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She isn’t only acting.

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She’s already directing the camera.

3
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Before she bends, she imagines

4
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how the body will look.

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The director recognizes the habit:

6
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He once did the same thing

7
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as an actor, carrying the frame

8
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inside himself, managing every gesture

9
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before anyone asked.

10
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Then he names the alternative:

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trust the collaboration.

12
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An actor can think

13
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about the image.

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But when she must protect

15
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the image alone, performance becomes

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self-surveillance. So who is directing

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whom—the filmmaker, the actor,

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or the camera already living

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inside both of them?