、灯光位置、最小回应、替代关怀、灯月对象、牵引轴和影像表面。\n\n## 新增资产\n\n### 20:00-30:00 总览拼图\n\n每格约 10 秒，第一格为片内 `20:00`。\n\n![《人类投降派》研究图像](/research/images/b55fc91b3c520eb7de42.webp)\n\n### 20:00-22:30 徐锦江、吻戏、告白与本子拼图\n\n每格约 3 秒，覆盖徐锦江问题、石碑/等待、吻戏评价、面试告白、纸卷/本子、戏和先演完。\n\n![《人类投降派》研究图像](/research/images/907984af9810ad9941cd.webp)\n\n### 22:30-25:00 第四幕、调度、控灯、命名事故与月亮入口拼图\n\n每格约 3 秒，覆盖甲瑞返回、第四幕、调度菜单、控灯离场、硬光、命名事故、裸灯/月亮入口和叠化。\n\n![《人类投降派》研究图像](/research/images/0cd48716a420fe489b7f.webp)\n\n### 25:00-28:30 出门失败、最小回应、替代关怀与我要月亮拼图\n\n每格约 4 秒，覆盖出门邀约失败、`你先走`、`我一个人可以`、`你在吗/我在`、`替你难过`、`爱我/喜欢我/一直在` 和 `我要月亮`。\n\n![《人类投降派》研究图像](/research/images/a9a985b7f73cbeff63f8.webp)\n\n### 28:30-30:00 变大、绳子、引力、我画它、黑亮与所有颜色拼图\n\n每格约 2 秒，覆盖对象变大、绳子和引力、`我画他/它`、黑、亮、所有颜色和影像表面。\n\n![《人类投降派》研究图像](/research/images/6e70664f5d7e0f8cd233.webp)\n\n### 20:00-30:00 声谱与波形参考\n\n声谱和波形只用于观察能量团、低能口袋、连续人声流、强弱换载和声场持续；本页不据此确认配乐、乐器、节拍、和声、设备声、无线电声像或独立声道空间。\n\n![《人类投降派》研究图像](/research/images/45fb3e33af421f5e0f7b.webp)\n\n![《人类投降派》研究图像](/research/images/7c23fd76de78c8e79f9d.webp)\n\n## 声音指标表\n\n| window | mean | max | `-45dB/0.25s` silence | `-35dB/2s` low |\n|---|---:|---:|---:|---:|\n| 20:00-30:00 full | `-25.8dB` | `0.0dB` | `0 / 0.000s` | `5 / 15.583s` |\n| 20:00-25:00 first-half low-control | `-33.6dB` | `0.0dB` | `0 / 0.000s` | `5 / 15.583s` |\n| 25:00-30:00 second-half continuous-interface | `-23.2dB` | `-0.6dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 20:42-21:04 stone-wait | `-44.2dB` | `-6.5dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 21:34.566-21:57 confession-interview | `-33.8dB` | `-5.1dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 22:10.666-22:29.766 script-play-later | `-29.1dB` | `-5.0dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 22:53.366-22:59.066 fourth-act-recover | `-28.7dB` | `-3.1dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 23:39.933-23:54 light-control-exit | `-43.7dB` | `-15.4dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 24:05.066-24:12 naming-laugh | `-31.6dB` | `-4.6dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 24:55-25:10 moon-exit-entry | `-28.4dB` | `-6.0dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 25:30-26:00 go-first-alone | `-27.5dB` | `-2.4dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 26:49.666-26:57.866 are-you-there-i-am | `-21.4dB` | `-2.3dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 27:03.333-27:13.333 substitute-care | `-20.5dB` | `-0.6dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 27:19.100-27:24.800 love-command-return | `-22.3dB` | `-7.0dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 27:33.333-27:47.433 durability-like | `-20.6dB` | `-1.1dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 27:52.700-28:27.700 moon-demand | `-21.3dB` | `-1.6dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 28:30-29:00 scale-guilt | `-21.6dB` | `-1.4dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 29:00-29:30 gravity-draw | `-22.2dB` | `-4.2dB` | `0 / 0.000s` | `0 / 0.000s` |\n| 29:30-30:00 color-surface | `-23.5dB` | `-1.0dB` | `0 / 0.000s` | `0 / 0.000s` |\n\n## T0 台词锚\n\n| 时间 | 说话人/位置 | 原句 | 本窗用途 |\n|---|---|---|---|\n| 20:00.900 | 子丑 | `你觉得徐锦江这人怎么样` | 后台回场后，先打开名字槽/角色槽，而不是打开一个可见身体。 |\n| 20:42-21:04 | 阿蒙/子丑等 | `石碑`、等待、`不要着急` 等候链 | 名字被硬化、拖慢，进入可等待的角色对象。 |\n| 21:24-22:10 | 甲瑞/阿蒙 | 吻戏评价、面试式告白和近身触碰 | 私密话语仍在观看、评价和选拔机制里发生。 |\n| 22:10.666-22:29.700 | 阿蒙 | `喜爱你的本子 / 重点放在戏上面 / 可以先把这个演完 / 再说` | 私密回应被本子、戏和先演完收回。 |\n| 22:30.666-22:59.033 | 甲瑞/子丑 | `聊啥呢 / 没聊啥 / 对，到那个 / 第四幕了，是吧` | 第三人返回后，场面被遮掩和第四幕流程回收。 |\n| 23:05.700-23:39.933 | 排练调度骨架 | `怎么排 / 什么调度 / 趴着还是躺着还是站着还是坐着 / 我来给你们控灯` | 身体被列成姿态菜单，子丑转向控灯/技术位候选。 |\n| 23:53.900-24:20.200 | 子丑/阿蒙等 | `好好演啊 甲瑞 / 他刚叫你什么名字 / 他叫你甲瑞 / 哈哈哈哈哈 / 你不是叫徐锦江吗 / 他不管我们了好像` | 点名、硬光、笑和命名事故共同保存错误。 |\n| 24:55-25:10 | 甲瑞/阿蒙等 | `月亮`、`出门走走` 入口 | 外部没有真正打开，月亮先由灯点、叠化和室内材料承接。 |\n| 26:49.666-26:57.833 | 甲瑞/阿蒙 | `你在吗 / 你在吗 / 我在 / 我在啊` | 最小回应进入，画面不提供清楚回应者反打。 |\n| 27:03.333-27:13.166 | 甲瑞/阿蒙 | `你难过吗 / 你一定很难受吧 / 让我来替你难过吧` | 关怀从回应转为替代接管。 |\n| 27:19.100-27:47.433 | 甲瑞/阿蒙 | `说你爱我 / 我爱你 / 你喜欢我吗 / 我喜欢你 / 你会一直在吗` | 命令、回返、偏好和耐久测试形成连续接口。 |\n| 27:52.700-28:27.600 | 甲瑞 | `月亮 / 你会一直在吗 / 我要月亮` | 最小回应和爱语返回仍不够，欲望重新转向灯月替身。 |\n| 28:30-29:30 | 甲瑞 | `变大`、`绳子`、`引力`、`我画他` 等 | 月亮对象转为尺度、牵引和可被图像处理的对象。 |\n| 29:14.400-30:00 | 甲瑞 | `我画他 / 这边黑 / 那边亮 / 所有颜色` | T0 字面为 `他`，综合机制应保留为 [我画它](/research/hs-769ade0a3e0f3474) 的对象漂移和影像表面。 |\n\n## 画面观察\n\n### 1. 后台回场后，名字先出现，身体不兑现\n\n`20:00` 后，画面仍在黑幕、黄绿局部灯、白凳、地面材料和阿蒙近景之间运作。`你觉得徐锦江这人怎么样` 出现时，拼图没有给出一个可对应为徐锦江的清楚身体。最低可确认判断是：名字先作为语言槽位进入现场。\n\n这使 P6 可以把第二窗的 `这个事` 接到第三窗：毛病对象不再只是一个“事”，而被装进可以被评价的名字/角色槽。\n\n### 2. 石碑让名字变硬，而不是让人物出现\n\n`20:42-21:04` stone-wait mean=`-44.2dB`，无技术静音，也无 `-35dB/2s` 长低能事件。画面上仍是近景、黑幕、黄绿光和低位空间。`石碑` 在这里更像把名字槽临时硬化、拖慢和固定，而不是把徐锦江变成一个可见人物。\n\n### 3. 私密话语仍在选拔和观看机制中\n\n吻戏评价和面试式告白没有离开表演现场。拼图里，近脸、纸卷、垫面、黑幕、低位坐姿和第三人/摄影位置候选持续在场。`21:34.566-21:57` confession-interview mean=`-33.8dB`，不是全窗高潮，说明私密话语没有在声学上压倒流程。\n\n### 4. 本子/戏/先演完比告白更强地接走场面\n\n`22:10.666-22:29.766` script-play-later mean=`-29.1dB`，强于告白段。画面里的纸卷、纸张、低位垫面和场面运动共同支持：阿蒙不是只回应情感，而是把回应改道到 `本子 / 戏 / 可以先把这个演完 / 再说`。\n\n这条证据支撑 P6 的转接口径：`给我吗` 到本窗没有变成被给予的爱情，而是变成可以延期、可以排练、可以先执行的剧本流程。\n\n### 5. 第四幕是强回拍，调度菜单把身体列表化\n\n`22:53.366-22:59.066` fourth-act-recover mean=`-28.7dB`，明显强于前后低段。随后 `趴着 / 躺着 / 站着 / 坐着` 等调度语把身体姿态列成菜单。画面仍保持低位空间、黑幕、纸张/垫面和三人关系。\n\n最低可写：第四幕不是背景页码，而是把私密事故重新收入排练流程的强回拍。\n\n### 6. 控灯低声发生，但结构很重\n\n`23:39.933-23:54` light-control-exit mean=`-43.7dB`、max=`-15.4dB`。这是本窗前半段最轻的结构转轴之一。拼图可见深色上衣男性/子丑候选离开低位三角，靠近黑幕、暗区、灯位和裸灯附近；随后阿蒙和甲瑞留在黄绿硬光组织下。\n\n本页支持“控灯成立”和“具体控灯设备不可见”两件事。不能把它升级为明确设备操作、门锁系统、精神控制或独立设备声。\n\n### 7. 命名事故被硬光和笑保存\n\n`24:05.066-24:12` naming-laugh mean=`-31.6dB`。`好好演啊 甲瑞 / 他刚叫你什么名字 / 你不是叫徐锦江吗` 不只是文本笑点。画面把阿蒙、甲瑞、黄绿硬光、遮脸、低头、笑声和长镜头继续共同保存下来。\n\n最低可写：甲瑞/徐锦江的错位是名字槽、角色槽和现实点名之间的事故；不支持把 `徐锦江` 写成实名真值，也不支持把笑写成心理状态定案。\n\n### 8. 月亮入口由灯、叠化和室内材料承接\n\n`24:55-25:10` moon-exit-entry mean=`-28.4dB`。画面先给室内裸灯、黑幕、黄绿/橙黄光点、垫面和叠化，不给自然月亮、夜空或真实外部月景。`出门走走` 也没有在这里兑现为清楚出门行动。\n\n本页支持“灯月替身”和“出门失败入口”，不支持自然月亮、外部散步或真实出走已经完成。\n\n### 9. 一个人可以仍在叠化里，不是干净独处\n\n`25:30-26:00` go-first-alone mean=`-27.5dB`，无技术静音和长低能。画面仍有叠化、床面/垫面、上方灯、黑幕和身体层压。`你先走 / 我一个人可以` 是语言上的收缩，但画面没有把人交给清楚独处空间。\n\n### 10. `你在吗/我在` 是最小回应，不是完整反打\n\n`26:49.666-26:57.866` are-you-there-i-am mean=`-21.4dB`。画面主要围绕甲瑞仰头、下颌/颈部、上方灯、黑幕、竖向幕线和雾状光，不提供清楚阿蒙身体、脸、嘴或反打来签收 `我在`。\n\n这支持 P6 的最小回应判断：`我在` 是接口返回值，不是关系修复事实。\n\n### 11. `替你难过` 声音更强，关怀开始替代接管\n\n`27:03.333-27:13.333` substitute-care mean=`-20.5dB`、max=`-0.6dB`，强于 `你在吗/我在`。表面上它是照顾，结构上已经从“我回应你”转向“我替你承担你的情感”。\n\n画面仍不提供照护成功的签收；它提供的是灯、黑幕、叠影和甲瑞身体的持续受照。\n\n### 12. 爱我/喜欢我/一直在形成命令-返回接口\n\n`27:19.100-27:47.433` 没有静音和低能等待。`说你爱我 / 我爱你 / 你喜欢我吗 / 我喜欢你 / 你会一直在吗` 形成连续人声格式：命令、返回、偏好确认和耐久测试。\n\n这条链支撑“接口测试”而不是“关系已经成立”：即使有回答，也要继续测试在场是否耐久。\n\n### 13. 月亮再次出现，因为接口返回不够\n\n`27:52.700-28:27.700` moon-demand mean=`-21.3dB`。当 `我在 / 我爱你 / 我喜欢你` 都已经返回后，欲望仍重新转向 `月亮 / 我要月亮`。画面继续由室内灯、顶棚、黑幕、光点、叠化和甲瑞身体承接。\n\n最低可写：月亮是不可交付对象，被室内灯和叠化制造成可索取替身；不支持自然月亮事实。\n\n### 14. 变大、绳子和引力把对象改成牵引轴\n\n`28:30-29:00` scale-guilt mean=`-21.6dB`，`29:00-29:30` gravity-draw mean=`-22.2dB`。画面没有给实体绳子或可确认牵引装置；它给的是脸、灯、黑幕、床面/垫面、条纹衣、手臂和叠化。\n\n因此本页只支持对象在语言中获得尺度、距离和牵引方向；不支持实物绳子、真实物理拉动或明确装置操作。\n\n### 15. `我画它` 没有实体画具，黑亮和颜色来自影像表面\n\n`29:14.400-30:00` 到达 `我画他 / 这边黑 / 那边亮 / 所有颜色`。拼图没有纸、笔、画布、颜料或实体绘制工具。可确认的是甲瑞脸、手/前臂、条纹衣、黄绿硬光、橙黄灯点、黑幕、暗蓝叠影和蓝白垫面共同形成图像表面。\n\n最低可写：这里的画不是实体画具事实，而是对象转交给影像表面；`黑 / 亮 / 所有颜色` 先是画面分区和光色层，随后才可进入综合解释。\n\n## 声音与音乐边界\n\n1. 全窗 full mean=`-25.8dB`，但内部清楚分成两半：`20:00-25:00` mean=`-33.6dB` 且有 `5 / 15.583s` 长低能口袋；`25:00-30:00` mean=`-23.2dB` 且没有长低能事件。\n2. 前半段适合写“低声控制/流程运行”：名字槽、石碑、第四幕、调度和控灯常常通过低声、低位身体和灯光位置改变结构。\n3. 后半段适合写“连续语言音乐”：`你在吗/我在`、`替你难过`、`爱我/喜欢我/一直在`、`月亮/我要月亮`、`绳子/引力/我画它` 形成呼叫、返回、命令、耐久测试和对象转译的节奏链。\n4. 全窗没有 `-45dB/0.25s` 技术静音。不能把控灯、石碑等待、出门失败或 `我画它` 写成无声。\n5. 目前不确认传统配乐、持续旋律、和声、节拍、乐器、音乐桥、设备提示音、无线电声像或稳定声道空间打开。\n\n## 本页明确支持\n\n- `20:00` 后 `徐锦江` 先作为名字槽/角色槽进入，不由画面直接兑现为可见身体。\n- `石碑` 让名字槽变硬、变慢、可等待，而不是让人物出现。\n- 吻戏评价和面试告白仍在观看/选拔/表演机制里发生。\n- `本子 / 戏 / 先演完` 在声音上强于告白段，支撑流程回收。\n- `第四幕` 是强回拍，调度菜单把身体姿态列表化。\n- 控灯台词、离场身体、暗区/灯位候选和硬光后果共同支撑控灯成立；具体设备不可见。\n- 甲瑞/徐锦江命名事故被硬光、笑、遮脸、低头和长镜头保存。\n- 月亮入口由室内灯、叠化、黑幕和低位材料承接，不支持自然月亮事实。\n- `你在吗/我在` 是无清楚反打的最小回应。\n- `替你难过` 是更强声压的替代接管候选。\n- `爱我/喜欢我/一直在` 是命令-返回和耐久测试接口。\n- `我画它 / 黑 / 亮 / 所有颜色` 支持影像表面机制，不支持实体画具或颜料事实。\n\n## 本页不支持或需降级\n\n- 不支持把 `徐锦江` 写成实名真值或可见身体事实。\n- 不支持把吻戏、告白或爱语写成关系完成、同意状态或心理真相。\n- 不支持把控灯写成清楚设备操作、门锁系统、电子提示音或精神控制。\n- 不支持把月亮写成自然天体、真实外景或出门已经完成。\n- 不支持把 `我在` 写成完整关系修复。\n- 不支持把 `替你难过` 写成照护成功。\n- 不支持把绳子、引力写成实体装置事实。\n- 不支持把 `我画它` 写成真实绘画工具、颜料事实或画布事实。\n- 不支持把本窗写成传统配乐段、旋律桥或可确认音乐进入。\n\n## 接续关系\n\n本页是 [全片P6三次慢扫第三窗-20到30分钟-这个事改成名字槽低声控灯最小回应灯月替身牵引轴和颜色表面-2026-06-25](/research/hs-ff236fb9d88116fc) 的 T1 证据底盘，并接续 [2026-06-25-4K无字幕母文件P6三次慢扫10到20分钟毛病地面爱情声体问烟夜景硬地补证](/research/hs-578344fc7b11e963)。本页复用并加厚 [2026-06-25-4K无字幕母文件P3慢扫20到25分钟徐锦江吻戏第四幕控灯命名月亮入口复核](/research/hs-0a1255f7dac733fa) 与 [2026-06-25-4K无字幕母文件P3慢扫25到30分钟出门失败可用性回应月亮我画它复核](/research/hs-46dcab39e9abbde8) 的本地 4K/T1 判断；旧分钟级页面和 MiMo 候选只能作为历史上下文或 T2 提醒，不能覆盖本页本地 4K 上限。","paragraphs":[{"id":"hs-1763d605fcf3b651#p-13ed62d5a0714ab0-1","anchor":"p-13ed62d5a0714ab0-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-13ed62d5a0714ab0-1","kind":"h2","headingPath":["4K 无字幕母文件 P6 三次慢扫：20 到 30 分钟"],"text":"4K 无字幕母文件 P6 三次慢扫：20 到 30 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私密回应被本子、戏和先演完收回。","textSha256":"6e56a35061f5b8f62c83dfb06455d69cbb174e30578c433a897ce14461112880","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-7bc10188fecfd3e3-1","anchor":"p-7bc10188fecfd3e3-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-7bc10188fecfd3e3-1","kind":"tr","headingPath":["T0 台词锚"],"text":"22:30.666-22:59.033 甲瑞/子丑 聊啥呢 / 没聊啥 / 对，到那个 / 第四幕了，是吧 第三人返回后，场面被遮掩和第四幕流程回收。","textSha256":"93e85439ddbdda03d76f1c3256202d9c77dcc497a4dcc8f621ec8d676152cec2","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-228f653cd4c2cfe8-1","anchor":"p-228f653cd4c2cfe8-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-228f653cd4c2cfe8-1","kind":"tr","headingPath":["T0 台词锚"],"text":"23:05.700-23:39.933 排练调度骨架 怎么排 / 什么调度 / 趴着还是躺着还是站着还是坐着 / 我来给你们控灯 身体被列成姿态菜单，子丑转向控灯/技术位候选。","textSha256":"01020d937a565d5e82103e07960094ce5f69c420dbcef2ab6673f0ecb7962454","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-15e41852436c633f-1","anchor":"p-15e41852436c633f-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-15e41852436c633f-1","kind":"tr","headingPath":["T0 台词锚"],"text":"23:53.900-24:20.200 子丑/阿蒙等 好好演啊 甲瑞 / 他刚叫你什么名字 / 他叫你甲瑞 / 哈哈哈哈哈 / 你不是叫徐锦江吗 / 他不管我们了好像 点名、硬光、笑和命名事故共同保存错误。","textSha256":"f2a6b20ec37e3dcab903bd6d2d16ec49f120c26c7e50494725cf9a79af9974eb","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-640c1131efadd220-1","anchor":"p-640c1131efadd220-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-640c1131efadd220-1","kind":"tr","headingPath":["T0 台词锚"],"text":"24:55-25:10 甲瑞/阿蒙等 月亮 、 出门走走 入口 外部没有真正打开，月亮先由灯点、叠化和室内材料承接。","textSha256":"b0afeef34f1233a514761cd7fc80c20d25af2a365eb3efc0ebb43877da7fe3c4","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-4ce191e4fe059cc1-1","anchor":"p-4ce191e4fe059cc1-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-4ce191e4fe059cc1-1","kind":"tr","headingPath":["T0 台词锚"],"text":"26:49.666-26:57.833 甲瑞/阿蒙 你在吗 / 你在吗 / 我在 / 我在啊 最小回应进入，画面不提供清楚回应者反打。","textSha256":"5bfeff8bd67f78cbd2387c25b34046a889c8b2983934608c6789e92c0a623bf9","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-7723d31083a63bf7-1","anchor":"p-7723d31083a63bf7-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-7723d31083a63bf7-1","kind":"tr","headingPath":["T0 台词锚"],"text":"27:03.333-27:13.166 甲瑞/阿蒙 你难过吗 / 你一定很难受吧 / 让我来替你难过吧 关怀从回应转为替代接管。","textSha256":"3f9e4e1d3384f3208cf90336c3b35008fe80ed436fb954a21fcd0f903faa9bb0","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-b0bdaaa80e6b1efc-1","anchor":"p-b0bdaaa80e6b1efc-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-b0bdaaa80e6b1efc-1","kind":"tr","headingPath":["T0 台词锚"],"text":"27:19.100-27:47.433 甲瑞/阿蒙 说你爱我 / 我爱你 / 你喜欢我吗 / 我喜欢你 / 你会一直在吗 命令、回返、偏好和耐久测试形成连续接口。","textSha256":"c7bcb11252b4d18831e96a0c604cf668b651d396aff1c275afef3e4c785ddb8e","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-1da8be222187738b-1","anchor":"p-1da8be222187738b-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-1da8be222187738b-1","kind":"tr","headingPath":["T0 台词锚"],"text":"27:52.700-28:27.600 甲瑞 月亮 / 你会一直在吗 / 我要月亮 最小回应和爱语返回仍不够，欲望重新转向灯月替身。","textSha256":"70b069af5f52a9bd1305fb3a6677dcf4b05658c68c856df5c2ce74788cb7724c","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-3084c46cf5ccbd19-1","anchor":"p-3084c46cf5ccbd19-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-3084c46cf5ccbd19-1","kind":"tr","headingPath":["T0 台词锚"],"text":"28:30-29:30 甲瑞 变大 、 绳子 、 引力 、 我画他 等 月亮对象转为尺度、牵引和可被图像处理的对象。","textSha256":"dc9932f6dfcdbd09b42a91d26f1e00849e2100976c69c230987cb94f3e50a482","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-1cb2e43e74d060d9-1","anchor":"p-1cb2e43e74d060d9-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-1cb2e43e74d060d9-1","kind":"tr","headingPath":["T0 台词锚"],"text":"29:14.400-30:00 甲瑞 我画他 / 这边黑 / 那边亮 / 所有颜色 T0 字面为 他 ，综合机制应保留为 我画它 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后台回场后，名字先出现，身体不兑现","textSha256":"25e0c7a99587c7e66293172a1fafe7136de61fc1e6dbb7cd013fc198b2d80846","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-67698b60c9d82395-1","anchor":"p-67698b60c9d82395-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-67698b60c9d82395-1","kind":"p","headingPath":["画面观察","1. 后台回场后，名字先出现，身体不兑现"],"text":"20:00 后，画面仍在黑幕、黄绿局部灯、白凳、地面材料和阿蒙近景之间运作。 你觉得徐锦江这人怎么样 出现时，拼图没有给出一个可对应为徐锦江的清楚身体。最低可确认判断是：名字先作为语言槽位进入现场。","textSha256":"272272057fd8d8cb6c39e92358225b7c5296b9fc472a116a5a2ac37e9451fa5e","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-60d4be0c2a341416-1","anchor":"p-60d4be0c2a341416-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-60d4be0c2a341416-1","kind":"p","headingPath":["画面观察","1. 后台回场后，名字先出现，身体不兑现"],"text":"这使 P6 可以把第二窗的 这个事 接到第三窗：毛病对象不再只是一个“事”，而被装进可以被评价的名字/角色槽。","textSha256":"c59d76c2011d117174d926266e9a38ba64f1f5dba03c80c7cf20a39b351cd547","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-c5f1293598904334-1","anchor":"p-c5f1293598904334-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-c5f1293598904334-1","kind":"h3","headingPath":["画面观察","2. 石碑让名字变硬，而不是让人物出现"],"text":"2. 石碑让名字变硬，而不是让人物出现","textSha256":"3bf144243dfef09778b5970b32f6f5e80543c646a5a55e00ec1d909c8254df4a","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-f58ef8b171026e7a-1","anchor":"p-f58ef8b171026e7a-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-f58ef8b171026e7a-1","kind":"p","headingPath":["画面观察","2. 石碑让名字变硬，而不是让人物出现"],"text":"20:42-21:04 stone-wait mean= -44.2dB ，无技术静音，也无 -35dB/2s 长低能事件。画面上仍是近景、黑幕、黄绿光和低位空间。 石碑 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。","textSha256":"92dd3a7980e7db7c0263c889b01dc6d69cfa6485fe18fca5ef9d60136657731f","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-5be449bf80b4a6f4-1","anchor":"p-5be449bf80b4a6f4-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-5be449bf80b4a6f4-1","kind":"p","headingPath":["画面观察","4. 本子/戏/先演完比告白更强地接走场面"],"text":"这条证据支撑 P6 的转接口径： 给我吗 到本窗没有变成被给予的爱情，而是变成可以延期、可以排练、可以先执行的剧本流程。","textSha256":"60aff01a252423c5f06ca22a6f9e9c2d924613a05ccf8c0786ee500878602479","links":[],"images":[]},{"id":"hs-1763d605fcf3b651#p-344be5f7df7ac655-1","anchor":"p-344be5f7df7ac655-1","url":"https://a.p4theater.top/research/hs-1763d605fcf3b651#p-344be5f7df7ac655-1","kind":"h3","headingPath":["画面观察","5. 第四幕是强回拍，调度菜单把身体列表化"],"text":"5. 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