1 00:00:00,000 --> 00:00:08,000 [Public-access note: background music in the recovered recording has been muted pending rights verification.] 2 00:00:31,004 --> 00:00:34,836 If I didn't have this e-cigarette, I'd smoke a pack and a half a day. 3 00:00:34,836 --> 00:00:40,847 Right. Smokers generally—if they have one of these, they smoke less than a pack a day. 4 00:00:40,847 --> 00:00:44,139 Without it, it's a pack and a half. 5 00:00:50,011 --> 00:00:54,811 So you're still using some tricks, huh? 6 00:00:54,811 --> 00:00:58,501 Yes, exactly. Even if you add a bit of this specific detail, 7 00:00:58,501 --> 00:00:59,071 it's better than this... 8 00:00:59,071 --> 00:01:01,071 If all three of you were the same person. 9 00:01:01,071 --> 00:01:04,020 Unless it's purely a monologue, like your play is just a monologue, 10 00:01:04,020 --> 00:01:04,956 I've seen something like that, 11 00:01:04,956 --> 00:01:07,447 where the first half is 20 minutes of a guy complaining about a woman, 12 00:01:07,447 --> 00:01:09,619 and the second half is 20 minutes of a woman complaining about a man, 13 00:01:09,619 --> 00:01:11,771 you either have to take it to the extreme. 14 00:01:11,771 --> 00:01:12,311 I know, I know, I know. 15 00:01:12,311 --> 00:01:14,955 Otherwise, this kind of thing, I just can't get into it, 16 00:01:14,955 --> 00:01:15,957 as an audience member, 17 00:01:15,957 --> 00:01:18,671 it's just a guy talking about all this nonsense. 18 00:01:18,681 --> 00:01:21,291 If you're imagining it as it's done, then... 19 00:01:21,291 --> 00:01:23,219 But the last scene, that last scene of yours, 20 00:01:23,219 --> 00:01:26,014 Take that host. Even someone like me—a Douyin user 21 00:01:26,014 --> 00:01:27,411 without much education— 22 00:01:27,411 --> 00:01:30,053 You just tell me about the population dividend and the population crisis, 23 00:01:30,104 --> 00:01:31,609 and we're going to pass a law. 24 00:01:31,691 --> 00:01:33,271 This just feels like a skit to me. 25 00:01:33,271 --> 00:01:34,891 It's like a play, right? 26 00:01:34,891 --> 00:01:38,308 If you imagine how it's supposed to be done at the beginning, 27 00:01:38,308 --> 00:01:39,341 how it's supposed to play out. 28 00:01:39,341 --> 00:01:40,851 You can try acting it out. 29 00:01:40,851 --> 00:01:42,681 No, I can't act it out, like... 30 00:01:42,691 --> 00:01:44,351 You do whatever, I haven't tried to feel how... 31 00:01:44,351 --> 00:01:46,825 I have an idea, I have an idea, 32 00:01:46,836 --> 00:01:50,381 The initial state, the initial state, is... 33 00:01:50,381 --> 00:01:52,351 There's no dialogue, nothing. 34 00:01:52,351 --> 00:01:58,401 Maybe right from the start, the male lead grabs the female lead, 35 00:01:58,401 --> 00:02:00,981 and drags her into a small dark room. 36 00:02:00,981 --> 00:02:03,050 It's just, you know, 37 00:02:03,064 --> 00:02:08,921 It's just a sudden thing that feels really abrupt. 38 00:02:08,921 --> 00:02:11,574 And from that point on, it's like, 39 00:02:11,596 --> 00:02:13,871 They drag that woman into the room. 40 00:02:13,871 --> 00:02:20,199 No matter what I'm doing, dragging her while pulling off her clothes, 41 00:02:20,199 --> 00:02:23,301 but I say nothing. 42 00:02:23,301 --> 00:02:25,371 Then? 43 00:02:25,371 --> 00:02:28,691 Then, it's like, this is the beginning, the beginning. 44 00:02:28,691 --> 00:02:31,131 Then, moving forward, it starts to show other scenes, 45 00:02:31,131 --> 00:02:33,701 other scenes can be shown, where they might drag her away. 46 00:02:33,883 --> 00:02:37,341 Just drag her straight away, from one side of the platform to the other. 47 00:02:37,341 --> 00:02:40,309 Right, and then after that, it's like, 48 00:02:40,309 --> 00:02:42,501 like, the matchmaking thing. 49 00:02:42,501 --> 00:02:46,331 Are you still thinking about the audience's experience? 50 00:02:46,331 --> 00:02:48,331 I'm not thinking about the audience's experience. 51 00:02:48,331 --> 00:02:50,101 Why do you think that? 52 00:02:50,101 --> 00:02:52,549 It's like he wants, you know, your, 53 00:02:52,549 --> 00:02:55,433 needs to tell the audience, needs to tell the audience, uh, 54 00:02:55,433 --> 00:02:56,481 We're starting. 55 00:02:56,481 --> 00:02:58,561 Not necessarily, not that we have to tell the audience we're starting. 56 00:02:58,561 --> 00:03:00,561 Not necessarily, no, no, not necessarily. 57 00:03:00,561 --> 00:03:01,561 Right, this is just one thing. 58 00:03:01,561 --> 00:03:04,301 Even the curtain hasn't even risen yet, I just dragged her away. 59 00:03:04,301 --> 00:03:05,384 Even from the audience... 60 00:03:05,384 --> 00:03:07,601 I could drag someone straight out. 61 00:03:07,611 --> 00:03:09,601 That's what I mean—this already turns it into an event. 62 00:03:09,601 --> 00:03:11,141 And it's very violent. 63 00:03:11,181 --> 00:03:14,281 So... have you seen The Square? 64 00:03:14,281 --> 00:03:16,927 Exactly, exactly, I can, I can roughly, 65 00:03:16,927 --> 00:03:18,811 roughly tell you about that, 66 00:03:18,811 --> 00:03:21,798 There's a part in the movie I think is really amazing, 67 00:03:21,798 --> 00:03:23,291 but I didn't understand it at first. 68 00:03:23,301 --> 00:03:25,592 There's a male lead in there, he comes on, he, 69 00:03:25,592 --> 00:03:28,738 he's actually an artist, he's doing a, 70 00:03:28,738 --> 00:03:31,752 performance, this performance is in a, 71 00:03:31,840 --> 00:03:34,251 restaurant full of people. 72 00:03:34,251 --> 00:03:35,742 Then, at first, the artist said, 73 00:03:35,742 --> 00:03:37,039 This artist is quite famous, 74 00:03:37,039 --> 00:03:38,611 Then he keeps imitating an ape. 75 00:03:38,621 --> 00:03:41,229 He said it's from a contemporary art perspective, then, 76 00:03:41,301 --> 00:03:42,861 When they were having dinner, 77 00:03:42,872 --> 00:03:46,013 suddenly the male lead suddenly appeared, really, like, like, 78 00:03:46,013 --> 00:03:49,514 He's completely like an ape, moving like this, like this, 79 00:03:49,576 --> 00:03:50,931 and it began, began. 80 00:03:50,931 --> 00:03:53,604 Then, at first, everyone thought, hey, this, this, 81 00:03:53,645 --> 00:03:56,111 this is just performance art, performance art. 82 00:03:56,111 --> 00:03:59,905 Then he suddenly started jumping onto the table, onto the table, 83 00:03:59,905 --> 00:04:02,206 After jumping onto the table, 84 00:04:02,206 --> 00:04:06,652 he was still very normal, like, for example, I came over, 85 00:04:06,652 --> 00:04:09,461 I touched you like this, touched you like this. 86 00:04:09,471 --> 00:04:11,140 Then, at this point, they still thought, hey, 87 00:04:11,140 --> 00:04:12,021 this is just performance art. 88 00:04:12,021 --> 00:04:12,941 Right, and then it went on. 89 00:04:12,941 --> 00:04:15,431 Then, then, then directly like this, touch, touch, after touching, 90 00:04:15,431 --> 00:04:17,651 After that, *thud*, they pinned the woman to the ground. 91 00:04:17,761 --> 00:04:19,671 Yes, yes, yes, yes, that's right. 92 00:04:19,671 --> 00:04:20,241 This is it. 93 00:04:20,241 --> 00:04:20,981 Yes, this is it. 94 00:04:20,981 --> 00:04:21,561 Exactly, exactly. 95 00:04:21,561 --> 00:04:23,481 I think the initial state was like this. 96 00:04:23,481 --> 00:04:23,981 This, this, this. 97 00:04:23,981 --> 00:04:24,721 Just like this. 98 00:04:24,721 --> 00:04:25,701 Yes, yes, yes, yes. 99 00:04:25,701 --> 00:04:26,551 Yes, this, yes, this, yes. 100 00:04:26,551 --> 00:04:27,551 This is real now. 101 00:04:27,551 --> 00:04:28,031 This, this, this. 102 00:04:28,031 --> 00:04:28,791 You're talking about the details. 103 00:04:28,791 --> 00:04:30,671 This, this, this, that's it. 104 00:04:30,671 --> 00:04:31,791 Yes, this, this. 105 00:04:31,791 --> 00:04:34,641 I think, the initial state isn't like this. 106 00:04:34,652 --> 00:04:37,752 It wouldn't be like, like, like [inaudible], 107 00:04:37,958 --> 00:04:40,361 that Meng Jinghui kind of style. Right at the start, I— 108 00:04:40,361 --> 00:04:45,361 "I fell in love with a woman." 109 00:04:45,361 --> 00:04:47,424 Then this woman is named Mingming, and then what? 110 00:04:47,466 --> 00:04:48,551 What? What? 111 00:04:48,551 --> 00:04:50,851 So, in this world view, 112 00:04:50,851 --> 00:04:53,151 there will be many details and... 113 00:04:53,151 --> 00:04:54,151 Absolutely, absolutely. 114 00:04:54,151 --> 00:04:54,651 Yes, yes, yes. 115 00:04:54,651 --> 00:04:56,151 So I, I, I understand what you mean. 116 00:04:56,151 --> 00:04:57,651 Yes, that's exactly it, that's exactly it. 117 00:04:57,651 --> 00:05:00,396 Suddenly, like, you just come from some... 118 00:05:00,396 --> 00:05:03,031 from the audience, maybe one of our actors or something. 119 00:05:03,161 --> 00:05:06,271 Suddenly, from the audience, drag a woman right over. 120 00:05:06,271 --> 00:05:08,801 At that moment, this situation might be very forceful. 121 00:05:08,801 --> 00:05:09,801 Very violent. 122 00:05:09,801 --> 00:05:12,849 It's very violent, and no one knows what's going on, 123 00:05:12,849 --> 00:05:13,811 or something like that. 124 00:05:13,811 --> 00:05:17,258 Then, well, it's probably this kind of situation that comes first, 125 00:05:17,258 --> 00:05:19,811 I don't know, maybe he's carrying some kind of. 126 00:05:19,811 --> 00:05:21,311 That is, that is, that's it, that's it. 127 00:05:21,311 --> 00:05:23,311 It's implying that this is something that happened between a man and a woman. 128 00:05:23,311 --> 00:05:23,811 That's it, that's it. 129 00:05:23,811 --> 00:05:25,145 He just knows that it's these two men, 130 00:05:25,145 --> 00:05:26,811 this man and this woman are how, how. 131 00:05:26,811 --> 00:05:28,311 Yes, this is the right starting point. 132 00:05:28,311 --> 00:05:28,841 Hmm. 133 00:05:28,841 --> 00:05:30,841 He must be like this, he must be like this. 134 00:05:30,841 --> 00:05:31,031 Yes. 135 00:05:33,383 --> 00:05:37,095 More and more Alice is coming out of the mirror, 136 00:05:37,158 --> 00:05:41,526 Pulling that Alice into it, from the mirror, 137 00:05:41,526 --> 00:05:44,923 When pulling her in, the one outside woke up, 138 00:05:44,923 --> 00:05:49,531 After waking up, she looked up, then looked down, 139 00:05:49,531 --> 00:05:54,859 Then she's no longer here, yes, she's not online anymore, 140 00:05:54,859 --> 00:05:57,030 The story ends here. 141 00:05:58,087 --> 00:06:01,122 This play is a play, right? 142 00:06:01,122 --> 00:06:04,850 It will exist in everyone's phones and minds at the scene, 143 00:06:04,850 --> 00:06:08,870 Of course, if you say 'mind,' yes, it's definitely there, 144 00:06:09,044 --> 00:06:13,690 The phone will send a text message, repeating just one sentence, 145 00:06:13,690 --> 00:06:18,083 But what that sentence is hasn't been decided yet, just one sentence, 146 00:06:18,123 --> 00:06:22,782 It keeps repeating, everyone present, including security, right? 147 00:06:22,796 --> 00:06:25,911 The theater's security, staff, and passersby, 148 00:06:25,911 --> 00:06:30,677 Everyone is saying this one sentence, and then it ends like this. 149 00:06:33,732 --> 00:06:41,660 Okay, let's get started now, let's talk about, 150 00:06:41,660 --> 00:06:47,513 Hmm, talk about whether you've been swept up, swept up, right? You have, don't you? 151 00:06:47,787 --> 00:06:53,143 Of course there is, talk about it, being swept up is like old thoughts, 152 00:06:53,143 --> 00:06:57,306 Old thoughts sweep up some very individual things, 153 00:06:57,666 --> 00:07:01,593 But the extent to which I've been swept up isn't very high, 154 00:07:01,593 --> 00:07:05,694 Because I'm a relatively self-centered person, 155 00:07:05,694 --> 00:07:10,317 Including I no longer have it now, recently, that nail art, including, 156 00:07:10,920 --> 00:07:15,389 Nail art, no, I can show you photos at the end, 157 00:07:15,389 --> 00:07:18,031 It can be edited in, then, uh, 158 00:07:18,031 --> 00:07:23,385 Then later, get your ears pierced and get a tattoo, then a tattoo, 159 00:07:23,385 --> 00:07:27,704 Check out your tattoo, uh, check out your tattoo, I just paid, 160 00:07:27,704 --> 00:07:31,541 Oh, I haven't started the tattoo yet, I just paid, 161 00:07:31,541 --> 00:07:34,632 This kind of thing, then, uh, these things are, 162 00:07:34,632 --> 00:07:36,700 Maybe the older generation or something, 163 00:07:36,700 --> 00:07:40,307 They see it as some very rebellious things, uh, yeah, yeah, 164 00:07:40,307 --> 00:07:45,017 Not part of these normal things, uh, 165 00:07:45,341 --> 00:07:47,744 So, I'm just more unconventional, 166 00:07:47,936 --> 00:07:49,979 I just step outside of these things, 167 00:07:49,979 --> 00:07:53,908 They basically can't hold me back, like when I came to Beijing, 168 00:07:54,184 --> 00:07:56,383 If I were heavily swept up in it, 169 00:07:56,383 --> 00:07:59,555 I probably wouldn't be carrying this now, uh, 170 00:07:59,567 --> 00:08:04,629 Are you a bit nervous? Not too bad, relax, hahaha, 171 00:08:04,641 --> 00:08:09,987 A bit nervous, not too bad, actually not too nervous, uh, uh, 172 00:08:10,366 --> 00:08:14,458 Tell me about why you came to Beijing, 173 00:08:14,659 --> 00:08:17,947 Why did you come to Beijing, come to Beijing, why did you come to act in this play, 174 00:08:21,219 --> 00:08:22,529 I've been preparing for a long time, 175 00:08:22,718 --> 00:08:27,157 I've been looking for opportunities to get into acting 176 00:08:27,224 --> 00:08:31,419 Like when I did ads before, and then acting too, 177 00:08:31,419 --> 00:08:35,193 It's like going from dreaming to creating dreams, 178 00:08:35,382 --> 00:08:39,355 a process of being immersed in the dream itself, 179 00:08:39,355 --> 00:08:43,329 Yeah, I'm someone who loves to dream a lot, including, 180 00:08:43,329 --> 00:08:48,623 I shouldn't always use 'including.' Like, take ads for example, 181 00:08:48,623 --> 00:08:53,318 and working on large-scale visual-merchandising projects and events, 182 00:08:53,431 --> 00:08:56,383 taking what's in my head and putting it into reality, 183 00:08:56,395 --> 00:09:01,127 and acting is about becoming part of it, 184 00:09:01,127 --> 00:09:06,409 wanting to become someone else, taking on another role, 185 00:09:06,409 --> 00:09:09,265 to live another life, another way of living, 186 00:09:09,349 --> 00:09:12,910 These things are basically impossible in real life, 187 00:09:12,922 --> 00:09:16,710 So this is the fundamental reason I'm here, 188 00:09:16,710 --> 00:09:21,359 I've been pursuing acting for quite some time, 189 00:09:21,359 --> 00:09:24,442 since I first started working, getting a job, 190 00:09:24,478 --> 00:09:27,979 when I first started my own company, 191 00:09:28,109 --> 00:09:32,353 That was the original intention; now and then I'd also work on children's plays, 192 00:09:32,364 --> 00:09:35,622 playing trees or rocks, it was kind of awkward, 193 00:09:35,622 --> 00:09:38,957 and this time I finally seized an opportunity, 194 00:09:39,112 --> 00:09:41,827 I can finally be part of this play. 195 00:09:41,827 --> 00:09:45,927 What do you think about theater? 196 00:09:45,927 --> 00:09:48,725 What do you think about theater? 197 00:09:48,979 --> 00:09:55,112 There's an old saying, 'Life is a play,' isn't there? 198 00:09:55,112 --> 00:10:00,962 Actually, theater is meant to reflect, 199 00:10:00,962 --> 00:10:07,377 to directly reflect things we commonly see, 200 00:10:07,404 --> 00:10:12,032 or even uncommon events. And theater, 201 00:10:12,326 --> 00:10:17,797 The word itself is really worth pondering. 202 00:10:17,797 --> 00:10:25,328 Aren't we all acting in life, or at work, 203 00:10:25,328 --> 00:10:30,545 in love, in a series of events, 204 00:10:30,545 --> 00:10:35,387 how many moments are there where we truly are ourselves? 205 00:10:35,387 --> 00:10:39,199 acting for bosses, acting for family, 206 00:10:39,199 --> 00:10:42,808 acting for all sorts of places, 207 00:10:42,859 --> 00:10:46,620 but theater is really fascinating. 208 00:10:46,941 --> 00:10:53,607 What do you think of the play 'Vortex'? 209 00:10:53,607 --> 00:10:54,793 What do you think of the play 'Vortex'? 210 00:10:54,897 --> 00:11:02,863 For the play 'Vortex,' are we spoiling it? 211 00:11:02,863 --> 00:11:05,927 Can't we spoil it? 212 00:11:05,927 --> 00:11:07,238 Sure, go ahead. 213 00:11:07,357 --> 00:11:10,819 That's the 'Vortex' scene, 214 00:11:10,819 --> 00:11:17,211 showing the tension between the male lead and multiple other characters, 215 00:11:17,235 --> 00:11:24,112 including the inner conflicts he faces with himself, 216 00:11:24,112 --> 00:11:27,017 you know? 217 00:11:27,042 --> 00:11:30,445 The 'Vortex' scene is more about, 218 00:11:30,457 --> 00:11:35,814 the setting it's based on, and I need to organize my thoughts, 219 00:11:36,084 --> 00:11:39,401 how to put it, organizing my words, 220 00:11:39,401 --> 00:11:44,733 the overall setting is built on the idea that a person can, 221 00:11:44,733 --> 00:11:49,893 if a person has no partner, they get reborn, then, 222 00:11:49,893 --> 00:11:53,849 yes, in such a social environment, 223 00:11:53,849 --> 00:11:58,677 then the most primal state of a person is triggered, 224 00:11:58,923 --> 00:12:00,508 unleashed. 225 00:12:00,557 --> 00:12:03,147 For some, it's, uh. 226 00:12:03,211 --> 00:12:08,972 longing, and not wanting to be reset, so they'll do anything, 227 00:12:08,972 --> 00:12:14,589 and others still maintain a high stance, 228 00:12:14,589 --> 00:12:19,030 yes, like Karla, even in this situation, 229 00:12:19,030 --> 00:12:24,071 even if life ends and resets, he won't lower himself, 230 00:12:24,071 --> 00:12:27,911 To blend into a lower tier, uh, one, 231 00:12:27,911 --> 00:12:33,228 This level, like in the 'Vortex' scene, 232 00:12:33,228 --> 00:12:38,257 Overall, it's quite realistic, and, uh. 233 00:12:38,521 --> 00:12:43,385 You could say it's chilling when you really think about it, 234 00:12:43,385 --> 00:12:46,044 It might be happening right around us, 235 00:12:46,044 --> 00:12:48,884 Then exaggerated to show it, 236 00:12:48,884 --> 00:12:52,729 It's like the pressure we asked about earlier, 237 00:12:52,729 --> 00:12:57,677 Then, a group of people swept along within an institution, and then, 238 00:12:57,833 --> 00:13:02,529 Showing different attitudes towards these issues. 239 00:13:02,577 --> 00:13:09,413 Uh, what do you think, like, 240 00:13:10,035 --> 00:13:14,212 Beifeng Theatre? 241 00:13:14,247 --> 00:13:16,047 What do you think of Beifeng Theatre? 242 00:13:16,047 --> 00:13:16,322 Hmm. 243 00:13:17,282 --> 00:13:20,125 Beifeng Theatre is pretty wild. Here, 244 00:13:20,125 --> 00:13:23,715 Even though we've only been in contact for a short time, like, 245 00:13:23,765 --> 00:13:27,555 Most everyone has met each other, then, 246 00:13:27,555 --> 00:13:31,209 Like our screenwriter, our various leads, 247 00:13:31,396 --> 00:13:34,675 We don't have a specific lead, but, 248 00:13:34,675 --> 00:13:39,537 But everyone's handling all the tasks, from all walks of life, 249 00:13:39,537 --> 00:13:43,926 More than I expected, the lineup was quite impressive, 250 00:13:43,926 --> 00:13:48,639 Really, there's all kinds of people, yet no one in particular, 251 00:13:48,676 --> 00:13:54,087 Like that thing, you know, that thing before, 252 00:13:54,112 --> 00:13:58,552 That "Mengzi" who went viral online, everyone laughs at Mengzi, 253 00:13:58,755 --> 00:14:02,942 Everyone's Mengzi, you know, everyone's just like that, 254 00:14:02,942 --> 00:14:07,749 Even in this scene, everyone's part of the whirlpool, 255 00:14:07,749 --> 00:14:12,505 And at the same time, we're also part of those who step out of the whirlpool, 256 00:14:12,505 --> 00:14:17,856 Speaking of Beifeng Theatre—Beifeng Theatre, uh, 257 00:14:17,856 --> 00:14:21,791 Unlike some other theatre companies, 258 00:14:21,791 --> 00:14:25,080 Because I've been involved with other groups, some doing comedy, 259 00:14:25,080 --> 00:14:29,064 Some doing stand-up comedy, like that stand-up group called Cao Tai, 260 00:14:29,064 --> 00:14:31,177 It's from Northeast China, then, 261 00:14:31,422 --> 00:14:35,939 It's just a different style, but, 262 00:14:35,951 --> 00:14:39,272 From what I know of Beifeng Theatre, I can say that 263 00:14:39,272 --> 00:14:43,912 They create very authentic works, addressing social phenomena, 264 00:14:44,406 --> 00:14:47,776 Including the previous "Iceberg" and other topics, 265 00:14:47,825 --> 00:14:52,342 They bring to the stage things people usually don't pay attention to, 266 00:14:52,342 --> 00:14:56,835 They bring things people don't see or think about to the table. 267 00:14:56,847 --> 00:14:59,945 It's very... I think Beifeng Theatre... 268 00:14:59,945 --> 00:15:04,179 I keep repeating 'Beifeng Theatre'; maybe I'm a bit nervous, 269 00:15:04,241 --> 00:15:07,857 Still, I don't have a specific, fair evaluation, 270 00:15:07,885 --> 00:15:15,520 But, to say, it's me, in my pursuit of this, 271 00:15:15,520 --> 00:15:20,419 acting, uh, this journey, it's a, 272 00:15:20,699 --> 00:15:26,819 truly excellent choice, well, for the future too, 273 00:15:26,819 --> 00:15:32,026 what kind of expectations, for which aspect of the future, 274 00:15:32,026 --> 00:15:35,773 on life itself, on life itself, on life, 275 00:15:35,773 --> 00:15:40,854 what expectations for the future of life, expectations for life's future, 276 00:15:41,275 --> 00:15:45,373 Actually, I don't have many expectations, basically, 277 00:15:45,373 --> 00:15:49,317 You see, we think, like, following that, 278 00:15:49,341 --> 00:15:53,099 that pyramid thing, what's it called, 279 00:15:53,123 --> 00:15:57,221 this Maslow or something, about those needs, 280 00:15:57,221 --> 00:16:00,967 Expectations for life, first and foremost is to live, 281 00:16:00,967 --> 00:16:05,076 This is easily satisfied, then what's the second, 282 00:16:05,076 --> 00:16:09,513 I've already forgotten, but it's basically this idea, 283 00:16:09,513 --> 00:16:13,029 Expectations for the future are, first and foremost, to survive, 284 00:16:13,029 --> 00:16:17,235 Then go after more things I want, like, 285 00:16:17,235 --> 00:16:21,102 Like getting a manicure, or skydiving, 286 00:16:21,102 --> 00:16:25,127 Doing things I like, even if the public, 287 00:16:25,149 --> 00:16:28,170 Can't understand, or just can't grasp the idea, 288 00:16:28,170 --> 00:16:30,124 More personal things, 289 00:16:30,124 --> 00:16:34,020 I'll do whatever I like, I think I probably won't, 290 00:16:34,020 --> 00:16:37,826 Well, what I feel for this—for Beifeng Theatre, for example— 291 00:16:37,860 --> 00:16:40,543 I love theater itself, but, um, 292 00:16:40,543 --> 00:16:44,181 While I love it, I probably won't abandon it, 293 00:16:44,181 --> 00:16:47,089 But I'll also pursue more, more, more, 294 00:16:47,089 --> 00:16:49,874 This is about the future, building on just surviving, 295 00:16:49,874 --> 00:16:53,467 Pursuing more things I want, 296 00:16:53,467 --> 00:16:58,900 Is there anything special you want to say to the camera, 297 00:16:58,900 --> 00:17:02,587 What they especially want to say to the camera, 298 00:17:02,659 --> 00:17:07,877 Not just saving the special things to say for the end, making a special feature, 299 00:17:07,924 --> 00:17:14,379 Everyone's special things to say to the camera, 300 00:17:14,379 --> 00:17:20,390 Damn, can this even be broadcast? You say, communism is crap, 301 00:17:20,596 --> 00:17:24,815 This is what I'd most want to say to the camera, not that, 302 00:17:24,815 --> 00:17:30,778 I'm not someone who blindly worships the West, but it really is dog shit—I mean, 303 00:17:30,794 --> 00:17:35,679 It's terrible, I've never liked this stuff since I was little, 304 00:17:35,679 --> 00:17:40,104 But you can't say it openly; if you do, 305 00:17:40,358 --> 00:17:44,101 you'll get shut down. I don't think this part will even air, 306 00:17:44,132 --> 00:17:48,351 Maybe switch it up. Let's talk about why it's dog shit, 307 00:17:48,367 --> 00:17:49,507 why it's dog shit, 308 00:17:49,609 --> 00:17:52,773 Because this thing, first of all, from the very beginning, 309 00:17:52,773 --> 00:17:55,803 the earliest times, five-year plans, five-year plans, 310 00:17:55,803 --> 00:17:58,811 Wasn't our primary goal to achieve moderate prosperity? 311 00:17:58,811 --> 00:18:02,687 But in reality, this 'prosperity' is a fake one, 312 00:18:02,687 --> 00:18:07,254 its overall central goal is completely fake, 313 00:18:07,254 --> 00:18:09,705 what's the difference from capital anyway? 314 00:18:09,950 --> 00:18:15,052 I've been thinking about this: it's still maintaining those, 315 00:18:15,052 --> 00:18:19,084 we don't judge people by status, but, 316 00:18:19,229 --> 00:18:21,791 when it comes to this matter, 317 00:18:21,847 --> 00:18:22,767 it's about, 318 00:18:22,870 --> 00:18:27,598 maintaining those in high positions or bureaucrats, 319 00:18:27,598 --> 00:18:31,650 or zaibatsu, to ensure their basic foundations, 320 00:18:31,650 --> 00:18:34,655 How do you use this word? I don't know how to use it, 321 00:18:34,655 --> 00:18:39,126 But I think the people in front of the camera might understand if this could be checked, 322 00:18:39,126 --> 00:18:40,733 they should be able to understand, 323 00:18:40,733 --> 00:18:44,227 really, the true underclass will always remain the underclass, 324 00:18:44,227 --> 00:18:47,860 Including a few years ago, Li Keqiang, I think, 325 00:18:47,860 --> 00:18:51,284 isn't it said that the well-off standard has already been achieved, 326 00:18:51,284 --> 00:18:54,777 the well-off standard has been achieved for many years now, 327 00:18:54,847 --> 00:18:56,512 I can't even remember, 328 00:18:56,730 --> 00:18:59,702 but this so-called well-off standard is too fake, 329 00:18:59,702 --> 00:19:03,538 because the data we publish shows the well-off standard is around tens of thousands, 330 00:19:03,538 --> 00:19:06,521 or maybe a few thousand, I've forgotten, then, 331 00:19:06,533 --> 00:19:08,568 but in reality, it's only a thousand or so, 332 00:19:08,638 --> 00:19:12,873 or living on just a few hundred yuan in subsistence benefits, 333 00:19:12,884 --> 00:19:16,943 there are still many people like that, and some cannot even receive those benefits, 334 00:19:16,943 --> 00:19:18,873 it's not that they don't qualify, 335 00:19:18,873 --> 00:19:22,956 but rather, like a classmate I had before, I won't mention the name, 336 00:19:22,956 --> 00:19:26,956 a classmate whose family is extremely wealthy, you could say, 337 00:19:27,085 --> 00:19:31,097 a rich second-generation heir driving a Porsche to collect subsistence benefits, 338 00:19:31,872 --> 00:19:36,042 It's kind of weird, I guess, not that I don't understand it, 339 00:19:36,042 --> 00:19:40,631 because people have long said that subsistence benefits are claimed by the rich, 340 00:19:40,631 --> 00:19:44,267 In today's society, the rich get richer, 341 00:19:44,420 --> 00:19:47,433 while the poor get poorer, 342 00:19:47,458 --> 00:19:52,823 And actually, this so-called freedom is also fake, 343 00:19:52,823 --> 00:19:56,891 There's no freedom of speech, no freedom of opinion, 344 00:19:56,891 --> 00:20:00,857 and no freedom of any kind, 345 00:20:00,857 --> 00:20:07,786 In foreign institutional terms, their approach is a bit too... 346 00:20:07,786 --> 00:20:08,917 respecting human rights, 347 00:20:08,949 --> 00:20:12,127 respecting human rights is kind of, well, appealing, 348 00:20:12,416 --> 00:20:15,322 But it also has some downsides, 349 00:20:15,386 --> 00:20:17,793 after all, everyone has their flaws, 350 00:20:17,793 --> 00:20:21,357 it's just a matter of which is relatively better, 351 00:20:21,357 --> 00:20:24,824 I might be an independent person, you know, 352 00:20:24,872 --> 00:20:28,211 So I think it's nonsense, way too fake, 353 00:20:28,275 --> 00:20:31,357 Too fake. Thank you. 354 00:20:34,373 --> 00:20:36,073 Say whatever's on your mind 355 00:20:36,073 --> 00:20:37,773 It's all very casual, very relaxed 356 00:20:37,773 --> 00:20:42,033 Okay, let's get started. 357 00:20:42,033 --> 00:20:43,873 Let's talk about it. 358 00:20:43,873 --> 00:20:45,253 So far, up to now. 359 00:20:45,253 --> 00:20:48,192 What do you think of Vortex 360 00:20:48,263 --> 00:20:50,423 What's your take on this? 361 00:20:50,423 --> 00:20:53,742 First off, I'm really happy. 362 00:20:53,753 --> 00:20:55,183 and to be able to take part in Vortex, 363 00:20:55,213 --> 00:20:56,433 This play's. 364 00:20:56,453 --> 00:20:58,153 In the process of creation. 365 00:20:58,153 --> 00:21:01,271 I feel it's different from what everyone thinks. 366 00:21:01,303 --> 00:21:03,503 In the traditional concept, it's a. 367 00:21:03,503 --> 00:21:05,983 Beautiful stage play. 368 00:21:06,043 --> 00:21:08,363 We're still more focused on. 369 00:21:08,363 --> 00:21:10,583 What we want to express and focus on. 370 00:21:10,623 --> 00:21:12,173 Some of these. 371 00:21:12,173 --> 00:21:13,763 Some things in this era. 372 00:21:13,793 --> 00:21:15,773 The voices of being swept along and resisting. 373 00:21:15,773 --> 00:21:18,373 I think this is still important. 374 00:21:18,373 --> 00:21:20,973 It's pretty cool, and I hope we can 375 00:21:20,973 --> 00:21:23,203 use this theatrical form 376 00:21:23,203 --> 00:21:24,563 to perform, and bring people 377 00:21:24,563 --> 00:21:26,543 some thoughts 378 00:21:26,543 --> 00:21:29,326 Actually, I understand this 379 00:21:29,383 --> 00:21:31,133 because this time we're creating 380 00:21:31,133 --> 00:21:33,613 like this space, where we're rehearsing today 381 00:21:33,633 --> 00:21:35,693 part, actually, my understanding 382 00:21:35,693 --> 00:21:37,053 it's not just a 383 00:21:37,053 --> 00:21:39,413 limited form of a play 384 00:21:39,413 --> 00:21:40,473 or a theatrical form 385 00:21:40,473 --> 00:21:43,673 it's more like a connection with the audience 386 00:21:43,673 --> 00:21:45,982 a work of synesthetic art 387 00:21:45,993 --> 00:21:46,542 or something 388 00:21:46,643 --> 00:21:49,683 feeling, hoping the audience will also feel 389 00:21:49,683 --> 00:21:51,803 this way, from multiple perspectives 390 00:21:51,803 --> 00:21:53,763 dimensions, and be able to mutually 391 00:21:53,763 --> 00:21:55,823 feel what we want to express 392 00:21:55,823 --> 00:21:57,743 And it can give them something to think about later 393 00:21:57,743 --> 00:21:59,173 Some thoughts to ponder 394 00:21:59,183 --> 00:22:03,243 How do you see it 395 00:22:03,243 --> 00:22:06,003 This play 396 00:22:06,003 --> 00:22:06,473 Its 397 00:22:06,603 --> 00:22:10,131 How do you see it specifically 398 00:22:10,363 --> 00:22:12,673 For example 399 00:22:12,673 --> 00:22:16,953 The current state of this play 400 00:22:16,953 --> 00:22:19,173 Are you talking about the current script? 401 00:22:19,173 --> 00:22:20,493 This current script 402 00:22:20,493 --> 00:22:24,763 Because there are still some parts to work on 403 00:22:24,763 --> 00:22:27,963 We still need creative space 404 00:22:27,963 --> 00:22:31,863 And actually, I think what we discussed back then 405 00:22:31,863 --> 00:22:34,992 This point was quite good 406 00:22:35,003 --> 00:22:39,233 It's about a genuine voice 407 00:22:39,233 --> 00:22:41,273 This voice might not be particularly pleasant 408 00:22:41,273 --> 00:22:42,583 Pleasant to hear, nice to look at 409 00:22:42,583 --> 00:22:42,853 But 410 00:22:42,853 --> 00:22:44,913 It's just real stuff, kind of like that 411 00:22:44,913 --> 00:22:46,493 a reflection of real-life environments 412 00:22:46,493 --> 00:22:49,160 Then we just let this play stand 413 00:22:49,203 --> 00:22:52,273 right there, and it just stays there 414 00:22:52,273 --> 00:22:53,693 And it's not about saying 415 00:22:53,693 --> 00:22:55,993 standing from a higher place 416 00:22:55,993 --> 00:22:57,193 a starting point 417 00:22:57,193 --> 00:22:59,673 lecturing the audience 418 00:22:59,733 --> 00:23:00,753 or any kind of format 419 00:23:00,753 --> 00:23:02,273 just like 420 00:23:02,273 --> 00:23:05,573 like a mirror, you know 421 00:23:05,573 --> 00:23:09,123 I see this play as more like a mirror 422 00:23:09,123 --> 00:23:13,233 So how do you 423 00:23:13,233 --> 00:23:14,843 see it, I mean 424 00:23:14,853 --> 00:23:16,579 Right now, in this play 425 00:23:16,603 --> 00:23:16,863 in this play 426 00:23:16,883 --> 00:23:20,633 the state of the entire cast 427 00:23:20,633 --> 00:23:23,383 my own state of mind 428 00:23:23,383 --> 00:23:27,746 I'm more of an observer, really. 429 00:23:27,883 --> 00:23:29,883 And working state. 430 00:23:29,883 --> 00:23:35,743 Can you talk about these two states? 431 00:23:35,743 --> 00:23:38,983 Because it's my first time here at P4. 432 00:23:38,983 --> 00:23:41,323 So I'm curious about a lot of things, 433 00:23:41,323 --> 00:23:43,063 like how we operate, 434 00:23:43,103 --> 00:23:44,143 how we run things, 435 00:23:44,143 --> 00:23:48,243 and I'm really curious about this approach, 436 00:23:48,243 --> 00:23:49,883 coming here, 437 00:23:49,883 --> 00:23:50,903 working state, 438 00:23:50,903 --> 00:23:53,373 Basically, I want to, 439 00:23:53,463 --> 00:23:56,833 if I were to look at it from a theater person's perspective, 440 00:23:56,833 --> 00:23:59,023 whether it could start from some creative development and rehearsal... 441 00:23:59,023 --> 00:23:59,603 some thoughts, 442 00:23:59,623 --> 00:24:00,743 some collisions, 443 00:24:00,743 --> 00:24:03,613 to really make this work, 444 00:24:03,613 --> 00:24:06,063 bring in some of my own thoughts, 445 00:24:06,063 --> 00:24:07,543 and have them presented. 446 00:24:07,543 --> 00:24:10,282 This is where I've thought a lot about. 447 00:24:10,323 --> 00:24:11,833 So these are the two states, right? 448 00:24:11,843 --> 00:24:14,933 More of that. 449 00:24:14,933 --> 00:24:19,063 So, what do you think of Beifeng Theatre? 450 00:24:19,063 --> 00:24:20,943 Beifeng Theatre? 451 00:24:20,943 --> 00:24:22,263 Beifeng Theatre... 452 00:24:22,263 --> 00:24:24,243 That's about it, I guess. 453 00:24:24,243 --> 00:24:25,350 Haha. 454 00:24:25,363 --> 00:24:25,853 I still 455 00:24:25,943 --> 00:24:27,003 Complaining, complaining. 456 00:24:27,003 --> 00:24:28,003 Not complaining. 457 00:24:28,003 --> 00:24:28,493 It's that. 458 00:24:28,723 --> 00:24:31,483 Because when I first joined this 459 00:24:31,483 --> 00:24:34,417 This place here, you know? 460 00:24:34,583 --> 00:24:36,863 There are also many mutual friends. 461 00:24:36,863 --> 00:24:39,353 Some mutual, mutual things. 462 00:24:39,363 --> 00:24:40,423 How to put it? 463 00:24:40,423 --> 00:24:41,962 Pushing it, I guess. 464 00:24:41,993 --> 00:24:43,493 So I found out about this 465 00:24:43,493 --> 00:24:45,233 Actually, among young people 466 00:24:45,233 --> 00:24:47,593 The P4 brand is also well known. 467 00:24:47,593 --> 00:24:48,843 So, about your 468 00:24:48,853 --> 00:24:50,553 But as for Beifeng Theatre, 469 00:24:50,553 --> 00:24:55,774 Actually, when I first started connecting with them 470 00:24:56,103 --> 00:24:56,703 Uh 471 00:24:56,803 --> 00:24:56,903 Uh 472 00:24:56,903 --> 00:24:58,364 Whether it's the copy 473 00:24:58,373 --> 00:25:00,141 Or uh 474 00:25:00,153 --> 00:25:03,683 and in our conversations, P4 didn't seem to come up 475 00:25:03,713 --> 00:25:05,740 There's no connection 476 00:25:05,763 --> 00:25:08,243 It makes the concept feel very vague 477 00:25:08,323 --> 00:25:08,793 Hmm 478 00:25:08,843 --> 00:25:11,483 I don't know if you're intentionally making it vague 479 00:25:11,483 --> 00:25:11,883 Hmm 480 00:25:11,883 --> 00:25:12,473 Or what's going on 481 00:25:12,483 --> 00:25:15,463 Because I'm not sure if you're trying to create two brands 482 00:25:15,463 --> 00:25:18,192 Or is one meant to be a community? 483 00:25:18,223 --> 00:25:19,773 And the other a brand? 484 00:25:19,783 --> 00:25:20,103 Hmm. 485 00:25:20,103 --> 00:25:21,303 Because this is indeed 486 00:25:21,303 --> 00:25:25,480 So I don't really have the authority to comment on this or say anything about it. 487 00:25:25,723 --> 00:25:26,833 Hmm. 488 00:25:26,833 --> 00:25:32,103 You're now a member of Beifeng Theatre, right? 489 00:25:32,103 --> 00:25:33,423 Yes, I'm a member. 490 00:25:33,423 --> 00:25:33,743 Mm, okay. 491 00:25:33,743 --> 00:25:34,683 Haha. 492 00:25:34,683 --> 00:25:36,263 Haha. 493 00:25:36,263 --> 00:25:40,533 So you don't feel like... 494 00:25:40,533 --> 00:25:48,231 You feel like there's a difference between theater and traditional theater? 495 00:25:48,256 --> 00:25:50,423 Do you need to distinguish between them? 496 00:25:50,423 --> 00:25:54,333 Or do you not really care about these things? 497 00:25:54,333 --> 00:25:54,613 Hmm. 498 00:25:54,613 --> 00:25:56,093 That's what I was just saying. 499 00:25:56,093 --> 00:25:59,493 If you're going to categorize theater, 500 00:25:59,493 --> 00:26:01,633 into a few categories, 501 00:26:01,633 --> 00:26:03,273 I think this form is— 502 00:26:03,273 --> 00:26:06,503 it's also a branch of theatre. 503 00:26:06,503 --> 00:26:07,663 But, 504 00:26:07,663 --> 00:26:08,153 Uh, 505 00:26:08,203 --> 00:26:11,293 It's just that, for me personally, 506 00:26:11,293 --> 00:26:16,103 or the thoughts generated by this era, 507 00:26:16,103 --> 00:26:16,573 Hmm, 508 00:26:16,703 --> 00:26:21,383 I'm still more interested in some more rebellious voices. 509 00:26:21,383 --> 00:26:23,243 Because without this part, 510 00:26:23,243 --> 00:26:24,243 he wouldn't be here. 511 00:26:24,243 --> 00:26:24,503 Right? 512 00:26:24,503 --> 00:26:26,953 nor could they become a member of Beifeng Theatre. 513 00:26:27,063 --> 00:26:28,043 So, 514 00:26:28,043 --> 00:26:30,423 Well, 515 00:26:30,423 --> 00:26:33,713 This is what I'm really interested in doing. 516 00:26:33,793 --> 00:26:34,463 Hmm 517 00:26:34,463 --> 00:26:37,433 Then, unlike other theatrical aspects 518 00:26:37,433 --> 00:26:41,484 For example, other dramas might more often showcase beauty 519 00:26:41,523 --> 00:26:44,093 Or carry some technical aspects, right? 520 00:26:44,093 --> 00:26:44,713 Tech-focused stuff 521 00:26:44,833 --> 00:26:48,343 Such things might be more widespread 522 00:26:48,433 --> 00:26:49,963 Whereas here 523 00:26:49,993 --> 00:26:52,973 What we're doing 524 00:26:52,973 --> 00:26:55,303 How to put it 525 00:26:55,303 --> 00:26:58,113 Feels more niche 526 00:26:58,113 --> 00:26:58,713 But 527 00:26:58,833 --> 00:27:01,343 It's still a unique form 528 00:27:01,353 --> 00:27:04,883 As I said, it leans more toward synesthetic art. 529 00:27:04,893 --> 00:27:09,669 Not like the traditional setup where audience and performers are separated 530 00:27:09,669 --> 00:27:12,623 A form with a clear barrier between them 531 00:27:12,623 --> 00:27:18,203 Mm, is it called connection or synesthesia? Synesthesia, synesthesia. 532 00:27:18,203 --> 00:27:26,883 There's an English word for synesthetic art... I've forgotten it. It's quite long. 533 00:27:26,883 --> 00:27:32,003 Connection? No, no, no. It should be... synesthetic art? 534 00:27:32,003 --> 00:27:38,933 Synesthesia, synesthesia, synesthesia. 535 00:27:38,933 --> 00:27:42,943 Right, that's it. Where did you get this concept from? 536 00:27:42,943 --> 00:27:46,323 Our company used to have this art form too. 537 00:27:46,323 --> 00:27:50,483 What we're doing—synesthesia isn't especially widespread in China, 538 00:27:50,753 --> 00:27:52,423 It is indeed, uh, 539 00:27:52,423 --> 00:27:55,183 It's part of the international art market. 540 00:27:55,183 --> 00:27:57,283 It's one of the major art forms. 541 00:27:57,283 --> 00:27:57,583 But, 542 00:27:57,583 --> 00:27:59,323 It is indeed, uh, a bit more niche. 543 00:27:59,323 --> 00:28:01,063 It's usually through, uh, 544 00:28:01,063 --> 00:28:05,803 For example, sound, poetry, or visual elements, 545 00:28:05,803 --> 00:28:09,283 anything that resonates with the audience, 546 00:28:09,283 --> 00:28:12,813 but it's not limited to just one theme for you to see, 547 00:28:12,883 --> 00:28:13,683 you just feel that way, 548 00:28:13,683 --> 00:28:15,133 it's not like that, 549 00:28:15,133 --> 00:28:15,603 so, 550 00:28:15,673 --> 00:28:17,973 I feel this is quite similar to what we're doing. 551 00:28:17,973 --> 00:28:19,453 I think the drama we're doing 552 00:28:19,453 --> 00:28:21,413 It is a form of synesthetic art. 553 00:28:21,413 --> 00:28:22,513 It already is. 554 00:28:22,513 --> 00:28:25,658 So what do you think now? 555 00:28:25,733 --> 00:28:27,713 In the course of rehearsing 556 00:28:27,713 --> 00:28:29,213 or putting it into practice, 557 00:28:29,213 --> 00:28:29,603 Hmm. 558 00:28:29,603 --> 00:28:30,073 Ah. 559 00:28:30,083 --> 00:28:35,413 Did you—you—feel this synesthesia? 560 00:28:35,413 --> 00:28:36,234 Yes, yes. 561 00:28:36,753 --> 00:28:37,853 Hmm. 562 00:28:37,853 --> 00:28:39,583 Where exactly? 563 00:28:39,583 --> 00:28:43,143 Or can you describe this feeling more specifically? 564 00:28:43,143 --> 00:28:43,613 Ah. 565 00:28:43,623 --> 00:28:49,463 I think that first sense of synesthesia came from meeting the person in charge and meeting Wenhao. 566 00:28:49,463 --> 00:28:49,883 Hmm. 567 00:28:49,883 --> 00:28:52,813 That sense of synesthesia had actually already begun. 568 00:28:52,823 --> 00:28:53,263 Oh. 569 00:28:53,263 --> 00:28:56,943 Because I think it was when we first met. 570 00:28:56,943 --> 00:28:59,583 We started talking about our ideas. 571 00:28:59,583 --> 00:29:00,423 I felt like 572 00:29:00,423 --> 00:29:02,553 Because there's this kind of 573 00:29:02,553 --> 00:29:05,851 acknowledging that this resonance exists 574 00:29:05,953 --> 00:29:08,463 we could work together on this 575 00:29:08,463 --> 00:29:10,163 Because at the beginning 576 00:29:10,163 --> 00:29:12,163 some other partners had already left 577 00:29:12,163 --> 00:29:12,563 Right? 578 00:29:12,563 --> 00:29:13,663 He didn't continue participating 579 00:29:13,663 --> 00:29:16,593 Then perhaps that synesthetic connection didn't continue. 580 00:29:16,663 --> 00:29:17,133 Hmm 581 00:29:17,163 --> 00:29:17,563 Ah 582 00:29:17,563 --> 00:29:21,283 I think if we can keep going until the end 583 00:29:21,283 --> 00:29:23,583 he must have a shared goal 584 00:29:23,583 --> 00:29:26,223 or something that leads to the same destination 585 00:29:26,283 --> 00:29:28,583 to support all of us working together to complete something 586 00:29:28,583 --> 00:29:29,053 Hmm 587 00:29:29,083 --> 00:29:31,873 So what do you think about the future? 588 00:29:31,873 --> 00:29:33,933 What kind of future do you expect? 589 00:29:33,933 --> 00:29:41,909 Or in what areas do you hope to develop this synesthesia further— 590 00:29:41,909 --> 00:29:43,903 To spread out more? 591 00:29:43,903 --> 00:29:48,103 Connect with more people or our audience? 592 00:29:48,103 --> 00:29:52,342 First, I think the play we're heading towards now... 593 00:29:52,353 --> 00:29:57,167 And I also hope to bring more through... 594 00:29:57,167 --> 00:29:58,350 Physical expression? 595 00:29:58,423 --> 00:30:00,193 Through music? 596 00:30:00,193 --> 00:30:04,900 Then give the audience something without words 597 00:30:04,923 --> 00:30:06,923 That they can feel without words. 598 00:30:06,923 --> 00:30:10,053 I think what sets this apart from spoken drama is— 599 00:30:10,053 --> 00:30:14,173 and also from the physical beauty and technique of dance theatre. 600 00:30:14,183 --> 00:30:14,583 Hmm. 601 00:30:14,583 --> 00:30:16,693 Maybe through physical movement? 602 00:30:16,693 --> 00:30:21,009 Through some abstract things. 603 00:30:21,313 --> 00:30:25,229 Maybe such things, not everyone may accept at first. 604 00:30:25,229 --> 00:30:26,153 Everyone may not accept it. 605 00:30:26,183 --> 00:30:31,892 But I hope that after the performance, the audience will have a very new 606 00:30:31,892 --> 00:30:33,243 a fresh experience, I hope 607 00:30:33,243 --> 00:30:33,443 Hmm 608 00:30:33,443 --> 00:30:36,683 Or if it can resonate with people, that would of course be best. 609 00:30:36,683 --> 00:30:36,763 Mm. 610 00:30:36,763 --> 00:30:42,623 And I also hope that, in the end, the play Vortex will be just as I expect it to be. 611 00:30:42,623 --> 00:30:46,783 I hope it can appear as a voice in society against 612 00:30:47,063 --> 00:30:47,963 being swept along. 613 00:30:48,563 --> 00:30:51,303 It may not be something everyone accepts 614 00:30:51,303 --> 00:30:53,793 Because what we're doing isn't about box office success 615 00:30:53,903 --> 00:30:56,538 Everyone who comes isn't there for box office success 616 00:30:56,623 --> 00:30:58,773 What we're doing is to create a voice 617 00:30:58,783 --> 00:31:03,033 This voice, I'm expressing myself 618 00:31:03,033 --> 00:31:04,553 As for how everyone understands it, 619 00:31:04,553 --> 00:31:05,613 that's up to them. 620 00:31:06,803 --> 00:31:09,873 Then I hope to express my own attitude. 621 00:31:09,923 --> 00:31:11,903 What's your attitude? 622 00:31:11,903 --> 00:31:14,503 My attitude is, umm. 623 00:31:14,503 --> 00:31:19,918 I don't want to live up to what society dictates as good. 624 00:31:20,023 --> 00:31:23,143 I want to live as I see it. 625 00:31:23,143 --> 00:31:27,863 I want to live a free and easy life as I imagine. 626 00:31:27,863 --> 00:31:33,293 Then, based on my values and life perspective, I live. 627 00:31:33,293 --> 00:31:35,183 But it must be, umm. 628 00:31:35,183 --> 00:31:37,793 at odds with society's very 629 00:31:37,793 --> 00:31:42,293 snobbish values. 630 00:31:42,293 --> 00:31:45,833 So my attitude is to be brave. 631 00:31:45,833 --> 00:31:47,303 Umm, umm. 632 00:31:47,303 --> 00:31:54,150 Do you think you'll become a brave person in your future life? 633 00:31:54,163 --> 00:31:55,651 I've always been. 634 00:31:55,663 --> 00:31:56,640 Umm. 635 00:31:56,993 --> 00:31:57,483 Oh. 636 00:31:57,483 --> 00:31:59,763 Haha. 637 00:31:59,763 --> 00:32:00,317 Thank you. 638 00:32:00,423 --> 00:32:02,203 OK, thanks. 639 00:32:04,073 --> 00:32:08,090 OK, good. Let's get started. 640 00:32:08,090 --> 00:32:12,759 So, tell me about yourself. 641 00:32:12,840 --> 00:32:17,726 Just getting by. 642 00:32:17,750 --> 00:32:22,121 What do you think of the play Vortex? 643 00:32:22,170 --> 00:32:25,319 I think it's about the things in this play, 644 00:32:25,390 --> 00:32:28,150 it happens to everyone, including me. 645 00:32:28,150 --> 00:32:33,524 it's like tossing and turning, then feeling a bit lost, 646 00:32:33,524 --> 00:32:36,480 but ultimately, I face and accept it. 647 00:32:36,480 --> 00:32:42,763 Do you feel like you're being swept along? 648 00:32:42,860 --> 00:32:47,337 I feel like I'm swept along too much, by life, 649 00:32:47,874 --> 00:32:55,033 by my own emotions, by money, by feelings, by everything. 650 00:32:55,620 --> 00:33:01,690 So, why do you think we're alive? 651 00:33:01,690 --> 00:33:08,176 It's about continuing, continuing strength, 652 00:33:08,285 --> 00:33:15,491 continuing bloodline, continuing spirit. 653 00:33:15,950 --> 00:33:18,331 Do you want to have a child? 654 00:33:18,420 --> 00:33:21,300 I do, very much so. 655 00:33:21,300 --> 00:33:26,197 What do you mean by 'bloodline'? 656 00:33:26,197 --> 00:33:29,420 Go ahead and tell me. 657 00:33:29,420 --> 00:33:36,840 Bloodline means family, a continuation of the family. 658 00:33:37,092 --> 00:33:42,005 Because for generations, if I don't have a son, 659 00:33:42,005 --> 00:33:43,870 it might end with me. 660 00:33:43,870 --> 00:33:47,660 Living, it's a lot of pressure. 661 00:33:47,660 --> 00:33:52,066 The pressure isn't that bad, if I really don't have one, 662 00:33:52,172 --> 00:33:53,778 I can accept it. 663 00:33:53,790 --> 00:33:58,358 Honestly, I don't care if it's a boy or a girl. 664 00:33:58,358 --> 00:34:00,790 It's just about continuation. 665 00:34:00,790 --> 00:34:05,770 How do you view love, for example? 666 00:34:05,770 --> 00:34:10,012 I've been asking myself this question today. 667 00:34:10,012 --> 00:34:15,000 Is it desire, or just a habit, 668 00:34:16,323 --> 00:34:21,860 or is it really that kind of love everyone longs for, 669 00:34:21,860 --> 00:34:25,405 where you're friends, comrades, and soulmates, 670 00:34:25,618 --> 00:34:28,750 a state where you're lovers too. 671 00:34:28,750 --> 00:34:31,930 I've been thinking about it a lot, given how many relationships I've had. 672 00:34:31,930 --> 00:34:36,141 Sometimes I feel sad or hurt, for me, 673 00:34:36,141 --> 00:34:40,840 with feelings, I just feel like I might be losing in this relationship. 674 00:34:40,840 --> 00:34:44,598 But sometimes it's really like that, 675 00:34:44,955 --> 00:34:48,123 It's that heart-wrenching pain. 676 00:34:48,370 --> 00:34:56,180 Because I used to admire my partner. 677 00:34:56,180 --> 00:34:57,772 That's right. 678 00:34:57,840 --> 00:34:58,860 That's how you could put it. 679 00:34:58,860 --> 00:34:59,514 Admire. 680 00:34:59,600 --> 00:35:00,713 Admire. 681 00:35:01,000 --> 00:35:07,140 I mean, I think of them as a mentor and a friend. 682 00:35:07,140 --> 00:35:11,523 But every time I end a relationship, 683 00:35:11,629 --> 00:35:17,470 I go back and think about why I ended it. 684 00:35:17,470 --> 00:35:21,910 I can't even figure it out myself. 685 00:35:21,910 --> 00:35:26,995 And the fact that I get to be part of Vortex, 686 00:35:27,477 --> 00:35:30,910 I think it's just part of the plan. 687 00:35:30,910 --> 00:35:34,660 How do you think about freedom? 688 00:35:34,660 --> 00:35:35,840 Freedom. 689 00:35:35,840 --> 00:35:40,880 I think freedom means being happy first and foremost. 690 00:35:40,880 --> 00:35:43,420 That's what freedom is to me. 691 00:35:43,600 --> 00:35:46,877 Because if you're happy inside, you're fine anywhere. 692 00:35:46,877 --> 00:35:49,100 Even in the bathroom, I'm fine. 693 00:35:49,100 --> 00:35:51,410 Are you happy? 694 00:35:51,410 --> 00:35:57,640 Right now, I'm not happy, very unhappy. 695 00:35:57,640 --> 00:36:01,480 What's holding me back? What's holding me back? 696 00:36:01,480 --> 00:36:04,310 It's the so-called love. 697 00:36:04,310 --> 00:36:11,679 You know, just a couple of days ago, over drinks, I was solemnly telling someone 698 00:36:12,001 --> 00:36:16,370 Telling others I'm coming back, I'm coming back. 699 00:36:16,370 --> 00:36:20,043 Because there are many friends around me who support and recognize me, 700 00:36:20,043 --> 00:36:22,832 Everyone thinks I'm capable, 701 00:36:22,930 --> 00:36:25,720 That my energy isn't just like this. 702 00:36:25,720 --> 00:36:27,617 OK, I also think that way, 703 00:36:27,617 --> 00:36:30,560 At that time, it felt like a whirlpool, right in the moment, 704 00:36:30,835 --> 00:36:32,588 When it really happens to you, 705 00:36:32,681 --> 00:36:34,843 I felt like I suddenly fell to the bottom, 706 00:36:34,843 --> 00:36:40,007 But I feel like I'm still holding onto the edge of the cliff with one hand, 707 00:36:40,007 --> 00:36:42,040 But if I let go, I might fall. 708 00:36:42,040 --> 00:36:48,831 But if I climb up, I don't know what the view is like above, 709 00:36:48,831 --> 00:36:54,016 But if I let go, I'm dead for sure, so... 710 00:36:54,034 --> 00:36:58,782 I don't even know what happiness or unhappiness feels like right now, 711 00:36:59,027 --> 00:37:01,523 I don't know what happiness is anymore, 712 00:37:01,855 --> 00:37:07,476 Even though I'm speaking well now, I don't know what happiness is, 713 00:37:07,476 --> 00:37:10,200 Even if they gave me money right now, 714 00:37:10,270 --> 00:37:14,459 and sent me to the place I've always wanted to go, 715 00:37:14,459 --> 00:37:16,310 I couldn't guarantee it. 716 00:37:16,310 --> 00:37:16,947 Hmm. 717 00:37:17,215 --> 00:37:23,924 I think I can be quick, 718 00:37:23,924 --> 00:37:30,018 happy? Is that okay to say? 719 00:37:30,080 --> 00:37:36,550 Of course. What do you think of Beifeng Theatre? 720 00:37:36,550 --> 00:37:42,672 I don't know Beifeng Theatre very well; I only know everyone feels familiar, 721 00:37:42,672 --> 00:37:47,883 Actually, I have many friends all over the world, 722 00:37:48,111 --> 00:37:49,615 maybe just meeting once, 723 00:37:49,721 --> 00:37:53,504 I could call him brother, 724 00:37:53,808 --> 00:37:56,603 that feeling everyone shares, 725 00:37:56,619 --> 00:38:01,282 and I get that same feeling at Beifeng Theatre, 726 00:38:01,282 --> 00:38:07,967 This is also a kind of love for me, without any strings attached, 727 00:38:07,967 --> 00:38:12,555 no ulterior motives, just between people, 728 00:38:12,641 --> 00:38:19,403 A love that clicks, maybe my understanding of love isn't clear, 729 00:38:19,403 --> 00:38:23,742 I'm learning love, just as I am, 730 00:38:23,810 --> 00:38:30,081 People think, 'Oh my god, you're an artist, ' 731 00:38:30,081 --> 00:38:34,759 How are you? What you do is, 732 00:38:34,776 --> 00:38:38,335 But before joining this drama, 733 00:38:38,335 --> 00:38:44,029 I was deeply stuck in a dilemma of self-doubt, 734 00:38:44,029 --> 00:38:47,470 I know that's not good. 735 00:38:47,470 --> 00:38:54,490 What do you think drama is? 736 00:38:54,490 --> 00:39:01,307 For me, drama is just, well, for me, 737 00:39:01,984 --> 00:39:04,240 It's just life. 738 00:39:04,240 --> 00:39:09,889 Right now, at this point in your 739 00:39:09,889 --> 00:39:13,510 life? 740 00:39:13,643 --> 00:39:15,700 What moment? 741 00:39:15,700 --> 00:39:19,173 I'm in a pit full of thorns, 742 00:39:19,173 --> 00:39:23,367 But I still have a chance to climb out, myself, 743 00:39:23,487 --> 00:39:27,871 I know I have a chance to climb out, 744 00:39:27,871 --> 00:39:32,702 Unless I can't bear the pain, I can endure it, 745 00:39:32,702 --> 00:39:37,962 I'll get out, the wound will heal, and I can keep moving up. 746 00:39:37,979 --> 00:39:42,793 If I can't hold on, I'll die right here in this pit. 747 00:39:42,810 --> 00:39:45,620 Have you had these thoughts lately? 748 00:39:45,620 --> 00:39:47,740 I've always had them, especially lately. 749 00:39:47,740 --> 00:39:51,704 Actually, every time I went there before, 750 00:39:51,704 --> 00:39:59,421 when I went to practice in Wangjing, I was avoiding myself a bit. 751 00:39:59,440 --> 00:40:06,030 Because I've gone through some things myself. 752 00:40:06,111 --> 00:40:10,004 Facing some issues, I know, 753 00:40:10,004 --> 00:40:16,239 Some people might have gone through worse than I have, you know, 754 00:40:16,239 --> 00:40:22,312 But I still choose to get out of this pit, 755 00:40:22,312 --> 00:40:29,975 I don't want to die here, because I don't think I'll die from this, 756 00:40:30,117 --> 00:40:37,087 When I say 'die,' I mean my spirit, not my body, 757 00:40:37,087 --> 00:40:38,758 That's it. 758 00:40:38,860 --> 00:40:42,323 Any thoughts you'd like to share? 759 00:40:42,323 --> 00:40:48,040 The most important thing to say? 760 00:40:48,040 --> 00:40:53,669 To myself, or to this camera? 761 00:40:53,880 --> 00:40:54,508 Either way. 762 00:40:54,560 --> 00:40:59,740 Live in the moment, 763 00:41:00,699 --> 00:41:05,111 Be content and happy. 764 00:41:05,111 --> 00:41:12,912 This is what I want to say most. 765 00:41:13,743 --> 00:41:15,470 That's it. 766 00:41:15,470 --> 00:41:23,260 Okay, that's the end of the interview. 767 00:41:23,260 --> 00:41:24,370 Okay. 768 00:41:30,252 --> 00:41:32,175 - Should I drag you by the legs or by the arms? 769 00:41:32,393 --> 00:41:34,564 - By the legs, otherwise... - Then let's do the legs. 770 00:41:34,593 --> 00:41:37,733 - Dragging by the legs is fine. I'll do it again. - Give it a try. 771 00:41:37,733 --> 00:41:45,263 - The kind you need to act out, you know, like - Struggle. 772 00:41:45,263 --> 00:41:47,243 - Struggle - Struggle. 773 00:41:47,243 --> 00:41:54,017 - Struggle - Struggle. 774 00:41:54,063 --> 00:41:56,447 - Turn around, like this, 775 00:41:56,447 --> 00:41:59,533 - Turn around, then - Yeah, right, right. 776 00:41:59,533 --> 00:42:02,503 - Right, right, struggle - Is this audio okay? 777 00:42:02,683 --> 00:42:05,963 - This is kind of like an animation - Hahaha. 778 00:42:05,963 --> 00:42:13,741 - Like Tom and Jerry or something... 779 00:42:13,741 --> 00:42:20,183 stuff - Not chosen yet, not chosen yet. 780 00:42:20,208 --> 00:42:22,693 - Won't hit anymore - Yeah. 781 00:42:22,693 --> 00:42:28,183 - Anyway, everyone can, yeah, feel free to give feedback. 782 00:42:28,183 --> 00:42:31,415 Is it starting? 783 00:42:31,531 --> 00:42:36,363 No music in this part? 784 00:42:38,214 --> 00:42:43,992 Three ways to come out, 785 00:42:43,992 --> 00:42:50,250 Which one looks better to everyone? 786 00:42:50,335 --> 00:42:56,959 Okay, okay, 787 00:42:57,636 --> 00:43:03,640 Okay, too fast. This is one way, 788 00:43:03,668 --> 00:43:11,505 Because I used to wear a full suit, 789 00:43:11,505 --> 00:43:17,791 sliding is better, 790 00:43:17,791 --> 00:43:24,528 Another one, the second one, this is good, 791 00:43:24,528 --> 00:43:31,237 This one, like this, the third one, 792 00:43:31,237 --> 00:43:34,986 Try another one? 793 00:43:34,986 --> 00:43:40,145 Maybe even better, 794 00:43:40,145 --> 00:43:46,798 Now I go out, I either crawl like this, 795 00:43:46,798 --> 00:43:53,676 or crawl like this. It makes sense, 796 00:43:53,676 --> 00:43:59,990 I think crawling like this, and now it's like this, 797 00:44:02,864 --> 00:44:10,821 Don't worry about anything, don't be idle. Okay, come on, 798 00:44:10,821 --> 00:44:17,079 Okay, okay, okay. Right, don't worry about anything, 799 00:44:17,079 --> 00:44:24,893 Even though I didn't see anything, I'm not sure how to say it, uh, 800 00:44:24,893 --> 00:44:29,822 Whatever, yeah, whatever, whatever, 801 00:44:29,822 --> 00:44:34,874 Just call it whatever, interact, 802 00:44:34,874 --> 00:44:41,317 Not interacting yet, no, 803 00:44:41,317 --> 00:44:43,424 Not enough interaction, 804 00:44:43,424 --> 00:44:49,969 That's too much mental preparation. 805 00:44:49,969 --> 00:44:57,291 First lower your guard; you need to interact with me. 806 00:44:57,291 --> 00:45:04,000 Right—[inaudible] on display; you can do whatever you want. 807 00:45:04,125 --> 00:45:05,330 Play around with it more, play around with it more. 808 00:45:05,330 --> 00:45:06,510 As long as it doesn't look human. 809 00:45:06,510 --> 00:45:08,230 [inaudible] on display. 810 00:46:22,340 --> 00:46:24,860 No—because I'm in front. How am I supposed to show it? 811 00:46:24,860 --> 00:46:28,230 But when you drag them, make it look a bit like dragging a person. 812 00:46:28,230 --> 00:46:29,190 the burst of that, 813 00:46:29,190 --> 00:46:30,330 Then I use my mouth, 814 00:46:30,330 --> 00:46:31,410 with my feet biting down on it, 815 00:46:31,410 --> 00:46:33,510 Not when dragging, 816 00:46:33,510 --> 00:46:35,370 You might not be like that, 817 00:46:35,370 --> 00:46:36,850 dragging like this, 818 00:46:36,850 --> 00:46:37,920 you have a discovery for me, 819 00:46:37,920 --> 00:46:39,649 it's possible when dragging, 820 00:46:39,660 --> 00:46:40,850 it's also dragged like this, 821 00:46:40,850 --> 00:46:47,850 it's even different, 822 00:46:47,850 --> 00:46:49,383 it's clearly a person, 823 00:46:49,503 --> 00:46:51,940 If you're not going to treat him as a person, 824 00:46:51,940 --> 00:46:52,960 if you treat him as a person, 825 00:46:52,960 --> 00:46:56,040 then treat him like an object, 826 00:46:56,040 --> 00:46:59,228 you have to treat him like an object. 827 00:46:59,240 --> 00:47:00,949 Don't treat him as a person 828 00:47:09,990 --> 00:47:16,687 Don't treat him like an object—oh, no, don't treat him like a person; 829 00:47:16,845 --> 00:47:19,110 treat him like an object. Give it a try. 830 00:47:19,110 --> 00:47:21,360 Let's all sit this way 831 00:47:21,370 --> 00:47:23,170 Then Guo Qian is one of our audience 832 00:47:23,170 --> 00:47:24,230 One of the audience 833 00:47:24,230 --> 00:47:26,843 Who is Guo Qian? 834 00:47:28,856 --> 00:47:40,554 I think anything is fine—anything is fine. Just don't think, don't think. 835 00:47:40,554 --> 00:47:47,628 Don't think of yourself as a person. Don't think of yourself as a person. 836 00:47:47,750 --> 00:47:49,150 Don't treat him like a person. 837 00:47:49,150 --> 00:47:50,140 A state of mind. 838 00:47:50,140 --> 00:47:54,160 Don't treat him like a person. 839 00:47:54,160 --> 00:47:57,070 Don't treat anyone like a person. 840 00:47:57,070 --> 00:47:59,890 It should feel like no burden at all. 841 00:47:59,890 --> 00:48:01,060 We need to imagine the audience. 842 00:48:01,060 --> 00:48:04,390 Let's get the audience to this position first. 843 00:48:12,810 --> 00:48:16,570 It's fine, it's fine. Just push through, 844 00:48:16,570 --> 00:48:18,930 just part the audience and it'll be fine. 845 00:48:18,930 --> 00:48:20,830 Maybe the second option. 846 00:48:20,830 --> 00:48:22,950 The second option. 847 00:48:22,950 --> 00:48:24,130 And make the audience think 848 00:48:24,130 --> 00:48:25,060 He might not like to hear it. 849 00:48:25,060 --> 00:48:28,480 Technically. 850 00:48:28,480 --> 00:48:31,152 Artistically. 851 00:48:31,170 --> 00:48:33,734 Just be casual 852 00:48:33,780 --> 00:48:34,481 Be casual 853 00:48:34,650 --> 00:48:35,870 Really relaxed 854 00:48:35,870 --> 00:48:36,850 Don't ever 855 00:48:36,850 --> 00:48:37,890 Don't worry 856 00:48:45,080 --> 00:48:45,620 No good. 857 00:48:46,770 --> 00:48:51,480 Music at the beginning? What music? 858 00:48:55,640 --> 00:48:56,760 No music. 859 00:48:58,870 --> 00:49:01,650 No—start acting first. No music. Start acting. 860 00:49:15,830 --> 00:49:20,210 Come on, come on. 861 00:52:05,660 --> 00:52:09,650 I think it's pretty good. 862 00:52:09,650 --> 00:52:10,017 This... 863 00:52:10,030 --> 00:52:11,699 This feels right. 864 00:52:11,710 --> 00:52:13,660 Not human anymore. 865 00:52:13,660 --> 00:52:15,362 Not human anymore. 866 00:52:15,390 --> 00:52:16,858 Right. 867 00:52:16,910 --> 00:52:17,030 Right. 868 00:52:17,120 --> 00:52:17,550 Right. 869 00:52:17,550 --> 00:52:19,680 Not human anymore. 870 00:52:19,840 --> 00:52:22,130 Bang, bang, bang. Cue the music, cue the music. 871 00:52:25,630 --> 00:52:28,600 Cue the music. Come on. 872 00:52:28,600 --> 00:52:34,620 If you [inaudible] like this, will that work for us? 873 00:52:39,430 --> 00:52:40,450 No, it's fine. 874 00:52:40,450 --> 00:52:41,650 Even if the audience is sitting here, 875 00:52:41,650 --> 00:52:45,750 just lift him away. 876 00:52:45,750 --> 00:52:52,046 Just push him back. 877 00:52:52,610 --> 00:52:55,120 Anyway, this is the energy I've got—[inaudible]. 878 00:52:55,120 --> 00:52:56,540 Okay. 879 00:52:56,540 --> 00:52:58,160 Right, that's the feeling. 880 00:52:58,160 --> 00:53:00,870 [inaudible]. 881 00:53:00,870 --> 00:53:03,080 Right. 882 00:53:03,080 --> 00:53:04,177 Exactly. 883 00:53:04,230 --> 00:53:07,490 If you're going to be irritable, be a bit more irritable. 884 00:53:07,490 --> 00:53:11,523 This light needs to be on. 885 00:53:11,550 --> 00:53:12,038 Where's the light? 886 00:53:12,050 --> 00:53:12,698 Turn on the light. 887 00:53:12,710 --> 00:53:13,370 Open the door. 888 00:53:13,370 --> 00:53:15,010 The moment the door opens, the light should come on. 889 00:53:15,010 --> 00:53:15,930 Turn on the light. 890 00:53:15,930 --> 00:53:16,678 The audience might sit here. 891 00:53:16,790 --> 00:53:18,320 Oh dear. 892 00:53:18,320 --> 00:53:19,165 There is. 893 00:53:19,350 --> 00:53:21,180 But some audience just stays like that. 894 00:53:21,180 --> 00:53:22,880 If he won't move, just yank him away. 895 00:53:22,880 --> 00:53:24,630 Then he'll lie across there. 896 00:53:24,630 --> 00:53:25,870 Yeah, yeah, yeah. 897 00:53:25,870 --> 00:53:26,810 The audience won't have it. 898 00:53:47,370 --> 00:53:50,740 [inaudible]. 899 00:53:50,740 --> 00:53:51,020 No. 900 00:53:51,020 --> 00:53:51,674 [inaudible]. 901 00:53:51,820 --> 00:53:54,163 Your family? 902 00:53:54,730 --> 00:53:56,420 Doesn't my mom argue just for the sake of it? 903 00:53:56,420 --> 00:53:57,500 Oh, come on. 904 00:53:57,500 --> 00:53:59,560 And you're from Tianjin. 905 00:53:59,560 --> 00:54:00,160 I mean, 906 00:54:00,160 --> 00:54:04,540 then you'd have to change professions, right? 907 00:54:04,540 --> 00:54:07,230 How could you act so stupid? 908 00:54:07,230 --> 00:54:08,190 What are you filming? 909 00:54:08,190 --> 00:54:08,850 What are you filming? 910 00:54:08,850 --> 00:54:11,600 Just film it. 911 00:54:11,600 --> 00:54:13,620 Someone's coming to see 912 00:54:13,620 --> 00:54:13,880 Mm. 913 00:54:13,880 --> 00:54:15,210 [inaudible]. 914 00:54:15,210 --> 00:54:15,490 Mm. 915 00:54:15,490 --> 00:54:20,840 [inaudible]. 916 00:54:20,840 --> 00:54:24,600 Who turns on the main light? 917 00:54:24,600 --> 00:54:32,110 [inaudible] 918 00:54:32,110 --> 00:54:35,273 Where does this scene end? 919 00:54:35,300 --> 00:54:37,650 I think you just haven't done enough filming. 920 00:54:37,650 --> 00:54:39,389 In that rented room of yours, 921 00:54:39,400 --> 00:54:41,480 you couldn't come out looking like this. 922 00:54:41,480 --> 00:54:44,020 You're definitely the kind who [inaudible]. 923 00:54:44,020 --> 00:54:44,940 I haven't edited it yet. 924 00:54:44,940 --> 00:54:45,594 I haven't edited 925 00:54:45,740 --> 00:54:46,700 the first scene yet. 926 00:54:46,700 --> 00:54:48,340 When you walk in from the door 927 00:54:48,340 --> 00:54:49,440 You should 928 00:54:49,440 --> 00:54:51,000 Take those things off the wall 929 00:54:51,000 --> 00:54:52,120 Then over here 930 00:54:52,120 --> 00:54:52,768 Over here 931 00:54:52,780 --> 00:54:53,950 Look at these things 932 00:54:53,950 --> 00:54:55,350 Just their comments 933 00:54:55,350 --> 00:54:56,910 These, these are their messages 934 00:54:56,910 --> 00:54:59,910 Assuming it's us 935 00:54:59,910 --> 00:55:02,020 [inaudible]. 936 00:55:02,020 --> 00:55:02,910 Right. 937 00:55:02,910 --> 00:55:04,460 That's a little heavy. 938 00:55:04,460 --> 00:55:06,508 This is a little heavy. 939 00:55:06,520 --> 00:55:07,960 I mean, you can—you can 940 00:55:07,960 --> 00:55:08,320 on your own 941 00:55:08,410 --> 00:55:09,680 comment on his... right, 942 00:55:09,680 --> 00:55:11,400 all of his... 943 00:55:11,400 --> 00:55:12,360 what do you call it, 944 00:55:12,360 --> 00:55:13,380 that love... 945 00:55:13,380 --> 00:55:20,030 What was that declaration of love called, or something like that? 946 00:55:20,030 --> 00:55:26,450 A declaration of love: 'Love is like eating potato chips.' 947 00:55:26,450 --> 00:55:27,641 [inaudible] 948 00:55:27,990 --> 00:55:29,339 [inaudible] 949 00:55:29,350 --> 00:55:37,000 The more you eat, the more satisfying it gets. 950 00:55:37,000 --> 00:55:40,140 Anyway, that's what I mean. The main thing is: how does this scene end? 951 00:55:40,140 --> 00:55:41,320 How does this part end? 952 00:55:41,320 --> 00:55:41,940 No 953 00:55:41,940 --> 00:55:43,140 You should walk over there 954 00:55:43,140 --> 00:55:46,100 Then speak before you quickly walk to the bed 955 00:55:46,100 --> 00:55:47,180 Then after getting into bed 956 00:55:47,180 --> 00:55:48,520 Just rub it 957 00:55:48,520 --> 00:55:50,040 Then just rush out 958 00:55:50,040 --> 00:55:50,760 You're still asleep 959 00:55:50,877 --> 00:55:56,210 The music should actually start here, understand? Just tell me when to start. 960 00:55:56,210 --> 00:55:56,870 Right, right, right. 961 00:55:56,870 --> 00:56:00,270 Isn't that the sequence? The music starts as soon as the door opens. 962 00:56:00,270 --> 00:56:03,870 Isn't that the musical effect? Is this the overture? 963 00:56:03,870 --> 00:56:08,520 The overture, yes. This is the overture.