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[Machine transcript — not human reviewed]
So you have to die.

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KILLING MOTHER
A live performance document

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Do all of you want me to die?

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[Fragment] You.

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[Machine transcript:]
“They don't not want someone to die.”

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Your father also wants me to die.

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[Unclear: “Then ... good.”]

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Once I'm dead, you'll all be happy.

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Only then can you live.

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Where would I live?

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I want to live together with you.

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Where will you live?

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Would you?

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If I really could live...

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I would.

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I love you.

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If love requires someone to disappear—
who gets to live?

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I love you too.

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So let me kill you.

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Wouldn't you be sad if you killed me?

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I would be very...

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Very happy.

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Aren't you happy now?

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Because of you.

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You're dead now.

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I kill you.

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Only then can you live.

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That's how I can be happy.

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I'm already alive.

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Then I'll be happy.

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Definitely.

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I'm happy now.

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You're not happy now.

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Is this one person's conflict,
or everyone's structure?

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[Live action — location sound not transcribed]

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When positions shift,
who plays “Mother”?

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[Live action — location sound not transcribed]

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Who must die
for someone else to live?

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Don't be afraid.

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I see you all...

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...are still happy.

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You all...

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Because of you, I...

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That's how I survived.

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So are you happy now?

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If you...

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Right now, if you all...

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If you all do what I say...

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I'll be happy.

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[Machine transcript]
Then you still die.

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Then...

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Then...

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It seems [someone] died.

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No answer.
Only the question remains.