{"id":"hs-15a2ba795f43f09f","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f","title":"期待训练","kind":"concept_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"概念研究笔记","series":"概念研究笔记","sourceVersionDate":"2026-05-28","publishedAt":"2026-09-08","modifiedAt":"2026-09-08T05:03:32+00:00","markdownUrl":"https://a.p4theater.top/research/hs-15a2ba795f43f09f.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-15a2ba795f43f09f-053acb6847b9ed7da091.md","markdownSha256":"053acb6847b9ed7da091a0c7923f50242ebda4fad3cbf5ae47953d707337081f","markdownBytes":3944,"characters":1112,"sourceEvidenceTier":"T3_CONCEPT_OVER_T0_T1_T2","sourceStatus":"active","evidenceBoundary":"本页为第十四波概念雷达 T3 候选。T0 来源支撑第一部分固定方位、固定光位、90 度人物槽和一圈半旋转；“期待训练”是对该重复结构如何建立观看预判的 T3 解释，不裁决真实观众心理。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-13700607a46c09a4","https://a.p4theater.top/research/hs-375d141b2765ebb5","https://a.p4theater.top/research/hs-8e4b0352e3eda08c"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":35,"markdown":"# 期待训练\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-28\n\n证据边界：本页为第十四波概念雷达 T3 候选。T0 来源支撑第一部分固定方位、固定光位、90 度人物槽和一圈半旋转；“期待训练”是对该重复结构如何建立观看预判的 T3 解释，不裁决真实观众心理。\n\n# 期待训练\n\n`期待训练` 指《人类投降派》第一部分中一种观众训练机制：一圈半逆时针镜头旋转教会观众预判下一个出现的人。观众不是被动观看，而是被训练成期待者——期待下一个位置出现谁，期待下一个光位照亮谁。\n\n它的最短公式是：\n\n```text\n镜头旋转不是拍摄，是训练观众的期待。\n```\n\n## 提纯判定\n\n`期待训练` 是时间线的入口词，不是一般意义上的“观众心理”。它只在片内结构先给出重复节奏、观看者可以从重复中形成预判、后续段落又磨损或颠覆这种预判时使用。\n\n因此它应保留为章级/机制线概念，而不是膨胀成“观众怎样真实感受”的判断。它的价值在于把第一部分的 `90°` 槽位重复接到后续的排练磨损、公开越界和档案释放；它的边界在于不进入实证心理学、导演意图或真实观众调查。\n\n## 与继续权漂移和观众召回与释放的区别\n\n[继续权漂移](/research/hs-8e4b0352e3eda08c) 命名事件如何在濒停时换接口继续——它关注\"事件的继续\"。\n\n[观众召回与释放](/research/hs-375d141b2765ebb5) 命名观众如何被召回又被释放——它关注\"观众的位置\"。\n\n`期待训练` 命名更底层的机制：观众的期待如何被镜头旋转建立、磨损、颠覆和释放。\n\n```text\n继续权漂移：事件如何继续。\n观众召回与释放：观众如何被召回和释放。\n期待训练：观众的期待如何被建立和颠覆。\n```\n\n## 核心机制\n\n### 1. 期待的建立\n\n第一部分的镜头旋转建立期待模式：旋转→新位置→新身体。观众学会预判下一个出现的人。\n\n### 2. 期待的磨损\n\n第二部分的排练让期待开始磨损——剧本跑偏、命名事故、演不了。观众发现预判不再可靠。\n\n### 3. 期待的颠覆\n\n第四部分的 Ricky 越界颠覆期待——观众预判的三人场变成四人场。期待被硬性打破。\n\n### 4. 期待的释放\n\n第六部分的档案静默释放期待——名单逐行出现，观众不再需要预判下一个出现谁。期待被归档。\n\n## 证据锚点与边界\n\n[2026-05-20-开场一圈半逆时针固定方位光位最高校正](/research/hs-13700607a46c09a4) 确认第一部分存在固定方位、固定光位、逆时针旋转、`90°` 人物槽和一圈半推进。它支撑本页的第一层事实：观看路径具有重复结构。\n\n本页的概念判断仍是 T3：\n\n```text\nT0：每个 90° 人物槽按固定方位显影。\nT3：重复显影让观看形成“下一个位置可能有人”的预判。\n```\n\n后续第二、第四、第六部分的磨损、颠覆和释放，目前主要由相关 synthesis 组织；若要把这些阶段写入 `supports`，还需要逐段回查本地 source。\n\n## 声画窗口\n\n- `0-1`：第一部分，一圈半逆时针旋转建立期待。\n- `1-2`：第二部分，排练磨损期待。\n- `3-4`：第四部分，Ricky 越界颠覆期待。\n- `5-end`：第六部分，档案静默释放期待。\n\n## 不能越界\n\n- 不把期待训练写成\"导演的观众心理学\"——它是片内可见的结构性训练。\n- 不裁决观众的真实心理状态。\n- 不取消 T0/T1 事实。","paragraphs":[{"id":"hs-15a2ba795f43f09f#p-b46651f73e817770-1","anchor":"p-b46651f73e817770-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-b46651f73e817770-1","kind":"h2","headingPath":["期待训练"],"text":"期待训练","textSha256":"8339acce2dacb29c766f5ac4e88d0dd1ed79e523f8771d4e8ff7100a9cbb9fec","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-34cc54bb203f0be9-1","anchor":"p-34cc54bb203f0be9-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-34cc54bb203f0be9-1","kind":"p","headingPath":["期待训练"],"text":"期待训练 指《人类投降派》第一部分中一种观众训练机制：一圈半逆时针镜头旋转教会观众预判下一个出现的人。观众不是被动观看，而是被训练成期待者——期待下一个位置出现谁，期待下一个光位照亮谁。","textSha256":"0dbc5e4eeb5ec4bd6c908ce3722b5c6e999f2b3df855545968689c445cd6c890","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-a6530bfde403bcf5-1","anchor":"p-a6530bfde403bcf5-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-a6530bfde403bcf5-1","kind":"p","headingPath":["期待训练"],"text":"它的最短公式是：","textSha256":"b8e17a0908434eca3d70db51f3784653d97e27e8e7b94131dd9d38791e3755ef","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-7f9283b7c527f0ab-1","anchor":"p-7f9283b7c527f0ab-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-7f9283b7c527f0ab-1","kind":"pre","headingPath":["期待训练"],"text":"镜头旋转不是拍摄，是训练观众的期待。","textSha256":"35c17457dd507d642f2c1120b3bb139982a562b7861afee79e27376f4440aea2","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-5cd6a57d66bfb19e-1","anchor":"p-5cd6a57d66bfb19e-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-5cd6a57d66bfb19e-1","kind":"h2","headingPath":["提纯判定"],"text":"提纯判定","textSha256":"576cc950bf0f7039c3c18e69637dd7d2818fa2992de365f585e45f42e5aef5a2","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-544f2826469c5e7b-1","anchor":"p-544f2826469c5e7b-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-544f2826469c5e7b-1","kind":"p","headingPath":["提纯判定"],"text":"期待训练 是时间线的入口词，不是一般意义上的“观众心理”。它只在片内结构先给出重复节奏、观看者可以从重复中形成预判、后续段落又磨损或颠覆这种预判时使用。","textSha256":"731eabbdd5973d6a751d31624f1cc3252a5972bb8aa9d1f46e4b29fcd4566ac7","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-e151534c1b301e83-1","anchor":"p-e151534c1b301e83-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-e151534c1b301e83-1","kind":"p","headingPath":["提纯判定"],"text":"因此它应保留为章级/机制线概念，而不是膨胀成“观众怎样真实感受”的判断。它的价值在于把第一部分的 90° 槽位重复接到后续的排练磨损、公开越界和档案释放；它的边界在于不进入实证心理学、导演意图或真实观众调查。","textSha256":"96134b3da6321bdbf26ebfb34b2b0032b9b2db0d477a4b39f8dd9a5ef45e0d0c","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-7bdc3751eff21313-1","anchor":"p-7bdc3751eff21313-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-7bdc3751eff21313-1","kind":"h2","headingPath":["与继续权漂移和观众召回与释放的区别"],"text":"与继续权漂移和观众召回与释放的区别","textSha256":"8199cdc9412b0d9ed225d9dfc15621b9d5aba187644b01f06da53df881e377c4","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-6fed78604b68e34f-1","anchor":"p-6fed78604b68e34f-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-6fed78604b68e34f-1","kind":"p","headingPath":["与继续权漂移和观众召回与释放的区别"],"text":"继续权漂移 命名事件如何在濒停时换接口继续——它关注\"事件的继续\"。","textSha256":"36df4cb1915f0bb852c2099fca61c112bd1b094182ab1d9aaf36622faa4832d1","links":["https://a.p4theater.top/research/hs-8e4b0352e3eda08c"],"images":[]},{"id":"hs-15a2ba795f43f09f#p-fdcdea4a2ea6651a-1","anchor":"p-fdcdea4a2ea6651a-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-fdcdea4a2ea6651a-1","kind":"p","headingPath":["与继续权漂移和观众召回与释放的区别"],"text":"观众召回与释放 命名观众如何被召回又被释放——它关注\"观众的位置\"。","textSha256":"b55c60bb846810f1dc69740f4b042f2dd574c42ab26f7a37a5ec3c46c9d475db","links":["https://a.p4theater.top/research/hs-375d141b2765ebb5"],"images":[]},{"id":"hs-15a2ba795f43f09f#p-be8fa3f05aff15fb-1","anchor":"p-be8fa3f05aff15fb-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-be8fa3f05aff15fb-1","kind":"p","headingPath":["与继续权漂移和观众召回与释放的区别"],"text":"期待训练 命名更底层的机制：观众的期待如何被镜头旋转建立、磨损、颠覆和释放。","textSha256":"7bd29fd24906075e02349938908078ba8deb474ada2e2e812681ea21d9938621","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-a0aff327de34602d-1","anchor":"p-a0aff327de34602d-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-a0aff327de34602d-1","kind":"pre","headingPath":["与继续权漂移和观众召回与释放的区别"],"text":"继续权漂移：事件如何继续。\n观众召回与释放：观众如何被召回和释放。\n期待训练：观众的期待如何被建立和颠覆。","textSha256":"1cf16372b3e1ccdd15c7da5af118812306620c9eb4dbdb3d96d7a2a17d224cc9","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-436b4add6f447e7a-1","anchor":"p-436b4add6f447e7a-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-436b4add6f447e7a-1","kind":"h2","headingPath":["核心机制"],"text":"核心机制","textSha256":"4f45966a83d4bf73c645d040cd7058da1a84a6cdd4629e905dcf2fe97fed7c67","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-fd543ffedbc1a929-1","anchor":"p-fd543ffedbc1a929-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-fd543ffedbc1a929-1","kind":"h3","headingPath":["核心机制","1. 期待的建立"],"text":"1. 期待的建立","textSha256":"757f18b3b1db9adedb7d5d18a5898f243a8291327e0a275ae2a4a643e7df6a26","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-c017699c8b91e1d3-1","anchor":"p-c017699c8b91e1d3-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-c017699c8b91e1d3-1","kind":"p","headingPath":["核心机制","1. 期待的建立"],"text":"第一部分的镜头旋转建立期待模式：旋转→新位置→新身体。观众学会预判下一个出现的人。","textSha256":"6988a82cd8dff05c62ccd773434a98d2e6ae1b3f52a6d9e99e472f89908b5cc4","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-69f268e77a0c4168-1","anchor":"p-69f268e77a0c4168-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-69f268e77a0c4168-1","kind":"h3","headingPath":["核心机制","2. 期待的磨损"],"text":"2. 期待的磨损","textSha256":"2aa33b6bb05195006cb0c047a8dcc32f5ca9bc31d677fabd821d09f78691de20","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-a0a116e5689cb5e1-1","anchor":"p-a0a116e5689cb5e1-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-a0a116e5689cb5e1-1","kind":"p","headingPath":["核心机制","2. 期待的磨损"],"text":"第二部分的排练让期待开始磨损——剧本跑偏、命名事故、演不了。观众发现预判不再可靠。","textSha256":"ac2184d7c62d19bf47417ed7ddf6281c6774612711215eef082f81c5ea2be78f","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-f28bc49dce23b3f2-1","anchor":"p-f28bc49dce23b3f2-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-f28bc49dce23b3f2-1","kind":"h3","headingPath":["核心机制","3. 期待的颠覆"],"text":"3. 期待的颠覆","textSha256":"73cfb12aa36c99b6856382b19202ab791d06c3d01d87a858e94181e42f43fb7f","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-c797509eae025204-1","anchor":"p-c797509eae025204-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-c797509eae025204-1","kind":"p","headingPath":["核心机制","3. 期待的颠覆"],"text":"第四部分的 Ricky 越界颠覆期待——观众预判的三人场变成四人场。期待被硬性打破。","textSha256":"3e6e99362141f37d7add875d5417304a551a5fb5ef93a72d58bde51d893db648","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-f44f2521df2ef399-1","anchor":"p-f44f2521df2ef399-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-f44f2521df2ef399-1","kind":"h3","headingPath":["核心机制","4. 期待的释放"],"text":"4. 期待的释放","textSha256":"89d3216bef837f90a40b14b4749c89521a1741449a42f52c3648fa1d6c24f58a","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-8951b18668a40abb-1","anchor":"p-8951b18668a40abb-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-8951b18668a40abb-1","kind":"p","headingPath":["核心机制","4. 期待的释放"],"text":"第六部分的档案静默释放期待——名单逐行出现，观众不再需要预判下一个出现谁。期待被归档。","textSha256":"31445e0c85d04ca8a6777b0ef47d7b734dbc9f190febcd9e511979e22eb10f66","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-fbba56bf0a9d94b8-1","anchor":"p-fbba56bf0a9d94b8-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-fbba56bf0a9d94b8-1","kind":"h2","headingPath":["证据锚点与边界"],"text":"证据锚点与边界","textSha256":"bef9faaec587b7c8b130ac408b70b88478fcf075daaec417f2f60a7f0c6a2659","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-344dd3c968fe02fb-1","anchor":"p-344dd3c968fe02fb-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-344dd3c968fe02fb-1","kind":"p","headingPath":["证据锚点与边界"],"text":"2026-05-20-开场一圈半逆时针固定方位光位最高校正 确认第一部分存在固定方位、固定光位、逆时针旋转、 90° 人物槽和一圈半推进。它支撑本页的第一层事实：观看路径具有重复结构。","textSha256":"573791b0b4042f621a16b4701d7d0592e28216bf02d586bafe56115bbcc6cfe3","links":["https://a.p4theater.top/research/hs-13700607a46c09a4"],"images":[]},{"id":"hs-15a2ba795f43f09f#p-5f933f5bc0495076-1","anchor":"p-5f933f5bc0495076-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-5f933f5bc0495076-1","kind":"p","headingPath":["证据锚点与边界"],"text":"本页的概念判断仍是 T3：","textSha256":"88aa6c6e9b00b568c8cfbcfbef1592b322939a5b69b1de1bd39d64aa9094ea93","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-dd21f68c7f47a6f0-1","anchor":"p-dd21f68c7f47a6f0-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-dd21f68c7f47a6f0-1","kind":"pre","headingPath":["证据锚点与边界"],"text":"T0：每个 90° 人物槽按固定方位显影。\nT3：重复显影让观看形成“下一个位置可能有人”的预判。","textSha256":"a5dc58c8bc0cf19f04648393a1731bd69816180a52a8e7c583f4f8680379a006","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-1c279f04c00b96e6-1","anchor":"p-1c279f04c00b96e6-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-1c279f04c00b96e6-1","kind":"p","headingPath":["证据锚点与边界"],"text":"后续第二、第四、第六部分的磨损、颠覆和释放，目前主要由相关 synthesis 组织；若要把这些阶段写入 supports ，还需要逐段回查本地 source。","textSha256":"a0336dd0d1821ed361af9b7f03875be1985012044d2d326800375768c7ebb913","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-15940203cac2b6c6-1","anchor":"p-15940203cac2b6c6-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-15940203cac2b6c6-1","kind":"h2","headingPath":["声画窗口"],"text":"声画窗口","textSha256":"19334b60480abf1fb092ca16d54466904822e26d4849df91fcfabf9ee26e3dee","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-2d8f5523e9b46a48-1","anchor":"p-2d8f5523e9b46a48-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-2d8f5523e9b46a48-1","kind":"li","headingPath":["声画窗口"],"text":"0-1 ：第一部分，一圈半逆时针旋转建立期待。","textSha256":"bbf74cd2ae3e0cfaf50f4c5fcf926c9fd4e9c009de72ded6053de9fa899f2231","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-b665def4c260e4d0-1","anchor":"p-b665def4c260e4d0-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-b665def4c260e4d0-1","kind":"li","headingPath":["声画窗口"],"text":"1-2 ：第二部分，排练磨损期待。","textSha256":"a74c4e945a63d8c25151a9290c92ebc4200062970bfc4acf1896784353ed14df","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-1d60efa34acb1a7e-1","anchor":"p-1d60efa34acb1a7e-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-1d60efa34acb1a7e-1","kind":"li","headingPath":["声画窗口"],"text":"3-4 ：第四部分，Ricky 越界颠覆期待。","textSha256":"a7d4c361873f2c7b7d123a335be9b27e9134157d56ff5214d05d43e5641907ca","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-fa48c3844436c039-1","anchor":"p-fa48c3844436c039-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-fa48c3844436c039-1","kind":"li","headingPath":["声画窗口"],"text":"5-end ：第六部分，档案静默释放期待。","textSha256":"f817170b737900c2bea811439e480ad3f740837377a4a81a3eda6b1c2cf48783","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-c483e9f77dd32ef9-1","anchor":"p-c483e9f77dd32ef9-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-c483e9f77dd32ef9-1","kind":"h2","headingPath":["不能越界"],"text":"不能越界","textSha256":"58f23a3649dc3d395f37cc8e6d4efb15ae8e93f4fae61914af84b2ec106c72ee","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-caa143220b25cdf8-1","anchor":"p-caa143220b25cdf8-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-caa143220b25cdf8-1","kind":"li","headingPath":["不能越界"],"text":"不把期待训练写成\"导演的观众心理学\"——它是片内可见的结构性训练。","textSha256":"ac2af6b2dd1d74c754b65d5fe65074dc1cd1c8a9f6fc3a37c774eb65706d5117","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-578f9efdd716d9d9-1","anchor":"p-578f9efdd716d9d9-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-578f9efdd716d9d9-1","kind":"li","headingPath":["不能越界"],"text":"不裁决观众的真实心理状态。","textSha256":"523589f73160f73d2eb1d51063e9f53377739bb93f673923ed4a4e760f1e4dfa","links":[],"images":[]},{"id":"hs-15a2ba795f43f09f#p-6831436884efa20d-1","anchor":"p-6831436884efa20d-1","url":"https://a.p4theater.top/research/hs-15a2ba795f43f09f#p-6831436884efa20d-1","kind":"li","headingPath":["不能越界"],"text":"不取消 T0/T1 事实。","textSha256":"58dc9a75ec847339df6272f7a525858871111d27daaa10be3d1263d1d6aceaa9","links":[],"images":[]}]}