{"id":"hs-1447487844ab10ae","url":"https://a.p4theater.top/research/hs-1447487844ab10ae","title":"影子独立性","kind":"concept_note","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"概念研究笔记","series":"概念研究笔记","sourceVersionDate":"2026-05-27","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-1447487844ab10ae.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-1447487844ab10ae-177f6e28a66ffe3ce64f.md","markdownSha256":"177f6e28a66ffe3ce64f6a945d12e620f5021fc5429420cb323c4af2ad9a64fe","markdownBytes":3934,"characters":1080,"sourceEvidenceTier":"T3_CONCEPT_OVER_T2_NEEDS_T1","sourceStatus":"active","evidenceBoundary":"本页为 T3 概念页，来自 MiMo Wave46 对 `78:05-87:05` 影子异常的 T2 候选观察。不得把影子写成鬼魂、人格、真实心理、导演意图或已确认的声画事实；需 T1 关键帧复核后才能升级具体画面判断。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":[],"links":["https://a.p4theater.top/research/hs-8a2c142687e56f1e","https://a.p4theater.top/research/hs-c62d715b81f9af7f","https://a.p4theater.top/research/hs-ca738b5c451d27b0"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":38,"markdown":"# 影子独立性\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-27\n\n证据边界：本页为 T3 概念页，来自 MiMo Wave46 对 `78:05-87:05` 影子异常的 T2 候选观察。不得把影子写成鬼魂、人格、真实心理、导演意图或已确认的声画事实；需 T1 关键帧复核后才能升级具体画面判断。\n\n# 影子独立性\n\n## 定义\n\n`影子独立性` 指《人类投降派》中身体的影子不再只是人物动作的附属残余，而是在光源、地面/墙面、摄影机位置和身体姿态共同作用下，变成一具由装置生产出来的“第二身体”。\n\n最小公式：\n\n```text\n身体动作\n-> 光与表面放大/扭曲/延迟\n-> 影子获得独立存在感\n-> 身体多出一份不完全归本人管理的证词\n```\n\n它不是说影子比身体更真实，而是说：在某些画面条件里，影子会把身体从自身边界里拖出来，让观看者看见身体如何被条件重新生产。\n\n## 核心机制\n\n### 1. 影子不是跟随者，而是副身体\n\nMiMo Wave46 对 `78:05-87:05` 的 T2 描述指出：黑衣女性的影子比本体更大、更扭曲，并且似乎滞后于身体动作。这个观察尚需 T1 帧级复核，但它提供了一个很强的 [条件视觉](/research/hs-c62d715b81f9af7f) 入口。\n\n通常影子被理解为身体的尾巴。这里更有价值的读法是：灯、表面、镜头和身体共同制造出一个副身体。副身体既来自人物，又不完全归人物管理。\n\n### 2. 光把身体从自己身上抽出\n\n开场一圈半固定方位里，光先把人物放入位置。到影子独立性这里，光不只是照亮人物，而是把人物从身体上抽出一层形体。\n\n这说明光在片中不是中性照明。光会分配位置，也会制造残余；它让人出现，也让人超出自己。\n\n### 3. 表演被装置放大并背叛\n\n演员做一个动作，影子却可能把这个动作变得更大、更慢、更变形。影子因此既是表演的放大器，也是表演的背叛者。\n\n这对全片很重要：人物常常以为自己只是在说话、排练、发呆、移动，但装置会把这些动作改写成新的现场后果。\n\n## 全片位置\n\n- 第一部分：人物被固定方位和光位登记。\n- 第三部分中段：光和表面开始从身体上制造副身体。\n- 第四部分：白布、塑料、反光地面、观众和数字继续从身体上生成外壳和证词。\n- 第五/第六部分：后台与档案把人物进一步转成交给材料和文字保存的痕迹。\n\n## 与相邻概念的区别\n\n- 与 [条件视觉](/research/hs-c62d715b81f9af7f) 不同：条件视觉是总观看方法；影子独立性是其中一个具体声画伤口。\n- 与 [反照明](/research/hs-ca738b5c451d27b0) 不同：反照明强调光如何暴露观看条件；影子独立性强调光如何制造第二身体。\n- 与 [身体非人化两极](/research/hs-8a2c142687e56f1e) 不同：后者处理身体向虫子/宇航员两极滑移；本概念处理身体被光和表面复制/扭曲。\n\n## 不能越界\n\n- 不把影子写成鬼魂、神秘实体或人格分裂。\n- 不把影子异常写成演员真实心理。\n- 不用 MiMo T2 裁决影子滞后、光源方向或动作同步。\n- 不把“第二身体”写成片内事实实体；它是 T3 批评概念。\n\n## 下一步复核\n\n需要 T1 抽帧建立影子账：\n\n- 本体位置。\n- 影子方向和面积。\n- 光源可能方向。\n- 地面/墙面材质。\n- 身体动作与影子变化是否同步。\n- 影子是否跨越人物边界、观众边界或空间边界。","paragraphs":[{"id":"hs-1447487844ab10ae#p-c057733e3b4c086e-1","anchor":"p-c057733e3b4c086e-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-c057733e3b4c086e-1","kind":"h2","headingPath":["影子独立性"],"text":"影子独立性","textSha256":"60c47e8e820131cdcd42d1dfbebf254d69e8ef5e3fc984509c26495b0e8af534","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-4f7a45237d089b2f-1","anchor":"p-4f7a45237d089b2f-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-4f7a45237d089b2f-1","kind":"h2","headingPath":["定义"],"text":"定义","textSha256":"b4d7d450f617bcaec4e5dc0d4dd308357ae13a6599e2f3851d45e265a092a4bb","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-b905412e009ea471-1","anchor":"p-b905412e009ea471-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-b905412e009ea471-1","kind":"p","headingPath":["定义"],"text":"影子独立性 指《人类投降派》中身体的影子不再只是人物动作的附属残余，而是在光源、地面/墙面、摄影机位置和身体姿态共同作用下，变成一具由装置生产出来的“第二身体”。","textSha256":"e29a7782ea961ae4a752b2713396b44fa98ef3b20be9953abc28f894c10910d8","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-8dc32d2d8cfdd54b-1","anchor":"p-8dc32d2d8cfdd54b-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-8dc32d2d8cfdd54b-1","kind":"p","headingPath":["定义"],"text":"最小公式：","textSha256":"8ffb06cccdd653f023dd8961157c779196db44b2df58e946b64c761ebd2c1f1f","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-f363f73b1496fd62-1","anchor":"p-f363f73b1496fd62-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-f363f73b1496fd62-1","kind":"pre","headingPath":["定义"],"text":"身体动作\n-> 光与表面放大/扭曲/延迟\n-> 影子获得独立存在感\n-> 身体多出一份不完全归本人管理的证词","textSha256":"05a302ad89b7f1a3f26a6a210746f8cfaedf8e6afe2490fcd9e13594227f4bd0","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-5344ee1608d281e6-1","anchor":"p-5344ee1608d281e6-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-5344ee1608d281e6-1","kind":"p","headingPath":["定义"],"text":"它不是说影子比身体更真实，而是说：在某些画面条件里，影子会把身体从自身边界里拖出来，让观看者看见身体如何被条件重新生产。","textSha256":"f312b55edeaf7607e778ac04a799e6de4af529c0d309a7a1ba7a7477c6f8f2e3","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-436b4add6f447e7a-1","anchor":"p-436b4add6f447e7a-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-436b4add6f447e7a-1","kind":"h2","headingPath":["核心机制"],"text":"核心机制","textSha256":"4f45966a83d4bf73c645d040cd7058da1a84a6cdd4629e905dcf2fe97fed7c67","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-72d53461dba03be2-1","anchor":"p-72d53461dba03be2-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-72d53461dba03be2-1","kind":"h3","headingPath":["核心机制","1. 影子不是跟随者，而是副身体"],"text":"1. 影子不是跟随者，而是副身体","textSha256":"ebb2f5775c1a1ecb2b84bbb86aa5feaa9afdd39d7ecb3410b368452c26f4386e","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-02bd1dfecd481fdc-1","anchor":"p-02bd1dfecd481fdc-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-02bd1dfecd481fdc-1","kind":"p","headingPath":["核心机制","1. 影子不是跟随者，而是副身体"],"text":"MiMo Wave46 对 78:05-87:05 的 T2 描述指出：黑衣女性的影子比本体更大、更扭曲，并且似乎滞后于身体动作。这个观察尚需 T1 帧级复核，但它提供了一个很强的 条件视觉 入口。","textSha256":"7c54606eda1811ffa063c0117a7246d2f004fc353e05f8712471776518e23038","links":["https://a.p4theater.top/research/hs-c62d715b81f9af7f"],"images":[]},{"id":"hs-1447487844ab10ae#p-04c8cf5b8e2429b4-1","anchor":"p-04c8cf5b8e2429b4-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-04c8cf5b8e2429b4-1","kind":"p","headingPath":["核心机制","1. 影子不是跟随者，而是副身体"],"text":"通常影子被理解为身体的尾巴。这里更有价值的读法是：灯、表面、镜头和身体共同制造出一个副身体。副身体既来自人物，又不完全归人物管理。","textSha256":"4bde514f0b3194b621a08f9aed7399736d04696329e9cd8677ede454f1ba66c0","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-43f434d857100b81-1","anchor":"p-43f434d857100b81-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-43f434d857100b81-1","kind":"h3","headingPath":["核心机制","2. 光把身体从自己身上抽出"],"text":"2. 光把身体从自己身上抽出","textSha256":"94abb439759c45ea026946a0d090ec6823f2501de15692969d965ecaaac8a6e8","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-4305ea96c3c0192e-1","anchor":"p-4305ea96c3c0192e-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-4305ea96c3c0192e-1","kind":"p","headingPath":["核心机制","2. 光把身体从自己身上抽出"],"text":"开场一圈半固定方位里，光先把人物放入位置。到影子独立性这里，光不只是照亮人物，而是把人物从身体上抽出一层形体。","textSha256":"f8f7a78a9b4e62cfe9e25d422bcbc5704d2ac2c7ce8230f296a6acf756f89888","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-7d4f104f70ed067f-1","anchor":"p-7d4f104f70ed067f-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-7d4f104f70ed067f-1","kind":"p","headingPath":["核心机制","2. 光把身体从自己身上抽出"],"text":"这说明光在片中不是中性照明。光会分配位置，也会制造残余；它让人出现，也让人超出自己。","textSha256":"d265b2570d4939e6dda20a9d1267aac353c0873cea7a2be59e8a58f4bc63f294","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-c6a92e79b5036af5-1","anchor":"p-c6a92e79b5036af5-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-c6a92e79b5036af5-1","kind":"h3","headingPath":["核心机制","3. 表演被装置放大并背叛"],"text":"3. 表演被装置放大并背叛","textSha256":"83dccd3c6b74f7a21d9c7e77d38ab865f7c593b945554150c4a981e91276c5f7","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-74378ad544fadb76-1","anchor":"p-74378ad544fadb76-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-74378ad544fadb76-1","kind":"p","headingPath":["核心机制","3. 表演被装置放大并背叛"],"text":"演员做一个动作，影子却可能把这个动作变得更大、更慢、更变形。影子因此既是表演的放大器，也是表演的背叛者。","textSha256":"c57f3189770bbc44a35494931eb0a0fdbcc8e7787387a532abec77d121b1cc93","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-b1f786a42961fd7b-1","anchor":"p-b1f786a42961fd7b-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-b1f786a42961fd7b-1","kind":"p","headingPath":["核心机制","3. 表演被装置放大并背叛"],"text":"这对全片很重要：人物常常以为自己只是在说话、排练、发呆、移动，但装置会把这些动作改写成新的现场后果。","textSha256":"c356fb12964c60298b8bfa68847180731cec11b3aaf11136ce8b94e35886c9b8","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-b1aa220ca422d5ae-1","anchor":"p-b1aa220ca422d5ae-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-b1aa220ca422d5ae-1","kind":"h2","headingPath":["全片位置"],"text":"全片位置","textSha256":"9b6a611fd65daca86ae0399e7866a4719c8cf4ffe089dd4d779edfcb7597607c","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-260cd190fd6c406b-1","anchor":"p-260cd190fd6c406b-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-260cd190fd6c406b-1","kind":"li","headingPath":["全片位置"],"text":"第一部分：人物被固定方位和光位登记。","textSha256":"11aaac23040d85c17b06b1918770ae689f7fb04dcdfbce379900d3a3b79cd4a2","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-8ade98c5ef21314e-1","anchor":"p-8ade98c5ef21314e-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-8ade98c5ef21314e-1","kind":"li","headingPath":["全片位置"],"text":"第三部分中段：光和表面开始从身体上制造副身体。","textSha256":"0a2e8ed7e5051b8eae021a7f90b211fbbf8014c2b3ce321a755a66a8c2eebc3c","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-b4a11a8b6e92fc58-1","anchor":"p-b4a11a8b6e92fc58-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-b4a11a8b6e92fc58-1","kind":"li","headingPath":["全片位置"],"text":"第四部分：白布、塑料、反光地面、观众和数字继续从身体上生成外壳和证词。","textSha256":"ae965d85ec6143e6ec85e8ddc9f9ca66af40a4b94fd5cd762fc6a0defebbb28b","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-16126508bac0d39d-1","anchor":"p-16126508bac0d39d-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-16126508bac0d39d-1","kind":"li","headingPath":["全片位置"],"text":"第五/第六部分：后台与档案把人物进一步转成交给材料和文字保存的痕迹。","textSha256":"19809ebdc52ece18a5356036cb1b5ec63f2d437b6953ddebeda01050262b189c","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-3ba8d049c6b23f4e-1","anchor":"p-3ba8d049c6b23f4e-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-3ba8d049c6b23f4e-1","kind":"h2","headingPath":["与相邻概念的区别"],"text":"与相邻概念的区别","textSha256":"682cbb479f227ded0f90fb6c7f67dac1aee9539d5244b95cc6dcb7ebbc10ebb5","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-b0f002d98ba32283-1","anchor":"p-b0f002d98ba32283-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-b0f002d98ba32283-1","kind":"li","headingPath":["与相邻概念的区别"],"text":"与 条件视觉 不同：条件视觉是总观看方法；影子独立性是其中一个具体声画伤口。","textSha256":"582c40e4d57088bb2aafe6576f7730d0ce49294986cde4a8a983f595245760f6","links":["https://a.p4theater.top/research/hs-c62d715b81f9af7f"],"images":[]},{"id":"hs-1447487844ab10ae#p-2e18b0119245248c-1","anchor":"p-2e18b0119245248c-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-2e18b0119245248c-1","kind":"li","headingPath":["与相邻概念的区别"],"text":"与 反照明 不同：反照明强调光如何暴露观看条件；影子独立性强调光如何制造第二身体。","textSha256":"9808835119af44e07e6bbd33ec256e457966ee78fe373c8b4429eb6c1af6c51e","links":["https://a.p4theater.top/research/hs-ca738b5c451d27b0"],"images":[]},{"id":"hs-1447487844ab10ae#p-49dc72d293ce0a6a-1","anchor":"p-49dc72d293ce0a6a-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-49dc72d293ce0a6a-1","kind":"li","headingPath":["与相邻概念的区别"],"text":"与 身体非人化两极 不同：后者处理身体向虫子/宇航员两极滑移；本概念处理身体被光和表面复制/扭曲。","textSha256":"56ef2df99ea8088717221ca3eec70c45c79942c4c9f55c2ab4519404cb31fcc9","links":["https://a.p4theater.top/research/hs-8a2c142687e56f1e"],"images":[]},{"id":"hs-1447487844ab10ae#p-c483e9f77dd32ef9-1","anchor":"p-c483e9f77dd32ef9-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-c483e9f77dd32ef9-1","kind":"h2","headingPath":["不能越界"],"text":"不能越界","textSha256":"58f23a3649dc3d395f37cc8e6d4efb15ae8e93f4fae61914af84b2ec106c72ee","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-2e92846a398a5d32-1","anchor":"p-2e92846a398a5d32-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-2e92846a398a5d32-1","kind":"li","headingPath":["不能越界"],"text":"不把影子写成鬼魂、神秘实体或人格分裂。","textSha256":"5096b5114d9b2c569b0b4656a509af605cf1de461d88165d5b06b3463974608c","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-e4853cc26061161c-1","anchor":"p-e4853cc26061161c-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-e4853cc26061161c-1","kind":"li","headingPath":["不能越界"],"text":"不把影子异常写成演员真实心理。","textSha256":"f362bdd484c0653f5fe38bda0c0a32642dac754ad022de52901f4f90b7fcdb28","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-e853e4d79ed90f38-1","anchor":"p-e853e4d79ed90f38-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-e853e4d79ed90f38-1","kind":"li","headingPath":["不能越界"],"text":"不用 MiMo T2 裁决影子滞后、光源方向或动作同步。","textSha256":"de7494e1f144fa15c8c7e21b1ae565cbadec0da9c368b09b5af89c7f80eceb1a","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-624dbcf9a0128834-1","anchor":"p-624dbcf9a0128834-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-624dbcf9a0128834-1","kind":"li","headingPath":["不能越界"],"text":"不把“第二身体”写成片内事实实体；它是 T3 批评概念。","textSha256":"2d0662af7a424739c7d3531ea18c9855bab29ce03a8f26bb496b6f72f0e0a0f7","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-2f2138e594994031-1","anchor":"p-2f2138e594994031-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-2f2138e594994031-1","kind":"h2","headingPath":["下一步复核"],"text":"下一步复核","textSha256":"6e668109b77bdbc88f37ea15b9e9256f4add84e2e0f47c94109488e9cc72533c","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-c1033fc38e4a08be-1","anchor":"p-c1033fc38e4a08be-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-c1033fc38e4a08be-1","kind":"p","headingPath":["下一步复核"],"text":"需要 T1 抽帧建立影子账：","textSha256":"2aad59c0c4f41bd579c938486ad82c884b2b56b022df96d5900cc9b8952bc3de","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-84f9d9207ea76e88-1","anchor":"p-84f9d9207ea76e88-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-84f9d9207ea76e88-1","kind":"li","headingPath":["下一步复核"],"text":"本体位置。","textSha256":"7d36d3ccfb46cf902ef68ba6a8fde147d8aef5c062837b2fa262c5fc49fc7528","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-cb1e189a7fd401b2-1","anchor":"p-cb1e189a7fd401b2-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-cb1e189a7fd401b2-1","kind":"li","headingPath":["下一步复核"],"text":"影子方向和面积。","textSha256":"3f7b33112f8d4a987851dc57ca78ffbc05cff3a8dda10de7a225960635e1fa33","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-682af20bf4e10c5d-1","anchor":"p-682af20bf4e10c5d-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-682af20bf4e10c5d-1","kind":"li","headingPath":["下一步复核"],"text":"光源可能方向。","textSha256":"2b0966a2ac81df0e42220280ac7cb49986d9fed192f5b70058f78609c94bc1de","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-86b8517fbad1a14c-1","anchor":"p-86b8517fbad1a14c-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-86b8517fbad1a14c-1","kind":"li","headingPath":["下一步复核"],"text":"地面/墙面材质。","textSha256":"bf306e3325ad33ea3cdb14b1ddd642893e2bbc82d79a04e4796b166904cd751a","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-e265a5d631056602-1","anchor":"p-e265a5d631056602-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-e265a5d631056602-1","kind":"li","headingPath":["下一步复核"],"text":"身体动作与影子变化是否同步。","textSha256":"50331defcacabb4a4dfc6cc314842aa04dd3abfecf118f6b8992836ac839c2de","links":[],"images":[]},{"id":"hs-1447487844ab10ae#p-32737d0414e6b82c-1","anchor":"p-32737d0414e6b82c-1","url":"https://a.p4theater.top/research/hs-1447487844ab10ae#p-32737d0414e6b82c-1","kind":"li","headingPath":["下一步复核"],"text":"影子是否跨越人物边界、观众边界或空间边界。","textSha256":"ac1dcf7446eb55575df13c135520363b06c883d4775af7ac20a6b121b2cd0354","links":[],"images":[]}]}