1 00:00:00,000 --> 00:00:01,830 But some audience just stays like that. 2 00:00:01,830 --> 00:00:03,530 If he won't move, just yank him away. 3 00:00:03,530 --> 00:00:05,280 Then he'll lie across there. 4 00:00:05,280 --> 00:00:06,520 Yeah, yeah, yeah. 5 00:00:06,520 --> 00:00:07,460 The audience won't have it. 6 00:00:07,460 --> 00:00:14,534 Don't think of yourself as a person. Don't think of yourself as a person. 7 00:00:14,656 --> 00:00:16,056 Don't treat him like a person. 8 00:00:16,056 --> 00:00:17,046 A state of mind. 9 00:00:17,046 --> 00:00:21,066 Don't treat him like a person. 10 00:00:21,066 --> 00:00:23,976 Don't treat anyone like a person. 11 00:00:23,976 --> 00:00:26,796 It should feel like no burden at all. 12 00:00:26,796 --> 00:00:32,574 Three ways to come out, 13 00:00:32,574 --> 00:00:38,832 Which one looks better to everyone? 14 00:00:38,832 --> 00:00:44,836 Okay, too fast. This is one way, 15 00:00:44,836 --> 00:00:51,122 sliding is better, 16 00:00:51,122 --> 00:00:57,859 Another one, the second one, this is good, 17 00:00:57,859 --> 00:01:04,568 This one, like this, the third one, 18 00:01:04,568 --> 00:01:08,317 Try another one? 19 00:01:08,317 --> 00:01:13,476 Maybe even better, 20 00:01:13,476 --> 00:01:18,528 Just call it whatever, interact, 21 00:01:18,528 --> 00:01:24,971 Not interacting yet, no, 22 00:01:24,971 --> 00:01:27,078 Not enough interaction, 23 00:01:27,078 --> 00:01:33,623 That's too much mental preparation. 24 00:01:33,623 --> 00:01:40,945 First lower your guard; you need to interact with me. 25 00:01:40,945 --> 00:01:47,654 [REVIEW] Right—[“qian” homophone unresolved] on display; you can do whatever you want. 26 00:01:47,779 --> 00:01:48,984 Play around with it more, play around with it more. 27 00:01:48,984 --> 00:01:50,164 As long as it doesn't look human. 28 00:01:50,164 --> 00:01:52,684 No—because I'm in front. How am I supposed to show it? 29 00:01:52,684 --> 00:01:56,054 But when you drag them, make it look a bit like dragging a person. 30 00:01:56,054 --> 00:01:57,014 the burst of that, 31 00:01:57,014 --> 00:01:58,154 Then I use my mouth, 32 00:01:58,154 --> 00:01:59,234 with my feet biting down on it, 33 00:01:59,234 --> 00:02:01,334 Not when dragging, 34 00:02:01,334 --> 00:02:03,194 You might not be like that, 35 00:02:03,194 --> 00:02:04,674 dragging like this, 36 00:02:04,674 --> 00:02:05,744 you have a discovery for me, 37 00:02:05,744 --> 00:02:07,473 it's possible when dragging, 38 00:02:07,484 --> 00:02:08,674 it's also dragged like this, 39 00:02:08,674 --> 00:02:15,674 it's even different, 40 00:02:15,674 --> 00:02:17,207 it's clearly a person, 41 00:02:17,327 --> 00:02:19,764 If you're not going to treat him as a person, 42 00:02:19,764 --> 00:02:20,784 if you treat him as a person, 43 00:02:20,784 --> 00:02:23,864 then treat him like an object, 44 00:02:23,864 --> 00:02:27,052 you have to treat him like an object. 45 00:02:27,064 --> 00:02:28,773 Don't treat him as a person 46 00:02:37,814 --> 00:02:44,511 Don't treat him like an object—oh, no, don't treat him like a person; 47 00:02:44,669 --> 00:02:46,934 treat him like an object. Give it a try. 48 00:02:46,934 --> 00:02:49,184 Let's all sit this way 49 00:02:49,194 --> 00:02:50,994 Then Guo Qian is one of our audience 50 00:02:50,994 --> 00:02:52,054 One of the audience 51 00:02:52,054 --> 00:02:54,667 Who is Guo Qian? 52 00:02:56,680 --> 00:03:08,378 I think anything is fine—anything is fine. Just don't think, don't think. 53 00:03:08,378 --> 00:03:09,548 We need to imagine the audience. 54 00:03:09,548 --> 00:03:12,878 Let's get the audience to this position first. 55 00:03:21,298 --> 00:03:25,058 It's fine, it's fine. Just push through, 56 00:03:25,058 --> 00:03:27,418 just part the audience and it'll be fine. 57 00:03:27,418 --> 00:03:29,318 Maybe the second option. 58 00:03:29,318 --> 00:03:31,438 The second option. 59 00:03:31,438 --> 00:03:32,618 And make the audience think 60 00:03:32,618 --> 00:03:33,548 He might not like to hear it. 61 00:03:33,548 --> 00:03:36,968 Technically. 62 00:03:36,968 --> 00:03:39,640 Artistically. 63 00:03:39,658 --> 00:03:42,222 Just be casual 64 00:03:42,268 --> 00:03:42,969 Be casual 65 00:03:43,138 --> 00:03:44,358 Really relaxed 66 00:03:44,358 --> 00:03:48,738 Come on, come on. 67 00:03:50,118 --> 00:03:52,298 [REVIEW] It’s started, right? Mm. 68 00:04:10,638 --> 00:04:12,858 [REVIEW] It sticks out. I do too, right? No. 69 00:05:13,528 --> 00:05:17,518 I think it's pretty good. 70 00:05:17,518 --> 00:05:17,885 This... 71 00:05:17,898 --> 00:05:19,567 This feels right. 72 00:05:19,578 --> 00:05:21,528 Not human anymore. 73 00:05:21,528 --> 00:05:23,230 Not human anymore. 74 00:05:23,258 --> 00:05:24,726 Right. 75 00:05:24,778 --> 00:05:24,898 Right. 76 00:05:24,988 --> 00:05:25,418 Right. 77 00:05:25,418 --> 00:05:27,548 Not human anymore. 78 00:05:27,708 --> 00:05:29,998 Bang, bang, bang. Cue the music, cue the music. 79 00:05:29,998 --> 00:05:31,018 No, it's fine. 80 00:05:31,018 --> 00:05:32,218 Even if the audience is sitting here, 81 00:05:32,218 --> 00:05:36,318 just lift him away. 82 00:05:36,318 --> 00:05:42,614 Just push him back. 83 00:05:43,178 --> 00:05:45,688 [REVIEW] Anyway, this is the energy I’ve got; it won’t let me sleep. 84 00:05:45,688 --> 00:05:47,108 Okay. 85 00:05:47,108 --> 00:05:48,728 Right, that's the feeling. 86 00:05:48,728 --> 00:05:51,438 [REVIEW] I don't want to… [rest unclear]. 87 00:05:51,438 --> 00:05:53,648 Right. 88 00:05:53,648 --> 00:05:54,745 Exactly. 89 00:05:54,798 --> 00:05:58,058 If you're going to be irritable, be a bit more irritable. 90 00:05:58,058 --> 00:05:58,806 The audience might sit here. 91 00:05:58,918 --> 00:06:00,448 Oh dear. 92 00:06:00,448 --> 00:06:01,293 There is. 93 00:06:01,478 --> 00:06:04,641 Where does this scene end?