{"id":"hs-0b267e09f9678172","url":"https://a.p4theater.top/research/hs-0b267e09f9678172","title":"2026-05-12 第四部分“来”之后声画微账本","kind":"source_record","reviewStatus":"structurally_screened_not_individually_reviewed","language":"zh-CN","category":"本地声画取证记录","series":"本地声画取证记录","sourceVersionDate":"2026-05-12","publishedAt":"2026-09-08","modifiedAt":"2026-09-07T18:27:17+00:00","markdownUrl":"https://a.p4theater.top/research/hs-0b267e09f9678172.md","editionUrl":"https://a.p4theater.top/research/data/editions/hs-0b267e09f9678172-38075c7593f6eef18f3d.md","markdownSha256":"38075c7593f6eef18f3d67b1acdca684eb2a27d5d4e77313f72e81a679028f43","markdownBytes":14305,"characters":5763,"sourceEvidenceTier":"T1_LOCAL_AUDIO_ENERGY_FRAME_LEDGER","sourceStatus":"active","evidenceBoundary":"本页只做 `02:20:29-02:22:01` 的本地声能读数与关键帧对应，不声称完成了人工细听，也不把每个峰值归因为脚步/衣料/塑料/喘息等具体声源。声源命名只能作为候选，强判断仍回到字幕、V10、画面和后续人工听辨。","editionNote":"本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。","imageUrls":["https://a.p4theater.top/research/images/1b95a87f0011b16d5c28.webp","https://a.p4theater.top/research/images/4a09eb6afbfdc985ac93.webp","https://a.p4theater.top/research/images/5230d99d1e8ab935f0e4.webp","https://a.p4theater.top/research/images/6e4db227ef86466c9358.webp","https://a.p4theater.top/research/images/6f3e2f6476764c5ddac5.webp","https://a.p4theater.top/research/images/8cc1dc1f4b12c6263199.webp","https://a.p4theater.top/research/images/901d69592a4ea3a7d5f2.webp","https://a.p4theater.top/research/images/9dd2ce077dd3fb2c29b7.webp","https://a.p4theater.top/research/images/9df44702f43d6569e658.webp","https://a.p4theater.top/research/images/9e9e5f9c35089ef952b3.webp","https://a.p4theater.top/research/images/c22f9052ed2f4b2021d5.webp","https://a.p4theater.top/research/images/dfee4ac2e3d593886842.webp","https://a.p4theater.top/research/images/e95e11f2a66f38fab13e.webp"],"links":["https://a.p4theater.top/research/hs-9517c3196c5ad9cf"],"relationMethod":"literal links and image references in the public edition; no inferred semantic support","paragraphCount":83,"markdown":"# 2026-05-12 第四部分“来”之后声画微账本\n\n本文为研究档案公开版，保留来源版本的论述与限制。公开时间：2026-09-08；不表示已完成同行评审。 本文属于公开研究资料（历史笔记、研究稿或来源记录）：已完成格式、来源限制与重复项筛查，尚未完成逐篇独立事实复核；原文中的解释、候选判断和未确认内容均按其原有限制阅读。\n\n来源版本日期：2026-05-12\n\n证据边界：本页只做 `02:20:29-02:22:01` 的本地声能读数与关键帧对应，不声称完成了人工细听，也不把每个峰值归因为脚步/衣料/塑料/喘息等具体声源。声源命名只能作为候选，强判断仍回到字幕、V10、画面和后续人工听辨。\n\n## 本地取证\n\n```mermaid\nflowchart LR\n    VID[\"原始视频\"] --> FOR[\"取证分析\"]\n    FOR --> RPT[\"2026-05-12-第四部分来之后声画微账本\"]\n    FOR --> FRM[\"帧审查\"]\n    style RPT fill:#7ee787,stroke:#7ee787,color:#000\n```\n\n\n# 2026-05-12 第四部分“来”之后声画微账本\n\n## 结论\n\n本页继续下钻 [2026-05-12-第四部分来之后声学低处复核](/research/hs-9517c3196c5ad9cf)：把 `02:20:29-02:22:01` 拆成 1 秒声能读数、5 秒声能段落和关键帧对应。它不是人工听写，也不是声源鉴定；它只回答一个更小的问题：`来` 之后，那段“有声但无句”的现场，究竟在哪里抬头、在哪里回落，画面上又正发生什么。\n\n结果显示，这 92 秒不是一条平滑底噪，而是三次明显回潮：\n\n1. `02:20:39-02:20:46`：`来` 后身体穿过观众、站位重排时出现第一轮峰值。\n2. `02:20:56-02:21:11`：低位靠近、遮挡、近身画面密集，声能再次抬起。\n3. `02:21:39-02:21:54`：语言恢复前最强的持续声能段，画面进入白色塑料、观众、站立身体和公共空间的重排。\n\n这让上一页的判断更稳：`来` 之后不是空白，而是一段声画回潮。被 `跳过` 的中间没有作为台词回来，却作为身体移动、空间摩擦、观众在场和材料声床回来。重要的是：这些峰值大多不伴随字幕句子，它们把“说话顺序”暂时交给了身体和房间。\n\n## 本轮资产\n\n- 峰值关键帧接触表：`inspool-wiki-zh/raw/assets/local-forensics-20260512-part4-post-come-av-micro-ledger/contact-energy-peaks-022029-022159.jpg`\n- 关键帧目录：`inspool-wiki-zh/raw/assets/local-forensics-20260512-part4-post-come-av-micro-ledger/`\n- 上级音频资产：`inspool-wiki-zh/raw/assets/local-forensics-20260512-part4-skip-come-audio-low/audio-022029-022201-mono.wav`\n- 正片源：`inspool-wiki-zh/raw/assets/source-video-20260505/人类投降派 4g 版本.mov`\n\n![《人类投降派》研究图像](/research/images/8cc1dc1f4b12c6263199.webp)\n\n## 关键帧逐帧视觉描述（2026-05-17 补）\n\n### 峰值关键帧接触表 `contact-energy-peaks-022029-022159.jpg`\n\n接触表以不等间隔采样，覆盖约 90 秒。格子画面高度一致：白色半透明塑料膜/幕布大面积覆盖，后方坐着穿深色衣物的观众群。绿色安全出口标志（\"EXIT\"）在多格中稳定出现在左侧或左上位置。前段格子中可见穿深色衣物的近身身体在幕布前移动；中段格子画面变暗、变近——暗部近身遮挡增多，身体/肩背/衣料占满画面，观众虚化为背景影子；后段格子中站立身体、白色塑料和观众同框，空间重新拉开。接触表整体确认：`来` 后的\"有声但无句\"窗口不是空白画面，而是身体在白色塑料围合中移动、靠近、遮挡、散开的连续视觉弧。\n\n### 峰值关键帧\n\n`frame-rel010-022039.jpg`（最高瞬态峰值帧）：中景。白色塑料膜从上方垂下，后方坐着一排穿深色衣物的观众。前景可见一名穿深色衣物的人站在幕布前，身体轮廓被半透明材料柔化。绿色安全出口标志在左侧亮起。这一帧对应\"身体在观众前方公开经过\"——声能最高点的画面不是激烈的动作，而是安静地站在幕布前。\n\n`frame-rel027-022056.jpg`（第二轮声能抬起帧）：极近暗部画面。几乎全黑——只能隐约看到极近距离的深色衣物/身体表面填满画面。这是\"近身遮挡\"段的视觉极端：画面信息被压缩到最低，只剩下暗部和材料纹理。声能在这里大幅抬起，但画面不给出可辨认的动作或空间。\n\n`frame-rel072-022141.jpg`（全窗最高 RMS 秒帧）：中远景。白色幕布大面积垂下，后方坐着穿深色衣物的观众。画面左侧有黑色设备/箱子。前景可见站立身体的局部。这一帧是\"公共空间回潮\"的最强显影点——声音在语言恢复前以最公共、最宽的方式响了一次，画面也相应地回到最宽的空间构图。\n\n## 方法边界\n\n本页的 `rel` 时间从 `02:20:29` 音频抽取起点计算，不是从 `02:20:29.633` 字幕 `来` 结束点计算。因此：\n\n```text\nrel 0 约等于 02:20:29\nrel 10 约等于 02:20:39\nrel 72 约等于 02:21:41\n```\n\n`RMS` 越接近 0，表示该秒整体声能越强；`Peak` 越接近 0，表示该秒存在更高瞬态峰值。二者都不能直接证明声源类型。比如 `Peak` 抬高只说明有瞬态，不能自动写成脚步；`RMS` 抬高只说明一秒内整体能量较强，不能自动写成对白、喘息或塑料摩擦。\n\n## 5 秒声能段落\n\n| 相对窗口 | 约绝对时间 | RMS | Peak | 画面对应 | 谨慎判断 |\n|---|---|---:|---:|---|---|\n| `0-5s` | `02:20:29-02:20:34` | `-37.575776` | `-19.891206` | `来` 后近身低位尚未完全散开 | `来` 的余波进入身体转场，声能不高但不是空白 |\n| `5-10s` | `02:20:34-02:20:39` | `-37.951951` | `-14.350924` | 身体站起/穿过观众前方 | 出现瞬态抬头，可能对应移动/空间变化候选 |\n| `10-15s` | `02:20:39-02:20:44` | `-33.878790` | `-11.449732` | 身体在观众前方公开经过 | 全窗最高 Peak 所在段，说明转场不是无声 |\n| `15-20s` | `02:20:44-02:20:49` | `-33.594305` | `-17.818966` | 观众前方到低位重排 | 第一轮声能继续停留 |\n| `20-25s` | `02:20:49-02:20:54` | `-35.980842` | `-18.006574` | 低位围合/身体靠近 | 声能回落但仍有声床 |\n| `25-30s` | `02:20:54-02:20:59` | `-31.981114` | `-13.479041` | 近身遮挡、暗部身体/衣料占画面 | 第二轮明显抬起；只能写作近身/遮挡声画候选 |\n| `30-35s` | `02:20:59-02:21:04` | `-33.700867` | `-16.217145` | 身体继续在低位附近重排 | 声能维持，不是转场结束 |\n| `35-40s` | `02:21:04-02:21:09` | `-33.570971` | `-12.576663` | 阿蒙/黄蒙近景、观众虚化在后 | 第二轮 Peak 明显；不直接命名声源 |\n| `40-45s` | `02:21:09-02:21:14` | `-33.315642` | `-13.141600` | 近脸/近肩、低位关系尚在 | 声画仍在近身层，没有恢复为台词组织 |\n| `45-50s` | `02:21:14-02:21:19` | `-36.838584` | `-15.923766` | 由近身转向更宽的空间 | 声能回落，空间开始拉开 |\n| `50-55s` | `02:21:19-02:21:24` | `-36.228630` | `-19.084320` | 人物/观众位置等待 | 低声床为主 |\n| `55-60s` | `02:21:24-02:21:29` | `-36.098679` | `-19.387756` | 短静默阈值附近，画面仍未交回字幕 | 不是绝对静音，是声床与短暂停顿交替 |\n| `60-65s` | `02:21:29-02:21:34` | `-33.914004` | `-17.156145` | 人物近侧移动，观众/白塑料仍在场 | 声能重新抬起前的过桥 |\n| `65-70s` | `02:21:34-02:21:39` | `-35.420929` | `-18.991777` | 更宽空间、站立/坐位关系 | 过渡段 |\n| `70-75s` | `02:21:39-02:21:44` | `-27.647252` | `-14.933013` | 白色塑料、观众、站立身体进入稳定公共画面 | 全窗最高 RMS 段；声学低处在语言恢复前最强 |\n| `75-80s` | `02:21:44-02:21:49` | `-30.666323` | `-14.313654` | 公共空间仍在重排 | 第三轮回潮延续 |\n| `80-85s` | `02:21:49-02:21:54` | `-32.336517` | `-12.795935` | 站立身体近景，观众在后 | 第三轮仍有明显瞬态 |\n| `85-90s` | `02:21:54-02:21:59` | `-36.673078` | `-18.138213` | 语言恢复前的尾部转场 | 回落 |\n| `90-92s` | `02:21:59-02:22:01` | `-35.541281` | `-17.119918` | 走向 `我从不知道哪一天起就` | 台词重新进入前仍有底噪 |\n\n## 1 秒峰值锚点\n\n以下只列本窗最值得写作注意的秒点。它们不是“声源已确认”，而是“声画对齐时应先看的地方”。\n\n| rel | 约绝对时间 | RMS | Peak | 关键帧 | 当前可见事实 | 写作入口 |\n|---:|---|---:|---:|---|---|---|\n| `10` | `02:20:39` | `-32.976915` | `-11.449732` | `frame-rel010-022039.jpg` | 身体站起并在观众前方经过 | 最高瞬态峰值；`来` 后身体公开移动不是静音转场 |\n| `17` | `02:20:46` | `-29.532598` | `-17.818966` | `frame-rel017-022046.jpg` | 低位围合/观众前方重排 | 第一轮转场余波仍在 |\n| `27` | `02:20:56` | `-26.747884` | `-13.479041` | `frame-rel027-022056.jpg` | 暗部近身遮挡，身体/衣料占画面 | 声能大幅抬起，但具体声源不可命名 |\n| `37` | `02:21:06` | `-29.902530` | `-12.576663` | `frame-rel037-022106.jpg` | 阿蒙/黄蒙近景，观众虚化 | 近身层的第二轮峰值 |\n| `42` | `02:21:11` | `-27.019898` | `-13.141600` | `frame-rel042-022111.jpg` | 近脸/近肩低位关系 | 声能仍高，说明低位关系尚未散开 |\n| `64` | `02:21:33` | `-29.629523` | `-17.156145` | `frame-rel064-022133.jpg` | 更宽空间与站立/坐位关系 | 第三轮回潮前的准备 |\n| `70` | `02:21:39` | `-30.679794` | `-18.381191` | `frame-rel070-022139.jpg` | 白色塑料和观众席清楚进入画面 | 语言恢复前，空间重新成为声源候选 |\n| `72` | `02:21:41` | `-24.684546` | `-14.933013` | `frame-rel072-022141.jpg` | 站立身体、白色塑料、观众同框 | 全窗最高 RMS 秒；“声学低处”最强显影点 |\n| `79` | `02:21:48` | `-28.133021` | `-14.313654` | `frame-rel079-022148.jpg` | 站立身体贴近画面，观众在后 | 第三轮持续 |\n| `82` | `02:21:51` | `-28.687827` | `-14.316410` | `frame-rel082-022151.jpg` | 站立身体与观众关系继续 | 声能尚未交回语言 |\n| `84` | `02:21:53` | `-28.730922` | `-12.795935` | `frame-rel084-022153.jpg` | 近处站立身体，观众席后退 | 第三轮瞬态峰值之一 |\n| `90` | `02:21:59` | `-30.355192` | `-17.119918` | `frame-rel090-022159.jpg` | 进入语言恢复前的尾部 | 台词回归前仍未归零 |\n\n## 三次回潮\n\n### 一、公开经过\n\n第一轮回潮出现在 `02:20:39-02:20:46`。这时 `来` 已经不再是一个字，而变成身体经过观众前方的路径。音频峰值没有告诉我们“这就是脚步”，但它告诉我们：身体穿过公共空间时，现场声能确实抬起来。`跳过` 没有让转场轻盈；它让观众前方的移动变成可听见的材料。\n\n### 二、近身遮挡\n\n第二轮回潮出现在 `02:20:56-02:21:11`。画面变暗、贴近、遮挡增多，身体、衣料、肩背、低位关系和观众虚影互相挤压。这里不能把声响命名得太快，但可以写得很准：声音跟着画面一起变得近、闷、低、拥挤。它不是台词的声音，而是被语言放弃以后身体自己占据空间的声音。\n\n### 三、公共空间回潮\n\n第三轮回潮出现在 `02:21:39-02:21:54`，其中 `rel 72 / 02:21:41` 是全窗最高 RMS 秒。此时画面不再只是近身低位，而是白色塑料、观众、站立身体和场地边界共同进入。这个回潮尤其重要：语言快要回来之前，现场先以更公共、更宽的方式响了一次。像是电影在说，独白可以马上回来，但回来之前，房间要先证明自己没有死。\n\n## 新判断\n\n上一页把 `来` 之后定义为“有声但无句”。本页进一步说明：它不是均匀的有声，而是有三次回潮的有声。\n\n```text\n来\n-> 公开经过的声能抬头\n-> 近身遮挡的低闷回潮\n-> 白色塑料/观众/站立身体的公共回潮\n-> 我从不知道哪一天起就\n```\n\n这条链改变我们对 `切断感觉` 的理解。独白并不是从静默里升起，而是从一段刚刚回潮过的房间里升起。先是身体和空间把中间补回来，然后语言才说自己切断了感觉。这个顺序很关键：感觉不是被说出来才存在；它先在没有句子的声画里回来过。\n\n## 使用边界\n\n- 本页没有完成“人工细听”，不能写成逐声源听辨结论。\n- `RMS/Peak` 只能证明声能变化，不能证明声源身份。\n- `frame-rel027` 等暗部近身帧不能自动写成衣料摩擦、身体摩擦或喘息；这些只是候选入口。\n- 本页不改变 V10 说话人归属，也不把流程声归给何发。\n- 本页支持“声学低处”的说法，但不支持任何真实人物心理诊断。\n\n## 可写入综合页的判断\n\n```text\n`02:20:29-02:22:01` 的逐秒声能账显示，`来` 后字幕空窗不是均匀底噪，而有三次声画回潮：`02:20:39-02:20:46` 身体公开经过观众前方，`02:20:56-02:21:11` 近身遮挡和低位关系密集，`02:21:39-02:21:54` 白色塑料、观众和站立身体进入公共空间，其中 `02:21:41` 为全窗最高 RMS 秒。语言恢复为 `我从不知道哪一天起就` 之前，现场已经以身体、空间和材料声床证明自己没有沉默。\n```\n\n## 文中引用的图像资料\n\n以下图像由本篇已有文件引用对应；保留历史引用范围，图像展示不增加新的事实判断。\n\n![frame-rel010-022039.jpg](/research/images/5230d99d1e8ab935f0e4.webp)\n\n![frame-rel027-022056.jpg](/research/images/4a09eb6afbfdc985ac93.webp)\n\n![frame-rel072-022141.jpg](/research/images/9e9e5f9c35089ef952b3.webp)\n\n![frame-rel017-022046.jpg](/research/images/901d69592a4ea3a7d5f2.webp)\n\n![frame-rel037-022106.jpg](/research/images/6e4db227ef86466c9358.webp)\n\n![frame-rel042-022111.jpg](/research/images/c22f9052ed2f4b2021d5.webp)\n\n![frame-rel064-022133.jpg](/research/images/9df44702f43d6569e658.webp)\n\n![frame-rel070-022139.jpg](/research/images/e95e11f2a66f38fab13e.webp)\n\n![frame-rel079-022148.jpg](/research/images/6f3e2f6476764c5ddac5.webp)\n\n![frame-rel082-022151.jpg](/research/images/1b95a87f0011b16d5c28.webp)\n\n![frame-rel084-022153.jpg](/research/images/dfee4ac2e3d593886842.webp)\n\n![frame-rel090-022159.jpg](/research/images/9dd2ce077dd3fb2c29b7.webp)","paragraphs":[{"id":"hs-0b267e09f9678172#p-f825dad0c4f256d7-1","anchor":"p-f825dad0c4f256d7-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-f825dad0c4f256d7-1","kind":"h2","headingPath":["本地取证"],"text":"本地取证","textSha256":"10a2c97086622176fb7c283cd00fa43aa97e84e03bfa6cc5e98358dacda58214","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-7054a0f19f656dd8-1","anchor":"p-7054a0f19f656dd8-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-7054a0f19f656dd8-1","kind":"pre","headingPath":["本地取证"],"text":"flowchart LR\n    VID[\"原始视频\"] --> FOR[\"取证分析\"]\n    FOR --> RPT[\"2026-05-12-第四部分来之后声画微账本\"]\n    FOR --> FRM[\"帧审查\"]\n    style RPT fill:#7ee787,stroke:#7ee787,color:#000","textSha256":"62e40a1ba91db7ffbbeb7e1e9e0cd28d2923b628be69eefc5d20302f1337e10e","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b455e92af2febfae-1","anchor":"p-b455e92af2febfae-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b455e92af2febfae-1","kind":"h2","headingPath":["2026-05-12 第四部分“来”之后声画微账本"],"text":"2026-05-12 第四部分“来”之后声画微账本","textSha256":"33c62ece8f55a9ba46e5aa628f152081e139c33ecffed29a1e524e1790dd4dce","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-0a734aec410e8b6b-1","anchor":"p-0a734aec410e8b6b-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-0a734aec410e8b6b-1","kind":"h2","headingPath":["结论"],"text":"结论","textSha256":"14163a5df29f258ec56765ffe165c9ba7fbba840d4a2aafd26a3d215c64c0370","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-09906189b32c655f-1","anchor":"p-09906189b32c655f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-09906189b32c655f-1","kind":"p","headingPath":["结论"],"text":"本页继续下钻 2026-05-12-第四部分来之后声学低处复核 ：把 02:20:29-02:22:01 拆成 1 秒声能读数、5 秒声能段落和关键帧对应。它不是人工听写，也不是声源鉴定；它只回答一个更小的问题： 来 之后，那段“有声但无句”的现场，究竟在哪里抬头、在哪里回落，画面上又正发生什么。","textSha256":"d8667b91a4a21aecf8ddf45c52772f1a09fb583e4ed3bdcb8a85083c7129393b","links":["https://a.p4theater.top/research/hs-9517c3196c5ad9cf"],"images":[]},{"id":"hs-0b267e09f9678172#p-cdccb581da2dd61f-1","anchor":"p-cdccb581da2dd61f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-cdccb581da2dd61f-1","kind":"p","headingPath":["结论"],"text":"结果显示，这 92 秒不是一条平滑底噪，而是三次明显回潮：","textSha256":"7ce968b71cc3e21734d967b7bfc2fa2e3602090cb4ece2be4768591bea437b7f","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-e90782a8684fb03d-1","anchor":"p-e90782a8684fb03d-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-e90782a8684fb03d-1","kind":"li","headingPath":["结论"],"text":"02:20:39-02:20:46 ： 来 后身体穿过观众、站位重排时出现第一轮峰值。","textSha256":"7a89792c415060a33de6ffad6c0cb00bdf89552087cf983dc5633e13b31bdf77","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-1b7461b6b1f2850f-1","anchor":"p-1b7461b6b1f2850f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-1b7461b6b1f2850f-1","kind":"li","headingPath":["结论"],"text":"02:20:56-02:21:11 ：低位靠近、遮挡、近身画面密集，声能再次抬起。","textSha256":"e705d2271abad3b39863fe034a6338f68ad11cebcec91d1b9655e5139193f3fd","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-fb3a34d83af5065b-1","anchor":"p-fb3a34d83af5065b-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-fb3a34d83af5065b-1","kind":"li","headingPath":["结论"],"text":"02:21:39-02:21:54 ：语言恢复前最强的持续声能段，画面进入白色塑料、观众、站立身体和公共空间的重排。","textSha256":"386bed24ca936c2ceb1585dade6b4400cdfb7991129a284f7d8481bb94def3e2","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-d2d44e696881dd6f-1","anchor":"p-d2d44e696881dd6f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-d2d44e696881dd6f-1","kind":"p","headingPath":["结论"],"text":"这让上一页的判断更稳： 来 之后不是空白，而是一段声画回潮。被 跳过 的中间没有作为台词回来，却作为身体移动、空间摩擦、观众在场和材料声床回来。重要的是：这些峰值大多不伴随字幕句子，它们把“说话顺序”暂时交给了身体和房间。","textSha256":"486340db60b8c0025d26c7aaf4f802e741631f84f5458214aaad47f7c3e74026","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-742ec40762bb0240-1","anchor":"p-742ec40762bb0240-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-742ec40762bb0240-1","kind":"h2","headingPath":["本轮资产"],"text":"本轮资产","textSha256":"12cbaf45af1fc9aef001bc33ad160dd4bde4c3fbd62962a78462ce2cfd5c0c75","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-c86613f994fc8521-1","anchor":"p-c86613f994fc8521-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-c86613f994fc8521-1","kind":"li","headingPath":["本轮资产"],"text":"峰值关键帧接触表： inspool-wiki-zh/raw/assets/local-forensics-20260512-part4-post-come-av-micro-ledger/contact-energy-peaks-022029-022159.jpg","textSha256":"18f479da97f8c17134b7b4127c0f62c84e2809b9f710fca6212fe395485336d2","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b34f19e251c6fb1d-1","anchor":"p-b34f19e251c6fb1d-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b34f19e251c6fb1d-1","kind":"li","headingPath":["本轮资产"],"text":"关键帧目录： inspool-wiki-zh/raw/assets/local-forensics-20260512-part4-post-come-av-micro-ledger/","textSha256":"8b04804a8f254543ed5ed211087f63ba90b03f7f4c27f293d6c0974a42e7bb14","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-fde5efdb221fc26c-1","anchor":"p-fde5efdb221fc26c-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-fde5efdb221fc26c-1","kind":"li","headingPath":["本轮资产"],"text":"上级音频资产： inspool-wiki-zh/raw/assets/local-forensics-20260512-part4-skip-come-audio-low/audio-022029-022201-mono.wav","textSha256":"087aa21e9739d8de7b18c8fc1ccf08a4fa8ec91c159e0a5050492ab1c0165629","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-d336d5460ff3ac97-1","anchor":"p-d336d5460ff3ac97-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-d336d5460ff3ac97-1","kind":"li","headingPath":["本轮资产"],"text":"正片源： inspool-wiki-zh/raw/assets/source-video-20260505/人类投降派 4g 版本.mov","textSha256":"cb0cc4a3f78acdde4c91694926721fc251e01c16edceceb27ee9a339785135de","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-cf3f4c28c7bd9174-1","anchor":"p-cf3f4c28c7bd9174-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-cf3f4c28c7bd9174-1","kind":"h2","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）"],"text":"关键帧逐帧视觉描述（2026-05-17 补）","textSha256":"bbeaa18b327deaa407eeea21cb6341159e7b5b41efa6d96c1792bebee01bc271","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-781312d42e4f31dd-1","anchor":"p-781312d42e4f31dd-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-781312d42e4f31dd-1","kind":"h3","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）","峰值关键帧接触表 contact-energy-peaks-022029-022159.jpg"],"text":"峰值关键帧接触表 contact-energy-peaks-022029-022159.jpg","textSha256":"7bb9c328574124339cad837f9ed2700150ea6b68cca557584b17e9619920fac1","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-88184dabbf49a70c-1","anchor":"p-88184dabbf49a70c-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-88184dabbf49a70c-1","kind":"p","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）","峰值关键帧接触表 contact-energy-peaks-022029-022159.jpg"],"text":"接触表以不等间隔采样，覆盖约 90 秒。格子画面高度一致：白色半透明塑料膜/幕布大面积覆盖，后方坐着穿深色衣物的观众群。绿色安全出口标志（\"EXIT\"）在多格中稳定出现在左侧或左上位置。前段格子中可见穿深色衣物的近身身体在幕布前移动；中段格子画面变暗、变近——暗部近身遮挡增多，身体/肩背/衣料占满画面，观众虚化为背景影子；后段格子中站立身体、白色塑料和观众同框，空间重新拉开。接触表整体确认： 来 后的\"有声但无句\"窗口不是空白画面，而是身体在白色塑料围合中移动、靠近、遮挡、散开的连续视觉弧。","textSha256":"ceef0414a0eed647326e9dbab296528892dcdd1ff3cf387d60a9b43500f74e8f","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-c8420d009f6319b3-1","anchor":"p-c8420d009f6319b3-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-c8420d009f6319b3-1","kind":"h3","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）","峰值关键帧"],"text":"峰值关键帧","textSha256":"f9b0b182b748e4dfa42f2b9f76516840f8d6d96a14eea7ee6ca9940450fe64ce","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-ec6c8464d8e28a21-1","anchor":"p-ec6c8464d8e28a21-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-ec6c8464d8e28a21-1","kind":"p","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）","峰值关键帧"],"text":"frame-rel010-022039.jpg （最高瞬态峰值帧）：中景。白色塑料膜从上方垂下，后方坐着一排穿深色衣物的观众。前景可见一名穿深色衣物的人站在幕布前，身体轮廓被半透明材料柔化。绿色安全出口标志在左侧亮起。这一帧对应\"身体在观众前方公开经过\"——声能最高点的画面不是激烈的动作，而是安静地站在幕布前。","textSha256":"14cfe579c61e28ab1652ea0448c6d7c5205b505f516a0a889beab04c302e3327","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-592d6668d656e19f-1","anchor":"p-592d6668d656e19f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-592d6668d656e19f-1","kind":"p","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）","峰值关键帧"],"text":"frame-rel027-022056.jpg （第二轮声能抬起帧）：极近暗部画面。几乎全黑——只能隐约看到极近距离的深色衣物/身体表面填满画面。这是\"近身遮挡\"段的视觉极端：画面信息被压缩到最低，只剩下暗部和材料纹理。声能在这里大幅抬起，但画面不给出可辨认的动作或空间。","textSha256":"c9217c65430cacd94d120f9823e863f240196c69a9d99fc147fdf4813d19c788","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-2a9999592e495f86-1","anchor":"p-2a9999592e495f86-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-2a9999592e495f86-1","kind":"p","headingPath":["关键帧逐帧视觉描述（2026-05-17 补）","峰值关键帧"],"text":"frame-rel072-022141.jpg （全窗最高 RMS 秒帧）：中远景。白色幕布大面积垂下，后方坐着穿深色衣物的观众。画面左侧有黑色设备/箱子。前景可见站立身体的局部。这一帧是\"公共空间回潮\"的最强显影点——声音在语言恢复前以最公共、最宽的方式响了一次，画面也相应地回到最宽的空间构图。","textSha256":"3ec705a2b4695b1cf07b6ea9cfce52d82a3c430062b169615b8b400c9e77a648","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-a7611f821e9e72f3-1","anchor":"p-a7611f821e9e72f3-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-a7611f821e9e72f3-1","kind":"h2","headingPath":["方法边界"],"text":"方法边界","textSha256":"c7d4ddf62ad2edcf206fd09ae17e67077a013c80b7c4d07b0862fcadf2e8cdf7","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-86417091b8aaaf3a-1","anchor":"p-86417091b8aaaf3a-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-86417091b8aaaf3a-1","kind":"p","headingPath":["方法边界"],"text":"本页的 rel 时间从 02:20:29 音频抽取起点计算，不是从 02:20:29.633 字幕 来 结束点计算。因此：","textSha256":"e4c635f6e30721e6aa255e03b6d26b747e380ae0e667cf60af224e83328c5651","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-70d318cd87e2005f-1","anchor":"p-70d318cd87e2005f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-70d318cd87e2005f-1","kind":"pre","headingPath":["方法边界"],"text":"rel 0 约等于 02:20:29\nrel 10 约等于 02:20:39\nrel 72 约等于 02:21:41","textSha256":"8fb058812432ed07ed3ee79ca463b983d6b371782bd3aa24a0baa7d87f41ffde","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-0f9967c97f0a359e-1","anchor":"p-0f9967c97f0a359e-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-0f9967c97f0a359e-1","kind":"p","headingPath":["方法边界"],"text":"RMS 越接近 0，表示该秒整体声能越强； Peak 越接近 0，表示该秒存在更高瞬态峰值。二者都不能直接证明声源类型。比如 Peak 抬高只说明有瞬态，不能自动写成脚步； RMS 抬高只说明一秒内整体能量较强，不能自动写成对白、喘息或塑料摩擦。","textSha256":"cc5fd73d03c37362be9937864aa4719386a4bb75b7554bd70f5afd69cf14ea2c","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-6851d5bb34fd0503-1","anchor":"p-6851d5bb34fd0503-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-6851d5bb34fd0503-1","kind":"h2","headingPath":["5 秒声能段落"],"text":"5 秒声能段落","textSha256":"e3d1a587ba356dac6430c8c83fd96bdb7881217de3bcb55718ac309d32304ae4","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b1eebd4df157020d-1","anchor":"p-b1eebd4df157020d-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b1eebd4df157020d-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"相对窗口 约绝对时间 RMS Peak 画面对应 谨慎判断","textSha256":"c7d1f48935f515783c0336be2ac783c25f0cbdadeb6b3ccca0813620fbe2c7cf","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-45afd64afa8b2507-1","anchor":"p-45afd64afa8b2507-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-45afd64afa8b2507-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"0-5s 02:20:29-02:20:34 -37.575776 -19.891206 来 后近身低位尚未完全散开 来 的余波进入身体转场，声能不高但不是空白","textSha256":"d1f6e7ccc086a1a4e6a9ef69d8f7d6b9cae2b527a592bb48d4a3a52eb0f51a60","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-69861edca185b0d7-1","anchor":"p-69861edca185b0d7-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-69861edca185b0d7-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"5-10s 02:20:34-02:20:39 -37.951951 -14.350924 身体站起/穿过观众前方 出现瞬态抬头，可能对应移动/空间变化候选","textSha256":"86c30a482b3a1111a97823dfc105953b8905a0f14156a532cb64cffce92c94a0","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b35d5ae5f7bcdce6-1","anchor":"p-b35d5ae5f7bcdce6-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b35d5ae5f7bcdce6-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"10-15s 02:20:39-02:20:44 -33.878790 -11.449732 身体在观众前方公开经过 全窗最高 Peak 所在段，说明转场不是无声","textSha256":"30672053bc6c5388a13744617f31296705a47260ea165d288ebc82264a890b08","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-dbde561bdc9b1dbd-1","anchor":"p-dbde561bdc9b1dbd-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-dbde561bdc9b1dbd-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"15-20s 02:20:44-02:20:49 -33.594305 -17.818966 观众前方到低位重排 第一轮声能继续停留","textSha256":"fac2d0d9136d766abbdbc07da0673938caa69097928588e14110ae5ff44e309d","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-af637684076eb523-1","anchor":"p-af637684076eb523-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-af637684076eb523-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"20-25s 02:20:49-02:20:54 -35.980842 -18.006574 低位围合/身体靠近 声能回落但仍有声床","textSha256":"c0c0af3de8d71aa38838038f2227c83aed6c3bbf6548ccaa8d3f4507be30084b","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b99bb40aca5748a0-1","anchor":"p-b99bb40aca5748a0-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b99bb40aca5748a0-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"25-30s 02:20:54-02:20:59 -31.981114 -13.479041 近身遮挡、暗部身体/衣料占画面 第二轮明显抬起；只能写作近身/遮挡声画候选","textSha256":"7ade44c12831df9a45a5a1486229bd86489ce9b50f2fd7da6c0bdc3dc5612dd2","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-d302e6033f4b7776-1","anchor":"p-d302e6033f4b7776-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-d302e6033f4b7776-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"30-35s 02:20:59-02:21:04 -33.700867 -16.217145 身体继续在低位附近重排 声能维持，不是转场结束","textSha256":"41a6392c3abe1f4e919a01ee70269efc7a6ca442f9a6b64d6fe4a20b4f63475f","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-d3556769221cd039-1","anchor":"p-d3556769221cd039-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-d3556769221cd039-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"35-40s 02:21:04-02:21:09 -33.570971 -12.576663 阿蒙/黄蒙近景、观众虚化在后 第二轮 Peak 明显；不直接命名声源","textSha256":"ecd0a3238cc743b98211ddbc29ffe255f7e03396769e2b3da7d5d9c912309d99","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-4195e2d5140facf9-1","anchor":"p-4195e2d5140facf9-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-4195e2d5140facf9-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"40-45s 02:21:09-02:21:14 -33.315642 -13.141600 近脸/近肩、低位关系尚在 声画仍在近身层，没有恢复为台词组织","textSha256":"38bd922d288d063d462c2a117b9fac79d6f555fee201b6a585478c92bf6c2375","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-79553e9ebe65ebe6-1","anchor":"p-79553e9ebe65ebe6-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-79553e9ebe65ebe6-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"45-50s 02:21:14-02:21:19 -36.838584 -15.923766 由近身转向更宽的空间 声能回落，空间开始拉开","textSha256":"a66836a38890fcb204a6024a0fb59c5201d34d2731aa4de40ef78437a65c7eb9","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-6b0c7b532c6ec05f-1","anchor":"p-6b0c7b532c6ec05f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-6b0c7b532c6ec05f-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"50-55s 02:21:19-02:21:24 -36.228630 -19.084320 人物/观众位置等待 低声床为主","textSha256":"fd62b9ad69d7a908584ad405c1a44a8146eb59de26daa69a74664656e6a95f7a","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-2645c0d499d3ef1e-1","anchor":"p-2645c0d499d3ef1e-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-2645c0d499d3ef1e-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"55-60s 02:21:24-02:21:29 -36.098679 -19.387756 短静默阈值附近，画面仍未交回字幕 不是绝对静音，是声床与短暂停顿交替","textSha256":"952dd44dd30ab695a1e0d806841c82d57915dceba92efc845cb86cdff3f4840a","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-30bda6b4792d7939-1","anchor":"p-30bda6b4792d7939-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-30bda6b4792d7939-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"60-65s 02:21:29-02:21:34 -33.914004 -17.156145 人物近侧移动，观众/白塑料仍在场 声能重新抬起前的过桥","textSha256":"cf1419103bc75e5b7e1f5e0fbb4fcfcebd535834bbbe137af5359a60be21dd52","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-e537a8403d090787-1","anchor":"p-e537a8403d090787-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-e537a8403d090787-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"65-70s 02:21:34-02:21:39 -35.420929 -18.991777 更宽空间、站立/坐位关系 过渡段","textSha256":"6d4e05f085bb2cf2ab706c6ca64e8bf6667b1046b00f6f0fe348dae4cba0d3b6","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-e81e42b85e84e996-1","anchor":"p-e81e42b85e84e996-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-e81e42b85e84e996-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"70-75s 02:21:39-02:21:44 -27.647252 -14.933013 白色塑料、观众、站立身体进入稳定公共画面 全窗最高 RMS 段；声学低处在语言恢复前最强","textSha256":"bc24cb3d57d2e97a55bc850a47ad94e13d48acc30ba1578454784edefdf96b42","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-ca599c5c6aba38f2-1","anchor":"p-ca599c5c6aba38f2-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-ca599c5c6aba38f2-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"75-80s 02:21:44-02:21:49 -30.666323 -14.313654 公共空间仍在重排 第三轮回潮延续","textSha256":"8a38e577042a469d03f7494eead724f5628ca550569503514465beb4147709b1","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-72b25c12fe22732f-1","anchor":"p-72b25c12fe22732f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-72b25c12fe22732f-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"80-85s 02:21:49-02:21:54 -32.336517 -12.795935 站立身体近景，观众在后 第三轮仍有明显瞬态","textSha256":"56aeddacfda60f3427439e3346a8e4a96de74324365f1daa2659f9f5d407c189","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-cd3cd71a2937d27a-1","anchor":"p-cd3cd71a2937d27a-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-cd3cd71a2937d27a-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"85-90s 02:21:54-02:21:59 -36.673078 -18.138213 语言恢复前的尾部转场 回落","textSha256":"47ff2c523008139b6583f19643b0ff0e4d97bcebd6ac7ca875a9c5cef2b2c13c","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-5b224399a6b35dba-1","anchor":"p-5b224399a6b35dba-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-5b224399a6b35dba-1","kind":"tr","headingPath":["5 秒声能段落"],"text":"90-92s 02:21:59-02:22:01 -35.541281 -17.119918 走向 我从不知道哪一天起就 台词重新进入前仍有底噪","textSha256":"7dda326225f2c749b90edf6ffad63c50dbeb14298b5244d45fae08519489946a","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-660996559c5ff9a3-1","anchor":"p-660996559c5ff9a3-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-660996559c5ff9a3-1","kind":"h2","headingPath":["1 秒峰值锚点"],"text":"1 秒峰值锚点","textSha256":"7ae5600452289be680cb4c4c8918bbafa10061778ef7b37b80838b52793f8b02","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-4d9ece9a33fc34e2-1","anchor":"p-4d9ece9a33fc34e2-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-4d9ece9a33fc34e2-1","kind":"p","headingPath":["1 秒峰值锚点"],"text":"以下只列本窗最值得写作注意的秒点。它们不是“声源已确认”，而是“声画对齐时应先看的地方”。","textSha256":"375807997d054a774f5e3c5202af20d9c8c434f756cc5c0d5929c1bd18e69a00","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-350276790e6cde4d-1","anchor":"p-350276790e6cde4d-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-350276790e6cde4d-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"rel 约绝对时间 RMS Peak 关键帧 当前可见事实 写作入口","textSha256":"280e3a0198e7e689dfaaad26716acabb317ef3531b9d4d42abad8fcd58e3b5b1","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-291df009fd627629-1","anchor":"p-291df009fd627629-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-291df009fd627629-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"10 02:20:39 -32.976915 -11.449732 frame-rel010-022039.jpg 身体站起并在观众前方经过 最高瞬态峰值； 来 后身体公开移动不是静音转场","textSha256":"ef12141c990d85edef5d913ce78443c7f504098b709fe418759c1694c301fab7","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-48314b3b4895936b-1","anchor":"p-48314b3b4895936b-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-48314b3b4895936b-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"17 02:20:46 -29.532598 -17.818966 frame-rel017-022046.jpg 低位围合/观众前方重排 第一轮转场余波仍在","textSha256":"5ba5d519ec53c1cce4b90add65ba1111e4dc20d4c18a0ff8b36c9462c3fd8f85","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-f07e381066a5ddf9-1","anchor":"p-f07e381066a5ddf9-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-f07e381066a5ddf9-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"27 02:20:56 -26.747884 -13.479041 frame-rel027-022056.jpg 暗部近身遮挡，身体/衣料占画面 声能大幅抬起，但具体声源不可命名","textSha256":"ec4946e1caec52f1b273ef676632c7dbc5e46bc77d5d218988261fc9e6a26b60","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-d894a6faf55e2adf-1","anchor":"p-d894a6faf55e2adf-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-d894a6faf55e2adf-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"37 02:21:06 -29.902530 -12.576663 frame-rel037-022106.jpg 阿蒙/黄蒙近景，观众虚化 近身层的第二轮峰值","textSha256":"6f5e1ff63f39751e098e5546e802b46923847b505daeee4dd31ea6fb1c7826bb","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-a9e2ee6bbfc37b43-1","anchor":"p-a9e2ee6bbfc37b43-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-a9e2ee6bbfc37b43-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"42 02:21:11 -27.019898 -13.141600 frame-rel042-022111.jpg 近脸/近肩低位关系 声能仍高，说明低位关系尚未散开","textSha256":"f5a81640fe4248b22dc1d4219b789adef6eccc6c0a2f3f5e9e93d3fede07c2aa","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-c19eea703aa455c9-1","anchor":"p-c19eea703aa455c9-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-c19eea703aa455c9-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"64 02:21:33 -29.629523 -17.156145 frame-rel064-022133.jpg 更宽空间与站立/坐位关系 第三轮回潮前的准备","textSha256":"fa0fe88e50339da16bed9d2e28564b5a5fd346fe3fe86e4c3b38c05941eba908","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-e35a7e6c2d46a845-1","anchor":"p-e35a7e6c2d46a845-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-e35a7e6c2d46a845-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"70 02:21:39 -30.679794 -18.381191 frame-rel070-022139.jpg 白色塑料和观众席清楚进入画面 语言恢复前，空间重新成为声源候选","textSha256":"2a17447d06af0acffebe9e52d837f07813e56e8c64457670ae3c465a8c952aec","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-ae9f4ed251c5e1e7-1","anchor":"p-ae9f4ed251c5e1e7-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-ae9f4ed251c5e1e7-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"72 02:21:41 -24.684546 -14.933013 frame-rel072-022141.jpg 站立身体、白色塑料、观众同框 全窗最高 RMS 秒；“声学低处”最强显影点","textSha256":"4194a4744b70497ae4dc0bb9f7a0cbe758248a7931e85a671f78d5a5d24a6ebb","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-9fd72c799d9f2210-1","anchor":"p-9fd72c799d9f2210-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-9fd72c799d9f2210-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"79 02:21:48 -28.133021 -14.313654 frame-rel079-022148.jpg 站立身体贴近画面，观众在后 第三轮持续","textSha256":"31af711c43b38f5106946ee359cffac7797228db307e377dc0a073dc4f76731b","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-46ea1e0b6d6bc18a-1","anchor":"p-46ea1e0b6d6bc18a-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-46ea1e0b6d6bc18a-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"82 02:21:51 -28.687827 -14.316410 frame-rel082-022151.jpg 站立身体与观众关系继续 声能尚未交回语言","textSha256":"8ee1a9deb0025cd0745435898c8e92457489b54d76c78267e5ff7a304a618fd2","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-71b14f3f4c70cd11-1","anchor":"p-71b14f3f4c70cd11-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-71b14f3f4c70cd11-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"84 02:21:53 -28.730922 -12.795935 frame-rel084-022153.jpg 近处站立身体，观众席后退 第三轮瞬态峰值之一","textSha256":"d0f8f674b418257687a5f5661c7d4d9ad75088186c41350c7e69f01f68a1c1c9","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-91bf3d08dc89d821-1","anchor":"p-91bf3d08dc89d821-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-91bf3d08dc89d821-1","kind":"tr","headingPath":["1 秒峰值锚点"],"text":"90 02:21:59 -30.355192 -17.119918 frame-rel090-022159.jpg 进入语言恢复前的尾部 台词回归前仍未归零","textSha256":"4395f472d103d9c6aabce8460975f36ec828141e9dc8ba0f7ddc6e0b065bef89","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b63e1e60d665a38d-1","anchor":"p-b63e1e60d665a38d-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b63e1e60d665a38d-1","kind":"h2","headingPath":["三次回潮"],"text":"三次回潮","textSha256":"9aea52defef461c4b48a8d9859a923bbd7b8dc4da2aebddd48e3062f31e2ad1e","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-a862d0ae67b580cc-1","anchor":"p-a862d0ae67b580cc-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-a862d0ae67b580cc-1","kind":"h3","headingPath":["三次回潮","一、公开经过"],"text":"一、公开经过","textSha256":"b0c75f1338aa3c47040195755f55a3864881655b3f004e09965c10c6c6aafd60","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-1baf7fe45cd89105-1","anchor":"p-1baf7fe45cd89105-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-1baf7fe45cd89105-1","kind":"p","headingPath":["三次回潮","一、公开经过"],"text":"第一轮回潮出现在 02:20:39-02:20:46 。这时 来 已经不再是一个字，而变成身体经过观众前方的路径。音频峰值没有告诉我们“这就是脚步”，但它告诉我们：身体穿过公共空间时，现场声能确实抬起来。 跳过 没有让转场轻盈；它让观众前方的移动变成可听见的材料。","textSha256":"b24d7cfc72c38c14e8765254ccd8ccf151d89b7f5274bfca9548297b7a67d3fd","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-01287a0cc58ec9e2-1","anchor":"p-01287a0cc58ec9e2-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-01287a0cc58ec9e2-1","kind":"h3","headingPath":["三次回潮","二、近身遮挡"],"text":"二、近身遮挡","textSha256":"3e916c8dbe9041adce4b45ed08b7f07800860375512cda1f3719bc753d62927f","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-99e3313c1ada42a5-1","anchor":"p-99e3313c1ada42a5-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-99e3313c1ada42a5-1","kind":"p","headingPath":["三次回潮","二、近身遮挡"],"text":"第二轮回潮出现在 02:20:56-02:21:11 。画面变暗、贴近、遮挡增多，身体、衣料、肩背、低位关系和观众虚影互相挤压。这里不能把声响命名得太快，但可以写得很准：声音跟着画面一起变得近、闷、低、拥挤。它不是台词的声音，而是被语言放弃以后身体自己占据空间的声音。","textSha256":"91a209e6379b8e3d0bc89dfb55fd4cfc2857093ddb7e428b6eb27f6e75150a40","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b586440d4b0b39db-1","anchor":"p-b586440d4b0b39db-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b586440d4b0b39db-1","kind":"h3","headingPath":["三次回潮","三、公共空间回潮"],"text":"三、公共空间回潮","textSha256":"416fe6146c5bcdf23c1a690da717f937eb62c7fe40f8aea27e64eba7af9b3a79","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-b291952bd2eeacfd-1","anchor":"p-b291952bd2eeacfd-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-b291952bd2eeacfd-1","kind":"p","headingPath":["三次回潮","三、公共空间回潮"],"text":"第三轮回潮出现在 02:21:39-02:21:54 ，其中 rel 72 / 02:21:41 是全窗最高 RMS 秒。此时画面不再只是近身低位，而是白色塑料、观众、站立身体和场地边界共同进入。这个回潮尤其重要：语言快要回来之前，现场先以更公共、更宽的方式响了一次。像是电影在说，独白可以马上回来，但回来之前，房间要先证明自己没有死。","textSha256":"7b42d7b032031de2fef75c0a2b74cf9ea4cee3a463816c0138f77a3a35cf89d8","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-265a88f680986cd0-1","anchor":"p-265a88f680986cd0-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-265a88f680986cd0-1","kind":"h2","headingPath":["新判断"],"text":"新判断","textSha256":"f814add4e40f9c15fc790c42336a62d9f75d7d77e9caa156396379d7712c76d0","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-5225eec0f65aa171-1","anchor":"p-5225eec0f65aa171-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-5225eec0f65aa171-1","kind":"p","headingPath":["新判断"],"text":"上一页把 来 之后定义为“有声但无句”。本页进一步说明：它不是均匀的有声，而是有三次回潮的有声。","textSha256":"8d01e2d2190231338ba9911b2426cec50f934b44fd267b491bc65aa1f734bb22","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-91bd803bb12242f1-1","anchor":"p-91bd803bb12242f1-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-91bd803bb12242f1-1","kind":"pre","headingPath":["新判断"],"text":"来\n-> 公开经过的声能抬头\n-> 近身遮挡的低闷回潮\n-> 白色塑料/观众/站立身体的公共回潮\n-> 我从不知道哪一天起就","textSha256":"5164c0a48cdde3f14f523da601f0e3d3fe676e00c4e037c1ef254c71804a770b","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-70cc832f37a51268-1","anchor":"p-70cc832f37a51268-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-70cc832f37a51268-1","kind":"p","headingPath":["新判断"],"text":"这条链改变我们对 切断感觉 的理解。独白并不是从静默里升起，而是从一段刚刚回潮过的房间里升起。先是身体和空间把中间补回来，然后语言才说自己切断了感觉。这个顺序很关键：感觉不是被说出来才存在；它先在没有句子的声画里回来过。","textSha256":"8bb9ff276f973511d6eedeea8b141417795232d8297c966b270734e3bb793510","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-92451817bc08e99a-1","anchor":"p-92451817bc08e99a-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-92451817bc08e99a-1","kind":"h2","headingPath":["使用边界"],"text":"使用边界","textSha256":"b59c77baa8ebe251c822c054dc5b72c3dd25e7b71802f9e7c5524181d74f4f71","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-7e91f68b5eba432f-1","anchor":"p-7e91f68b5eba432f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-7e91f68b5eba432f-1","kind":"li","headingPath":["使用边界"],"text":"本页没有完成“人工细听”，不能写成逐声源听辨结论。","textSha256":"47f35296a44b01a0c8ec20bc0a41e4d5412eadbe050e228b9a34917b44002913","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-2fcb129c8fde423b-1","anchor":"p-2fcb129c8fde423b-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-2fcb129c8fde423b-1","kind":"li","headingPath":["使用边界"],"text":"RMS/Peak 只能证明声能变化，不能证明声源身份。","textSha256":"e92d0d027f1ce629a4e7241e7fc531dab90aab93a4987599779514e44962ae9e","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-6270efba244d58f6-1","anchor":"p-6270efba244d58f6-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-6270efba244d58f6-1","kind":"li","headingPath":["使用边界"],"text":"frame-rel027 等暗部近身帧不能自动写成衣料摩擦、身体摩擦或喘息；这些只是候选入口。","textSha256":"de461dc171415035058458e4da02b0d9e5a1965f80bf065460f50cbdf7b6d801","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-28f10ab561c22efd-1","anchor":"p-28f10ab561c22efd-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-28f10ab561c22efd-1","kind":"li","headingPath":["使用边界"],"text":"本页不改变 V10 说话人归属，也不把流程声归给何发。","textSha256":"8921a3604da22b2ee7485478bcfc1326c5ef52b635788fb7cf8e3d621369c78a","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-d770b966fba7114f-1","anchor":"p-d770b966fba7114f-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-d770b966fba7114f-1","kind":"li","headingPath":["使用边界"],"text":"本页支持“声学低处”的说法，但不支持任何真实人物心理诊断。","textSha256":"e4c39e80ae572c99e9c382725f8378f83fa1fed78e9be6820d361860fa48f7d0","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-bda38cc8e2a76b5c-1","anchor":"p-bda38cc8e2a76b5c-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-bda38cc8e2a76b5c-1","kind":"h2","headingPath":["可写入综合页的判断"],"text":"可写入综合页的判断","textSha256":"f19c91892c6e8b28c07cbe25c03acb0e08b7dea23c5b445af992ca44eb447143","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-c0598dbb4eeb577e-1","anchor":"p-c0598dbb4eeb577e-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-c0598dbb4eeb577e-1","kind":"pre","headingPath":["可写入综合页的判断"],"text":"`02:20:29-02:22:01` 的逐秒声能账显示，`来` 后字幕空窗不是均匀底噪，而有三次声画回潮：`02:20:39-02:20:46` 身体公开经过观众前方，`02:20:56-02:21:11` 近身遮挡和低位关系密集，`02:21:39-02:21:54` 白色塑料、观众和站立身体进入公共空间，其中 `02:21:41` 为全窗最高 RMS 秒。语言恢复为 `我从不知道哪一天起就` 之前，现场已经以身体、空间和材料声床证明自己没有沉默。","textSha256":"646525caad708ee05a9cce36df1b874faf5e0cc933ac58d80ed5208b887668fc","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-436269b0ace309e5-1","anchor":"p-436269b0ace309e5-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-436269b0ace309e5-1","kind":"h2","headingPath":["文中引用的图像资料"],"text":"文中引用的图像资料","textSha256":"60a8e8dcb2ec4c5787e572c62d0e82b91a14f76e7cc77a0b3c153f147b480683","links":[],"images":[]},{"id":"hs-0b267e09f9678172#p-95be68489ce80f9b-1","anchor":"p-95be68489ce80f9b-1","url":"https://a.p4theater.top/research/hs-0b267e09f9678172#p-95be68489ce80f9b-1","kind":"p","headingPath":["文中引用的图像资料"],"text":"以下图像由本篇已有文件引用对应；保留历史引用范围，图像展示不增加新的事实判断。","textSha256":"5f46e1ef45e1654c0217986f34695a401b04e1b705c954cb6ad16f3b75a3d9e0","links":[],"images":[]}]}