[Machine transcript — not human reviewed] So you have to die.
KILLING MOTHER A live performance document
Do all of you want me to die?
[Fragment] You.
[Machine transcript:] “They don't not want someone to die.”
Your father also wants me to die.
[Unclear: “Then ... good.”]
Once I'm dead, you'll all be happy.
Only then can you live.
Where would I live?
I want to live together with you.
Where will you live?
Would you?
If I really could live...
I would.
I love you.
If love requires someone to disappear— who gets to live?
I love you too.
So let me kill you.
Wouldn't you be sad if you killed me?
I would be very...
Very happy.
Aren't you happy now?
Because of you.
You're dead now.
I kill you.
Only then can you live.
That's how I can be happy.
I'm already alive.
Then I'll be happy.
Definitely.
I'm happy now.
You're not happy now.
Is this one person's conflict, or everyone's structure?
[Live action — location sound not transcribed]
When positions shift, who plays “Mother”?
[Live action — location sound not transcribed]
Who must die for someone else to live?
Don't be afraid.
I see you all...
...are still happy.
You all...
Because of you, I...
That's how I survived.
So are you happy now?
If you...
Right now, if you all...
If you all do what I say...
I'll be happy.
[Machine transcript] Then you still die.
Then...
It seems [someone] died.
No answer. Only the question remains.